In 1961, Lee Chin Eng jumpstarted the reef hobby, a hobby dedicated to the modeling of coral reefs in captivity, with an article in Tropical Fish Hobbyist. He illustrated the article with eight photographs; these images were meaningful to the hobbyists viewing them and they conveyed both information about the tank system and also claims about Lee's expertise. This paper examines three genres of photographs—landscapes, active, and passive portraiture—that appeared in Lee's article and how and why they have proliferated in the reef hobbyist community over the last sixty years. By tracing the history of these genres, we can better understand natural knowledge producers rely on photographs to exchange knowledge and cement community identity.
{"title":"Pics or It Didn't Happen: Reading Photographs in the Reef Tank Community","authors":"Samantha Muka","doi":"10.1002/bewi.202200050","DOIUrl":"10.1002/bewi.202200050","url":null,"abstract":"<p>In 1961, Lee Chin Eng jumpstarted the reef hobby, a hobby dedicated to the modeling of coral reefs in captivity, with an article in <i>Tropical Fish Hobbyist</i>. He illustrated the article with eight photographs; these images were meaningful to the hobbyists viewing them and they conveyed both information about the tank system and also claims about Lee's expertise. This paper examines three genres of photographs—landscapes, active, and passive portraiture—that appeared in Lee's article and how and why they have proliferated in the reef hobbyist community over the last sixty years. By tracing the history of these genres, we can better understand natural knowledge producers rely on photographs to exchange knowledge and cement community identity.</p>","PeriodicalId":55388,"journal":{"name":"Berichte zur Wissenschaftsgeschichte","volume":"46 2-3","pages":"181-205"},"PeriodicalIF":0.6,"publicationDate":"2023-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10227661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article will investigate the ways in which Polish illustrated press contributed to communicating and reporting the work of Polish émigré naturalists working in Latin America to the Polish general public living in the Prussian, Russian and Austrian partitions of the Polish-Lithuanian Commonwealth 1844–1885. It examines the ways in which illustrations were used to shape the public's opinion about the significance of these migrants’ scientific achievements. The Polish illustrated press, its authors and editors were instrumental in shaping the public's perceptions of the reach of Polish scientists, and exploring their impact on broader scientific debates, thereby situating Polish people and their work in a global context. The didactic and opinion-making role of the illustrated press was highly influential among Polish audiences during this period, at a time when the survival of Polish identity, culture, language, and education was uncertain. Illustrated weeklies were one of the vectors through which high science was made accessible to the Polish public. A study of pictures in Polish illustrated press will help to explain how they contributed towards shaping the images in the public eye of naturalists’ scientific work, and discourses about science and its actors more broadly.
{"title":"Shaping Public Perception: Polish Illustrated Press and the Image of Polish Naturalists Working in Latin America, 1844–1885","authors":"Aleksandra Kaye","doi":"10.1002/bewi.202200047","DOIUrl":"10.1002/bewi.202200047","url":null,"abstract":"<p>This article will investigate the ways in which Polish illustrated press contributed to communicating and reporting the work of Polish émigré naturalists working in Latin America to the Polish general public living in the Prussian, Russian and Austrian partitions of the Polish-Lithuanian Commonwealth 1844–1885. It examines the ways in which illustrations were used to shape the public's opinion about the significance of these migrants’ scientific achievements. The Polish illustrated press, its authors and editors were instrumental in shaping the public's perceptions of the reach of Polish scientists, and exploring their impact on broader scientific debates, thereby situating Polish people and their work in a global context. The didactic and opinion-making role of the illustrated press was highly influential among Polish audiences during this period, at a time when the survival of Polish identity, culture, language, and education was uncertain. Illustrated weeklies were one of the vectors through which high science was made accessible to the Polish public. A study of pictures in Polish illustrated press will help to explain how they contributed towards shaping the images in the public eye of naturalists’ scientific work, and discourses about science and its actors more broadly.</p>","PeriodicalId":55388,"journal":{"name":"Berichte zur Wissenschaftsgeschichte","volume":"46 2-3","pages":"158-180"},"PeriodicalIF":0.6,"publicationDate":"2023-04-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1002/bewi.202200047","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10281240","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
After the United States Congress passed the Water Pollution Control Act of 1948, biologists played an increasingly significant role in scientific studies of water pollution. Biologists interacted with other experts, notably engineers, who managed the public agencies devoted to water pollution control. Although biologists were at first marginalized within these agencies, the situation began to change by the early 1960s. Biological data became an integral part of water pollution control. While changing societal values, stimulated by an emerging ecological awareness, may explain broader shifts in expert opinion during the 1960s, this article explores how graphs changed experts’ perceptions of water pollution. Experts communicated with each other via reports, journal articles, and conference speeches. Those sources reveal that biologists began experimenting with new graphical methods to simplify the complex ecological data they collected from the field. Biologists, I argue, followed the engineers’ lead by developing graphical methods that were concise and quantitative. Their need to collaborate with engineers forced them to communicate, negotiate, and overcome conflicts and misunderstandings. By meeting engineers’ expectations and promoting the value of their data through images as much as words, biologists asserted their authority within water pollution control by the early 1960s.
{"title":"Visualizing Pollution: Representations of Biological Data in Water Pollution Control in the United States, 1948–1962","authors":"Ryan Hearty","doi":"10.1002/bewi.202200049","DOIUrl":"10.1002/bewi.202200049","url":null,"abstract":"<p>After the United States Congress passed the Water Pollution Control Act of 1948, biologists played an increasingly significant role in scientific studies of water pollution. Biologists interacted with other experts, notably engineers, who managed the public agencies devoted to water pollution control. Although biologists were at first marginalized within these agencies, the situation began to change by the early 1960s. Biological data became an integral part of water pollution control. While changing societal values, stimulated by an emerging ecological awareness, may explain broader shifts in expert opinion during the 1960s, this article explores how graphs changed experts’ perceptions of water pollution. Experts communicated with each other via reports, journal articles, and conference speeches. Those sources reveal that biologists began experimenting with new graphical methods to simplify the complex ecological data they collected from the field. Biologists, I argue, followed the engineers’ lead by developing graphical methods that were concise and quantitative. Their need to collaborate with engineers forced them to communicate, negotiate, and overcome conflicts and misunderstandings. By meeting engineers’ expectations and promoting the value of their data through images as much as words, biologists asserted their authority within water pollution control by the early 1960s.</p>","PeriodicalId":55388,"journal":{"name":"Berichte zur Wissenschaftsgeschichte","volume":"46 2-3","pages":"206-232"},"PeriodicalIF":0.6,"publicationDate":"2023-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1002/bewi.202200049","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10229561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}