Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23408
Javier Romero
Abstract: Biosemiotics is the synthesis of biology and semiotics, and its main purpose is to show that semiosis is a fundamental component of life, i. e., that signs and meaning exist in all living systems. Biosemiotics is experiencing a growing interest in semiotics, with important epistemological results. This paper makes a brief analysis of biosemiotics to highlight the novelty of this theory when interpreting the signs of human and non-human nature.
{"title":"BIOSEMIÓTICA: HACIA UNA TEORÍA GENERAL DE LOS SIGNOS DE LA NATURALEZA HUMANA Y NO HUMANA","authors":"Javier Romero","doi":"10.5944/signa.vol29.2020.23408","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23408","url":null,"abstract":"Abstract: Biosemiotics is the synthesis of biology and semiotics, and its main purpose is to show that semiosis is a fundamental component of life, i. e., that signs and meaning exist in all living systems. Biosemiotics is experiencing a growing interest in semiotics, with important epistemological results. This paper makes a brief analysis of biosemiotics to highlight the novelty of this theory when interpreting the signs of human and non-human nature.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"87 1","pages":"787-805"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81119467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27218
Aroa Rabadán
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{"title":"Reseña de: Elena HERNÁNDEZ SANDOICA (ed.). ROSARIO DE ACUÑA, HIPATIA (1850-1923). EMOCIÓN Y RAZÓN. (Madrid: Abada Editores, 2019, 352 págs.)","authors":"Aroa Rabadán","doi":"10.5944/signa.vol29.2020.27218","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27218","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"4 1","pages":"953-956"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81388043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23956
Carlos Frühbeck Moreno
Resumen: El objetivo de este articulo es aportar nuevas perspectivas sobre la lectura de la poesia con la ayuda de la teoria de la relevancia y la retorica. Con el monologo dramatico como punto de referencia, se prestara atencion al estatuto del poema como texto persuasivo y a la naturaleza de la enunciacion. Para terminar, se analizaran dos poemas de Jose Hierro y Pedro Provencio. Abstract: This paper aims to provide new perspectives on reading poetry with the support of Relevance Theory and Rhetoric. While studying dramatic monologue, we will focus on the poem as a persuasive text and on the characteristics of enunciation. Last, two poems by Jose Hierro and Pedro Provencio will be analyzed.
摘要:本文的目的是在关联理论和修辞理论的帮助下，为诗歌阅读提供新的视角。以戏剧独白为参考点，关注诗歌作为有说服力的文本的地位和表达的性质。最后，我们分析了Jose Hierro和Pedro Provencio的两首诗。Abstract: This paper,以提供new perspectives on阅读poetry with the Theory and Rhetoric的支持。同时在学习护monologue, we will focus on the poem as a persuasive text and on the enunciation特征。最后，Jose Hierro和Pedro Provencio的两首诗将被分析。
{"title":"EL MONÓLOGO DRAMÁTICO EN LA POESÍA ESPAÑOLA CONTEMPORÁNEA: JOSÉ HIERRO Y PEDRO PROVENCIO","authors":"Carlos Frühbeck Moreno","doi":"10.5944/signa.vol29.2020.23956","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23956","url":null,"abstract":"Resumen: El objetivo de este articulo es aportar nuevas perspectivas sobre la lectura de la poesia con la ayuda de la teoria de la relevancia y la retorica. Con el monologo dramatico como punto de referencia, se prestara atencion al estatuto del poema como texto persuasivo y a la naturaleza de la enunciacion. Para terminar, se analizaran dos poemas de Jose Hierro y Pedro Provencio. Abstract: This paper aims to provide new perspectives on reading poetry with the support of Relevance Theory and Rhetoric. While studying dramatic monologue, we will focus on the poem as a persuasive text and on the characteristics of enunciation. Last, two poems by Jose Hierro and Pedro Provencio will be analyzed.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"8 1","pages":"415-444"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91145849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27163
María Paz Moreno
Abstract: Documentaries have experienced, since the late Twentieth Century, an important subjunctive change becoming a perfect space for the narrative and visual experimentation in order to show intimacy. From this premise, we want to demonstrate that this change has an evident consequence: there is a new me which builds a story around itself and that, besides, in the case of the film speech built by women, this (her) self hasspecial features to take into account.
{"title":"LA INTIMIDAD EN EL CINE DE NO FICCIÓN: UN’ORA SOLA TI VORREI, DE ALINA MARAZZI","authors":"María Paz Moreno","doi":"10.5944/signa.vol29.2020.27163","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27163","url":null,"abstract":"Abstract: Documentaries have experienced, since the late Twentieth Century, an important subjunctive change becoming a perfect space for the narrative and visual experimentation in order to show intimacy. From this premise, we want to demonstrate that this change has an evident consequence: there is a new me which builds a story around itself and that, besides, in the case of the film speech built by women, this (her) self hasspecial features to take into account.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"54 1","pages":"61-80"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73967929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27211
Kamil Seruga
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{"title":"Reseña de: Urszula ASZYK. FUERA DE CONTEXTO. OBRAS DRAMÁTICAS, MOTIVOS Y MITOS ESPAÑOLES EN EL TEATRO POLACO (Varsovia: Museo de la Historia del Movimiento Popular Polaco, 2017, 335 págs.)","authors":"Kamil Seruga","doi":"10.5944/signa.vol29.2020.27211","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27211","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"52 1","pages":"923-926"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73830474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27197
José Horacio Rosales Cueva, Yudi Andrea Quintana Torres
espanolResumen: Las tensiones intersubjetivas causadas por la intencion de las personas de apropiarse y ganar privilegios en el espacio publico es el asunto de este escrito que expone resultados de una investigacion semiotica. Los testimonios de los actores de estos conflictos, en las calles de Duitama,Colombia, fueron analizados con el modelo de las practicas semioticas.Con los resultados se construyo un esquema descriptivo de la estrategia de delegacion de la responsabilidad en otro por parte del yo del enunciado. De este modo, la instancia de enunciacion justifica el quehacer conflictivo en la escena practica del espacio publico. EnglishAbstract: The intersubjective tensions caused by the intention of people toappropriate and gain privileges in the public space is the subject of this paperthat exposes the outcomes of a semiotic investigation. The testimonies ofthe actors of these conflicts, in the streets of Duitama, Colombia, wereanalyzed with the model of semiotic practices. A descriptive scheme ofthe strategy of delegation of responsibility in another by the self of thestatement was constructed with the results. In this way, the enunciationinstance justifies the disagreeing task in the practical scene of the publicspace.
{"title":"RECURRENCIA DEL INCUMPLIMIENTO DE LA NORMA EN EL ESPACIO PÚBLICO DE DUITAMA, COLOMBIA","authors":"José Horacio Rosales Cueva, Yudi Andrea Quintana Torres","doi":"10.5944/signa.vol29.2020.27197","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27197","url":null,"abstract":"espanolResumen: Las tensiones intersubjetivas causadas por la intencion de las personas de apropiarse y ganar privilegios en el espacio publico es el asunto de este escrito que expone resultados de una investigacion semiotica. Los testimonios de los actores de estos conflictos, en las calles de Duitama,Colombia, fueron analizados con el modelo de las practicas semioticas.Con los resultados se construyo un esquema descriptivo de la estrategia de delegacion de la responsabilidad en otro por parte del yo del enunciado. De este modo, la instancia de enunciacion justifica el quehacer conflictivo en la escena practica del espacio publico. EnglishAbstract: The intersubjective tensions caused by the intention of people toappropriate and gain privileges in the public space is the subject of this paperthat exposes the outcomes of a semiotic investigation. The testimonies ofthe actors of these conflicts, in the streets of Duitama, Colombia, wereanalyzed with the model of semiotic practices. A descriptive scheme ofthe strategy of delegation of responsibility in another by the self of thestatement was constructed with the results. In this way, the enunciationinstance justifies the disagreeing task in the practical scene of the publicspace.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"58 1","pages":"191-202"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74140685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27168
Nadia Mékouar-Hertzberg
Resumen: Proponemos una lectura de Un cuarto propio conectado (Zafra), centrado en la cuestion de la intimidad en el contexto de desarrollo acelerado e irreversible de Internet. En la estela de Woolf, el cuarto propio sigue siendo un lugar propicio para la emergencia de intimidades femeninas y feministas, centros de gestion del yo y de las relaciones de poder. Sin embargo, la dinamica y la forma de esa intimidad evolucionan bajo el impulso de la digitalizacion. Veremos como, a medio camino entre ensayo, autobiografia y cuento, el texto de Zafra configura una nueva cartografia de la intimidad, de sus fronteras y de sus funciones. Abstract: We propose an analysis of Un cuarto propio conectado (Zafra), focused on the issue of privacy in the context of the accelerated and irreversible development of the Internet. In the wake of Woolf, the notion of a room of one’s own continues to be the very place where the emergence of feminine and feminist intimacies becomes possible, a center of management for the self and power relationships. However, the dynamics and form of intimacy have evolved through digitalization. We will see how, halfway between an essay, an autobiography and a short story, Zafra’s text maps out a new cartography of intimacy, its borders and its functions.
摘要:我们提出了一个关于连接自己的房间(Zafra)的阅读，聚焦于互联网加速和不可逆转发展的背景下的隐私问题。在伍尔夫之后，自己的房间仍然是女性和女权主义亲密关系出现的有利场所，是自我管理和权力关系的中心。然而，这种亲密关系的动态和形式在数字化的推动下不断演变。我们将看到，在散文、自传和故事之间，扎夫拉的文本如何配置一种新的亲密关系地图，它的边界和它的功能。摘要:我们提出了一个连接自己的房间(Zafra)的分析，重点是在互联网加速和不可逆转发展的背景下的隐私问题。在伍尔夫的时代，一个人的房间的概念仍然是女性和女权主义亲密关系的出现成为可能的地方，是自我和权力关系的管理中心。然而，亲密的动态和形式是通过数字化发展起来的。We will see how halfway between an essay, an autobiography and a short story,恐惧' s text new地图绘制地图out of intimacy, its borders及其职能。
{"title":"INTIMIDADES CONECTADAS. REFLEXIONES SOBRE UN CUARTO PROPIO CONECTADO, DE REMEDIOS ZAFRA","authors":"Nadia Mékouar-Hertzberg","doi":"10.5944/signa.vol29.2020.27168","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27168","url":null,"abstract":"Resumen: Proponemos una lectura de Un cuarto propio conectado (Zafra), centrado en la cuestion de la intimidad en el contexto de desarrollo acelerado e irreversible de Internet. En la estela de Woolf, el cuarto propio sigue siendo un lugar propicio para la emergencia de intimidades femeninas y feministas, centros de gestion del yo y de las relaciones de poder. Sin embargo, la dinamica y la forma de esa intimidad evolucionan bajo el impulso de la digitalizacion. Veremos como, a medio camino entre ensayo, autobiografia y cuento, el texto de Zafra configura una nueva cartografia de la intimidad, de sus fronteras y de sus funciones. Abstract: We propose an analysis of Un cuarto propio conectado (Zafra), focused on the issue of privacy in the context of the accelerated and irreversible development of the Internet. In the wake of Woolf, the notion of a room of one’s own continues to be the very place where the emergence of feminine and feminist intimacies becomes possible, a center of management for the self and power relationships. However, the dynamics and form of intimacy have evolved through digitalization. We will see how, halfway between an essay, an autobiography and a short story, Zafra’s text maps out a new cartography of intimacy, its borders and its functions.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"24 1","pages":"147-164"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89911003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27231
José Seoane Riveira
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{"title":"Reseña de: Simone TRECCA. FILMICIDAD/LITERARIEDAD/TEATRALIDAD. LA DISEMINACIÓN INTERMEDIAL DE TRES CLÁSICOS ESPAÑOLES. (Madrid: Visor Libros, 2019, 179 págs.)","authors":"José Seoane Riveira","doi":"10.5944/signa.vol29.2020.27231","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27231","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"77 1","pages":"1011-1014"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89772786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27166
Sabine Forero-Mendoza
Abstract: Since the second half of 1990’s, within the artistic practice field, numerous are the works that make the exploration of intimacy a major theme where the most futile in daily existence becomes the favorite material. A lot of critics stigmatize the narcissism of a depoliticized society, submitted to the imperative of transparency. Taking an opposite direction, this article tries to explain that some artists, while expressing aspects of their intimate lives, succeed in defining a common world convenient for the deployment of political and social interrogations.
{"title":"EL ARTE DE LO ÍNTIMO Y LA CREACIÓN DE UN MUNDO COMÚN","authors":"Sabine Forero-Mendoza","doi":"10.5944/signa.vol29.2020.27166","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27166","url":null,"abstract":"Abstract: Since the second half of 1990’s, within the artistic practice field, numerous are the works that make the exploration of intimacy a major theme where the most futile in daily existence becomes the favorite material. A lot of critics stigmatize the narcissism of a depoliticized society, submitted to the imperative of transparency. Taking an opposite direction, this article tries to explain that some artists, while expressing aspects of their intimate lives, succeed in defining a common world convenient for the deployment of political and social interrogations.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"106 1","pages":"103-116"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79272819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27215
José Enrique Alés Martínez
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{"title":"Reseña de: Luis de GÓNGORA / Juan MATAS CABALLERO (ed.). SONETOS. (Madrid: Cátedra, 2019, 1744 págs.)","authors":"José Enrique Alés Martínez","doi":"10.5944/signa.vol29.2020.27215","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27215","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"70 1","pages":"945-948"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77943669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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