Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27160
M. Álvarez
Abstract: The intimate refers to the innermost part of a person, an area that cannot be shown. But intimacy, the definition of which mostly depends on historical and social factors, sometimes seems to go beyond the private sphere and clearly enters the public one. We will here advance the contents of the contributions to this monograph, which aims to analyze the expression of the subject’s inner self -without forgetting, of course, its specific features in women- in arts, cinema and literature.
{"title":"PRESENTACIÓN. FIGURAS Y FRONTERAS DE LA INTIMIDAD EN LA ÉPOCA CONTEMPORÁNEA","authors":"M. Álvarez","doi":"10.5944/signa.vol29.2020.27160","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27160","url":null,"abstract":"Abstract: The intimate refers to the innermost part of a person, an area that cannot be shown. But intimacy, the definition of which mostly depends on historical and social factors, sometimes seems to go beyond the private sphere and clearly enters the public one. We will here advance the contents of the contributions to this monograph, which aims to analyze the expression of the subject’s inner self -without forgetting, of course, its specific features in women- in arts, cinema and literature.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78140671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23405
Helena Establier Pérez
Abstract: This paper focuses on the first mismatches observed in the critical discourse about the Spanish romantic poetess Carolina Coronado, considering them as early signs of the application of a gender perspective in the contemporary readings of her compositions. To this end, we consider the essays dedicated to Carolina Coronado by three Spanish women authors —Carmen de Burgos, Margarita Nelken y Alfonsa de la Torre— in the first half of the twenteenth century, and we try to explain their gaps with the standing critical tradition attending to their peripheric position in a male literary context as well as to the gender marks
{"title":"LECTURAS CONTEMPORÁNEAS DE CAROLINA CORONADO CON/SIN PERSPECTIVA DE GÉNERO: LAS ESCRITORAS ESPAÑOLAS ANTE “LA FLOR ROMÁNTICA”","authors":"Helena Establier Pérez","doi":"10.5944/signa.vol29.2020.23405","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23405","url":null,"abstract":"Abstract: This paper focuses on the first mismatches observed in the critical discourse about the Spanish romantic poetess Carolina Coronado, considering them as early signs of the application of a gender perspective in the contemporary readings of her compositions. To this end, we consider the essays dedicated to Carolina Coronado by three Spanish women authors —Carmen de Burgos, Margarita Nelken y Alfonsa de la Torre— in the first half of the twenteenth century, and we try to explain their gaps with the standing critical tradition attending to their peripheric position in a male literary context as well as to the gender marks","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79135579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.24156
Ricardo Dubatti
Resumen: En nuestra investigacion relevamos aquellos textos dramaticos argentinos que se refieren a la Guerra de Malvinas (1982), acontecimiento que constituye una presencia sensible en la sociedad argentina contemporanea (Lorenz, 2012). Estudiamos las representaciones (Chartier, 1992) por las que el teatro opera como constructo memorialista (Vezzetti, 2002) que activa los trabajos de la memoria (Jelin, 2002) y habla de lo “no decible” (Mancuso, 2010). Analizamos en Del sol naciente (1983/1984), de Griselda Gambaro, como la poetica configura una lectura de la guerra desde una critica antipatriarcal y antidictatorial desde una concepcion de la memoria como gran compartir. Abstract: In the frame of our research we examine those Argentine dramatic texts about the Malvinas War (1982), an event which constitutes a sensitive presence in contemporary Argentine society (Lorenz, 2012). We study the representations (Chartier, 1992) through which drama operates as a memorialist construct (Vezzetti, 2002) that triggers the workings of memory (Jelin, 2002) and speaks of the “unspeakable” (Mancuso, 2010). In Del sol naciente (1983/1984), a dramatic text by Griselda Gambaro, we analyze how its poetics yields a reading of the above-mentioned war from an anti-patriarchal and anti-dictatorial criticism and a conception of memory as great sharing.
摘要:本研究的目的是分析阿根廷的戏剧文本，这些文本涉及马尔维兰战争(1982)，这一事件构成了当代阿根廷社会的一个敏感的存在(Lorenz, 2012)。我们研究了戏剧作为记忆结构的表现(Chartier, 1992) (Vezzetti, 2002)，激活记忆工作(Jelin, 2002)和谈论“不可言说”(Mancuso, 2010)。我们分析了格里塞达·甘巴罗(Griselda Gambaro)的《Del sol naciente》(1983/1984)，以及诗歌如何从反父权和反独裁的批评中配置对战争的解读，从记忆作为伟大分享的概念中。摘要:在我们研究的框架中，我们考察了关于马尔维纳斯战争的阿根廷戏剧文本(1982)，这一事件构成了当代阿根廷社会的敏感存在(Lorenz, 2012)。我们研究了表征(Chartier, 1992)，通过这些表征，戏剧作为一种记忆结构发挥作用(Vezzetti, 2002)，触发记忆的工作(Jelin, 2002)和“不可说”的说话(Mancuso, 2010)。在格里塞达·甘巴罗(Griselda Gambaro)的戏剧文本《Del sol naciente》(1983/1984)中，我们分析了她的诗歌如何从反父权和反独裁的批评和记忆的概念中产生对战争的解读。
{"title":"DEL SOL NACIENTE (1983/1984), DE GRISELDA GAMBARO: GUERRA DE MALVINAS, DICTADURA Y PATRIARCADO","authors":"Ricardo Dubatti","doi":"10.5944/signa.vol29.2020.24156","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.24156","url":null,"abstract":"Resumen: En nuestra investigacion relevamos aquellos textos dramaticos argentinos que se refieren a la Guerra de Malvinas (1982), acontecimiento que constituye una presencia sensible en la sociedad argentina contemporanea (Lorenz, 2012). Estudiamos las representaciones (Chartier, 1992) por las que el teatro opera como constructo memorialista (Vezzetti, 2002) que activa los trabajos de la memoria (Jelin, 2002) y habla de lo “no decible” (Mancuso, 2010). Analizamos en Del sol naciente (1983/1984), de Griselda Gambaro, como la poetica configura una lectura de la guerra desde una critica antipatriarcal y antidictatorial desde una concepcion de la memoria como gran compartir. Abstract: In the frame of our research we examine those Argentine dramatic texts about the Malvinas War (1982), an event which constitutes a sensitive presence in contemporary Argentine society (Lorenz, 2012). We study the representations (Chartier, 1992) through which drama operates as a memorialist construct (Vezzetti, 2002) that triggers the workings of memory (Jelin, 2002) and speaks of the “unspeakable” (Mancuso, 2010). In Del sol naciente (1983/1984), a dramatic text by Griselda Gambaro, we analyze how its poetics yields a reading of the above-mentioned war from an anti-patriarchal and anti-dictatorial criticism and a conception of memory as great sharing.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72372741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23806
Cristina Jiménez Gómez
Resumen: El guion cinematografico no constituye un simple instrumento para la realizacion final del film, sino que requiere ser estudiado como un texto artistico y como un genero literario en si mismo en tanto que posee unas caracteristicas retoricas, esteticas y poeticas que son expresadas a traves del lenguaje cinematografico. En el guion cinematografico de Viridiana (1961), Luis Bunuel y Julio Alejandro explotan los recursos retoricos, poeticos y esteticos del texto guionistico para construir la analogia visual y los significados metaforicos y simbolicos en la estructura narrativa de su pelicula. Abstract: The screenplay is not a simple instrument for the final realization of the film, but it needs to be studied as an artistic text and as a literary genre due to that possesses a rhetorical, aesthetic and poetic characteristics that are expressed through the cinematographic language. In the script of Viridiana (1961), Luis Bunuel and Julio Alejandro use the rhetorical, poetic and aesthetic resources of the screenwriting text to construct the visual analogy and the metaphorical and symbolic meanings in the narrative structure of their film.
摘要:脚本cinematografico并不是一种简单的工具realizacion电影结束的时候,不仅需要研究的文学艺术和案文像性别本身则拥有约caracteristicas retoricas, esteticas cinematografico语言和poeticas年会来表达的。在《Viridiana》(1961)的电影剧本中，Luis Bunuel和Julio Alejandro利用剧本文本的修辞、诗意和美学资源，在他们的电影叙事结构中构建视觉类比、隐喻和象征意义。Abstract:剧本is not a简单文书for The final实现The电影,but it needs to be studied as an艺术text and as a literary性别由于to that possesses rhetorical, aesthetic and poetic分离器that are表示through The cinematographic language。在《维里黛安娜的剧本》(1961)中，路易斯·布努埃尔和胡里奥·亚历桑德罗利用剧本文本的修辞、诗意和美学资源，在他们的电影叙事结构中构建视觉类比和隐喻和象征意义。
{"title":"LA AUTONOMÍA DEL GUION CINEMATOGRÁFICO COMO GÉNERO LITERARIO. LA GENIALIDAD CREATIVA DE BUÑUEL Y JULIO ALEJANDRO EN VIRIDIANA (1961)","authors":"Cristina Jiménez Gómez","doi":"10.5944/signa.vol29.2020.23806","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23806","url":null,"abstract":"Resumen: El guion cinematografico no constituye un simple instrumento para la realizacion final del film, sino que requiere ser estudiado como un texto artistico y como un genero literario en si mismo en tanto que posee unas caracteristicas retoricas, esteticas y poeticas que son expresadas a traves del lenguaje cinematografico. En el guion cinematografico de Viridiana (1961), Luis Bunuel y Julio Alejandro explotan los recursos retoricos, poeticos y esteticos del texto guionistico para construir la analogia visual y los significados metaforicos y simbolicos en la estructura narrativa de su pelicula. Abstract: The screenplay is not a simple instrument for the final realization of the film, but it needs to be studied as an artistic text and as a literary genre due to that possesses a rhetorical, aesthetic and poetic characteristics that are expressed through the cinematographic language. In the script of Viridiana (1961), Luis Bunuel and Julio Alejandro use the rhetorical, poetic and aesthetic resources of the screenwriting text to construct the visual analogy and the metaphorical and symbolic meanings in the narrative structure of their film.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85685649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27199
Yingqiao Pan
Resumen: La evolucion del vestido Qipao durante mas de un siglo se puede considerar como un caso paradigmatico de la historia de la moda en China. Para los extranjeros es un fragmento de la cultura tradicional de China, y para los chinos es una identidad figurativa. En el caso de In the Mood for Love, el Qipao se presenta como un actor mas. A traves del presente trabajo, queremos aplicar la metodologia de la semiotica de la cultura y la semiotica de la moda para abordar el objeto de estudio. La finalidad es encontrar la relacion entre el cine, la moda, la sociedad, la cultura y la historia china. Abstract: The evolution of the Qipao dress for more than a century can be considered as a paradigmatic case of the history of fashion in China. For foreigners it is a fragment of the traditional culture of China, and for the Chinese it is a figurative identity. In the case of In the Mood for Love, the Qipao is presented as an actor. Through this work, we want to apply the methodology of the semiotics of culture and the semiotics of fashion to approach the object of study. The purpose is to find the relationship between cinema, fashion, society, culture and Chinese history.
{"title":"ANÁLISIS DE LA MODA FEMENINA EN IN THE MOOD FOR LOVE DESDE UNA MIRADA SEMIÓTICA","authors":"Yingqiao Pan","doi":"10.5944/signa.vol29.2020.27199","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27199","url":null,"abstract":"Resumen: La evolucion del vestido Qipao durante mas de un siglo se puede considerar como un caso paradigmatico de la historia de la moda en China. Para los extranjeros es un fragmento de la cultura tradicional de China, y para los chinos es una identidad figurativa. En el caso de In the Mood for Love, el Qipao se presenta como un actor mas. A traves del presente trabajo, queremos aplicar la metodologia de la semiotica de la cultura y la semiotica de la moda para abordar el objeto de estudio. La finalidad es encontrar la relacion entre el cine, la moda, la sociedad, la cultura y la historia china. Abstract: The evolution of the Qipao dress for more than a century can be considered as a paradigmatic case of the history of fashion in China. For foreigners it is a fragment of the traditional culture of China, and for the Chinese it is a figurative identity. In the case of In the Mood for Love, the Qipao is presented as an actor. Through this work, we want to apply the methodology of the semiotics of culture and the semiotics of fashion to approach the object of study. The purpose is to find the relationship between cinema, fashion, society, culture and Chinese history.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78296348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27162
Anna Caballé Masforroll
Abstract: This article puts forward a reflection about the recent arrival of women in the biographical genre, both from an author’s perspective (as biographer), and as the object of the writing, that is to say as biographed. However, such arrival is to be found in a postfeminist theoretical context where the interest in women’s literature has become displaced as the very category of women has been challenged. How then can one write about the life of women? And from which theoretical perspective?
{"title":"MUJER, FEMINISMO Y BIOGRAFÍA","authors":"Anna Caballé Masforroll","doi":"10.5944/signa.vol29.2020.27162","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27162","url":null,"abstract":"Abstract: This article puts forward a reflection about the recent arrival of women in the biographical genre, both from an author’s perspective (as biographer), and as the object of the writing, that is to say as biographed. However, such arrival is to be found in a postfeminist theoretical context where the interest in women’s literature has become displaced as the very category of women has been challenged. How then can one write about the life of women? And from which theoretical perspective?","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89445715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27222
M. Aguilar
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{"title":"Reseña de: Guillermo LAÍN CORONA y Rocío SANTIAGO NOGALES (eds.). CARTOGRAFÍA TEATRAL EN HOMENAJE AL PROFESOR JOSÉ ROMERA CASTILLO. (Madrid: Visor Libros, 2019, tomo II, 864 págs.)","authors":"M. Aguilar","doi":"10.5944/signa.vol29.2020.27222","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27222","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75638984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23399
Raquel Fernández Cobo
Abstract: The present study analyzes the three volumes of Los diarios de Emilio Renzi in relation to his previous work, within what Lejeune called “the autobiographical space”. We study how Piglia finds through diary and autobiography the ideal way to narrate the experience of life: the autobiographical genre mainly allows the author of artificial respiration to invent itself through three fundamental strategies: the construction of a family and literary lineage; the fiction of the proper name and the intertextuality, that is, the appropriation of other readings not only as aesthetics but as ethics.
{"title":"RICARDO PIGLIA: LA FICCIÓN DEL NOMBRE","authors":"Raquel Fernández Cobo","doi":"10.5944/signa.vol29.2020.23399","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23399","url":null,"abstract":"Abstract: The present study analyzes the three volumes of Los diarios de Emilio Renzi in relation to his previous work, within what Lejeune called “the autobiographical space”. We study how Piglia finds through diary and autobiography the ideal way to narrate the experience of life: the autobiographical genre mainly allows the author of artificial respiration to invent itself through three fundamental strategies: the construction of a family and literary lineage; the fiction of the proper name and the intertextuality, that is, the appropriation of other readings not only as aesthetics but as ethics.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74713370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23474
Alberto RODRÍGUEZ BARCÓN
Resumen: El articulo propone una revision critica de los principales analisis en torno a la dimension espacial en los cuentos fantasticos de Julio Cortazar hasta la fecha. A partir de este objetivo general, se sugieren dos hipotesis de trabajo. Primero, confirmar aquellas teorias que senalan que el espacio es la estructura vertebral que sostiene su arquitectura fantastica y, segundo, que este espacio interactua de manera interdependiente y dialogica con otros elementos escenicos hasta configurar una compleja urdimbre de simbolos y codigos que posibilitan el transito entre el mundo real y el extraordinario en el imaginario literario cortazariano. Abstract: The article proposes a critical review of the main approaches about the spatial dimension in Julio Cortazar’s fantastic stories to date. From this general objective, two working hypotheses are suggested. First, confirm those theories that indicate that space is the vertebral structure that sustains its fantastic architecture and, second, that this space interacts in an interdependent and dialogical way with other scenic elements until it forms a complex warp of symbols and codes that make possible the transit between the real world and the extraordinary one in the cortazariano literary imaginary.
摘要:这篇文章提出了订正的批评主要围绕在空间维度分析7奇妙故事Cortazar迄今为止。从这个总体目标出发，提出了两个工作假设。首先,那些teorias确认都指向空间是大梁结构的架构的奇妙,第二,这个空间以相互依赖和dialogica interactua与其他元素escenicos直到simbolos配置复杂农历和标准有助于之间过境的现实世界和文学虚构非凡cortazariano。摘要:这篇文章对胡里奥·科塔扎尔迄今为止的奇幻故事中关于空间维度的主要方法进行了评论。从这个总体目标出发，提出了两个工作假设。First,这些不同的confirm that表明space is the structure sustains its fantastic architecture和大梁,其次,that this space interacts in an interdependent and dialogical way with other scenic elements直到它forms complex经象征的诋毁和订立that make可能the transit between the real world and the one in the cortazariano引渡literary imaginary。
{"title":"DE ALTERIDADES Y MADRIGUERAS DE CONEJO: ESPACIALIDAD Y SIMBOLOGÍA EN LOS CUENTOS FANTÁSTICOS DE JULIO CORTÁZAR","authors":"Alberto RODRÍGUEZ BARCÓN","doi":"10.5944/signa.vol29.2020.23474","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23474","url":null,"abstract":"Resumen: El articulo propone una revision critica de los principales analisis en torno a la dimension espacial en los cuentos fantasticos de Julio Cortazar hasta la fecha. A partir de este objetivo general, se sugieren dos hipotesis de trabajo. Primero, confirmar aquellas teorias que senalan que el espacio es la estructura vertebral que sostiene su arquitectura fantastica y, segundo, que este espacio interactua de manera interdependiente y dialogica con otros elementos escenicos hasta configurar una compleja urdimbre de simbolos y codigos que posibilitan el transito entre el mundo real y el extraordinario en el imaginario literario cortazariano. Abstract: The article proposes a critical review of the main approaches about the spatial dimension in Julio Cortazar’s fantastic stories to date. From this general objective, two working hypotheses are suggested. First, confirm those theories that indicate that space is the vertebral structure that sustains its fantastic architecture and, second, that this space interacts in an interdependent and dialogical way with other scenic elements until it forms a complex warp of symbols and codes that make possible the transit between the real world and the extraordinary one in the cortazariano literary imaginary.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73920177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27217
Javier Pérez-Castilla
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{"title":"Reseña de: José Luis GONZÁLEZ SUBÍAS. LITERATURA Y ESCENA. UNA HISTORIA DEL TEATRO ESPAÑOL. (Madrid: Punto de Vista Editores, 2019, 471 págs.)","authors":"Javier Pérez-Castilla","doi":"10.5944/signa.vol29.2020.27217","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27217","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81559112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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