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"What stayed with me": Art, Conviviality, and Culture in William Carlos Williams and Gary Snyder “留在我身边的东西”:威廉·卡洛斯·威廉姆斯和加里·斯奈德的艺术、欢乐和文化
0 POETRY Pub Date : 2023-06-01 DOI: 10.5325/willcarlwillrevi.40.1.0122
M. Long
abstract:This article traces the development of a poetics of local experience, knowledge, and speech in William Carlos Williams and Gary Snyder. Reading Williams's essays alongside Snyder's journals, letters, interviews, and prose essays, I argue that Snyder's ideas about language and place are deeply and intricately related to Williams's modernist dedication to the problem of living together in place—of cultivating through creative work a convivial local culture. This communal orientation, while implicit in Williams's ideas about the generosity of art, is developed in Snyder's ecological reckoning with the loss of biological and cultural diversity and his embrace of what I call a poetics of conviviality and care.
文摘:本文追溯了威廉·卡洛斯·威廉姆斯和加里·斯奈德关于地方经验、知识和言论的诗学的发展。在阅读威廉姆斯的文章以及斯奈德的期刊、信件、采访和散文文章时,我认为斯奈德关于语言和地点的想法与威廉姆斯对在当地共同生活问题的现代主义奉献精神有着深刻而复杂的关系,即通过创造性的工作培养欢乐的当地文化。这种公共取向,虽然隐含在威廉姆斯关于艺术慷慨的思想中,但在斯奈德对生物和文化多样性丧失的生态思考中,以及他对我所说的欢乐和关怀诗学的拥抱中,得到了发展。
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引用次数: 0
The Zen-inflected Cosmological Imaginations of William Carlos Williams and Alan Watts 威廉·卡洛斯·威廉姆斯和艾伦·沃茨的禅宗宇宙学想象
0 POETRY Pub Date : 2023-06-01 DOI: 10.5325/willcarlwillrevi.40.1.0051
Enaiê Mairê Azambuja
abstract:The effervescent cultural scene of the West Coast in the 1950s—particularly regarding movements such as the San Francisco Renaissance and the Beat Generation—was influenced by Eastern thought and religious practices. These were disseminated by figures such as the Japanese scholar D.T. Suzuki and the Bay Area-based and self-proclaimed "philosophical entertainer" Alan Watts. Along with Watts, another influential figure for the West Coast poets—having even served as mentor to Allen Ginsberg—was William Carlos Williams. This essay argues that, influenced by Zen Buddhist principles, both Williams and Watts propose a vision of the imagination as a cosmological force capable of merging the material and transcendental dimensions of reality. This essay suggests that Williams's and Watts's concepts and their understanding of Zen Buddhist ideas deeply affected the works of the West Coast poets and laid the foundations for their cross-cultural interests as well as their experimentation with poetics and spirituality.
20世纪50年代西海岸活跃的文化景象,尤其是旧金山文艺复兴和垮掉的一代等运动,受到了东方思想和宗教实践的影响。这些都是由日本学者D.T.铃木和湾区自称“哲学艺人”的艾伦·沃茨等人物传播的。与瓦茨一起,西海岸诗人中另一位有影响力的人物——甚至曾担任艾伦·金斯伯格的导师——是威廉·卡洛斯·威廉姆斯。本文认为,在禅宗原则的影响下,威廉姆斯和瓦茨都提出了一种想象的愿景,即一种能够融合现实的物质维度和超越维度的宇宙学力量。本文认为,威廉斯和瓦茨的概念及其对禅宗思想的理解深深影响了西海岸诗人的作品,为他们的跨文化兴趣以及对诗学和精神的实验奠定了基础。
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引用次数: 0
William Carlos Williams and the Traditions of Georgic 威廉与乔治的传统
0 POETRY Pub Date : 2022-12-01 DOI: 10.5325/willcarlwillrevi.39.2.0187
Sam Hushagen
ABSTRACT:Long linked to pastoral, Williams’s engagement with the literary past is more complex than critics recognize. His emphasis on formal mediation and compositional method rather than rigid convention connect him to traditions of georgic that emphasize the craftwork of writing poems. Particularly in Spring and All, Williams engages georgic to critically examine the classical “praise of spring” motif and rethink dominant accounts of perceptual experience.
摘要:长期以来,威廉斯与田园诗联系在一起,他与文学历史的关系比评论家们所认识到的要复杂得多。他强调正式的调解和写作方法,而不是严格的惯例,将他与强调写诗工艺的传统联系在一起。特别是在《春与万物》中,威廉姆斯让乔治批判性地审视了经典的“赞美春天”主题,并重新思考了感性经验的主流说法。
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引用次数: 0
Two American Poets—Wallace Stevens & William Carlos Williams: From the Collection of Alan M. Klein. The Grolier Club, New York, 2019. 两位美国诗人——华莱士·史蒂文斯和威廉·卡洛斯·威廉姆斯:选自艾伦·m·克莱因作品集。2019年,纽约,格罗利尔俱乐部。
0 POETRY Pub Date : 2022-12-01 DOI: 10.5325/willcarlwillrevi.39.2.0231
C. Macgowan
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引用次数: 0
Open Form in American Poetry: Essays by Burton Hatlen. Ed. Bruce Holsapple. U of Maine P, 2021. 309 pp. plus seven color plates. ISBN 978-0-89101-131-6. $28.00. 美国诗歌中的开放形式:伯顿·哈特伦随笔。布鲁斯·霍尔斯普尔。缅因大学,2021年。309页,加上7个彩板。ISBN 978-0-89101-131-6。28.00美元。
0 POETRY Pub Date : 2022-12-01 DOI: 10.5325/willcarlwillrevi.39.2.0234
Alec Marsh
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引用次数: 0
William Carlos Williams Bibliography 2021
0 POETRY Pub Date : 2022-12-01 DOI: 10.5325/willcarlwillrevi.39.2.0242
Simon D. Trüb
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引用次数: 0
William Carlos Williams’s The Dog and the Fever: Baroque Proto-Modernism as American Modernist Innovation 威廉·卡洛斯·威廉姆斯的《狗与狂热:巴洛克原始现代主义作为美国现代主义的创新》
0 POETRY Pub Date : 2022-12-01 DOI: 10.5325/willcarlwillrevi.39.2.0135
Jonathan Cohen
ABSTRACT:William Carlos Williams’s translation of the Spanish Golden Age novella El perro y la calentura (The Dog and the Fever), by Pedro Espinosa, is a major work in Williams’s canon that has yet to receive the degree of attention it deserves from scholars. The omission from scholarly understanding of this translation of proto- modern fiction limits the full appreciation of both his development and his achievement as a major American author. My essay examines the translation and its importance to Williams, his idea of modernism, and his epic verse.
摘要:威廉·卡洛斯·威廉姆斯翻译的西班牙黄金时代中篇小说《狗与发烧》(佩德罗·埃斯皮诺萨)是威廉·卡洛斯·威廉姆斯经典作品中的一部重要作品,但尚未得到学者们应有的重视。学术上对这种原现代小说翻译的缺失,限制了对他作为美国主要作家的发展和成就的充分认识。我的文章考察了翻译及其对威廉姆斯的重要性,他的现代主义思想,以及他的史诗诗。
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引用次数: 0
Ekphrastic Copresence: “The Hunters in the Snow” as a Style of Poetic Access 语言的再现:《雪中猎人》作为一种诗意的接近风格
0 POETRY Pub Date : 2022-12-01 DOI: 10.5325/willcarlwillrevi.39.2.0215
Zachary Tavlin
ABSTRACT:This article departs from J. Hillis Miller’s notion of “copresence” in Williams’s poetry to consider ekphrasis as a specific mode of access to the world, revealing differences between art forms as differences between how and what they make present. It focuses, as a primary example, on Williams’s “The Hunters in the Snow,” from Pictures from Brueghel.
摘要:本文从米勒在威廉姆斯诗歌中的“在场”概念出发,将短语视为一种特定的接近世界的方式,揭示了艺术形式之间的差异,即它们如何呈现和呈现什么内容的差异。作为一个主要的例子,它关注的是威廉姆斯的《雪中的猎人》(The Hunters in The Snow),出自布鲁盖尔的作品。
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引用次数: 0
Williams’s Profundity: Pragmatic Naturalism and Distributed Poetic Thinking 威廉姆斯的深刻性:语用自然主义与分布式诗学思维
0 POETRY Pub Date : 2022-12-01 DOI: 10.5325/willcarlwillrevi.39.2.0160
James Searle
ABSTRACT:This essay reads Williams’s poetry and poetics from the vantage of pragmatic naturalism to clarify the philosophical and pedagogical importance of Kora in Hell: Improvisations. Drawing on the work of John Dewey and contemporary philosophy of mind, it both reconsiders the status of things and objects in Williams’s compositional practice and clarifies the poet’s radical claims for the enabling role of poetry and the arts for human agency and thinking.
摘要:本文从语用自然主义的角度解读威廉姆斯的诗歌和诗学,以阐明《地狱里的可拉:即兴创作》在哲学和教学上的重要性。它借鉴了约翰·杜威的作品和当代心灵哲学,重新思考了事物在威廉姆斯创作实践中的地位,并阐明了诗人对诗歌和艺术对人类能动性和思维的促进作用的激进主张。
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引用次数: 0
Cristina Giorcelli, Botteghe Oscure e la letteratura statunitense, Roma, Edizioni di Storia e Letteratura, 2021, pp. 378. 克里斯蒂娜·乔雷利,《黑暗商店与美国文学》,罗马,《历史与文学》,2021年,第378页。
0 POETRY Pub Date : 2022-06-01 DOI: 10.5325/willcarlwillrevi.39.1.0131
C. Giorcelli
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引用次数: 0
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WILLIAM CARLOS WILLIAMS REVIEW
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