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Archaeo-Becoming, Zarankin-Centrism and Contaminated Presents 古演化、扎兰金中心主义和被污染的礼物
0 ARCHAEOLOGY Pub Date : 2020-11-24 DOI: 10.1558/jca.36915
Andrés Zarankin, Iván Zigarán
Some time ago Cristobal Gnecco and Henry Tantalean had the provocative idea of encouraging a reflection about the way archaeologists and non-archeologists change their lives by working and existing together. This encounter between people is not considered important, or material for analysis for archaeology. However, they are “contaminants” (in the sense of both being affected by one another). In the specific case of Antarctica, these other “actors” are non-human (there are no native people – besides the researchers and logistic personnel). Animals, things, light/darkness, cold, snow, landscapes, etc., are the “actors” with which we interact. It is from this contact through time, that we change them and ourselves as well. This “contaminations” end affecting the histories we build and the way we do it. At the same time, I have asked myself several times: where in our academic texts are the experiences that marked us? The adventures? The sadness? The smiles and spilled tears? Another issue in my history as an archaeologist was the work at concentration camps from the last dictatorship in Argentina. The people I have met, the materiality from these places of destruction, affected and changed me. It is in this sense that this work is a personal self-reflection of my affective and transformative “relationship” with these two themes in which I have been working during the past 20 years.
不久前,克里斯托瓦尔·格内科和亨利·坦塔坦提出了一个具有挑衅性的想法,鼓励人们反思考古学家和非考古学家如何通过共同工作和生存来改变他们的生活。这种人与人之间的相遇不被认为是重要的,也不被认为是考古学分析的材料。然而,它们是“污染物”(在相互影响的意义上)。在南极洲的特殊情况下,这些其他的“演员”是非人类的(除了研究人员和后勤人员之外,没有当地人)。动物、事物、光/暗、寒冷、雪、风景等等,都是我们与之互动的“演员”。正是通过这种时间的接触,我们改变了他们,也改变了我们自己。这种“污染”最终会影响我们所建立的历史和我们创造历史的方式。与此同时,我也多次问自己:在我们的学术文本中,那些标志着我们的经历在哪里?冒险吗?悲伤?微笑和洒下的眼泪?在我作为考古学家的历史中,另一个问题是在阿根廷最后一个独裁统治时期的集中营工作。我遇到的人,来自这些毁灭之地的物质,影响并改变了我。从这个意义上说,这件作品是我个人对这两个主题的情感和变革“关系”的自我反思,我在过去的20年里一直在研究这两个主题。
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引用次数: 0
“To Thee Do We Send Up Our Sighs”: Documenting Twentieth-Century Marian Shrines in the Republic of Ireland “向你献上我们的叹息”:记录二十世纪爱尔兰共和国的玛丽安神庙
0 ARCHAEOLOGY Pub Date : 2020-11-24 DOI: 10.1558/jca.37704
E. Campbell
Public Marian shrines are a ubiquitous element of rural and urban landscapes in the Republic of Ireland. Largely dating from the mid-twentieth century, the monuments formed part of a broader process of reconfiguring the Irish landscape in the post-Independence period. In this photo essay I explore the monuments, reflecting on how they served to articulate restrictive gender norms influenced by nationalist discourse and Catholic teaching. I also look at contemporary material practices associated with the shrines and their role in more vernacular forms of Marian devotion outside the tightly regulated space of the Catholic Church.
公共玛丽安神庙是爱尔兰共和国乡村和城市景观中无处不在的元素。这些纪念碑大部分可以追溯到20世纪中期,是独立后爱尔兰景观重新配置的更广泛过程的一部分。在这篇摄影文章中,我探索了这些纪念碑,反思了它们是如何在民族主义话语和天主教教义的影响下阐明限制性性别规范的。我还研究了与神殿相关的当代物质实践以及它们在天主教教堂严格监管的空间之外的更乡土形式的玛丽安奉献中所扮演的角色。
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引用次数: 0
American Afterlives: Ghosts in the Commodity 美国人的余生:商品中的幽灵
0 ARCHAEOLOGY Pub Date : 2020-03-11 DOI: 10.1558/jca.36898
S. Dawdy
In the United States, death practices have been undergoing a rapid transformation in the last 20 years. Moves towards creative, individualized observances are accompanied by new material practices. I deploy ethnographic examples of three entrepreneurs who make objects from cremated human remains. The entities discussed here cannot be comfortably called either human or non-human. They are both. And they are designed to facilitate on ongoing relationship with the dead. These new entities are not exactly commodities, although they may be produced through similar means. Embraced primarily by agnostics, they are not exactly religious relics, although they contain preserved parts of the human body. They come closest to being a personal fetish, or a radically material type of ghost.
在过去的20年里,美国的死亡实践经历了快速的转变。创造性的、个性化的纪念活动伴随着新的材料实践。我举了三个企业家的例子,他们用火化的人类遗骸制作物品。这里讨论的实体不能轻松地称为人类或非人类。两者都是。它们的设计是为了促进与死者的持续关系。这些新的实体虽然可以通过类似的方式生产,但并不完全是商品。它们主要被不可知论者所接受,虽然它们包含了保存完好的人体部分,但它们并不是确切的宗教遗物。它们最接近个人恋物,或者是一种根本的物质类型的鬼魂。
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引用次数: 1
New light on an old problem: Child-related archaeological finds and the impact of the ‘Radburn’ council estate plan. 一个老问题的新亮点:与儿童有关的考古发现和“拉德本”委员会遗产计划的影响。
0 ARCHAEOLOGY Pub Date : 2020-03-11 DOI: 10.1558/JCA.39686
C. Lewis, Ian Waites
This paper uses new data from archaeological excavations to explore the effectiveness of the ‘Radburn’ layout used in many post-war social housing estates. This aimed to provide healthy living environments for less-affluent families by fronting homes onto communal pedestrianised ‘greens’ enabling people to circulate and children to ‘play out’ safely near their homes. However, many Radburn estates are now socially deprived and explanations for this have included suggestions that the Radburn plan was inappropriate to the wants and needs of resident families. Analysis of twenty small archaeological excavations carried out in 2016 by residents of a Radburn-type council estate in Lincolnshire recovered lost aspects of its heritage including a large number of child-related items from sites on the communal greens. This suggests that the greens were indeed used as intended for children’s play, undermining suggestions that inappropriate design was a significant factor in the decline of estates such as this.
本文使用考古发掘的新数据来探索战后社会住房中使用的“Radburn”布局的有效性。该项目旨在为不太富裕的家庭提供健康的生活环境,将住宅朝向公共步行“绿地”,使人们能够在家中走动,孩子们能够安全地“玩耍”。然而,许多Radburn庄园现在被社会剥夺,对此的解释包括Radburn计划不适合居民家庭的需求。2016年,林肯郡radburn型议会地产的居民对20个小型考古发掘进行了分析,恢复了其遗产丢失的方面,包括公共绿地上大量与儿童有关的物品。这表明果岭确实是用来供孩子们玩耍的,这削弱了不适当的设计是导致此类庄园衰落的重要因素的说法。
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引用次数: 0
Gamma-Ray Spectrometry as a Tool for Exploring Archaeological Nuclear Facilities: A Case Study from the Nevada Test Site Nuclear Rocket Development Station 伽马射线能谱法作为探索考古核设施的工具:来自内华达试验场核火箭发展站的案例研究
0 ARCHAEOLOGY Pub Date : 2020-03-11 DOI: 10.1558/jca.36566
Ben McGee
Since its first demonstration in the early 2000s, the exploration of gamma-ray spectrometry (GRS) applications as a geophysical tool in archaeology remains nascent. While intentional neutron activation, which requires a gamma-ray analysis, has seen increasing use as a geoforensics technique in archaeology, little or no research has been published concerning the possibility of GRS as an industrial archaeological tool for use in exploring nuclear sites or facilities where neutron activation and surface contamination may have already occurred. Consequently, the use of GRS as a geophysical tool for the archaeological investigation of abandoned or decommissioned nuclear facilities is proposed, demonstrated, and discussed using a case study from the Nevada Test Site Nuclear Rocket Development Station.
自21世纪初首次演示以来,伽玛射线能谱法(GRS)作为地球物理工具在考古学中的应用探索仍处于起步阶段。虽然需要伽玛射线分析的故意中子活化已被越来越多地用作考古学中的地质法医技术,但很少或没有发表关于GRS作为工业考古工具用于探索可能已经发生中子活化和表面污染的核场所或设施的可能性的研究。因此,利用GRS作为一种地球物理工具,对废弃或退役的核设施进行考古调查,并以内华达州核试验场核火箭开发站为例进行了建议、论证和讨论。
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引用次数: 0
Beyond the Ruins of Embobut: Transforming Landscapes and Livelihoods in the Cherangani Hills, Kenya 超越化身的废墟:改变肯尼亚切兰加尼山的景观和生计
0 ARCHAEOLOGY Pub Date : 2019-11-01 DOI: 10.1558/jca.38591
Samuel Lunn-rockliffe
The Embobut Forest, western Kenya, can be described as an entanglement of ruins. These ruins are the materialisation of a series of contested ecological debates and political decisions pivoting on the questions of conservation and community rights to land that have resulted in the violent dislocation of local Sengwer and Marakwet communities. In the first instance, this paper aims to contextualise these debates by offering an analytic focus on the process of ruination in order to offer a more nuanced narrative of landscape modification and changing human lives over the past century. Subsequently, I look beyond processes of ruination and towards notions of transformation, in an attempt expound how Embobut has not become a static world of passive ruins but rather is constantly changing as novel forms of dwelling and new ecological relationships continue to unfold in a manner not envisaged by conservation policy.
肯尼亚西部的Embobut森林可以说是一片废墟。这些废墟是一系列有争议的生态辩论和政治决定的具体化,这些辩论和政治决策围绕着保护和社区土地权问题,导致了当地森格维尔和马拉克韦社区的暴力错位。首先,本文旨在通过对毁灭过程进行分析,将这些辩论置于背景中,以便对过去一个世纪的景观改造和人类生活的变化进行更细致的叙述。随后,我超越了毁灭的过程,转向了转型的概念,试图阐述Embobut如何没有成为一个被动废墟的静态世界,而是随着新的居住形式和新的生态关系的不断发展而不断变化,这是保护政策所没有设想的。
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引用次数: 2
Archaeology, Heritage and Performance in the Perth Popular Music Scene 珀斯流行音乐现场的考古、遗产和表演
0 ARCHAEOLOGY Pub Date : 2019-11-01 DOI: 10.1558/jca.36005
S. Winter, B'geella Romano
The city of Perth, Western Australia, has a long-running local popular music scene. Music is performed live in pubs and clubs, but it is often only a secondary reason for the running of these venues – consequently, the physical heritage of this music scene is often forgotten, with little memorialisation of the places and people involved in it. Archaeological investigation of one of these longer-running venues – the Fly By Night Club, a music venue from 1986 to 2015 – recovered a range of material culture that largely provides evidence of social encounters within the audience rather than of the many performers who have played at the Fly. The material evidence challenges the notion of modern music as capitalist commodity, including the idea of audiences as passive entities that exist in a subordinate position to performers, who occupy a privileged position within the paradigm of live music. Instead, the audience is shown to have considerable agency in the way it enhances its own enjoyment of live music, and to be an active participant in the social process of live musical performance.
西澳大利亚州的珀斯市有着悠久的当地流行音乐。音乐是在酒吧和俱乐部现场表演的,但这通常只是这些场所运营的次要原因——因此,这一音乐场景的物质遗产往往被遗忘,几乎没有对参与其中的地方和人进行纪念,1986年至2015年的一个音乐场所——恢复了一系列物质文化,这些文化在很大程度上提供了观众内部社交接触的证据,而不是在Fly演奏过的许多表演者的证据。物证挑战了现代音乐作为资本主义商品的概念,包括观众作为被动实体的概念,这些被动实体存在于表演者的从属地位,表演者在现场音乐的范式中占据特权地位。相反,观众在增强自己对现场音乐的享受方面具有相当大的能动性,并积极参与现场音乐表演的社会过程。
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引用次数: 1
Phantom Brickworks: Antimetaphors of the Property Crisis in Spain 幻影砖厂:西班牙房地产危机的反隐喻
0 ARCHAEOLOGY Pub Date : 2019-11-01 DOI: 10.1558/jca.36289
Pablo Arboleda
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引用次数: 0
Archaeologies of the Present and Sedimented Futures: Reflections from Lake Titicaca, Bolivia 现在和沉积的未来的考古:玻利维亚喀喀湖的反思
0 ARCHAEOLOGY Pub Date : 2019-08-02 DOI: 10.1558/JCA.33817
Andrew P. Roddick
In this article, I argue for the merits of a future-oriented ethnoarchaeology that engages recent critiques of ethnoarchaeology and underscores the material traces of our own practices. I develop such an approach by discussing the recent work of the Proyecto Ollero Titicaca Sur, an archaeological, ethnographic, and historic project that explores ceramic craft production in the Lake Titicaca basin, Bolivia. This research was originally framed as an analogy-driven ethnoarchaeological project, connecting dynamics of pottery production with research into crafting communities in the deeper past. However, ongoing work has revealed a community defined not just by the material traces of a historical tradition but also by differential and “arrested” futures. This plurality of futures includes the often-unacknowledged relationship of the ethnoarchaeologist to a larger landscape of development.
在这篇文章中,我主张以未来为导向的民族考古学的优点,它涉及最近对民族考古学的批评,并强调了我们自己实践的物质痕迹。我通过讨论Proyecto Ollero Titicaca Sur最近的工作来发展这种方法,该项目是一个考古、民族志和历史项目,旨在探索玻利维亚喀喀湖流域的陶瓷工艺生产。这项研究最初被定义为一个类比驱动的民族考古项目,将陶器生产的动态与对更深层次的手工艺社区的研究联系起来。然而,正在进行的工作揭示了一个不仅由历史传统的物质痕迹定义的社区,还由差异和“被捕”的未来定义的社区。这种未来的多样性包括民族考古学家与更大的发展景观之间经常未被承认的关系。
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引用次数: 6
Should Archaeology Have a Future? 考古学应该有未来吗?
0 ARCHAEOLOGY Pub Date : 2019-06-18 DOI: 10.1558/JCA.33840
LouAnn Wurst
Archaeologists have recently been discussing what the future may hold for archaeology, a focus firmly situated within the context that the discipline of archaeology is authentic and legitimate and deserves to have a future. In this paper, I want to challenge these ideas and think instead about whether archaeology should even have a future. This line of reasoning is developed by examining the relationship between capitalism and the academy, neoliberal transformations to higher education, and some of the ways that archaeologists have responded. I conclude with some suggestions for alternatives, both for those working within the dominant capitalist academic structures themselves and those that eschew capitalism itself.
考古学家们最近一直在讨论考古学的未来,他们认为考古学的学科是真实的、合法的,应该有一个未来。在这篇论文中,我想挑战这些观点,转而思考考古学是否应该有未来。这条推理路线是通过考察资本主义与学院之间的关系、新自由主义向高等教育的转变,以及考古学家的一些回应方式来发展的。最后,我提出了一些可供选择的建议,这些建议既适用于那些在占主导地位的资本主义学术结构内部工作的人,也适用于那些回避资本主义本身的人。
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引用次数: 28
期刊
Journal of Contemporary Archaeology
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