Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23947
Beatriz María Gómez Morales
Resumen: El potencial critico del humor en la comedia televisiva ha generado un extenso debate entre los investigadores de la ficcion televisiva. La sitcom, su principal exponente, ha sido valorada como vehiculo reproductor de la ideologia dominante por un numero significativo de estudiosos. Otros, en cambio, han destacado su capacidad transgresora. En este articulo se analizan las significaciones criticas o conservadoras de la comedia televisiva espanola de los ultimos 30 anos centrandonos, principalmente, en la introduccion de tematicas de actualidad y problematicas que conectan con las preocupaciones de la audiencia y su respectivo tratamiento narrativo. Abstract: The critical potential of humour in television comedy has generated an extensive debate among researchers of television fiction. The sitcom, its main exponent, has been valued as a reproductive vehicle of the dominant ideology by a significant number of scholars. However, others authors have highlighted their transgressive capacity. This article analyses the critical or conservative meanings of the Spanish television comedy of the last 30 years focusing, mainly, on the introduction of current issues and problems that connect with the concerns of the audience and their respective narrative treatment.
摘要:本文分析了西班牙电视情景喜剧中幽默的批判潜力，并对电视小说研究人员进行了广泛的讨论。它的主要代表人物是情景喜剧，许多学者认为它是主导意识形态的游戏工具。另一些人则强调了它的越界能力。在这篇文章中，我们分析了西班牙电视喜剧在过去30年里的批判或保守意义，主要集中在引入与观众关注相关的时事和问题以及他们各自的叙事处理。摘要:电视喜剧中幽默的关键潜力在电视小说研究人员中引发了广泛的争论。一直valued sitcom,其主要exponent,作为生殖vehicle of The伍德罗品德by录学者。然而，其他作者强调了他们的越界能力。本文分析了过去30年西班牙电视喜剧的关键或保守意义，主要集中在当前问题和问题的介绍，这些问题和问题与观众的关注及其各自的叙事处理有关。
{"title":"TELEVISIÓN CRÍTICA O INDUSTRIA DE LA RISA: EL CASO DE LA COMEDIA TELEVISIVA ESPAÑOLA (1990-2018)","authors":"Beatriz María Gómez Morales","doi":"10.5944/signa.vol29.2020.23947","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23947","url":null,"abstract":"Resumen: El potencial critico del humor en la comedia televisiva ha generado un extenso debate entre los investigadores de la ficcion televisiva. La sitcom, su principal exponente, ha sido valorada como vehiculo reproductor de la ideologia dominante por un numero significativo de estudiosos. Otros, en cambio, han destacado su capacidad transgresora. En este articulo se analizan las significaciones criticas o conservadoras de la comedia televisiva espanola de los ultimos 30 anos centrandonos, principalmente, en la introduccion de tematicas de actualidad y problematicas que conectan con las preocupaciones de la audiencia y su respectivo tratamiento narrativo. Abstract: The critical potential of humour in television comedy has generated an extensive debate among researchers of television fiction. The sitcom, its main exponent, has been valued as a reproductive vehicle of the dominant ideology by a significant number of scholars. However, others authors have highlighted their transgressive capacity. This article analyses the critical or conservative meanings of the Spanish television comedy of the last 30 years focusing, mainly, on the introduction of current issues and problems that connect with the concerns of the audience and their respective narrative treatment.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83176655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23423
Mieke Vulkers
Abstract: The novels of Spanish author Antonio Munoz Molina generally are characterized as hybrids, inserting non-fictional genres within the frame of a novelistic work. Although Ventanas de Manhattan (2004) is presented as a diary or even as a travelling journal, this article argues that the work shows a hybrid generic form. Founded upon a theoretical frame, it establishes the components that lead to the characterization of the work as autofictional. Subsequently this article focuses on the construction of the first-person character as a fictional structure, based on literary archetypes.
{"title":"FLÂNEUR O VOYEUR: LA AMBIGÜEDAD DE LA FIGURACIÓN DEL YO EN VENTANAS DE MANHATTAN (2004), DE ANTONIO MUÑOZ MOLINA","authors":"Mieke Vulkers","doi":"10.5944/signa.vol29.2020.23423","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23423","url":null,"abstract":"Abstract: The novels of Spanish author Antonio Munoz Molina generally are characterized as hybrids, inserting non-fictional genres within the frame of a novelistic work. Although Ventanas de Manhattan (2004) is presented as a diary or even as a travelling journal, this article argues that the work shows a hybrid generic form. Founded upon a theoretical frame, it establishes the components that lead to the characterization of the work as autofictional. Subsequently this article focuses on the construction of the first-person character as a fictional structure, based on literary archetypes.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91274994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27223
María Caballero Wangemert, J. Calvo
-
-
{"title":"Reseña de: Luce y Mercedes LÓPEZ-BARALT. EL CUERPO MUERE Y EL VERSO VUELA: LA POESÍA METAFÍSICA DE PEDRO SALINAS Y LUIS PALÉS MATOS. (Madrid: Mandala Ediciones, 2018, 191 págs.)","authors":"María Caballero Wangemert, J. Calvo","doi":"10.5944/signa.vol29.2020.27223","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27223","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83787256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23775
Eszter Katona
Resumen: El objetivo del presente articulo es ofrecer un analisis abarcador sobre la recepcion en Hungria de la obra de Antonio Buero Vallejo. Mencionaremos las once traducciones y, despues, examinaremos, a traves de la critica de la prensa, los cinco estrenos hungaros de sus tres dramas: En la ardiente oscuridad, puesto en escena dos veces (1962, 1976); El sueno de la razon, montado en 1974; y los dos estrenos de La fundacion (1976, 1979). Para completar la recepcion hungara del autor mas destacado del teatro espanol de la posguerra, repasaremos tambien algunos escritos que divulgan su fama en Hungria. Abstract: The aim of this article is to give a comprehensive analysis about the reception of the work of Antonio Buero Vallejo in Hungary. We present the eleven translations and then, based on press criticism, analyse the five Hungarian premieres of three plays: In the Burning Darkness, staged twice (1962, 1976); The Sleep of Reason, debuted in 1974; and two premieres of The Foundation (1976, 1979). To complete the Hungarian image of the most prominent author of the post-civil war Spanish theatre, we also review some articles that popularized him in Hungary.
摘要:本文的目的是对安东尼奥·布埃罗·瓦列霍的作品在匈牙利的接受情况进行全面分析。我们将提到11个译本，然后通过媒体的评论，看看他的三部戏剧在匈牙利的5个首演:在燃烧的黑暗中，上演了两次(1962年，1976年);《理性之梦》，制作于1974年;以及基金会的两次首演(1976,1979)。为了完成对战后西班牙戏剧最杰出作家的匈牙利接待，我们还将回顾一些在匈牙利传播他名声的作品。摘要:本文的目的是对匈牙利对安东尼奥·布埃罗·瓦列霍作品的接受情况进行全面分析。我们呈现了11个译本，然后根据媒体的批评，分析了匈牙利三部戏剧的五部首映式:《燃烧的黑暗》(1962年，1976年);《理性睡眠》于1974年首次亮相;= =地理= =根据美国人口普查，该镇的土地面积为。完成《匈牙利prominent image of the most of the post-civil war[提交人的剧院,我们还审查一些文章,遂宁市popularized在匈牙利。
{"title":"ANTONIO BUERO VALLEJO EN HUNGRÍA","authors":"Eszter Katona","doi":"10.5944/signa.vol29.2020.23775","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23775","url":null,"abstract":"Resumen: El objetivo del presente articulo es ofrecer un analisis abarcador sobre la recepcion en Hungria de la obra de Antonio Buero Vallejo. Mencionaremos las once traducciones y, despues, examinaremos, a traves de la critica de la prensa, los cinco estrenos hungaros de sus tres dramas: En la ardiente oscuridad, puesto en escena dos veces (1962, 1976); El sueno de la razon, montado en 1974; y los dos estrenos de La fundacion (1976, 1979). Para completar la recepcion hungara del autor mas destacado del teatro espanol de la posguerra, repasaremos tambien algunos escritos que divulgan su fama en Hungria. Abstract: The aim of this article is to give a comprehensive analysis about the reception of the work of Antonio Buero Vallejo in Hungary. We present the eleven translations and then, based on press criticism, analyse the five Hungarian premieres of three plays: In the Burning Darkness, staged twice (1962, 1976); The Sleep of Reason, debuted in 1974; and two premieres of The Foundation (1976, 1979). To complete the Hungarian image of the most prominent author of the post-civil war Spanish theatre, we also review some articles that popularized him in Hungary.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90278785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27161
Michel Braud
Abstract: Appeared in France at the end of the eighteenth century as a private form, the diary progressively became a literary genre during the nineteenth and twentieth century, and underwent various mutations at the end of the twentieth century. The trivialization of the genre at the beginning of the 21st Century is accompanied by new inflections that will be identified on the basis of three examples.
{"title":"EL DIARIO PERSONAL EN FRANCIA A PRINCIPIOS DEL SIGLO XXI: INFLEXIONES DE UN GÉNERO LITERARIO","authors":"Michel Braud","doi":"10.5944/signa.vol29.2020.27161","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27161","url":null,"abstract":"Abstract: Appeared in France at the end of the eighteenth century as a private form, the diary progressively became a literary genre during the nineteenth and twentieth century, and underwent various mutations at the end of the twentieth century. The trivialization of the genre at the beginning of the 21st Century is accompanied by new inflections that will be identified on the basis of three examples.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83569134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23758
Ricardo Espinaza Solar, Daniela Contreras Ponce
Resumen: El trabajo se propone realizar una lectura semiotica conforme a la presencia de lo fantastico en el poema “La desaparicion de una familia” de Juan Luis Martinez. A este proposito, se articula un amplio marco de conceptos relativos a la lectura de ficcion (Umberto Eco, Roland Barthes, Jean-Luc Nancy, entre otros), el entendimiento de lo fantastico como sistema semiotico (David Roas, Omar Nieto), la antropofagia signica (Rodrigo Browne) y la nocion de picnolepsia (Paul Virilio). Con todo, se pretende formular una idea inicial de semiotica de la desaparicion en tanto cualidad particular del poema. Abstract: The work aims to perform a semiotic reading according to the presence of the fantastic in the poem “La desaparicion de una familia” by Juan Luis Martinez. In this regard, a broad framework of concepts related to fiction reading is articulated (Umberto Eco, Roland Barthes, Jean-Luc Nancy, among others), the understanding of the fantastic as a semiotic system (David Roas, Omar Nieto), the anthropophagy (Rodrigo Browne) and the notion of picnolepsy (Paul Virilio). With everything, it is intended to form an initial idea of semiotic of the disappearance as a particular quality of the poem.
摘要:本文的目的是根据胡安·路易斯·马丁内斯(Juan Luis Martinez)的诗歌《一个家庭的消失》(la desaparicion de una familia)中神奇事物的存在进行符号学解读。为此目的，它阐明了一个广泛的概念框架，涉及阅读小说(翁贝托·艾柯，罗兰·巴特，让-卢克·南希等)，将幻想作为一个符号学系统的理解(大卫·罗亚斯，奥马尔·涅托)，有意义的人食(罗德里戈·布朗)和picnolepsia的nocion(保罗·维里奥)。在这篇文章中，我们提出了一个关于失踪的符号学的初步概念，作为这首诗的一个特殊特征。摘要:该作品旨在根据胡安·路易斯·马丁内斯(Juan Luis Martinez)的诗歌《家庭的消失》(La desaparicion de una familia)中神奇的存在进行符号学解读。在这方面，阐述了与小说阅读相关的概念的广泛框架(翁贝托·艾柯、罗兰·巴特、让-卢克·南希等)、将幻想理解为一种符符系统(大卫·罗亚斯、奥马尔·涅托)、anthropophagy(罗德里戈·布朗)和picnolepsy的概念(保罗·维里奥)。With everything, it is目标形成一个初步想法of semiotic of the行动;特别是quality of the poem。
{"title":"DE LO FANTÁSTICO EN LA POESÍA: HACIA UNA SEMIÓTICA DE LA DESAPARICIÓN. A PROPÓSITO DE LECTURA, ANTROPOFAGÍA Y PICNOLEPSIA EN “LA DESAPARICIÓN DE UNA FAMILIA” DE JUAN LUIS MARTÍNEZ","authors":"Ricardo Espinaza Solar, Daniela Contreras Ponce","doi":"10.5944/signa.vol29.2020.23758","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23758","url":null,"abstract":"Resumen: El trabajo se propone realizar una lectura semiotica conforme a la presencia de lo fantastico en el poema “La desaparicion de una familia” de Juan Luis Martinez. A este proposito, se articula un amplio marco de conceptos relativos a la lectura de ficcion (Umberto Eco, Roland Barthes, Jean-Luc Nancy, entre otros), el entendimiento de lo fantastico como sistema semiotico (David Roas, Omar Nieto), la antropofagia signica (Rodrigo Browne) y la nocion de picnolepsia (Paul Virilio). Con todo, se pretende formular una idea inicial de semiotica de la desaparicion en tanto cualidad particular del poema. Abstract: The work aims to perform a semiotic reading according to the presence of the fantastic in the poem “La desaparicion de una familia” by Juan Luis Martinez. In this regard, a broad framework of concepts related to fiction reading is articulated (Umberto Eco, Roland Barthes, Jean-Luc Nancy, among others), the understanding of the fantastic as a semiotic system (David Roas, Omar Nieto), the anthropophagy (Rodrigo Browne) and the notion of picnolepsy (Paul Virilio). With everything, it is intended to form an initial idea of semiotic of the disappearance as a particular quality of the poem.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86994349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27229
David Vázquez Couto
-
-
{"title":"Reseña de: José Antonio PÉREZ BOWIE y Antonio Jesús GIL GONZÁLEZ (eds.). FICCIONES NÓMADAS. PROCESOS DE INTERMEDIALIDAD LITERARIA Y AUDIOVISUAL. (Madrid: Sial Pigmalión, 2017, 499 págs.)","authors":"David Vázquez Couto","doi":"10.5944/signa.vol29.2020.27229","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27229","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77806792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23521
Carmen V. Vidaure Arenas
Resumen: Analizamos La camara sangrienta (2017) de Angela Carter, ilustrada por Alejandra Acosta, a partir de aportaciones sobre la transtextualidad (Genette, 1989), las narrativas transmedia (Jenkins, 2003; Long, 2007; Scolari, 2013) y los volumenes integrados (Brecia y Romano, 2006). Buscamos dar prioridad al estudio de las variadas dinamicas intersemioticas, destacar la importancia de la contextualizacion y las competencias culturales de los receptores en los procesos de interpretacion. El analisis de las ilustraciones permite observar la forma en que ponen en crisis su caracterizacion como elementos accesorios y destacar que el concepto de traduccion intersemiotica resulta inexacto para describir los fenomenos que se verifican en las obras ilustrada analizada. Abstract: We analyze The Bloody Chamber by Angela Carter, illustrated by Alejandra Acosta, from some contributions on transtextuality (Genette, 1989), transmedia narratives (Jenkins, 2003; Long, 2007; Scolari, 2013) and integrated volumes (Brecia y Romano, 2006). We seek to give priority to the study of the various intersemiotic dynamics, highlighting the importance of contextualization and the cultural competencies of the receivers. The analysis of the illustrations allows us to observe the way in which they come to put in crisis their characterization as accessory elements or disconnected from the semiotic processes and to emphasize that the translation concept intersemiotic is inaccurate to describe some of the phenomena in the illustrated work.
摘要:我们分析了安吉拉·卡特的《La camara sangrienta》(2017)，由亚历山德拉·阿科斯塔绘制，基于对跨文本性(Genette, 1989)、跨媒体叙事(Jenkins, 2003;Long, 2007年;斯科拉里，2013)和综合卷(布雷西亚和罗马诺，2006)。我们寻求优先研究各种符号学间动力学，强调语境化和接受者在解释过程中的文化能力的重要性。通过对插图的分析，我们可以观察到它们是如何将其作为辅助元素的特征置于危机中，并强调符号学间翻译的概念在描述所分析的插图作品中的现象时是不准确的。摘要:我们分析了安吉拉·卡特(Angela Carter)的《血腥室》(The Bloody Chamber)，亚历杭德拉·阿科斯塔(Alejandra Acosta)绘制的《跨媒体叙事的一些贡献》(Genette, 1989)。Long, 2007年;= =地理= =根据美国人口普查，这个县的面积为。我们寻求优先研究各种符号间动力学，强调语境化和接受者文化能力的重要性。The analysis of The illustrations allows us to注意The way in which they come to put in危机及其characterization as accessory elements or disconnected from The semiotic过程和突破概念intersemiotic is that The英文描述不准确to some of The纪要in The画报work。
{"title":"LA CÁMARA SANGRIENTA: TRANSTEXTUALIDAD Y TRANSMEDIALIDAD EN EL LIBRO ILUSTRADO","authors":"Carmen V. Vidaure Arenas","doi":"10.5944/signa.vol29.2020.23521","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23521","url":null,"abstract":"Resumen: Analizamos La camara sangrienta (2017) de Angela Carter, ilustrada por Alejandra Acosta, a partir de aportaciones sobre la transtextualidad (Genette, 1989), las narrativas transmedia (Jenkins, 2003; Long, 2007; Scolari, 2013) y los volumenes integrados (Brecia y Romano, 2006). Buscamos dar prioridad al estudio de las variadas dinamicas intersemioticas, destacar la importancia de la contextualizacion y las competencias culturales de los receptores en los procesos de interpretacion. El analisis de las ilustraciones permite observar la forma en que ponen en crisis su caracterizacion como elementos accesorios y destacar que el concepto de traduccion intersemiotica resulta inexacto para describir los fenomenos que se verifican en las obras ilustrada analizada. Abstract: We analyze The Bloody Chamber by Angela Carter, illustrated by Alejandra Acosta, from some contributions on transtextuality (Genette, 1989), transmedia narratives (Jenkins, 2003; Long, 2007; Scolari, 2013) and integrated volumes (Brecia y Romano, 2006). We seek to give priority to the study of the various intersemiotic dynamics, highlighting the importance of contextualization and the cultural competencies of the receivers. The analysis of the illustrations allows us to observe the way in which they come to put in crisis their characterization as accessory elements or disconnected from the semiotic processes and to emphasize that the translation concept intersemiotic is inaccurate to describe some of the phenomena in the illustrated work.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91057139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27194
R. Aparicio, Raquel Nogal Santamaría
Resumen: La presente compilacion reune una breve seleccion de los textos presentados en el XVII Congreso Internacional de la Asociacion Espanola de Semiotica y el I Congreso Iberico de Semiotica que tuvo lugar entre el 23 y 25 de noviembre de 2017 en la Universidade Nova de Lisboa. En dicho encuentro se dieron cita investigadores de distintos paises con el objetivo de reflexionar sobre el concepto de moda desde el punto de vista semiotico. Abstract: This compilation gathers a brief selection of the texts presented at the XVVII International Congress of the Spanish Association of Semiotics (AES) and the I Iberian Congress of Semiotics (AIS) that took place from 23rd to 25th of November, 2017 at the Universidade Nova de Lisboa. In this meeting, researchers from different countries met to reflect on the concept of fashion from the semiotic point of view.
{"title":"PRESENTACIÓN. MODAS, MODOS, MANERAS","authors":"R. Aparicio, Raquel Nogal Santamaría","doi":"10.5944/signa.vol29.2020.27194","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27194","url":null,"abstract":"Resumen: La presente compilacion reune una breve seleccion de los textos presentados en el XVII Congreso Internacional de la Asociacion Espanola de Semiotica y el I Congreso Iberico de Semiotica que tuvo lugar entre el 23 y 25 de noviembre de 2017 en la Universidade Nova de Lisboa. En dicho encuentro se dieron cita investigadores de distintos paises con el objetivo de reflexionar sobre el concepto de moda desde el punto de vista semiotico. Abstract: This compilation gathers a brief selection of the texts presented at the XVVII International Congress of the Spanish Association of Semiotics (AES) and the I Iberian Congress of Semiotics (AIS) that took place from 23rd to 25th of November, 2017 at the Universidade Nova de Lisboa. In this meeting, researchers from different countries met to reflect on the concept of fashion from the semiotic point of view.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77058858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23610
José Manuel Trabado Cabado
Resumen: En este articulo se trata de analizar las relaciones que establecen las diferentes practicas discursivas dentro del mundo audiovisual contemporaneo y la influencia que unas ejercen en otras formando parte de lo que podria venir a denominarse como cultura sampleada. La red de relaciones se hace cada vez mas densa y los textos se saturan de significado en un complejo proceso que obliga al receptor a construir una lectura que va siempre mas alla del propio texto para dar sentido a los mensajes. Todo ello se ejemplifica en el caso del spot televisivo de la compania telefonica espanola Movistar que se valio de discursos precedentes. Algunos hablaron de plagio, pero la cadena de relaciones era mucho mas larga de lo que indica un parecido evidente entre dos discursos. Como se modifican la esencia, las intenciones comunicativas y contextos pragmaticos es el objeto de analisis de estas paginas. Abstract: This article attempts to analyze the relations established by the various discursive practices found in the audiovisual world and the influence some of these strategies exert on each other within what could be known as sampled culture. The network of connections in this complex process becomes increasingly tangled and the texts saturate with meaning, thus forcing the receivers to construct a reading which always goes beyond the text itself in order to confer meaning on the messages. All this can be specifically illustrated by a TV commercial spot produced by the Spanish telephone company Movistar which made use of previous discourses. Although some people considered it plagiarism, the chain of connections was indeed much more intricate than that merely showing an evident similarity between two discourses. How the essence, communicative purposes and pragmatic contexts of these texts are modified is the object of analysis of the following pages.
{"title":"CULTURA SAMPLEADA EN LA BABEL CONTEMPORÁNEA. NOTAS SOBRE LA COLONIZACIÓN Y DEPREDACIÓN COMO PRÁCTICAS DISCURSIVAS","authors":"José Manuel Trabado Cabado","doi":"10.5944/signa.vol29.2020.23610","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23610","url":null,"abstract":"Resumen: En este articulo se trata de analizar las relaciones que establecen las diferentes practicas discursivas dentro del mundo audiovisual contemporaneo y la influencia que unas ejercen en otras formando parte de lo que podria venir a denominarse como cultura sampleada. La red de relaciones se hace cada vez mas densa y los textos se saturan de significado en un complejo proceso que obliga al receptor a construir una lectura que va siempre mas alla del propio texto para dar sentido a los mensajes. Todo ello se ejemplifica en el caso del spot televisivo de la compania telefonica espanola Movistar que se valio de discursos precedentes. Algunos hablaron de plagio, pero la cadena de relaciones era mucho mas larga de lo que indica un parecido evidente entre dos discursos. Como se modifican la esencia, las intenciones comunicativas y contextos pragmaticos es el objeto de analisis de estas paginas. Abstract: This article attempts to analyze the relations established by the various discursive practices found in the audiovisual world and the influence some of these strategies exert on each other within what could be known as sampled culture. The network of connections in this complex process becomes increasingly tangled and the texts saturate with meaning, thus forcing the receivers to construct a reading which always goes beyond the text itself in order to confer meaning on the messages. All this can be specifically illustrated by a TV commercial spot produced by the Spanish telephone company Movistar which made use of previous discourses. Although some people considered it plagiarism, the chain of connections was indeed much more intricate than that merely showing an evident similarity between two discourses. How the essence, communicative purposes and pragmatic contexts of these texts are modified is the object of analysis of the following pages.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80985426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：