Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23405
Helena Establier Pérez
Abstract: This paper focuses on the first mismatches observed in the critical discourse about the Spanish romantic poetess Carolina Coronado, considering them as early signs of the application of a gender perspective in the contemporary readings of her compositions. To this end, we consider the essays dedicated to Carolina Coronado by three Spanish women authors —Carmen de Burgos, Margarita Nelken y Alfonsa de la Torre— in the first half of the twenteenth century, and we try to explain their gaps with the standing critical tradition attending to their peripheric position in a male literary context as well as to the gender marks
{"title":"LECTURAS CONTEMPORÁNEAS DE CAROLINA CORONADO CON/SIN PERSPECTIVA DE GÉNERO: LAS ESCRITORAS ESPAÑOLAS ANTE “LA FLOR ROMÁNTICA”","authors":"Helena Establier Pérez","doi":"10.5944/signa.vol29.2020.23405","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23405","url":null,"abstract":"Abstract: This paper focuses on the first mismatches observed in the critical discourse about the Spanish romantic poetess Carolina Coronado, considering them as early signs of the application of a gender perspective in the contemporary readings of her compositions. To this end, we consider the essays dedicated to Carolina Coronado by three Spanish women authors —Carmen de Burgos, Margarita Nelken y Alfonsa de la Torre— in the first half of the twenteenth century, and we try to explain their gaps with the standing critical tradition attending to their peripheric position in a male literary context as well as to the gender marks","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"27 1","pages":"333-362"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79135579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27160
M. Álvarez
Abstract: The intimate refers to the innermost part of a person, an area that cannot be shown. But intimacy, the definition of which mostly depends on historical and social factors, sometimes seems to go beyond the private sphere and clearly enters the public one. We will here advance the contents of the contributions to this monograph, which aims to analyze the expression of the subject’s inner self -without forgetting, of course, its specific features in women- in arts, cinema and literature.
{"title":"PRESENTACIÓN. FIGURAS Y FRONTERAS DE LA INTIMIDAD EN LA ÉPOCA CONTEMPORÁNEA","authors":"M. Álvarez","doi":"10.5944/signa.vol29.2020.27160","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27160","url":null,"abstract":"Abstract: The intimate refers to the innermost part of a person, an area that cannot be shown. But intimacy, the definition of which mostly depends on historical and social factors, sometimes seems to go beyond the private sphere and clearly enters the public one. We will here advance the contents of the contributions to this monograph, which aims to analyze the expression of the subject’s inner self -without forgetting, of course, its specific features in women- in arts, cinema and literature.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"5 1","pages":"17-20"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78140671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27199
Yingqiao Pan
Resumen: La evolucion del vestido Qipao durante mas de un siglo se puede considerar como un caso paradigmatico de la historia de la moda en China. Para los extranjeros es un fragmento de la cultura tradicional de China, y para los chinos es una identidad figurativa. En el caso de In the Mood for Love, el Qipao se presenta como un actor mas. A traves del presente trabajo, queremos aplicar la metodologia de la semiotica de la cultura y la semiotica de la moda para abordar el objeto de estudio. La finalidad es encontrar la relacion entre el cine, la moda, la sociedad, la cultura y la historia china. Abstract: The evolution of the Qipao dress for more than a century can be considered as a paradigmatic case of the history of fashion in China. For foreigners it is a fragment of the traditional culture of China, and for the Chinese it is a figurative identity. In the case of In the Mood for Love, the Qipao is presented as an actor. Through this work, we want to apply the methodology of the semiotics of culture and the semiotics of fashion to approach the object of study. The purpose is to find the relationship between cinema, fashion, society, culture and Chinese history.
{"title":"ANÁLISIS DE LA MODA FEMENINA EN IN THE MOOD FOR LOVE DESDE UNA MIRADA SEMIÓTICA","authors":"Yingqiao Pan","doi":"10.5944/signa.vol29.2020.27199","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27199","url":null,"abstract":"Resumen: La evolucion del vestido Qipao durante mas de un siglo se puede considerar como un caso paradigmatico de la historia de la moda en China. Para los extranjeros es un fragmento de la cultura tradicional de China, y para los chinos es una identidad figurativa. En el caso de In the Mood for Love, el Qipao se presenta como un actor mas. A traves del presente trabajo, queremos aplicar la metodologia de la semiotica de la cultura y la semiotica de la moda para abordar el objeto de estudio. La finalidad es encontrar la relacion entre el cine, la moda, la sociedad, la cultura y la historia china. Abstract: The evolution of the Qipao dress for more than a century can be considered as a paradigmatic case of the history of fashion in China. For foreigners it is a fragment of the traditional culture of China, and for the Chinese it is a figurative identity. In the case of In the Mood for Love, the Qipao is presented as an actor. Through this work, we want to apply the methodology of the semiotics of culture and the semiotics of fashion to approach the object of study. The purpose is to find the relationship between cinema, fashion, society, culture and Chinese history.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"10 1","pages":"223-242"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78296348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23806
Cristina Jiménez Gómez
Resumen: El guion cinematografico no constituye un simple instrumento para la realizacion final del film, sino que requiere ser estudiado como un texto artistico y como un genero literario en si mismo en tanto que posee unas caracteristicas retoricas, esteticas y poeticas que son expresadas a traves del lenguaje cinematografico. En el guion cinematografico de Viridiana (1961), Luis Bunuel y Julio Alejandro explotan los recursos retoricos, poeticos y esteticos del texto guionistico para construir la analogia visual y los significados metaforicos y simbolicos en la estructura narrativa de su pelicula. Abstract: The screenplay is not a simple instrument for the final realization of the film, but it needs to be studied as an artistic text and as a literary genre due to that possesses a rhetorical, aesthetic and poetic characteristics that are expressed through the cinematographic language. In the script of Viridiana (1961), Luis Bunuel and Julio Alejandro use the rhetorical, poetic and aesthetic resources of the screenwriting text to construct the visual analogy and the metaphorical and symbolic meanings in the narrative structure of their film.
摘要:脚本cinematografico并不是一种简单的工具realizacion电影结束的时候,不仅需要研究的文学艺术和案文像性别本身则拥有约caracteristicas retoricas, esteticas cinematografico语言和poeticas年会来表达的。在《Viridiana》(1961)的电影剧本中，Luis Bunuel和Julio Alejandro利用剧本文本的修辞、诗意和美学资源，在他们的电影叙事结构中构建视觉类比、隐喻和象征意义。Abstract:剧本is not a简单文书for The final实现The电影,but it needs to be studied as an艺术text and as a literary性别由于to that possesses rhetorical, aesthetic and poetic分离器that are表示through The cinematographic language。在《维里黛安娜的剧本》(1961)中，路易斯·布努埃尔和胡里奥·亚历桑德罗利用剧本文本的修辞、诗意和美学资源，在他们的电影叙事结构中构建视觉类比和隐喻和象征意义。
{"title":"LA AUTONOMÍA DEL GUION CINEMATOGRÁFICO COMO GÉNERO LITERARIO. LA GENIALIDAD CREATIVA DE BUÑUEL Y JULIO ALEJANDRO EN VIRIDIANA (1961)","authors":"Cristina Jiménez Gómez","doi":"10.5944/signa.vol29.2020.23806","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23806","url":null,"abstract":"Resumen: El guion cinematografico no constituye un simple instrumento para la realizacion final del film, sino que requiere ser estudiado como un texto artistico y como un genero literario en si mismo en tanto que posee unas caracteristicas retoricas, esteticas y poeticas que son expresadas a traves del lenguaje cinematografico. En el guion cinematografico de Viridiana (1961), Luis Bunuel y Julio Alejandro explotan los recursos retoricos, poeticos y esteticos del texto guionistico para construir la analogia visual y los significados metaforicos y simbolicos en la estructura narrativa de su pelicula. Abstract: The screenplay is not a simple instrument for the final realization of the film, but it needs to be studied as an artistic text and as a literary genre due to that possesses a rhetorical, aesthetic and poetic characteristics that are expressed through the cinematographic language. In the script of Viridiana (1961), Luis Bunuel and Julio Alejandro use the rhetorical, poetic and aesthetic resources of the screenwriting text to construct the visual analogy and the metaphorical and symbolic meanings in the narrative structure of their film.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"28 1","pages":"523-547"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85685649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27162
Anna Caballé Masforroll
Abstract: This article puts forward a reflection about the recent arrival of women in the biographical genre, both from an author’s perspective (as biographer), and as the object of the writing, that is to say as biographed. However, such arrival is to be found in a postfeminist theoretical context where the interest in women’s literature has become displaced as the very category of women has been challenged. How then can one write about the life of women? And from which theoretical perspective?
{"title":"MUJER, FEMINISMO Y BIOGRAFÍA","authors":"Anna Caballé Masforroll","doi":"10.5944/signa.vol29.2020.27162","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27162","url":null,"abstract":"Abstract: This article puts forward a reflection about the recent arrival of women in the biographical genre, both from an author’s perspective (as biographer), and as the object of the writing, that is to say as biographed. However, such arrival is to be found in a postfeminist theoretical context where the interest in women’s literature has become displaced as the very category of women has been challenged. How then can one write about the life of women? And from which theoretical perspective?","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"1 1","pages":"37-59"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89445715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.24156
Ricardo Dubatti
Resumen: En nuestra investigacion relevamos aquellos textos dramaticos argentinos que se refieren a la Guerra de Malvinas (1982), acontecimiento que constituye una presencia sensible en la sociedad argentina contemporanea (Lorenz, 2012). Estudiamos las representaciones (Chartier, 1992) por las que el teatro opera como constructo memorialista (Vezzetti, 2002) que activa los trabajos de la memoria (Jelin, 2002) y habla de lo “no decible” (Mancuso, 2010). Analizamos en Del sol naciente (1983/1984), de Griselda Gambaro, como la poetica configura una lectura de la guerra desde una critica antipatriarcal y antidictatorial desde una concepcion de la memoria como gran compartir. Abstract: In the frame of our research we examine those Argentine dramatic texts about the Malvinas War (1982), an event which constitutes a sensitive presence in contemporary Argentine society (Lorenz, 2012). We study the representations (Chartier, 1992) through which drama operates as a memorialist construct (Vezzetti, 2002) that triggers the workings of memory (Jelin, 2002) and speaks of the “unspeakable” (Mancuso, 2010). In Del sol naciente (1983/1984), a dramatic text by Griselda Gambaro, we analyze how its poetics yields a reading of the above-mentioned war from an anti-patriarchal and anti-dictatorial criticism and a conception of memory as great sharing.
摘要:本研究的目的是分析阿根廷的戏剧文本，这些文本涉及马尔维兰战争(1982)，这一事件构成了当代阿根廷社会的一个敏感的存在(Lorenz, 2012)。我们研究了戏剧作为记忆结构的表现(Chartier, 1992) (Vezzetti, 2002)，激活记忆工作(Jelin, 2002)和谈论“不可言说”(Mancuso, 2010)。我们分析了格里塞达·甘巴罗(Griselda Gambaro)的《Del sol naciente》(1983/1984)，以及诗歌如何从反父权和反独裁的批评中配置对战争的解读，从记忆作为伟大分享的概念中。摘要:在我们研究的框架中，我们考察了关于马尔维纳斯战争的阿根廷戏剧文本(1982)，这一事件构成了当代阿根廷社会的敏感存在(Lorenz, 2012)。我们研究了表征(Chartier, 1992)，通过这些表征，戏剧作为一种记忆结构发挥作用(Vezzetti, 2002)，触发记忆的工作(Jelin, 2002)和“不可说”的说话(Mancuso, 2010)。在格里塞达·甘巴罗(Griselda Gambaro)的戏剧文本《Del sol naciente》(1983/1984)中，我们分析了她的诗歌如何从反父权和反独裁的批评和记忆的概念中产生对战争的解读。
{"title":"DEL SOL NACIENTE (1983/1984), DE GRISELDA GAMBARO: GUERRA DE MALVINAS, DICTADURA Y PATRIARCADO","authors":"Ricardo Dubatti","doi":"10.5944/signa.vol29.2020.24156","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.24156","url":null,"abstract":"Resumen: En nuestra investigacion relevamos aquellos textos dramaticos argentinos que se refieren a la Guerra de Malvinas (1982), acontecimiento que constituye una presencia sensible en la sociedad argentina contemporanea (Lorenz, 2012). Estudiamos las representaciones (Chartier, 1992) por las que el teatro opera como constructo memorialista (Vezzetti, 2002) que activa los trabajos de la memoria (Jelin, 2002) y habla de lo “no decible” (Mancuso, 2010). Analizamos en Del sol naciente (1983/1984), de Griselda Gambaro, como la poetica configura una lectura de la guerra desde una critica antipatriarcal y antidictatorial desde una concepcion de la memoria como gran compartir. Abstract: In the frame of our research we examine those Argentine dramatic texts about the Malvinas War (1982), an event which constitutes a sensitive presence in contemporary Argentine society (Lorenz, 2012). We study the representations (Chartier, 1992) through which drama operates as a memorialist construct (Vezzetti, 2002) that triggers the workings of memory (Jelin, 2002) and speaks of the “unspeakable” (Mancuso, 2010). In Del sol naciente (1983/1984), a dramatic text by Griselda Gambaro, we analyze how its poetics yields a reading of the above-mentioned war from an anti-patriarchal and anti-dictatorial criticism and a conception of memory as great sharing.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"35 14","pages":"273-299"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72372741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27167
M. A. Álvarez
Resumen: Aunque el numero de mujeres que han publicado textos autobiograficos ha sido escaso, en gran medida porque han preferido llevar a la autoficcion los aspectos de su intimidad, algunas se decidieron a comunicar sus sentimientos y vivencias en determinadas circunstancias. Es el caso de Marga Gil Roesset, la artista que se suicido por el amor no correspondido a Juan Ramon Jimenez. Indagar en las caracteristicas de un yo femenino que toma la pluma para expresar su pasion amorosa en un diario y en las peculiaridades de su escritura es el objetivo de este trabajo. Abstract: Although the number of autobiographical texts written by women is scarce, due to a great extent to their preference to express their private aspects through self-fiction, some of them decided, under certain circumstances, to communicate their own experience and feelings. This is the case of Marga Gil Roesset, the artist who committed suicide as a response to her unrequited love for Juan Ramon Jimenez. The aim of this paper is to make insights into the main features of a feminine self that takes up the pen to express her affectionate passion in her diary, as well as to focus on the particular traits of her writing.
摘要:本研究的目的是探讨女性在社会和政治生活中所扮演的角色，探讨女性在社会和政治生活中所扮演的角色，探讨女性在社会和政治生活中所扮演的角色，探讨女性在社会和政治生活中所扮演的角色。艺术家玛格·吉尔·罗塞特(Marga Gil Roesset)就是这样一个例子，她因为对胡安·拉蒙·希门尼斯(Juan Ramon Jimenez)的单相思而自杀。研究一个拿着笔在日记中表达爱情激情的女性自我的特征，以及她写作的特点是这部作品的目的。摘要:尽管女性所写的自传文本数量很少，因为她们倾向于通过自传体小说表达自己的私人方面，但有些女性在某些情况下决定表达自己的经验和感受。这是Marga Gil Roesset的情况，艺术家自杀作为对Juan Ramon Jimenez的爱的回应。这篇论文的目的是让我们了解一个女人的主要特征，在她的日记中表达她的情感激情，并关注她写作的特殊特征。
{"title":"LA EXPRESIÓN DE LA INTIMIDAD EN EL SUJETO DESCENTRADO: EL DIARIO DE MARGA GIL ROËSSET","authors":"M. A. Álvarez","doi":"10.5944/signa.vol29.2020.27167","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27167","url":null,"abstract":"Resumen: Aunque el numero de mujeres que han publicado textos autobiograficos ha sido escaso, en gran medida porque han preferido llevar a la autoficcion los aspectos de su intimidad, algunas se decidieron a comunicar sus sentimientos y vivencias en determinadas circunstancias. Es el caso de Marga Gil Roesset, la artista que se suicido por el amor no correspondido a Juan Ramon Jimenez. Indagar en las caracteristicas de un yo femenino que toma la pluma para expresar su pasion amorosa en un diario y en las peculiaridades de su escritura es el objetivo de este trabajo. Abstract: Although the number of autobiographical texts written by women is scarce, due to a great extent to their preference to express their private aspects through self-fiction, some of them decided, under certain circumstances, to communicate their own experience and feelings. This is the case of Marga Gil Roesset, the artist who committed suicide as a response to her unrequited love for Juan Ramon Jimenez. The aim of this paper is to make insights into the main features of a feminine self that takes up the pen to express her affectionate passion in her diary, as well as to focus on the particular traits of her writing.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"41 1","pages":"117-146"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86617213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27222
M. Aguilar
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{"title":"Reseña de: Guillermo LAÍN CORONA y Rocío SANTIAGO NOGALES (eds.). CARTOGRAFÍA TEATRAL EN HOMENAJE AL PROFESOR JOSÉ ROMERA CASTILLO. (Madrid: Visor Libros, 2019, tomo II, 864 págs.)","authors":"M. Aguilar","doi":"10.5944/signa.vol29.2020.27222","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27222","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"222 1","pages":"957-961"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75638984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.23416
Genara Pulido Tirado
Abstract: In this article we study the so-called new poetry boom, an interartistic phenomenon that emerged in the 21st century and in which women have a prominent role. The new historical framework in which it has taken place is analyzed, as well as the debate generated above all by academic critics who do not consider that the texts produced are poetic.
{"title":"MUSAS DE MASAS EN LAS PANTALLAS. MUJERES POETAS ESPAÑOLAS EN EL SIGLO XXI","authors":"Genara Pulido Tirado","doi":"10.5944/signa.vol29.2020.23416","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23416","url":null,"abstract":"Abstract: In this article we study the so-called new poetry boom, an interartistic phenomenon that emerged in the 21st century and in which women have a prominent role. The new historical framework in which it has taken place is analyzed, as well as the debate generated above all by academic critics who do not consider that the texts produced are poetic.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"12 1","pages":"733-761"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78812263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-08DOI: 10.5944/signa.vol29.2020.27217
Javier Pérez-Castilla
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{"title":"Reseña de: José Luis GONZÁLEZ SUBÍAS. LITERATURA Y ESCENA. UNA HISTORIA DEL TEATRO ESPAÑOL. (Madrid: Punto de Vista Editores, 2019, 471 págs.)","authors":"Javier Pérez-Castilla","doi":"10.5944/signa.vol29.2020.27217","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27217","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"80 1","pages":"949-951"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81559112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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