Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29304
Í. Albaina
Resumen: El titulo del articulo me va a permitir un juego combinatorio tomando sus terminos por parejas. De tal manera que lo que viene a continuacion constara de tres partes. Una primera sobre la relacion entre el cine y la etica; una ultima, en torno al cine y la alteridad. Y, entre ambas, un breve exordio que, siguiendo el pensamiento de Emmanuel Levinas, reflexiona sobre el vinculo entre la etica y la alteridad. Para ello me valdre del analisis de tres peliculas: El lector (Stephen Daldry, 2008), Rosetta (Jean-Pierre y Luc Dardenne, 1999) y Lone Star (John Sayles, 1996). Abstract: The article title will allow me a combinatorial game matching its terms in pairs. Thereby, what comes next will consist of three parts. The first one will address the relationship between cinema and ethics, while the last one will approach cinema and the otherness. In between both, there will be a brief exordium that, following the thought of Emmanuel Levinas, reflects on the link between ethics and the otherness. All of this will be based on the analysis of three films: The Reader (Stephen Daldry, 2008), Rosetta (Jean-Pierre and Luc Dardenne, 1999) and Lone Star (John Sayles, 1996).
摘要:这篇文章的标题将允许我玩一个组合游戏，把它的术语成对。因此，下面的内容将由三部分组成。首先是关于电影与伦理的关系;最后，关于电影和他者。在这两者之间，有一个简短的驱魔，遵循伊曼纽尔·列维纳斯的思想，反思伦理和他者之间的联系。在这篇文章中，我将分析三部电影:《读者》(Stephen Daldry, 2008)、《罗塞塔》(Rosetta, Jean-Pierre and Luc Dardenne, 1999)和《孤独之星》(Lone Star, John Sayles, 1996)。= =地理= =根据美国人口普查，这个县的面积为。因此，接下来发生的事情将由三个部分组成。The first one将address The relationship between cinema and ethics,而最后one will approach cinema and The otherness。在这两者之间，有一个简短的序言，遵循伊曼纽尔·列维纳斯的思想，反映了伦理和其他之间的联系。所有这些都将基于对三部电影的分析:《读者》(Stephen Daldry, 2008)、《罗塞塔》(Jean-Pierre and Luc Dardenne, 1999)和《孤星》(John Sayles, 1996)。
{"title":"CINE, ÉTICA Y ALTERIDAD. METÁFORAS DEL ENCUENTRO CON EL OTRO","authors":"Í. Albaina","doi":"10.5944/SIGNA.VOL30.2021.29304","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29304","url":null,"abstract":"Resumen: El titulo del articulo me va a permitir un juego combinatorio tomando sus terminos por parejas. De tal manera que lo que viene a continuacion constara de tres partes. Una primera sobre la relacion entre el cine y la etica; una ultima, en torno al cine y la alteridad. Y, entre ambas, un breve exordio que, siguiendo el pensamiento de Emmanuel Levinas, reflexiona sobre el vinculo entre la etica y la alteridad. Para ello me valdre del analisis de tres peliculas: El lector (Stephen Daldry, 2008), Rosetta (Jean-Pierre y Luc Dardenne, 1999) y Lone Star (John Sayles, 1996). Abstract: The article title will allow me a combinatorial game matching its terms in pairs. Thereby, what comes next will consist of three parts. The first one will address the relationship between cinema and ethics, while the last one will approach cinema and the otherness. In between both, there will be a brief exordium that, following the thought of Emmanuel Levinas, reflects on the link between ethics and the otherness. All of this will be based on the analysis of three films: The Reader (Stephen Daldry, 2008), Rosetta (Jean-Pierre and Luc Dardenne, 1999) and Lone Star (John Sayles, 1996).","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"132 1","pages":"177-190"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76804269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29319
F. Doménech
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{"title":"ARTE, ESPECTÁCULOS Y PROPAGANDA BAJO EL SIGNO LIBERTARIO (ESPAÑA, 1936-1939) Emeterio DIEZ PUERTAS (Barcelona: Laertes, 2020, 268 págs.)","authors":"F. Doménech","doi":"10.5944/SIGNA.VOL30.2021.29319","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29319","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"32 1","pages":"775-777"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89443010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.24107
R. López
Resumen: Este trabajo analiza la dimension ideologica del largometraje Con unas y dientes, una reflexion sobre la Transicion espanola (1975-1982) desde una perspectiva marxista. Para ello, se considerara el abandono por parte del autor de sus anteriores posiciones esteticas y la asuncion de codigos genericos convencionales, analizando su construccion narrativa y considerando el contexto cinematografico y politico del momento, asi como la relacion del filme con la labor del Nuevo Frente Critico, principalmente con la vision del colectivo Marta Hernandez sobre los ultimos anos del franquismo y de la revista Contracampo sobre la Transicion. Abstract: This paper studies the ideological dimension of the film Con unas y dientes, a critical view on the Spanish Transition (1975-1982) from a marxist perspective. For that purpose, the author’s abandonment of his previous aesthetic positions in favor of more conventional generic codes will be considered, analyzing the film’s narrative construction. For this purpose, the cinematographic and political context of the period will be taken on account, as well as the film’s connection with the work of the Nuevo Frente Critico (New Critical Front), mainly the colective Marta Hernandez’s view on the last years of francoism and that of the review Contracampo on Transition.
摘要:本文从马克思主义的角度分析了故事片《Con unas y dientes》的意识形态维度，对西班牙过渡时期(1975-1982)的反思。为此,考虑提交人放弃其过去esteticas阵地和常规代码genericos asuncion,分析其肯尼亚的故事和考虑cinematografico和当前的政治背景,就是电影的关系与新批评的工作,主要与集体愿景的玛尔塔埃尔南德斯对这些年来在佛朗哥时期的杂志和Contracampo关于这个转变。摘要:本文从马克思主义的角度研究了电影的意识形态维度，对西班牙转型(1975-1982)的批判观点。为目的,提交人’s抛弃其previous aesthetic职位时忙of more常规通用说明将被视为,analyzing the电影’s narrative construction。的the cinematographic and political context of the period will be on account, as well as the电影' s connection with the work of the新批评(New Critical Front), mainly the colective玛尔塔埃尔南德斯’s view on the过去of francoism and that of the review Contracampo on Transition。
{"title":"LA TRANSICIÓN EN DISPUTA: CON UÑAS Y DIENTES (Paulino Viota, 1978)","authors":"R. López","doi":"10.5944/SIGNA.VOL30.2021.24107","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.24107","url":null,"abstract":"Resumen: Este trabajo analiza la dimension ideologica del largometraje Con unas y dientes, una reflexion sobre la Transicion espanola (1975-1982) desde una perspectiva marxista. Para ello, se considerara el abandono por parte del autor de sus anteriores posiciones esteticas y la asuncion de codigos genericos convencionales, analizando su construccion narrativa y considerando el contexto cinematografico y politico del momento, asi como la relacion del filme con la labor del Nuevo Frente Critico, principalmente con la vision del colectivo Marta Hernandez sobre los ultimos anos del franquismo y de la revista Contracampo sobre la Transicion. Abstract: This paper studies the ideological dimension of the film Con unas y dientes, a critical view on the Spanish Transition (1975-1982) from a marxist perspective. For that purpose, the author’s abandonment of his previous aesthetic positions in favor of more conventional generic codes will be considered, analyzing the film’s narrative construction. For this purpose, the cinematographic and political context of the period will be taken on account, as well as the film’s connection with the work of the Nuevo Frente Critico (New Critical Front), mainly the colective Marta Hernandez’s view on the last years of francoism and that of the review Contracampo on Transition.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"373 1","pages":"447-471"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77799637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.26892
Pol Popovic Karic
Resumen: Este trabajo propone un estudio sobre los contrastes y las ironias en La ciudad alegre y confiada de Jacinto Benavente. Estos tienen un impacto estilistico y comico caracteristicos del teatro espanol de las primeras decadas del siglo XX. Ademas, el contraste y la ironia definen la estructura ideologica de esta obra y justifican su cierre. En la primera seccion, las caracteristicas y los personajes individuales seran estudiados a traves de las contradicciones e incoherencias sociales que contribuyen a la imprevisible naturaleza de la trama. En la segunda seccion, el analisis de la estructura socioeconomica de la sociedad proveera las bases para los conflictos individuales y colectivos. La ultima seccion se enfocara en la relacion entre la vida y la muerte. Los protagonistas Crispin y Desterrado estan convencidos que la muerte es la unica manera de purificar a la gente y de salvar su ciudad. Soren Kierkegaard, Wayne Booth and Peter Roster proveen los acercamientos teoricos a la ironia que se utilizaran en este trabajo. Abstract: This paper proposes a study of contrasts and ironies in Jacinto Benavente’s play La ciudad alegre y confiada. They produce stylistic and comical effects that are typical of the Spanish drama in the first decades of the 20th century. However, they also define the ideological structure of the play and justify its outcome. The contrasts and the ironies of this play will be studied in three sections. In the first one, the personal characteristics and roles will be examined. Their contradictions and incoherencies contribute to the unpredictable nature of the play. In the second section, the analysis of the socioeconomic structure of the society will provide the bases for individual and collective conflicts. The last section focuses on the relation between life and death. The key protagonists Crispin and Desterrado are convinced that death is the only way to purify the people and to save their town. Soren Kierkegaard, Wayne Booth and Peter Roster provide the theoretical approaches to irony that will be used in this study.
摘要:本文对哈辛托·贝纳文特的《快乐与信任之城》中的对比与讽刺进行了研究。它们具有20世纪头几十年西班牙戏剧特有的风格和喜剧影响。此外，对比和反讽定义了这部作品的意识形态结构，并证明了它的结束。在第一部分中，性格和个人人物将通过社会矛盾和不连贯来研究，这些矛盾和不连贯导致了不可预测的情节本质。在第二部分，对社会的社会经济结构的分析为个人和集体冲突提供了基础。最后一部分将集中讨论生与死的关系。主角Crispin和Desterrado相信死亡是净化人民和拯救城市的唯一途径。Soren Kierkegaard, Wayne Booth和Peter Roster为这部作品提供了反讽的理论方法。摘要:本文对哈辛托·贝纳文特的戏剧《欢乐与自信的城市》中的对比与反讽进行了研究。他们产生了风格和喜剧效果，这是20世纪头几十年西班牙戏剧的典型特征。然而，它们也定义了游戏的意识形态结构，并证明了其结果。这一集的对比和讽刺将在三个部分进行研究。在第一阶段，将考察个人特点和角色。他们的矛盾和不一致导致了游戏的不可预测性质。在第二部分，对社会的社会经济结构的分析将为个人和集体冲突提供基础。最后一节讨论了生与死之间的关系。The key protagonists Crispin和驱逐are深信that is The only way to purify The死刑people and to save their镇。索仁Kierkegaard,韦恩Booth and Peter书面发言提供理论方针irony that will be用来in this study。
{"title":"LOS CONTRASTES Y LAS IRONÍAS EN LA CIUDAD ALEGRE Y CONFIADA DE JACINTO BENAVENTE","authors":"Pol Popovic Karic","doi":"10.5944/SIGNA.VOL30.2021.26892","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.26892","url":null,"abstract":"Resumen: Este trabajo propone un estudio sobre los contrastes y las ironias en La ciudad alegre y confiada de Jacinto Benavente. Estos tienen un impacto estilistico y comico caracteristicos del teatro espanol de las primeras decadas del siglo XX. Ademas, el contraste y la ironia definen la estructura ideologica de esta obra y justifican su cierre. En la primera seccion, las caracteristicas y los personajes individuales seran estudiados a traves de las contradicciones e incoherencias sociales que contribuyen a la imprevisible naturaleza de la trama. En la segunda seccion, el analisis de la estructura socioeconomica de la sociedad proveera las bases para los conflictos individuales y colectivos. La ultima seccion se enfocara en la relacion entre la vida y la muerte. Los protagonistas Crispin y Desterrado estan convencidos que la muerte es la unica manera de purificar a la gente y de salvar su ciudad. Soren Kierkegaard, Wayne Booth and Peter Roster proveen los acercamientos teoricos a la ironia que se utilizaran en este trabajo. Abstract: This paper proposes a study of contrasts and ironies in Jacinto Benavente’s play La ciudad alegre y confiada. They produce stylistic and comical effects that are typical of the Spanish drama in the first decades of the 20th century. However, they also define the ideological structure of the play and justify its outcome. The contrasts and the ironies of this play will be studied in three sections. In the first one, the personal characteristics and roles will be examined. Their contradictions and incoherencies contribute to the unpredictable nature of the play. In the second section, the analysis of the socioeconomic structure of the society will provide the bases for individual and collective conflicts. The last section focuses on the relation between life and death. The key protagonists Crispin and Desterrado are convinced that death is the only way to purify the people and to save their town. Soren Kierkegaard, Wayne Booth and Peter Roster provide the theoretical approaches to irony that will be used in this study.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"28 1","pages":"627-645"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73203434","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29310
Imanol Zumalde Arregui
Resumen: Estas líneas analizan las múltiples formas mediante las que los cineastas se insertan y/o proyectan en sus películas, prolija fenomenología que se revisa mediante una serie de casos significativos (a saber: filmes que tematizan de manera ejemplar el hacer y/o la imagen de su creador) ordenados con arreglo a una taxonomía que hace inventario de las modalidades y figuras de la autoalusión fílmica.Abstract: These lines analyze the multiple ways by which filmmakers are inserted and/or projected in their films. A complex phenomenology reviewed through a series of significant cases ordered according to a taxonomy that try to order and inventory the modalities and figures of cinematic self-reference.
摘要:分析各种形式通过这些线条,和/或在其电影推电影,fenomenología检查通过一系列重大案件有了(即:照片tematizan模范地做和/或形象的创造者)下令根据生物分类学做库存的模式和autoalusión人物表彰。摘要:这些线分析了电影制作人在他们的电影中插入和/或投射的多种方式。A complex phenomenology reviewed through A series of开展案件详情根据taxonomy试着秩序和《the为了和数字of cinematic self-reference。
{"title":"AUCTOR IN FABULA. MODOS Y FIGURAS DE LA AUTOALUSIÓN FÍLMICA","authors":"Imanol Zumalde Arregui","doi":"10.5944/SIGNA.VOL30.2021.29310","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29310","url":null,"abstract":"Resumen: Estas líneas analizan las múltiples formas mediante las que los cineastas se insertan y/o proyectan en sus películas, prolija fenomenología que se revisa mediante una serie de casos significativos (a saber: filmes que tematizan de manera ejemplar el hacer y/o la imagen de su creador) ordenados con arreglo a una taxonomía que hace inventario de las modalidades y figuras de la autoalusión fílmica.Abstract: These lines analyze the multiple ways by which filmmakers are inserted and/or projected in their films. A complex phenomenology reviewed through a series of significant cases ordered according to a taxonomy that try to order and inventory the modalities and figures of cinematic self-reference.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"46 1","pages":"271"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86008726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29329
Sara Sánchez-Hernández
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{"title":"BARTOLOMÉ DE TORRES NAHARRO: UN EXTREMEÑO EN EL RENACIMIENTO EUROPEO (CON UN HOMENAJE A MIGUEL ÁNGEL PÉREZ PRIEGO) Julio VÉLEZ SAINZ (ed.) (Mérida: Editora Regional de Extremadura, 2019, 212 págs.)","authors":"Sara Sánchez-Hernández","doi":"10.5944/SIGNA.VOL30.2021.29329","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29329","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"1 1","pages":"829-833"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79670632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29324
S. Pérez
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{"title":"TEATRO DE AYER Y DE HOY A ESCENA José ROMERA CASTILLO (Madrid: Editorial Verbum, 2020, 439 págs.)","authors":"S. Pérez","doi":"10.5944/SIGNA.VOL30.2021.29324","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29324","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"58 1","pages":"801-805"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90183853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29309
M. A. Broullón-Lozano
Resumen: La creacion poetica de Chantal Maillard se construye en variacion sobre los mismos temas y figuras: hilos, agujeros, cuerpos, heridas, tiempo, miradas, dificultad de decir. Bajo estos temas y figuras, el problema de la otredad: ?como representar?, ?como entrar siquiera en contacto autentico con lo otro? En este articulo propondremos un acercamiento a la cuestion a partir de un analisis retorico, intertextual y semiotico-estructural del libro de poemas La herida en la lengua. Abstract: Chantal Maillard’s poetic creation has been built on variations from the same themes and figures, such as threads, holes, bodies, wounds, time, gazes, or difficulty to say. So, these themes and figures refer the otherness topic: how it could be represented? Are we even able to get in trully contact with others? In order to propose an approach to this topic, in this essay, the poem’s book La herida en la lengua shall be analysed by using Rethorics, Intertextuality and Structural Semiotics.
简介:《尚达尔·美拉德的诗作创作》是一种由人物构成的变化:hilos, agujeros, cuerpos, heridas, timempo, miradas, difficult de decir。我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是。(1)“”“”“”“”“”“”“”“”“我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是。”摘要:尚塔尔·美拉德的诗歌创作是建立在同一主题和人物的变化之上的，如线、洞、身体、伤口、时间、凝视或难以言说。所以，这些主题和人物都涉及到他者性主题:如何表现它?我们甚至能够真正地与他人接触吗?本文从修辞、互文性和结构符号学的角度分析了诗作《La herida en La lengua》。
{"title":"LOS CUERPOS QUE NOS MIRAN DESDE LEJOS. FIGURAS DEL OTRO Y TÉCNICA DEL OBSERVADOR EN LA HERIDA EN LA LENGUA, DE CHANTAL MAILLARD","authors":"M. A. Broullón-Lozano","doi":"10.5944/SIGNA.VOL30.2021.29309","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29309","url":null,"abstract":"Resumen: La creacion poetica de Chantal Maillard se construye en variacion sobre los mismos temas y figuras: hilos, agujeros, cuerpos, heridas, tiempo, miradas, dificultad de decir. Bajo estos temas y figuras, el problema de la otredad: ?como representar?, ?como entrar siquiera en contacto autentico con lo otro? En este articulo propondremos un acercamiento a la cuestion a partir de un analisis retorico, intertextual y semiotico-estructural del libro de poemas La herida en la lengua. Abstract: Chantal Maillard’s poetic creation has been built on variations from the same themes and figures, such as threads, holes, bodies, wounds, time, gazes, or difficulty to say. So, these themes and figures refer the otherness topic: how it could be represented? Are we even able to get in trully contact with others? In order to propose an approach to this topic, in this essay, the poem’s book La herida en la lengua shall be analysed by using Rethorics, Intertextuality and Structural Semiotics.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"119 1","pages":"255-270"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90089612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.26469
Mario De la Torre-Espinosa
Resumen: En el debate sobre el canon, la irrupción de las teorías sistémicas de la literatura propició el desarrollo de nuevos enfoques centrados en el análisis del proceso de canonización y desde una perspectiva diacrónica. Con la Teoría de los Polisistemas como marco teórico, proponemos la interferencia intersistémica, según Rakefet Sela-Sheffy, como indicio de canonización de un producto cultural en un polisistema determinado.Abstract: In the debate about canon, the emergence of systemic theories of literature has contributed to the development of new approaches centered in the analysis of canonization processes from a diachronic perspective.With the Theory of Polysystems as theoretical framework, we propose the intersystemic interference, as Rakefet Sela-Sheffy exposed, as a sign of the canonization of a cultural product in a polysystem.
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Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29326
Miguel Olea Romacho
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{"title":"CLAUDIO MAGRIS. LAS VOCES DE LA LITERATURA Y EL PENSAMIENTO Domingo SÁNCHEZ-MESA MARTÍNEZ (ed.) (Madrid: Biblioteca Nueva, 2019, 220 págs.)","authors":"Miguel Olea Romacho","doi":"10.5944/SIGNA.VOL30.2021.29326","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29326","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"27 1","pages":"813-817"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83847344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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