Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29309
M. A. Broullón-Lozano
Resumen: La creacion poetica de Chantal Maillard se construye en variacion sobre los mismos temas y figuras: hilos, agujeros, cuerpos, heridas, tiempo, miradas, dificultad de decir. Bajo estos temas y figuras, el problema de la otredad: ?como representar?, ?como entrar siquiera en contacto autentico con lo otro? En este articulo propondremos un acercamiento a la cuestion a partir de un analisis retorico, intertextual y semiotico-estructural del libro de poemas La herida en la lengua. Abstract: Chantal Maillard’s poetic creation has been built on variations from the same themes and figures, such as threads, holes, bodies, wounds, time, gazes, or difficulty to say. So, these themes and figures refer the otherness topic: how it could be represented? Are we even able to get in trully contact with others? In order to propose an approach to this topic, in this essay, the poem’s book La herida en la lengua shall be analysed by using Rethorics, Intertextuality and Structural Semiotics.
简介:《尚达尔·美拉德的诗作创作》是一种由人物构成的变化:hilos, agujeros, cuerpos, heridas, timempo, miradas, difficult de decir。我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是。(1)“”“”“”“”“”“”“”“”“我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是。”摘要:尚塔尔·美拉德的诗歌创作是建立在同一主题和人物的变化之上的，如线、洞、身体、伤口、时间、凝视或难以言说。所以，这些主题和人物都涉及到他者性主题:如何表现它?我们甚至能够真正地与他人接触吗?本文从修辞、互文性和结构符号学的角度分析了诗作《La herida en La lengua》。
{"title":"LOS CUERPOS QUE NOS MIRAN DESDE LEJOS. FIGURAS DEL OTRO Y TÉCNICA DEL OBSERVADOR EN LA HERIDA EN LA LENGUA, DE CHANTAL MAILLARD","authors":"M. A. Broullón-Lozano","doi":"10.5944/SIGNA.VOL30.2021.29309","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29309","url":null,"abstract":"Resumen: La creacion poetica de Chantal Maillard se construye en variacion sobre los mismos temas y figuras: hilos, agujeros, cuerpos, heridas, tiempo, miradas, dificultad de decir. Bajo estos temas y figuras, el problema de la otredad: ?como representar?, ?como entrar siquiera en contacto autentico con lo otro? En este articulo propondremos un acercamiento a la cuestion a partir de un analisis retorico, intertextual y semiotico-estructural del libro de poemas La herida en la lengua. Abstract: Chantal Maillard’s poetic creation has been built on variations from the same themes and figures, such as threads, holes, bodies, wounds, time, gazes, or difficulty to say. So, these themes and figures refer the otherness topic: how it could be represented? Are we even able to get in trully contact with others? In order to propose an approach to this topic, in this essay, the poem’s book La herida en la lengua shall be analysed by using Rethorics, Intertextuality and Structural Semiotics.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90089612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29298
Hanno Ehrlicher, Jörg Lehmann
Resumen: Sobre la base de las experiencias ganadas con el entorno virtual de investigacion Revistas Culturales 2.0 queremos reflexionar sobre los retos epistemologicos que supone la recoleccion de datos. Mientras que los “datos” de la literatura solian considerarse en la investigacion filologica como algo previo al proceso epistemologico, en las Humanidades Digitales forman parte integral e incluso pueden ser el resultado de la investigacion. Es necesario, pues, empezar a valorar esta importancia epistemica tanto para una mayor aceptacion de los metodos de las Humanidades Digitales en las disciplinas filologicas como para mejorar la colaboracion entre archivos y bibliotecas, y la investigacion en el futuro. Abstract: Based on our experiences gained with the virtual research environment Revistas culturales 2.0, we want to reflect on the epistemological challenges of data collection. While in traditional literary criticism “data” used to be considered as something prior to the epistemological process, in Digital Humanities they are an integral part and may even be the result of research. It is necessary to begin to value this epistemic importance both for greater acceptance of the methods of the Digital Humanities in the philological disciplines and to improve collaboration between archives and libraries and research in the future.
摘要:本研究的目的是分析西班牙语作为一种教学语言的使用情况，以及西班牙语作为一种教学语言的使用情况。在语言学研究中，文献“数据”通常被认为是认识论过程之前的东西，而在数字人文学科中，它们是研究的组成部分，甚至可能是研究的结果。因此，有必要开始评估这种认识论上的重要性，以便在语言学学科中更广泛地接受数字人文方法，并改善档案和图书馆之间的合作，以及未来的研究。摘要:基于我们在虚拟研究环境文化杂志2.0中获得的经验，我们想要反思数据收集的认识论挑战。在传统literary批评“data”过去的行为被视为是一些数字prior to the epistemological process, in人文they are an部分and may even be the公诉research。为了在语言学学科中更大程度地接受数字人文的方法，以及在未来改善档案与图书馆之间的合作与研究，必须开始重视这一认识论意义。
{"title":"LA RECOLECCIÓN DE DATOS COMO LABORATORIO EPISTEMOLÓGICO. ALGUNAS REFLEXIONES ACERCA DEL ENTORNO VIRTUAL DE INVESTIGACIÓN REVISTAS CULTURALES 2.0","authors":"Hanno Ehrlicher, Jörg Lehmann","doi":"10.5944/SIGNA.VOL30.2021.29298","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29298","url":null,"abstract":"Resumen: Sobre la base de las experiencias ganadas con el entorno virtual de investigacion Revistas Culturales 2.0 queremos reflexionar sobre los retos epistemologicos que supone la recoleccion de datos. Mientras que los “datos” de la literatura solian considerarse en la investigacion filologica como algo previo al proceso epistemologico, en las Humanidades Digitales forman parte integral e incluso pueden ser el resultado de la investigacion. Es necesario, pues, empezar a valorar esta importancia epistemica tanto para una mayor aceptacion de los metodos de las Humanidades Digitales en las disciplinas filologicas como para mejorar la colaboracion entre archivos y bibliotecas, y la investigacion en el futuro. Abstract: Based on our experiences gained with the virtual research environment Revistas culturales 2.0, we want to reflect on the epistemological challenges of data collection. While in traditional literary criticism “data” used to be considered as something prior to the epistemological process, in Digital Humanities they are an integral part and may even be the result of research. It is necessary to begin to value this epistemic importance both for greater acceptance of the methods of the Digital Humanities in the philological disciplines and to improve collaboration between archives and libraries and research in the future.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89076642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29330
Ana Isabel Ballesteros Dorado
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{"title":"EL ZOO DE CRISTAL. UN TRANVÍA LLAMADO DESEO Tennessee WILLIAMS / Ramón ESPEJO (ed. y trad.) (Madrid: Cátedra, 2019, 382 págs.)","authors":"Ana Isabel Ballesteros Dorado","doi":"10.5944/SIGNA.VOL30.2021.29330","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29330","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82628177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29307
Luciano Ponzio
Riassunto: Il pericoloso potere di assimilazione renderebbe le cose identiche le une alle altre, uniformandole, smarrendone la singolarita. Il mondo senza alterita si ridurrebbe a una massa omogenea: l’Identico e la sua rappresentazione. L’esistenza di un segno non e semplicemente riflessa ma rifratta (Volosinov). In questa rifrazione gioca il ruolo determinante l’alterita. Produrre e comprendere segni significa partecipare ai processi comunicativi. Il segnico e il campo dell’ambivalenza in cui tutto si decide per relazioni e pratiche sociali (Bachtin). Uscire dalla filosofia del soggetto (Foucault), porsi in una posizione “fuori-di-se”, configurare una scrittura in-ferma contro il soggetto statico, per recuperare il corpo sociale nelle parole e nelle immagini. Abstract: The dangerous power of assimilation uniforms things, making them lose their singularity. The world without otherness would be reduced to a homogeneous mass where representation always represents the Identical. The existence of a sign is not simply reflected but refracted (Voloshinov). In this refraction, otherness plays the decisive role. Producing and understanding signs means participating in communication processes. The sign is the field of ambivalence in which everything is decided by relationships and social practices (Bakhtin). In this field is possible as this paper tries to show, to get out of the philosophy of the subject (Foucault) in order to recover the social body of words and images.
{"title":"LA SOMIGLIANZA ICONICA NELLA SCRITTURA DE-SOGGETTIVANTE TRA IDENTITÀ E DIFFERENZA","authors":"Luciano Ponzio","doi":"10.5944/SIGNA.VOL30.2021.29307","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29307","url":null,"abstract":"Riassunto: Il pericoloso potere di assimilazione renderebbe le cose identiche le une alle altre, uniformandole, smarrendone la singolarita. Il mondo senza alterita si ridurrebbe a una massa omogenea: l’Identico e la sua rappresentazione. L’esistenza di un segno non e semplicemente riflessa ma rifratta (Volosinov). In questa rifrazione gioca il ruolo determinante l’alterita. Produrre e comprendere segni significa partecipare ai processi comunicativi. Il segnico e il campo dell’ambivalenza in cui tutto si decide per relazioni e pratiche sociali (Bachtin). Uscire dalla filosofia del soggetto (Foucault), porsi in una posizione “fuori-di-se”, configurare una scrittura in-ferma contro il soggetto statico, per recuperare il corpo sociale nelle parole e nelle immagini. Abstract: The dangerous power of assimilation uniforms things, making them lose their singularity. The world without otherness would be reduced to a homogeneous mass where representation always represents the Identical. The existence of a sign is not simply reflected but refracted (Voloshinov). In this refraction, otherness plays the decisive role. Producing and understanding signs means participating in communication processes. The sign is the field of ambivalence in which everything is decided by relationships and social practices (Bakhtin). In this field is possible as this paper tries to show, to get out of the philosophy of the subject (Foucault) in order to recover the social body of words and images.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88215739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.26469
Mario De la Torre-Espinosa
Resumen: En el debate sobre el canon, la irrupción de las teorías sistémicas de la literatura propició el desarrollo de nuevos enfoques centrados en el análisis del proceso de canonización y desde una perspectiva diacrónica. Con la Teoría de los Polisistemas como marco teórico, proponemos la interferencia intersistémica, según Rakefet Sela-Sheffy, como indicio de canonización de un producto cultural en un polisistema determinado.Abstract: In the debate about canon, the emergence of systemic theories of literature has contributed to the development of new approaches centered in the analysis of canonization processes from a diachronic perspective.With the Theory of Polysystems as theoretical framework, we propose the intersystemic interference, as Rakefet Sela-Sheffy exposed, as a sign of the canonization of a cultural product in a polysystem.
{"title":"LA INTERFERENCIA INTERSISTÉMICA COMO APROXIMACIÓN AL CANON","authors":"Mario De la Torre-Espinosa","doi":"10.5944/SIGNA.VOL30.2021.26469","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.26469","url":null,"abstract":"Resumen: En el debate sobre el canon, la irrupción de las teorías sistémicas de la literatura propició el desarrollo de nuevos enfoques centrados en el análisis del proceso de canonización y desde una perspectiva diacrónica. Con la Teoría de los Polisistemas como marco teórico, proponemos la interferencia intersistémica, según Rakefet Sela-Sheffy, como indicio de canonización de un producto cultural en un polisistema determinado.Abstract: In the debate about canon, the emergence of systemic theories of literature has contributed to the development of new approaches centered in the analysis of canonization processes from a diachronic perspective.With the Theory of Polysystems as theoretical framework, we propose the intersystemic interference, as Rakefet Sela-Sheffy exposed, as a sign of the canonization of a cultural product in a polysystem.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79429960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.26427
Sergio Suárez Ramírez, Ángel Suárez Muñoz
Abstratc: The city of Badajoz had an intense theatrical activity during the nineteenth century, superior to that which has been verified through the journalistic chronicles of the time, which allow chronological monitoring from 1860. Before, it is possible to rescue loose episodes through the documentation found in municipal and provincial archives. One of those episodes reveals the boldness of the director of a company to stage the kickstand in the theater of a province, precarious and with scarce scenic resources, encouraged by the well-known theatrical hobby of this population, risking its economy and reputation.
{"title":"LA REPRESENTACIÓN DE `LA PATA DE CABRA´ EN UN TEATRO DE PROVINCIAS: VALENTÍA O TEMERIDAD","authors":"Sergio Suárez Ramírez, Ángel Suárez Muñoz","doi":"10.5944/SIGNA.VOL30.2021.26427","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.26427","url":null,"abstract":"Abstratc: The city of Badajoz had an intense theatrical activity during the nineteenth century, superior to that which has been verified through the journalistic chronicles of the time, which allow chronological monitoring from 1860. Before, it is possible to rescue loose episodes through the documentation found in municipal and provincial archives. One of those episodes reveals the boldness of the director of a company to stage the kickstand in the theater of a province, precarious and with scarce scenic resources, encouraged by the well-known theatrical hobby of this population, risking its economy and reputation.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73124054","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29300
Rocío Ortuño Casanova
Resumen: Filipinas ha sido siempre un tema marginal en los estudios hispanicos. Sin embargo, la produccion en espanol desde y sobre la excolonia fue abundante y tuvo cierta trascendencia politica y cultural durante la Edad de Plata. Para dar visibilidad a esta literatura y asentar las bases de una historia de la literatura filipina y sobre Filipinas en espanol, se ha creado Filiteratura. Filiteratura es una base de datos relacional construida en Heurist que reune literatura comprendida en lo que hoy se conoce como filipiniana: obras en espanol publicadas en Filipinas (por filipinos o no) y obras en espanol publicadas sobre Filipinas en cualquier otro lugar del mundo entre 1850 y 1973. La base de datos conecta con diversas bibliotecas y repositorios fisicos y online para facilitar el acceso y el estudio cuantitativo de estas obras. Asimismo, incluye informacion relacionada con los autores y sus obras como periodicos, imprentas y premios literarios, que permiten una reconstruccion del campo literario en torno a Filipinas y la conexion con otros proyectos sobre bibliografia, prensa periodica y traduccion en el mundo hispanico. Abstract: The Philippines has always been a marginal topic in Hispanic Studies. However, between 1868 and 1936, there was a relevant amount of literary production in Spanish about and from the ex colony. It had some political and cultural importance as well. Filiteratura has been created in order to make this literature visible and to set the grounds for a History of Literature in Spanish from and about the Philippines. It is a relational database built on Heurist that gathers filipiniana literature, that is, works in Spanish published in the Philippines (by Filipinos or by other nationals), and works in Spanish about the Philippines published in any other place in the world, between 1850 and 1973. The relational database connects with several libraries and online repositories to facilitate the access and study of these works. It also includes information related to other components of the literary field such as newspapers, publishers and literary awards to which authors and works are connected. This allows a reconstruction of the literary field around the Philippine and linkages with other projects about bibliography, periodical press and translation in the hispanic world.
摘要:在西班牙语研究中，菲律宾一直是一个边缘问题。然而，在白银时代，来自和来自前殖民地的西班牙语生产是丰富的，并具有一定的政治和文化意义。为了使这种文学可见，并为菲律宾文学史和关于菲律宾的西班牙语奠定基础，Filiteratura被创建。Filiteratura是一个基于启发式的关系数据库，它收集了现在被称为菲律宾语的文献:在菲律宾出版的西班牙语作品(菲律宾人或非菲律宾人)，以及在1850年至1973年间在世界其他地方出版的关于菲律宾的西班牙语作品。该数据库连接到各种实体和在线图书馆和存储库，以方便访问和定量研究这些作品。它还包括与作者及其作品有关的信息，如期刊、印刷厂和文学奖，允许重建菲律宾各地的文学领域，并与西班牙语世界的其他书目、期刊出版和翻译项目联系。摘要:菲律宾在西班牙语研究中一直是一个边缘话题。然而，在1868年至1936年间，有大量关于前殖民地的西班牙文学作品。它也具有一些政治和文化意义。Filiteratura has created in order to make this文献可见and to set the球场for a History of文献[from and about the菲律宾。这是一个建立在菲律宾文学启发主义上的关系数据库，也就是在菲律宾出版的西班牙语作品(由菲律宾人或其他国民出版)，以及在1850年至1973年间在世界其他地方出版的关于菲律宾的西班牙语作品。The relational database使连接真正与libraries and online repositories fccc / kp / awg / The access and study of这些works。它还包括与文学领域的其他组成部分有关的信息，如报纸、出版商和与作者和作品有关的文学奖。allows这重建around the field of the literary菲律宾联系with other projects about书目,periodical press and the hispanic翻译world。
{"title":"FILITERATURA: BASE DE DATOS RELACIONAL EN HEURIST DE LITERATURA EN ESPAÑOL EN FILIPINAS Y SOBRE FILIPINAS","authors":"Rocío Ortuño Casanova","doi":"10.5944/SIGNA.VOL30.2021.29300","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29300","url":null,"abstract":"Resumen: Filipinas ha sido siempre un tema marginal en los estudios hispanicos. Sin embargo, la produccion en espanol desde y sobre la excolonia fue abundante y tuvo cierta trascendencia politica y cultural durante la Edad de Plata. Para dar visibilidad a esta literatura y asentar las bases de una historia de la literatura filipina y sobre Filipinas en espanol, se ha creado Filiteratura. Filiteratura es una base de datos relacional construida en Heurist que reune literatura comprendida en lo que hoy se conoce como filipiniana: obras en espanol publicadas en Filipinas (por filipinos o no) y obras en espanol publicadas sobre Filipinas en cualquier otro lugar del mundo entre 1850 y 1973. La base de datos conecta con diversas bibliotecas y repositorios fisicos y online para facilitar el acceso y el estudio cuantitativo de estas obras. Asimismo, incluye informacion relacionada con los autores y sus obras como periodicos, imprentas y premios literarios, que permiten una reconstruccion del campo literario en torno a Filipinas y la conexion con otros proyectos sobre bibliografia, prensa periodica y traduccion en el mundo hispanico. Abstract: The Philippines has always been a marginal topic in Hispanic Studies. However, between 1868 and 1936, there was a relevant amount of literary production in Spanish about and from the ex colony. It had some political and cultural importance as well. Filiteratura has been created in order to make this literature visible and to set the grounds for a History of Literature in Spanish from and about the Philippines. It is a relational database built on Heurist that gathers filipiniana literature, that is, works in Spanish published in the Philippines (by Filipinos or by other nationals), and works in Spanish about the Philippines published in any other place in the world, between 1850 and 1973. The relational database connects with several libraries and online repositories to facilitate the access and study of these works. It also includes information related to other components of the literary field such as newspapers, publishers and literary awards to which authors and works are connected. This allows a reconstruction of the literary field around the Philippine and linkages with other projects about bibliography, periodical press and translation in the hispanic world.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73927751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29331
A. Nadal
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{"title":"EPISTOLARIO Margarita XIRGU / Manuel AZNAR SOLER y Francesc FOGUET I BOREU (eds.) (Sevilla: Renacimiento, 2019, 556 págs.)","authors":"A. Nadal","doi":"10.5944/SIGNA.VOL30.2021.29331","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29331","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74044729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.26423
V. Arribas
Abstract: This paper rescues Los hombres de cristal (Fernando Delgado, 1966), a five episodes miniseries broadcasted by Television Espanola within the show Novela (1963-1978). Announced as an adaptation of El licenciado Vidriera (1613) set in the NASA, the dramatic context change of this bizarre rewrite transforms Cervantes’s work decisively.
{"title":"EL VIAJE INTERPLANETARIO DEL LICENCIADO VIDRIERA (1613): LOS HOMBRES DE CRISTAL (FERNANDO DELGADO, 1966)","authors":"V. Arribas","doi":"10.5944/SIGNA.VOL30.2021.26423","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.26423","url":null,"abstract":"Abstract: This paper rescues Los hombres de cristal (Fernando Delgado, 1966), a five episodes miniseries broadcasted by Television Espanola within the show Novela (1963-1978). Announced as an adaptation of El licenciado Vidriera (1613) set in the NASA, the dramatic context change of this bizarre rewrite transforms Cervantes’s work decisively.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81230188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29303
Maria Augusta Babo
Abstract: In this presentation, we intend to expose the insoluble contradiction that allow us to define the Self in relation to the Other. The Other is a term that already includes an opposition to the Self. The Other is relational. We intend to analyze, in the various logical positions that the terms Other and Self can take in the semiotic square, the figures corresponding to the Same and the Other and to conceive that there is a political chess that is drawn in these confrontations that the semiotic square establishes. Establishing the border or the boundaries between the Self and the Other this allows us to think about the current geopolitical framework.
{"title":"FIGURAS DE LO MISMO Y DE LO OTRO: ENTRE LO SEMIÓTICO Y LO POLÍTICO","authors":"Maria Augusta Babo","doi":"10.5944/SIGNA.VOL30.2021.29303","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29303","url":null,"abstract":"Abstract: In this presentation, we intend to expose the insoluble contradiction that allow us to define the Self in relation to the Other. The Other is a term that already includes an opposition to the Self. The Other is relational. We intend to analyze, in the various logical positions that the terms Other and Self can take in the semiotic square, the figures corresponding to the Same and the Other and to conceive that there is a political chess that is drawn in these confrontations that the semiotic square establishes. Establishing the border or the boundaries between the Self and the Other this allows us to think about the current geopolitical framework.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73031184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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