Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29296
D. R. López
Resumen: Este monografico reflexiona sobre la necesidad de reconstruir la historiografia de la literatura espanola de la Edad de Plata con metodos y tecnicas digitales y especificamente las relacionadas con el almacenamiento de datos mediante archivos, repositorios y bibliotecas digitales. A partir de la digitalizacion masiva de contenidos y su catalogacion mediante metadatos estandarizados, surgen nuevos espacios de organizacion de la memoria historica para docentes e investigadores. Los trabajos que componen este monografico asumen dos retos fundamentales: 1) la recopilacion y catalogacion de recursos, 2) su estructuracion mediante metadatos y ediciones digitales que interpretan el legado con novedosas aproximaciones teoricas. Abstract: This monograph reflects on the need to reconstruct the historiography of Spanish literature of the Silver Age through digital methods and techniques and specifically those related to data storage through archives, repositories and digital libraries. From the massive digitalization of content and its cataloging by means of standardized metadata, new challenges of organizing historical memory for teachers and researchers are opened. The works that make up this monograph assume two fundamental challenges: 1) the collection and cataloging of resources, 2) the modelling through metadata and digital editions that interpret the legacy with new theoretical approaches.
{"title":"ARCHIVOS, REPOSITORIOS Y BIBLIOTECAS DIGITALES: HACIA UNA HISTORIA DIGITAL DE LA EDAD DE PLATA","authors":"D. R. López","doi":"10.5944/SIGNA.VOL30.2021.29296","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29296","url":null,"abstract":"Resumen: Este monografico reflexiona sobre la necesidad de reconstruir la historiografia de la literatura espanola de la Edad de Plata con metodos y tecnicas digitales y especificamente las relacionadas con el almacenamiento de datos mediante archivos, repositorios y bibliotecas digitales. A partir de la digitalizacion masiva de contenidos y su catalogacion mediante metadatos estandarizados, surgen nuevos espacios de organizacion de la memoria historica para docentes e investigadores. Los trabajos que componen este monografico asumen dos retos fundamentales: 1) la recopilacion y catalogacion de recursos, 2) su estructuracion mediante metadatos y ediciones digitales que interpretan el legado con novedosas aproximaciones teoricas. Abstract: This monograph reflects on the need to reconstruct the historiography of Spanish literature of the Silver Age through digital methods and techniques and specifically those related to data storage through archives, repositories and digital libraries. From the massive digitalization of content and its cataloging by means of standardized metadata, new challenges of organizing historical memory for teachers and researchers are opened. The works that make up this monograph assume two fundamental challenges: 1) the collection and cataloging of resources, 2) the modelling through metadata and digital editions that interpret the legacy with new theoretical approaches.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83916617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.26567
José Teruel Benavente
Resumen: Este articulo analiza una modalidad de la obra de Carmen Martin Gaite poco atendida por la critica: su poesia, y demuestra que no es una vertiente marginal de la autora, sino que complementa e ilumina su labor narrativa, ensayistica y de corte autobiografico, como los Cuadernos de todo. Martin Gaite entendio que la enunciacion lirica, por encima del uso del verso o de la prosa, radica en un tratamiento temporal de la experiencia humana, que hace caso omiso de una imagen del tiempo concebida como un continuum y saca a flote los vertices decisivos de la existencia. Abstract: This article analyzes a mode in Carmen Martin Gaite’s work which has received little critical attention: her poetry. And shows that it is not a marginal aspect, but rather that it complements and illuminates her narrative, essayistic and autobiographical texts, such as Cuadernos de todo. For Martin Gaite the poetic text, beyond the use of verse or prose, consists of a temporal treatment of human experience which eschews an image of time conceived as a continuum and focuses on the fundamental aspects of existence.
摘要:这篇分析的一种形式的作品卡门·马丁Gaite小的批评:他的诗,并表明这不是一个边际山腰的提交,而且补充并点亮她的故事,ensayistica和autobiografico法院工作,如在笔记本上的一切。马丁·盖特明白，抒情的表达，超越了诗歌或散文的使用，是对人类经验的一种暂时的处理，它忽略了被视为连续体的时间形象，并使存在的决定性方面浮出水面。摘要:本文分析了卡门·马丁·盖特作品中的一种模式，这种模式受到了很少的批评关注:她的诗歌。边际And节目that it is not a监测器,but that it complements And illuminates她narrative, essayistic And autobiographical texts,如笔记本。马丁Gaite《poetic text, beyond the use of or普罗斯,包含of临时的待遇of human experience which eschews an image of time conceived as a自始至终and的on the存在的基本问题》。
{"title":"LA ENUNCIACIÓN POÉTICA EN LA OBRA DE CARMEN MARTÍN GAITE","authors":"José Teruel Benavente","doi":"10.5944/SIGNA.VOL30.2021.26567","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.26567","url":null,"abstract":"Resumen: Este articulo analiza una modalidad de la obra de Carmen Martin Gaite poco atendida por la critica: su poesia, y demuestra que no es una vertiente marginal de la autora, sino que complementa e ilumina su labor narrativa, ensayistica y de corte autobiografico, como los Cuadernos de todo. Martin Gaite entendio que la enunciacion lirica, por encima del uso del verso o de la prosa, radica en un tratamiento temporal de la experiencia humana, que hace caso omiso de una imagen del tiempo concebida como un continuum y saca a flote los vertices decisivos de la existencia. Abstract: This article analyzes a mode in Carmen Martin Gaite’s work which has received little critical attention: her poetry. And shows that it is not a marginal aspect, but rather that it complements and illuminates her narrative, essayistic and autobiographical texts, such as Cuadernos de todo. For Martin Gaite the poetic text, beyond the use of verse or prose, consists of a temporal treatment of human experience which eschews an image of time conceived as a continuum and focuses on the fundamental aspects of existence.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83065664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29306
F. Silvestri
Riassunto: Il rapporto tra il Medesimo e l’Altro rappresenta un leit motiv lungo l’intero arco della ricerca di Foucault. Negli anni Sessanta egli ha certamente tematizzato il problema, affrontandolo da due prospettive. L’altro e tutta la storia della follia dalla fine del Medioevo fino al limite dei primi studi di Freud. L’altro e la scrittura letteraria di Sade, Holderlin, Nietzsche, Artaud, Bataille, Roussell, Blanchot, Klossowski, tutti insieme convocati su uno scenario filosofico, che si muove ad elastico tra teorie surrealiste della scrittura e dell’opera d’arte e prime forme di uno strutturalismo in pieno svolgimento. Abstract: The relationship between the Self and the Other represents a leitmotiv throughout Foucault’s research. In the sixties, he certainly addressed the issue from two perspectives. The Other is the whole history of madness from the end of the Middle Ages to the limits of Freud’s early studies. The Other is in the literary writings by Sade, Holderlin, Nietzsche, Artaud, Bataille, Roussell, Blanchot, Klossowski, who are all summoned together on a philosophical scenario which ranges from surrealist theories of writing, and the work of art and first forms of structuralism in full swing.
{"title":"SUL MEDESIMO E L’ALTRO. TRA FOLLIA E LETTERATURA NELLA PROSPETTIVA SEMIOTICA DI STUDI DI MICHEL FOUCAULT","authors":"F. Silvestri","doi":"10.5944/SIGNA.VOL30.2021.29306","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29306","url":null,"abstract":"Riassunto: Il rapporto tra il Medesimo e l’Altro rappresenta un leit motiv lungo l’intero arco della ricerca di Foucault. Negli anni Sessanta egli ha certamente tematizzato il problema, affrontandolo da due prospettive. L’altro e tutta la storia della follia dalla fine del Medioevo fino al limite dei primi studi di Freud. L’altro e la scrittura letteraria di Sade, Holderlin, Nietzsche, Artaud, Bataille, Roussell, Blanchot, Klossowski, tutti insieme convocati su uno scenario filosofico, che si muove ad elastico tra teorie surrealiste della scrittura e dell’opera d’arte e prime forme di uno strutturalismo in pieno svolgimento. Abstract: The relationship between the Self and the Other represents a leitmotiv throughout Foucault’s research. In the sixties, he certainly addressed the issue from two perspectives. The Other is the whole history of madness from the end of the Middle Ages to the limits of Freud’s early studies. The Other is in the literary writings by Sade, Holderlin, Nietzsche, Artaud, Bataille, Roussell, Blanchot, Klossowski, who are all summoned together on a philosophical scenario which ranges from surrealist theories of writing, and the work of art and first forms of structuralism in full swing.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87628119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.5944/SIGNA.VOL30.2021.29318
J. Botrel
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{"title":"LA REGENTA Leopoldo ALAS “CLARÍN” / Rafael RODRÍGUEZ MARÍN (ed.) (Barcelona: Castalia Didáctica, 2019, 1245 págs.)","authors":"J. Botrel","doi":"10.5944/SIGNA.VOL30.2021.29318","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29318","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84178878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23421
José María Pozuelo Cegarra
Abstract: In recent years, teachers have seen how the difficulty of achieving effective communication into the classroom to get an efficient teaching-learning process has increased considerably. Current students, especially in Primary Education, have acquired skills in new technology in an unconscious way, which let them have access to any kind of information in a few minutes. Current methodologies should be developed more so that that pupils can acquire a more significant learning. The Flipped Classroom methodology is one of them, which combines the use of ICTs with the use of videos to transmit the contents.
{"title":"EDUCACIÓN Y NUEVAS METODOLOGÍAS COMUNICATIVAS: FLIPPED CLASSROOM","authors":"José María Pozuelo Cegarra","doi":"10.5944/signa.vol29.2020.23421","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23421","url":null,"abstract":"Abstract: In recent years, teachers have seen how the difficulty of achieving effective communication into the classroom to get an efficient teaching-learning process has increased considerably. Current students, especially in Primary Education, have acquired skills in new technology in an unconscious way, which let them have access to any kind of information in a few minutes. Current methodologies should be developed more so that that pupils can acquire a more significant learning. The Flipped Classroom methodology is one of them, which combines the use of ICTs with the use of videos to transmit the contents.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82225741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27226
D. Herrero
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{"title":"Reseña de: María MARCOS RAMOS (ed.). CINE DESDE LAS DOS ORILLAS. DIRECTORES ESPAÑOLES Y BRASILEÑOS. (Santiago de Compostela: Andavira Editora, 2018, 253 págs.)","authors":"D. Herrero","doi":"10.5944/signa.vol29.2020.27226","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27226","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86182967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27213
Alberto del Río Nogueras
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{"title":"Reseña de: Aurora EGIDO. POR EL GUSTO DE LEER A CERVANTES. (Sevilla: Fundación José Manuel Lara, 2018, 560 págs.)","authors":"Alberto del Río Nogueras","doi":"10.5944/signa.vol29.2020.27213","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27213","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87366418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27164
Celia Fernández Prieto
Abstract: The autobiography of childhood is taken in this article as one of the most innovative literary representations of intimacy in that it implies the imaginary reconstruction of a childhood self that no longer exists but inhabits as a ghost the memory of the adult. This ghostly presence adopts different forms in the childhood autobiographies of Annie Ernaux and Luis Landero, whose writing explore the ongoing persistence of feelings of shame (in the former) and guilt (in the latter), and the difficulty inremembering and expressing those feelings.
{"title":"INTIMIDAD Y RELATO DE INFANCIA","authors":"Celia Fernández Prieto","doi":"10.5944/signa.vol29.2020.27164","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27164","url":null,"abstract":"Abstract: The autobiography of childhood is taken in this article as one of the most innovative literary representations of intimacy in that it implies the imaginary reconstruction of a childhood self that no longer exists but inhabits as a ghost the memory of the adult. This ghostly presence adopts different forms in the childhood autobiographies of Annie Ernaux and Luis Landero, whose writing explore the ongoing persistence of feelings of shame (in the former) and guilt (in the latter), and the difficulty inremembering and expressing those feelings.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88187972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.24150
Cristina Oñoro Otero
Resumen: Pasados diez anos desde su eclosion, parece necesario reflexionar sobre lo que supusieron los Nuevos Formatos teatrales en la escena independiente de Madrid. En las paginas siguientes estudiaremos tres formatos distintos el Microteatro, el Teatro inmersivo (La Casa de la Portera) y el Teatro en Serie atendiendo al contexto en el que aparecieron fuertemente marcado por la crisis y sus recortes pero tambien a partir de un analisis de sus poeticas teatrales. Prestaremos especial atencion al Teatro en Serie y a la herencia dejada por los Nuevos Formatos en el teatro espanol de comienzos del siglo XXI. Abstract: Ten years after its emergence, it is now time to reflect on what New Theatre Forms brought to the independent theatre landscape in Madrid. This article analyses three distinctive theatrical forms Microtheatre, Immersive Theatre (La Casa de la Portera) and Theatre Series in relation to both their context of origin characterised by the financial crisis and austerity cuts and the theatre theories behind them. This article aims to focus, in particular, in the Theatre Series and the legacy of these New Theatre Forms in early 21st-century Spanish theatre.
摘要:在它诞生十年之后，似乎有必要反思马德里独立舞台上的新戏剧形式。在接下来的几页中，我们将研究三种不同的形式:微型剧场、沉浸式剧场(La Casa de La Portera)和系列剧场，考虑到它们出现的背景，这些背景强烈地标记了危机及其削减，但也从对它们的戏剧诗学的分析。我们将特别关注连续戏剧和21世纪初西班牙戏剧新形式留下的遗产。Abstract:十年之后现在emergence, it is time to 12 on what New to the independent剧院的剧院Forms状况在马德里。本文分析了三种独特的戏剧形式:微型戏剧、沉浸式戏剧(La Casa de La porte)和戏剧系列，它们的起源背景都以金融危机和紧缩削减为特征，以及它们背后的戏剧理论。这篇文章的目的是特别关注戏剧系列和这些新戏剧形式在21世纪早期西班牙戏剧中的遗产。
{"title":"CUANDO EL TEATRO ES NECESARIO: LOS NUEVOS FORMATOS TEATRALES UNA DÉCADA DESPUÉS (2009-2019)","authors":"Cristina Oñoro Otero","doi":"10.5944/signa.vol29.2020.24150","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.24150","url":null,"abstract":"Resumen: Pasados diez anos desde su eclosion, parece necesario reflexionar sobre lo que supusieron los Nuevos Formatos teatrales en la escena independiente de Madrid. En las paginas siguientes estudiaremos tres formatos distintos el Microteatro, el Teatro inmersivo (La Casa de la Portera) y el Teatro en Serie atendiendo al contexto en el que aparecieron fuertemente marcado por la crisis y sus recortes pero tambien a partir de un analisis de sus poeticas teatrales. Prestaremos especial atencion al Teatro en Serie y a la herencia dejada por los Nuevos Formatos en el teatro espanol de comienzos del siglo XXI. Abstract: Ten years after its emergence, it is now time to reflect on what New Theatre Forms brought to the independent theatre landscape in Madrid. This article analyses three distinctive theatrical forms Microtheatre, Immersive Theatre (La Casa de la Portera) and Theatre Series in relation to both their context of origin characterised by the financial crisis and austerity cuts and the theatre theories behind them. This article aims to focus, in particular, in the Theatre Series and the legacy of these New Theatre Forms in early 21st-century Spanish theatre.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75531567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27163
María Paz Moreno
Abstract: Documentaries have experienced, since the late Twentieth Century, an important subjunctive change becoming a perfect space for the narrative and visual experimentation in order to show intimacy. From this premise, we want to demonstrate that this change has an evident consequence: there is a new me which builds a story around itself and that, besides, in the case of the film speech built by women, this (her) self hasspecial features to take into account.
{"title":"LA INTIMIDAD EN EL CINE DE NO FICCIÓN: UN’ORA SOLA TI VORREI, DE ALINA MARAZZI","authors":"María Paz Moreno","doi":"10.5944/signa.vol29.2020.27163","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27163","url":null,"abstract":"Abstract: Documentaries have experienced, since the late Twentieth Century, an important subjunctive change becoming a perfect space for the narrative and visual experimentation in order to show intimacy. From this premise, we want to demonstrate that this change has an evident consequence: there is a new me which builds a story around itself and that, besides, in the case of the film speech built by women, this (her) self hasspecial features to take into account.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73967929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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