首页 > 最新文献

African research & documentation最新文献

英文 中文
The Cambridge Companion to the African Novel 《剑桥非洲小说指南
Pub Date : 2010-01-01 DOI: 10.5860/choice.47-3635
T. Barringer
{"title":"The Cambridge Companion to the African Novel","authors":"T. Barringer","doi":"10.5860/choice.47-3635","DOIUrl":"https://doi.org/10.5860/choice.47-3635","url":null,"abstract":"","PeriodicalId":89063,"journal":{"name":"African research & documentation","volume":"1 1","pages":"59"},"PeriodicalIF":0.0,"publicationDate":"2010-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71128267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
Different Truths: Ethnomedicine in Early Postcards 不同的真相:早期明信片中的民族医学
Pub Date : 2010-01-01 DOI: 10.5860/choice.48-2759
J. Mackenzie
Different Truths: Ethnomedicine in Early Postcards, by Peter A.G.M. De Smet. Amsterdam: KIT Publishers, 2010. 216pp. ISBN 978-94-6022-017-3. EUR 34.50. Peter De Smet is a postcard collector, but with a very serious purpose. As it happens, so am I. For more than thirty years, I have been collecting postcard images of scenes and themes relating to the British Empire and of the shipping which underpinned its mercantile and passenger exchanges. One theme among my ten thousand or so cards is ethnic images, particularly those issued by missionary societies. De Smet, a distinguished pharmacist with an international reputation, has collected postcards with medical themes, not just of 'ethnic medicine' among the indigenous peoples of the European empires, but also folk medicines of Europe and even some examples of the dissemination of western medicine into the further reaches of the colonial world. There are many images of Africa in this collection. Indeed there is at least one overlap between his collection and mine. An image of plague inoculation in Bombay, which appeared as the cover illustration of David Arnold's edited Imperial Medicine and Indigenous Societies (1988), was taken from my collection: it reappears on the cover of De Smet's book. De Smet's collection was given the ultimate accolade of an exhibition at the Tropenmuseum in Amsterdam and this book is associated with that public exposure. It is a book written with great sensitivity and demonstrating considerable anthropological expertise. Before embarking on the main body of its arguments, it offers sections on the history of postcards, on the reasons for collecting them (both in the past and today), the point of such collections and their increasing use as evidence of imperial constructions and attitudes. For postcards offer a multi-layered set of insights into their pasts. They, often uniquely, offer images of specific moments in particular places, most importantly in the late nineteenth and early twentieth centuries. But they also offer insights into the motives of photographers and publishers in choosing particular scenes or themes. Moreover, they can be the subject of considerable manipulation, offering evidence for forms of lies as well as visual truths. They were used as propaganda devices, illustrated in their captions or in the additional material on their backs. In addition to all of that they can become small and unique historical documents, often with fascinating messages on those that have been postally used, conveying information from one continent to another. It is an interesting fact that etlrnomedical cards seldom seem to have been used in this way. Instead, they were purchased to enter private collections and are invariably devoid of messages or postal frankings. The reason for this is probably that they were not considered appealing images to send overseas. Indeed, some of them are extremely disturbing, showing medical conditions which give the viewer an uncomfortable sens
《不同的真相:早期明信片中的民族医学》,作者:Peter A.G.M. De Smet。阿姆斯特丹:KIT出版社,2010。216页。ISBN 978-94-6022-017-3。34.50欧元。彼得·德·斯梅特是一位明信片收藏家,但他有一个非常严肃的目的。碰巧的是,我也是。三十多年来,我一直在收集与大英帝国有关的场景和主题的明信片,以及支撑其商业和旅客往来的航运。在我的一万多张卡片中,有一个主题是民族形象,尤其是那些由传教士社团发行的。De Smet是一位享誉国际的杰出药剂师,他收集了医学主题的明信片,不仅有欧洲帝国土著人民的“民族医学”,还有欧洲的民间医学,甚至还有一些西方医学传播到殖民地世界的例子。这个集子里有许多非洲的照片。事实上,他的收藏和我的收藏至少有一处是重叠的。David Arnold编辑的《帝国医学与土著社会》(1988)的封面插图中出现的孟买鼠疫接种的图像,摘自我的收藏:它再次出现在De Smet的书的封面上。De Smet的收藏在阿姆斯特丹Tropenmuseum的展览中获得了最高的荣誉,这本书与公众曝光有关。这是一本非常敏感的书,展示了相当多的人类学专业知识。在开始其论点的主体之前,它提供了关于明信片的历史,收集它们的原因(过去和现在),这些收藏的意义以及它们越来越多地作为帝国建筑和态度的证据。因为明信片提供了一个多层次的视角来了解他们的过去。它们通常是独特的,提供了特定地点的特定时刻的图像,最重要的是在19世纪末和20世纪初。但它们也能让我们深入了解摄影师和出版商在选择特定场景或主题时的动机。此外,它们可以成为相当大的操纵对象,为各种形式的谎言和视觉上的真理提供证据。它们被用作宣传工具,在它们的说明文字或背面的附加材料中加以说明。除此之外,它们还可以成为小而独特的历史文献,通常在那些经过邮政使用的文献上带有迷人的信息,将信息从一个大陆传递到另一个大陆。一个有趣的事实是,电子医疗卡似乎很少以这种方式使用。相反,它们被购买以进入私人收藏,并且总是没有消息或邮政印章。这样做的原因可能是他们被认为没有吸引力的图像发送到海外。事实上,其中一些非常令人不安,展示了医疗状况,给观众一种不舒服的偷窥感,进入私人悲剧。...
{"title":"Different Truths: Ethnomedicine in Early Postcards","authors":"J. Mackenzie","doi":"10.5860/choice.48-2759","DOIUrl":"https://doi.org/10.5860/choice.48-2759","url":null,"abstract":"Different Truths: Ethnomedicine in Early Postcards, by Peter A.G.M. De Smet. Amsterdam: KIT Publishers, 2010. 216pp. ISBN 978-94-6022-017-3. EUR 34.50. Peter De Smet is a postcard collector, but with a very serious purpose. As it happens, so am I. For more than thirty years, I have been collecting postcard images of scenes and themes relating to the British Empire and of the shipping which underpinned its mercantile and passenger exchanges. One theme among my ten thousand or so cards is ethnic images, particularly those issued by missionary societies. De Smet, a distinguished pharmacist with an international reputation, has collected postcards with medical themes, not just of 'ethnic medicine' among the indigenous peoples of the European empires, but also folk medicines of Europe and even some examples of the dissemination of western medicine into the further reaches of the colonial world. There are many images of Africa in this collection. Indeed there is at least one overlap between his collection and mine. An image of plague inoculation in Bombay, which appeared as the cover illustration of David Arnold's edited Imperial Medicine and Indigenous Societies (1988), was taken from my collection: it reappears on the cover of De Smet's book. De Smet's collection was given the ultimate accolade of an exhibition at the Tropenmuseum in Amsterdam and this book is associated with that public exposure. It is a book written with great sensitivity and demonstrating considerable anthropological expertise. Before embarking on the main body of its arguments, it offers sections on the history of postcards, on the reasons for collecting them (both in the past and today), the point of such collections and their increasing use as evidence of imperial constructions and attitudes. For postcards offer a multi-layered set of insights into their pasts. They, often uniquely, offer images of specific moments in particular places, most importantly in the late nineteenth and early twentieth centuries. But they also offer insights into the motives of photographers and publishers in choosing particular scenes or themes. Moreover, they can be the subject of considerable manipulation, offering evidence for forms of lies as well as visual truths. They were used as propaganda devices, illustrated in their captions or in the additional material on their backs. In addition to all of that they can become small and unique historical documents, often with fascinating messages on those that have been postally used, conveying information from one continent to another. It is an interesting fact that etlrnomedical cards seldom seem to have been used in this way. Instead, they were purchased to enter private collections and are invariably devoid of messages or postal frankings. The reason for this is probably that they were not considered appealing images to send overseas. Indeed, some of them are extremely disturbing, showing medical conditions which give the viewer an uncomfortable sens","PeriodicalId":89063,"journal":{"name":"African research & documentation","volume":"1 1","pages":"57"},"PeriodicalIF":0.0,"publicationDate":"2010-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71132250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Long Garden Master: Charles Lynn, Agricultural Officer in the Gold Coast 长园大师:查尔斯·林恩,黄金海岸的农业官员
Pub Date : 2010-01-01 DOI: 10.1017/s0305862x00019580
Sylvia Lynn-Meaden
In 1968, while redecorating my grandmother's flat, I came across an old battered brown suitcase containing the letters my father had written to her from the Gold Coast. I had lived in Tamale as a three year old child, and our closest family friends were from that period of my father's life. So I grew up with the stories and affection for Tamale - my first home - and a place called Zuarungu. In later life I encouraged my father to write his memoirs, reminding him of half remembered stories and encouraging him to dig deep into his memory. We discussed shaping these memoirs into book form, but he died in 1985 leaving me to finish the task. My somewhat unorthodox idea was to make it an edited autobiography of his early life, by integrating interesting letters into the text, and further illuminate it with detailed footnotes added by myself. I knew many of the people mentioned in the book, and had inherited many personal letters. The more I read their official letters and papers, along with the critiques of their work by academics, the more intrigued I became. Too often I could not see their all important personalities, or those times reflected in the text. Having known the people and read the letters I knew it was an interesting story. Then there were the small photographs of people and long bygone days, some three hundred of my father's, along with those from two other sources, bringing the total to nearly seven hundred. I digitalised them, adding captions. With the help of Picassa I was able to enlarge faces individually from group photographs, recognising those people I had not met! The agricultural survey written by Charles Lynn in 1937, Agriculture in North Mamprussi, is full of details, but how it came to be written and the way of life at that time is not recorded. It needs to be. After my parents' marriage in 1937 my mother too wrote letters home to my grandmother, and these also deserve a place in the book. So our family book The Long Garden Master came to be written. My father Charles Lynn was born in 1908. As a young child he spent many hours on his grandfather's farm in Lincolnshire, where happy pictures show him sitting on a large horse pulling a plough. Sadly the First World War brought this to an end, when his father and grandfather died, but this love and passion for farming and farmers remained all his life. He spent three years at Wye Agricultural College, followed by a year at St John's College, Cambridge, and finally a year at the newly opened Imperial College of Tropical Agriculture, Trinidad. At the age of twenty-one, in December 1929, he joined the Colonial Service and was sent to the Gold Coast as an Agricultural Supervisor. In March 1930 he travelled north to Tamale Research Station. It is from here he began writing his frequent and interesting letters home to his widowed mother, a health visitor for the London County Council. As a farmer's daughter she was interested in farming and the life of her son Charles. In the early day
1968年,在重新装修祖母的公寓时,我偶然发现了一个破旧的棕色手提箱,里面装着父亲从黄金海岸写给祖母的信。我三岁的时候住在塔梅尔,我们最亲密的家庭朋友都是我父亲那个时代的人。所以我是带着故事和对塔梅尔的感情长大的,塔梅尔是我的第一个家,还有一个叫祖润古的地方。晚年,我鼓励父亲写回忆录,提醒他回忆起那些只记得一半的故事,鼓励他深入挖掘自己的记忆。我们讨论过将这些回忆录改编成书,但他于1985年去世,让我来完成这项任务。我有些另类的想法是,把它编辑成一本他早年生活的自传,把有趣的信件整合到文本中,并用我自己添加的详细脚注进一步阐明它。书中提到的许多人我都认识,也继承了许多私人信件。我读了他们的官方信件和论文,以及学术界对他们工作的评论越多,我就越感兴趣。我经常不能看到他们所有重要的个性,或者那些时代反映在文本中。认识了这些人,读了这些信,我知道这是一个有趣的故事。然后是人物和很久以前的日子的小照片,我父亲的照片大约有三百张,加上另外两个来源的照片,总数接近七百张。我把它们数字化了,加上了文字说明。在毕加索的帮助下,我能够放大集体照中的每个人的脸,认出那些我没有见过的人!查尔斯·林恩(Charles Lynn)在1937年写的农业调查报告《北马姆普鲁士的农业》(Agriculture in North Mamprussi)中有很多细节,但没有记录它是如何写成的以及当时的生活方式。这是必须的。1937年我父母结婚后,我母亲也给我祖母写了几封信,这些信也应该在本书中占有一席之地。于是,我们的家庭书籍《长园主人》诞生了。我父亲查尔斯·林恩出生于1908年。当他还是个孩子的时候,他花了很多时间在他祖父位于林肯郡的农场里,在那里,他快乐地坐在一匹大马上犁地。不幸的是,第一次世界大战结束了,他的父亲和祖父都去世了,但这种对农业和农民的热爱和热情一直陪伴着他的一生。他在怀伊农业学院学习了三年,接着在剑桥大学圣约翰学院学习了一年,最后在特立尼达新开的帝国热带农业学院学习了一年。1929年12月,21岁的他加入了殖民地服务处,被派往黄金海岸担任农业监督员。1930年3月,他向北前往塔梅尔研究站。正是从这里,他开始给他寡居的母亲写那些频繁而有趣的家信。他的母亲是伦敦郡议会的健康访问者。作为一个农民的女儿,她对农业和儿子查尔斯的生活很感兴趣。在早期,他讨论了农业部的消极态度,以及他在20世纪30年代社会和政治变革中建立自己事业的斗争。农业部在黄金海岸很低调,以阿克拉为中心,专注于可可。农业和兽医部门正在处理牛瘟和蝗虫的祸害,这是19世纪90年代以来新出现的问题。流动的农学家应省行政当局的要求来到北方查看具体问题,然后向阿克拉报告。1930年,除了塔梅尔研究站的人外,没有人在北部领土的任何地方长期居住。1935年,负责殖民地事务的副国务卿普利茅斯勋爵(Lord Plymouth)访问了库马西,惊讶地发现库马西以北只有两名农业官员。这种不发达的原因在于缺乏资金,因此引入了令人讨厌的人头税。19世纪末的两次阿散蒂战争代价高昂,该地区需要得到巩固,因为那里的非洲人受过更好的教育,对社会和政治更有认识。...
{"title":"The Long Garden Master: Charles Lynn, Agricultural Officer in the Gold Coast","authors":"Sylvia Lynn-Meaden","doi":"10.1017/s0305862x00019580","DOIUrl":"https://doi.org/10.1017/s0305862x00019580","url":null,"abstract":"In 1968, while redecorating my grandmother's flat, I came across an old battered brown suitcase containing the letters my father had written to her from the Gold Coast. I had lived in Tamale as a three year old child, and our closest family friends were from that period of my father's life. So I grew up with the stories and affection for Tamale - my first home - and a place called Zuarungu. In later life I encouraged my father to write his memoirs, reminding him of half remembered stories and encouraging him to dig deep into his memory. We discussed shaping these memoirs into book form, but he died in 1985 leaving me to finish the task. My somewhat unorthodox idea was to make it an edited autobiography of his early life, by integrating interesting letters into the text, and further illuminate it with detailed footnotes added by myself. I knew many of the people mentioned in the book, and had inherited many personal letters. The more I read their official letters and papers, along with the critiques of their work by academics, the more intrigued I became. Too often I could not see their all important personalities, or those times reflected in the text. Having known the people and read the letters I knew it was an interesting story. Then there were the small photographs of people and long bygone days, some three hundred of my father's, along with those from two other sources, bringing the total to nearly seven hundred. I digitalised them, adding captions. With the help of Picassa I was able to enlarge faces individually from group photographs, recognising those people I had not met! The agricultural survey written by Charles Lynn in 1937, Agriculture in North Mamprussi, is full of details, but how it came to be written and the way of life at that time is not recorded. It needs to be. After my parents' marriage in 1937 my mother too wrote letters home to my grandmother, and these also deserve a place in the book. So our family book The Long Garden Master came to be written. My father Charles Lynn was born in 1908. As a young child he spent many hours on his grandfather's farm in Lincolnshire, where happy pictures show him sitting on a large horse pulling a plough. Sadly the First World War brought this to an end, when his father and grandfather died, but this love and passion for farming and farmers remained all his life. He spent three years at Wye Agricultural College, followed by a year at St John's College, Cambridge, and finally a year at the newly opened Imperial College of Tropical Agriculture, Trinidad. At the age of twenty-one, in December 1929, he joined the Colonial Service and was sent to the Gold Coast as an Agricultural Supervisor. In March 1930 he travelled north to Tamale Research Station. It is from here he began writing his frequent and interesting letters home to his widowed mother, a health visitor for the London County Council. As a farmer's daughter she was interested in farming and the life of her son Charles. In the early day","PeriodicalId":89063,"journal":{"name":"African research & documentation","volume":"1 1","pages":"11"},"PeriodicalIF":0.0,"publicationDate":"2010-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"56842083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Management Perceptions of Internet-Based Banking Services in Nigerian Commercial Banks 尼日利亚商业银行互联网银行服务的管理观念
Pub Date : 2010-01-01 DOI: 10.1017/s0305862x00020963
S. Popoola, Yacob Haliso
Abstract This study investigates management perceptions of internet-based banking services with special references to commercial banks in Nigeria. There was a significant difference between male and female management perceptions of internet-based banking services; management had significant positive rather than negative perception of Internet-based banking services; there was a significant difference between strategic and tactical management perceptions of Internet-based banking services. Gender age, work experience, management cadre and computer experience /training strongly influenced the management perceptions of Internet-based banking services in the Nigerian commercial banking system. Suggestions are proffered on how to further enhance management's positive perceptions of the Internet-based banking services in Nigerian commercial banks. Introduction In recent years, banks in Nigeria have increasingly depended on the development of information and communication technology (ICT). In service organisations like banks, information flows to a greater extent than physical items. In the commercial world today, especially in the most advanced countries, money is carried in information storage medium such as cheques, credit cards, and electronic means rather than in its pure cash form. Salawu and Salawu (2007) state that banks have augmented their distribution networks with transactional websites, which allow customers to open accounts, apply for loans, check balances and transfer funds over the internet. Today, all commercial banks in Nigeria do business using the internet. The fact is that the days of carrying large amount of cash and travelling from one state to the other is totally history now. Even the most traditional old generation banks that resisted the introduction of automated teller machines (ATM), electronic banking (?-Banking), mobile telephony, standard computer networks and internet in the past have now introduced all these technologies. The exodus of customers to the New Generation banks that are technology inclined caused this. Customers' taste and desire have begun to raise the stakes of expectation of exceptional services. Customers want to transact their banking transactions at any time and location convenient for their life-style. They want to pay their regular bills, buy and sell stocks etc. Oghenerukeybe (2009) concurs that the internet is the medium for an escalating amount of business and other sensitive transactions, including online banking and ecommerce. However, she cautions of the ills of using the internet to do business like banking. As customers increasingly rely on the Internet for business, personal finance, and investment, internet fraud becomes a greater threat. Internet fraud takes many forms, from phoney items offered for sale to scams that promise customers great riches if assistance can be given to foreign financial transaction through the customer's own bank account. Commercial banking in the modern day Niger
摘要本研究调查了尼日利亚商业银行对互联网银行服务的管理观念。男性和女性管理层对网上银行服务的看法存在显著差异;管理层对互联网银行服务的正面认知显著高于负面认知;战略管理和战术管理对基于互联网的银行服务的看法存在显著差异。性别、年龄、工作经验、管理干部和计算机经验/培训对尼日利亚商业银行系统中基于互联网的银行服务的管理观念有很大影响。就如何进一步提高管理层对尼日利亚商业银行互联网银行服务的积极认识提出了建议。近年来,尼日利亚的银行越来越依赖信息通信技术(ICT)的发展。在像银行这样的服务性机构中,信息的流动程度要大于实物。在当今的商业世界中,特别是在最发达的国家,货币是以信息存储媒介,如支票、信用卡和电子手段来携带的,而不是以纯粹的现金形式。Salawu和Salawu(2007)指出,银行已经通过交易网站扩大了它们的分销网络,这些网站允许客户通过互联网开户、申请贷款、查询余额和转账。如今,尼日利亚所有商业银行都通过互联网开展业务。事实是,携带大量现金从一个州到另一个州旅行的日子已经完全成为历史了。即使是过去抵制引进自动柜员机(ATM)、电子银行、移动电话、标准计算机网络和互联网的最传统的老一代银行,现在也引进了所有这些技术。顾客大批涌向技术倾向较强的新一代银行,导致了这一现象。顾客的品味和欲望已经开始提高对卓越服务的期望。客户希望在任何时间和地点进行银行交易,方便他们的生活方式。他们想要支付日常账单,买卖股票等等。Oghenerukeybe(2009)也认为,互联网是越来越多的商业和其他敏感交易(包括网上银行和电子商务)的媒介。然而,她对利用互联网开展银行等业务的弊端提出了警告。随着客户越来越依赖互联网进行商业、个人理财和投资,网络欺诈成为更大的威胁。网络诈骗有多种形式,从出售的假冒商品到承诺通过客户自己的银行账户帮助客户进行国外金融交易,从而给客户带来巨大财富的骗局。商业银行在现代尼日利亚金融部门或多或少是一个具有广泛的服务范围的超市。这些服务除其他外包括:正常的银行业务功能,如承兑、贷款和预付款、存单、设备租赁、项目融资、信用证和跟单托收、银团、赔偿、债券和担保,以及公司服务,如财务咨询服务、公司上市、证券交易服务、公司重组、项目管理、外国投资、并购、投资组合管理、债券和其他证券。然而,对于商业银行来说,要在尼日利亚这样一个放松管制的经济中生存,金融公司之间的竞争激烈,商业风险很高,有必要利用互联网提供的机会,为客户提供增值服务。Ovia(1998)认为互联网为银行提供了很好的机会,以较低的成本向全世界宣传其各种产品和服务。…
{"title":"Management Perceptions of Internet-Based Banking Services in Nigerian Commercial Banks","authors":"S. Popoola, Yacob Haliso","doi":"10.1017/s0305862x00020963","DOIUrl":"https://doi.org/10.1017/s0305862x00020963","url":null,"abstract":"Abstract This study investigates management perceptions of internet-based banking services with special references to commercial banks in Nigeria. There was a significant difference between male and female management perceptions of internet-based banking services; management had significant positive rather than negative perception of Internet-based banking services; there was a significant difference between strategic and tactical management perceptions of Internet-based banking services. Gender age, work experience, management cadre and computer experience /training strongly influenced the management perceptions of Internet-based banking services in the Nigerian commercial banking system. Suggestions are proffered on how to further enhance management's positive perceptions of the Internet-based banking services in Nigerian commercial banks. Introduction In recent years, banks in Nigeria have increasingly depended on the development of information and communication technology (ICT). In service organisations like banks, information flows to a greater extent than physical items. In the commercial world today, especially in the most advanced countries, money is carried in information storage medium such as cheques, credit cards, and electronic means rather than in its pure cash form. Salawu and Salawu (2007) state that banks have augmented their distribution networks with transactional websites, which allow customers to open accounts, apply for loans, check balances and transfer funds over the internet. Today, all commercial banks in Nigeria do business using the internet. The fact is that the days of carrying large amount of cash and travelling from one state to the other is totally history now. Even the most traditional old generation banks that resisted the introduction of automated teller machines (ATM), electronic banking (?-Banking), mobile telephony, standard computer networks and internet in the past have now introduced all these technologies. The exodus of customers to the New Generation banks that are technology inclined caused this. Customers' taste and desire have begun to raise the stakes of expectation of exceptional services. Customers want to transact their banking transactions at any time and location convenient for their life-style. They want to pay their regular bills, buy and sell stocks etc. Oghenerukeybe (2009) concurs that the internet is the medium for an escalating amount of business and other sensitive transactions, including online banking and ecommerce. However, she cautions of the ills of using the internet to do business like banking. As customers increasingly rely on the Internet for business, personal finance, and investment, internet fraud becomes a greater threat. Internet fraud takes many forms, from phoney items offered for sale to scams that promise customers great riches if assistance can be given to foreign financial transaction through the customer's own bank account. Commercial banking in the modern day Niger","PeriodicalId":89063,"journal":{"name":"African research & documentation","volume":"1 1","pages":"37-52"},"PeriodicalIF":0.0,"publicationDate":"2010-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"56842694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 10
Riding High: horses, humans and history in South Africa, by Sandra Swart. Johannesburg: Wits University Press, 2010. xiv + 344 pp. ISBN 978-1-86814-514-0. £26.95. 《高高在上:南非的马、人类和历史》,桑德拉·斯瓦特著。约翰内斯堡:Wits大学出版社,2010。xiv + 344页。ISBN 978-1-86814-514-0。£26.95。
Pub Date : 2010-01-01 DOI: 10.1017/s0305862x00021142
J. Pinfold
Riding High: horses, humans and history in South Africa, by Sandra Swart. Johannesburg: Wits University Press, 2010. xiv + 344 pp. ISBN 978-1-86814514-0. £26.95. In the opening chapter of this engaging and impeccably researched book, Sandra Swart asserts that "there is a strange concealment when historians write about the past", with the absence of the obvious from their accounts. Horses, she says "have been too ubiquitous ... to catch the historian's eye", and this study is an attempt to redress the balance through chronicling the effects of the relationship between horses and humans in South Africa from the time when the 17th century Dutch introduced the horse to the Cape through to the present day. It should be said at the outset that this is not a wholly comprehensive history of every aspect of South African equine history, but rather a collection of themed essays, some of which have been published in earlier incarnations in a wide variety of scholarly journals ranging from the Journal of Southern African Studies to Animals & Society. For this book these have been re-written and expanded, and hopefully they will now reach a wider audience by being brought together and presented as a consecutive narrative, for this is very much a case of the whole being much more than the sum of the parts. Some of the chapter headings - "The Reins of Power: Equine Ecological Imperialism in the Seventeenth and Eighteenth Centuries", "The Empire Rides Back: An African Response to the Horse in Southern Africa", " "The Cinderella of the livestock industry': The Changing Role of Horses in the First Half of the Twentieth Century" - give a flavour of the themes that are explored. Space precludes examining all of these in detail, so, by way of example, let me focus on her account of horses in the Anglo-Boer War of 1899-1902, headed "The last of the old campaigners". It is well-known that the British scoured the world for the huge number of horses they needed for the cavalry, mounted infantry, artillery and supply trains needed to prosecute the war, and that many of the horses they secured proved wholly unsuitable. Swart tells us that casualties on the British side amounted to 326,073 horses and 51,399 mules, a rate of 66.88% and 35.37% of the total head count respectively, leading one contemporary to describe this as a "holocaust". The story of their experiences during the war is harrowing indeed, and reminds one irresistibly of scenes in the National Theatre's stunning production of Michael Morpurgo's War Horse (set in a later war I know, but the parallels are strikingly close). But Swart takes the story further and looks at how the relationship between humans and horses developed and changed during the war. Shared hardships led to a greater dependency on each other and a greater intimacy, perhaps even a greater degree of sentimentality about the relationship, which could even be mobilised as propaganda when the enemy supposedly demonstrated a more callous attitude t
《高高在上:南非的马、人类和历史》,桑德拉·斯瓦特著。约翰内斯堡:Wits大学出版社,2010。xiv + 344页。ISBN 978-1-86814514-0。£26.95。在这本引人入胜、研究无可挑剔的书的第一章中,桑德拉·斯瓦特断言,“历史学家在写过去的时候,有一种奇怪的隐藏”,他们的叙述中没有明显的东西。她说,马“无处不在……吸引历史学家的目光”,这项研究试图通过编年记录从17世纪荷兰人将马引入好望角到现在,马与人在南非关系的影响来纠正这种平衡。应该说,在一开始,这不是一个完全全面的历史,每一个方面的南非马的历史,而是一个主题论文的集合,其中一些已经发表在各种各样的学术期刊早期的化身,从南部非洲研究杂志动物与社会。在这本书中,这些都被重写和扩展了,希望它们现在能被更广泛的读者所接受,因为它们被汇集在一起,作为一个连续的叙述呈现出来,因为这是一个整体比部分之和更重要的例子。一些章节的标题——“权力的缰绳:17和18世纪的马生态帝国主义”,“帝国骑回来:非洲对南部非洲马的反应”,“畜牧业的灰姑娘”:20世纪上半叶马的角色变化”——给了探索主题的味道。由于篇幅有限,我无法详细研究所有这些,所以,作为例子,让我把重点放在她对1899-1902年盎格鲁-布尔战争中马匹的描述上,标题为“最后的老竞选者”。众所周知,英国人在世界各地搜罗大量马匹,为骑兵、步兵、炮兵和战争所需的补给列车提供马匹,但事实证明,他们获得的许多马匹完全不合适。斯瓦特告诉我们,英国方面的伤亡人数为326,073匹马和51,399头骡子,分别占总人数的66.88%和35.37%,导致一个同时代的人将其描述为“大屠杀”。他们在战争期间的经历确实令人痛苦,令人不禁想起国家剧院(National Theatre)上演的迈克尔·莫普戈(Michael Morpurgo)的《战马》(war Horse)中令人惊叹的场景(我知道故事发生在后来的一场战争中,但两者的相似之处惊人地接近)。但斯瓦特将这个故事进一步展开,着眼于人与马之间的关系在战争期间是如何发展和变化的。共同的苦难使彼此更加依赖,更加亲密,甚至可能在这种关系中产生更大程度的多愁善感,当敌人对马表现出更冷酷的态度时,这种多愁善感甚至可以被动员起来作为宣传;毫不奇怪,在英国和南非,这是第一次在战争结束后为参加战争的普通马匹建立纪念碑(而不是像以前那样纪念威灵顿或拿破仑等著名指挥官的冲锋马)。一些幸存者也被视为英雄;我最近读到“弗雷迪”的故事,他是第二生命卫队中唯一一匹返回英国的马,在亚历山德拉女王的直接命令下,他和那些在南非作战的人一样,获得了布尔战争奖章。但这段关系也有阴暗的一面。在马金金和金伯利的围攻期间,由于食物短缺,马匹开始被屠杀作为食物。正如斯瓦特所说,在人类和马之间更加亲密的时代,这是“一种令人震惊的行为,几乎等同于同类相食”,她引用了金伯利一位居民的话说,“这需要一些压力”。…
{"title":"Riding High: horses, humans and history in South Africa, by Sandra Swart. Johannesburg: Wits University Press, 2010. xiv + 344 pp. ISBN 978-1-86814-514-0. £26.95.","authors":"J. Pinfold","doi":"10.1017/s0305862x00021142","DOIUrl":"https://doi.org/10.1017/s0305862x00021142","url":null,"abstract":"Riding High: horses, humans and history in South Africa, by Sandra Swart. Johannesburg: Wits University Press, 2010. xiv + 344 pp. ISBN 978-1-86814514-0. £26.95. In the opening chapter of this engaging and impeccably researched book, Sandra Swart asserts that \"there is a strange concealment when historians write about the past\", with the absence of the obvious from their accounts. Horses, she says \"have been too ubiquitous ... to catch the historian's eye\", and this study is an attempt to redress the balance through chronicling the effects of the relationship between horses and humans in South Africa from the time when the 17th century Dutch introduced the horse to the Cape through to the present day. It should be said at the outset that this is not a wholly comprehensive history of every aspect of South African equine history, but rather a collection of themed essays, some of which have been published in earlier incarnations in a wide variety of scholarly journals ranging from the Journal of Southern African Studies to Animals & Society. For this book these have been re-written and expanded, and hopefully they will now reach a wider audience by being brought together and presented as a consecutive narrative, for this is very much a case of the whole being much more than the sum of the parts. Some of the chapter headings - \"The Reins of Power: Equine Ecological Imperialism in the Seventeenth and Eighteenth Centuries\", \"The Empire Rides Back: An African Response to the Horse in Southern Africa\", \" \"The Cinderella of the livestock industry': The Changing Role of Horses in the First Half of the Twentieth Century\" - give a flavour of the themes that are explored. Space precludes examining all of these in detail, so, by way of example, let me focus on her account of horses in the Anglo-Boer War of 1899-1902, headed \"The last of the old campaigners\". It is well-known that the British scoured the world for the huge number of horses they needed for the cavalry, mounted infantry, artillery and supply trains needed to prosecute the war, and that many of the horses they secured proved wholly unsuitable. Swart tells us that casualties on the British side amounted to 326,073 horses and 51,399 mules, a rate of 66.88% and 35.37% of the total head count respectively, leading one contemporary to describe this as a \"holocaust\". The story of their experiences during the war is harrowing indeed, and reminds one irresistibly of scenes in the National Theatre's stunning production of Michael Morpurgo's War Horse (set in a later war I know, but the parallels are strikingly close). But Swart takes the story further and looks at how the relationship between humans and horses developed and changed during the war. Shared hardships led to a greater dependency on each other and a greater intimacy, perhaps even a greater degree of sentimentality about the relationship, which could even be mobilised as propaganda when the enemy supposedly demonstrated a more callous attitude t","PeriodicalId":89063,"journal":{"name":"African research & documentation","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2010-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"56842898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mad Dogs and Englishmen: A Grand Tour of the British Empire at its Height 1850-1945, by Ashley Jackson. London: Quercus, 2009. 237 pp. ISBN 978-1-84724 607-3. £20 《疯狗与英国人:大英帝国鼎盛时期之旅(1850-1945)》作者:阿什利·杰克逊伦敦:Quercus出版社,2009。237页,ISBN 978-1-84724 607-3。£20
Pub Date : 2009-01-01 DOI: 10.1017/s0305862x00016587
T. Barringer
Mad Dogs and Englishmen: A Grand Tour of the British Empire at its Height 1850-1945, by Ashley Jackson. London: Quercus, 2009. 237 pp. ISBN 978-184724 607-3. £20 If one picture is worth even a dozen words, this volume is weighty and decisive contribution to the ongoing debate between Professors John MacKenzie and Bernard Porter on the impact and influence of Empire on the British psyche and public consciousness1. This book is aimed for a popular readership, although an academic one could also read it with profit, and Jackson does not address the debate directly but the profusion of imperial and colonial imagery speaks for itself. The opening words set out the theme and bill of fare. MAD DOGS AND ENGLISH MEN takes as its inspiration the vivid representations of the British Empire conveyed by a wide range of media throughout its 'high noon' in the 19th and 20th centuries. The power of imperial imagery and ideas was immense, reverberating around the globe and defining the way in which millions of people viewed themselves and the world. No nation or international organization could lay claim to such widespread influence or such all-pervasive iconography as the British Empire. Illustrations, many in colour, take up over half the book. They come from a great range of sources: advertising, popular literature, missionary tracts, stamps, cigarette cards, postcards and other collectables, biscuit tins, jigsaws and board games. Many come from Ashley Jackson's own collection of memorabilia. The book is arranged thematically with chapters on maps, atlases and surveys; missionaries and humanitarians; explorers; the monarchy and native potentates; the military; routes and ports; architecture and engineering; sports and safaris; music and popular culture; public schools, Masonic lodges and clubs; produce and marketing. Dr Jackson, a Senior Lecturer at King's College London and author of several books on maritime and military aspects of Empire, with a major new book on Churchill in the pipeline, wears his learning lightly. There are no footnotes although there is a good bibliography, a useful index and unobtrusive lists of acknowledgements and sources. Actually, I regretted the lack of footnotes as there were many times when I wished to trace a quotation (such as the reminiscences on pp. 186 ff2) to its source. It is evident from the text, as well as from the bibliography, that Dr Jackson is well acquainted with the latest scholarship particularly that published in the Manchester University Press Studies in Imperialism series. His style is lively and colloquial, with flashes of wit. An analogy I particularly relished comes on p. 11: "The British had the biggest beach-towel by far, and the sight of it, draped over every continent and peninsula around the world, drove the Germans and the other colonial also-rans to distraction." But the book is underpinned by sound scholarship and is ideal for a sixth-former or undergraduate in need of an introductory text. The cha
《疯狗与英国人:大英帝国鼎盛时期之旅(1850-1945)》作者:阿什利·杰克逊伦敦:Quercus出版社,2009。237页,ISBN 978-184724 607-3。20英镑如果一张图片抵得十几个字的话,那么这本书对于约翰·麦肯齐教授和伯纳德·波特教授正在进行的关于帝国对英国人心理和公众意识的影响和影响的辩论来说,是一个重要而决定性的贡献。这本书的目标读者是大众读者,尽管学术读者也可以从中获益,杰克逊没有直接谈到这场辩论,但大量的帝国和殖民意象不言自明。开幕词阐明了主题和菜单。《疯狗与英国人》的灵感来源于19世纪和20世纪各种媒体对大英帝国“鼎盛时期”的生动描绘。帝国形象和思想的力量是巨大的,在全球范围内回荡,并定义了数百万人看待自己和世界的方式。没有哪个国家或国际组织能像大英帝国那样拥有如此广泛的影响或如此无所不在的形象。插图,许多是彩色的,占了书的一半以上。它们的来源非常广泛:广告、通俗文学、传教小册子、邮票、香烟卡、明信片和其他收藏品、饼干罐、拼图和棋盘游戏。很多都来自阿什利·杰克逊自己的纪念品收藏。这本书按主题排列,章节涉及地图、地图册和调查;传教士和人道主义者;探险家;君主政体和当地君主;军事;航线和港口;建筑与工程;运动和狩猎;音乐和流行文化;公立学校、共济会分会和俱乐部;生产和销售。杰克逊博士是伦敦国王学院的高级讲师,他写过几本关于帝国海上和军事方面的书,还有一本关于丘吉尔的重要新书正在筹备中。书中没有脚注,尽管有很好的参考书目、有用的索引和不显眼的致谢和来源列表。事实上,我很遗憾没有脚注,因为我有很多次想要追踪一段引文(比如186ff2页的回忆)的来源。从文本和参考书目中可以明显看出,杰克逊博士非常熟悉最新的学术研究,特别是在曼彻斯特大学出版社出版的帝国主义研究系列。他的文风活泼,口语化,机智诙谐。我特别喜欢的一个比喻出现在第11页:“英国人拥有迄今为止最大的沙滩浴巾,它覆盖在世界上每个大陆和半岛上的景象,让德国人和其他殖民地的失败者心烦意乱。”但这本书是坚实的学术基础,是理想的六年级毕业生或本科生需要一个介绍性的文本。关于帝国扩张的那一章是一个清晰的模型,它以一种容易理解的形式给出了日期并解释了术语(整理了领土,殖民地,授权等)。…
{"title":"Mad Dogs and Englishmen: A Grand Tour of the British Empire at its Height 1850-1945, by Ashley Jackson. London: Quercus, 2009. 237 pp. ISBN 978-1-84724 607-3. £20","authors":"T. Barringer","doi":"10.1017/s0305862x00016587","DOIUrl":"https://doi.org/10.1017/s0305862x00016587","url":null,"abstract":"Mad Dogs and Englishmen: A Grand Tour of the British Empire at its Height 1850-1945, by Ashley Jackson. London: Quercus, 2009. 237 pp. ISBN 978-184724 607-3. £20 If one picture is worth even a dozen words, this volume is weighty and decisive contribution to the ongoing debate between Professors John MacKenzie and Bernard Porter on the impact and influence of Empire on the British psyche and public consciousness1. This book is aimed for a popular readership, although an academic one could also read it with profit, and Jackson does not address the debate directly but the profusion of imperial and colonial imagery speaks for itself. The opening words set out the theme and bill of fare. MAD DOGS AND ENGLISH MEN takes as its inspiration the vivid representations of the British Empire conveyed by a wide range of media throughout its 'high noon' in the 19th and 20th centuries. The power of imperial imagery and ideas was immense, reverberating around the globe and defining the way in which millions of people viewed themselves and the world. No nation or international organization could lay claim to such widespread influence or such all-pervasive iconography as the British Empire. Illustrations, many in colour, take up over half the book. They come from a great range of sources: advertising, popular literature, missionary tracts, stamps, cigarette cards, postcards and other collectables, biscuit tins, jigsaws and board games. Many come from Ashley Jackson's own collection of memorabilia. The book is arranged thematically with chapters on maps, atlases and surveys; missionaries and humanitarians; explorers; the monarchy and native potentates; the military; routes and ports; architecture and engineering; sports and safaris; music and popular culture; public schools, Masonic lodges and clubs; produce and marketing. Dr Jackson, a Senior Lecturer at King's College London and author of several books on maritime and military aspects of Empire, with a major new book on Churchill in the pipeline, wears his learning lightly. There are no footnotes although there is a good bibliography, a useful index and unobtrusive lists of acknowledgements and sources. Actually, I regretted the lack of footnotes as there were many times when I wished to trace a quotation (such as the reminiscences on pp. 186 ff2) to its source. It is evident from the text, as well as from the bibliography, that Dr Jackson is well acquainted with the latest scholarship particularly that published in the Manchester University Press Studies in Imperialism series. His style is lively and colloquial, with flashes of wit. An analogy I particularly relished comes on p. 11: \"The British had the biggest beach-towel by far, and the sight of it, draped over every continent and peninsula around the world, drove the Germans and the other colonial also-rans to distraction.\" But the book is underpinned by sound scholarship and is ideal for a sixth-former or undergraduate in need of an introductory text. The cha","PeriodicalId":89063,"journal":{"name":"African research & documentation","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"56840745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
L.E.L.: The Life and Murder of Letitia E. Landon: ‘a flower of loveliness’, by Michael Gorman. London: Olympia Publishers, 2008, 292 pp. ISBN 978-1-905513-70-3. £8.99 l.e.l.:利蒂夏·e·兰登的生与死:“一朵可爱的花”,迈克尔·戈尔曼著。伦敦:奥林匹亚出版社,2008,292页。ISBN 978-1-905513-70-3。£8.99
Pub Date : 2009-01-01 DOI: 10.1017/s0305862x00016551
T. Barringer
L.E.L.: The Life and Murder of Letitia E. Landon: 'a flower of loveliness', by Michael Gorman. London: Olympia Publishers, 2008, 292 pp. ISBN 978-1905513-70-3. £8.99 If Hello Magazine had existed in the early nineteenth century, Letitia E. Landon (1802-1838) would have been in it: a beautiful and well-dressed young woman who mingled with other celebrities, surrounded by whiffs of scandal and who suffered a mysterious and tragic early death on the coast of Africa. She was also an established poet, mentioned in the same breath as Byron and Sappho, an influential critic and editor and that rare thing at the time, a financially independent woman who supported herself by her writing. Her fame faded quickly although she had some influence on later Victorian women poets Elizabeth Barrett Browning and Christina Rossetti. In the late twentieth century, with the rise of feminist literary scholarship, she became the subject of some modest academic attention and seven pages in the Oxford Dictionary of National Biography. (Her husband, George Maclean, "Governor" of the Gold Coast got only two).1 It is hard to know what to make of this book on first acquaintance. Is it a biography or a novel or a hybrid of the two? The 'blurb' on the back cover promises both scholarship ("a plethora of authenticated material only recently discovered and collated by the present author") and sensationalism (a "dramatic, lustful and yet sadly short life" . . . "tragically cut down at the height of her powers and in her youth [actually in her mid thirties, hardly youth by nineteenth century standards] whilst living in Africa, by a vicious and evil mulatto murderess, the mistress of her husband the 'Governor' of the Gold Coast who used mysterious native means to bring about her demise". The volume opens with a ten page "biography" of L.E.L. which, while for the most part following the standard account, does not hesitate to describe her as "lustful" and a "cock-teaser", introduce illegitimate children and hint at more shock /horror revelations to come. It ends with the disclosure that L.E.L. was the author's great-great-great-grandmother. Then comes a "prologue" in which Michael Gorman describes the kindling of his interest in Lentia and his identification with her. In an extraordinary piece of purple prose he describes himself as pulled by a strange "kinetic karmic attraction to this forbear" "like some postulant kneeling to the altar of power over mind". "So many are the similarities between L.E.L. and myself that I feel at times as if another presence (hers) is guiding my hands across the keyboard to tell a story that must be told and written in the first person through the spirit of the very subject herself - in such a way that perhaps she is insistent on assisting me to complete her story as she would like it to be told." Michael Gorman visited his ancestress' grave in the company of Cynthia Lawford, who is writing a scholarly study of L.E.L. and has published some of her resea
l.e.l.:利蒂夏·e·兰登的生与死:“一朵可爱的花”,迈克尔·戈尔曼著。伦敦:奥林匹亚出版社,2008,292页。ISBN 978-1905513-70-3。8.99英镑如果《Hello》杂志存在于19世纪早期,莉蒂夏·e·兰登(1802-1838)一定会出现在上面:一个美丽、穿着得体的年轻女子,与其他名人混在一起,被丑闻的气息包围,在非洲海岸神秘而悲惨地英年早逝。她也是一位著名的诗人,与拜伦和萨福相提并论,她是一位有影响力的评论家和编辑,这在当时是罕见的,她是一位经济独立的女性,靠写作养活自己。尽管她对后来的维多利亚女诗人伊丽莎白·巴雷特·勃朗宁和克里斯蒂娜·罗塞蒂有一定的影响,但她的名声很快就消失了。20世纪后期,随着女权主义文学研究的兴起,她成为了一些学术关注的对象,并被《牛津国家传记词典》收录了7页。(她的丈夫,乔治·麦克林,黄金海岸的“总督”,只得到两张。初读这本书很难理解。是传记还是小说,还是两者兼而有之?封底上的“简介”承诺了学术性(“大量最近才被现任作者发现和整理的经过验证的材料”)和耸人听闻性(“戏剧性的,好色的,但可悲的短暂的一生”)……“不幸的是,在她权力最鼎盛的时候,在她年轻的时候(实际上是在她三十多岁的时候,以十九世纪的标准来看,这已经算不上年轻了),她住在非洲,被一个恶毒邪恶的混血女杀人犯杀死,她丈夫的情妇是黄金海岸的‘总督’,她用神秘的当地手段杀死了她”。这本书的开头是一篇十页的L.E.L.“传记”,虽然大部分内容都遵循了标准的描述,但毫不犹豫地将她描述为“好色的”和“挑逗公鸡的”,介绍了私生子,并暗示了更多令人震惊/恐怖的揭露。书的结尾披露了L.E.L.是作者的曾曾曾祖母。然后是“序言”,Michael Gorman描述了他对Lentia的兴趣以及他对她的认同。在一篇非凡的紫色散文中,他形容自己被一种奇怪的“动态的业力吸引到这个隐伏者身上”,“就像某个牧师跪在超越思想的权力祭坛前”。“我和L.E.L.之间有如此多的相似之处,以至于有时我觉得好像另一个人(她的)在引导我的手穿过键盘,讲述一个必须通过主题本身的精神以第一人称讲述和写作的故事——以这种方式,也许她坚持要帮助我完成她希望被讲述的故事。”迈克尔·戈尔曼在辛西娅·劳福德的陪同下祭拜了他的女祖先。辛西娅正在撰写一篇关于L.E.L.的学术研究,并在《伦敦书评》上发表了她的一些研究成果。她为L.E.L.找到了书面证据她与出版商威廉·杰登(William Jerdan)的婚外情,以及他们三个孩子的存在。...
{"title":"L.E.L.: The Life and Murder of Letitia E. Landon: ‘a flower of loveliness’, by Michael Gorman. London: Olympia Publishers, 2008, 292 pp. ISBN 978-1-905513-70-3. £8.99","authors":"T. Barringer","doi":"10.1017/s0305862x00016551","DOIUrl":"https://doi.org/10.1017/s0305862x00016551","url":null,"abstract":"L.E.L.: The Life and Murder of Letitia E. Landon: 'a flower of loveliness', by Michael Gorman. London: Olympia Publishers, 2008, 292 pp. ISBN 978-1905513-70-3. £8.99 If Hello Magazine had existed in the early nineteenth century, Letitia E. Landon (1802-1838) would have been in it: a beautiful and well-dressed young woman who mingled with other celebrities, surrounded by whiffs of scandal and who suffered a mysterious and tragic early death on the coast of Africa. She was also an established poet, mentioned in the same breath as Byron and Sappho, an influential critic and editor and that rare thing at the time, a financially independent woman who supported herself by her writing. Her fame faded quickly although she had some influence on later Victorian women poets Elizabeth Barrett Browning and Christina Rossetti. In the late twentieth century, with the rise of feminist literary scholarship, she became the subject of some modest academic attention and seven pages in the Oxford Dictionary of National Biography. (Her husband, George Maclean, \"Governor\" of the Gold Coast got only two).1 It is hard to know what to make of this book on first acquaintance. Is it a biography or a novel or a hybrid of the two? The 'blurb' on the back cover promises both scholarship (\"a plethora of authenticated material only recently discovered and collated by the present author\") and sensationalism (a \"dramatic, lustful and yet sadly short life\" . . . \"tragically cut down at the height of her powers and in her youth [actually in her mid thirties, hardly youth by nineteenth century standards] whilst living in Africa, by a vicious and evil mulatto murderess, the mistress of her husband the 'Governor' of the Gold Coast who used mysterious native means to bring about her demise\". The volume opens with a ten page \"biography\" of L.E.L. which, while for the most part following the standard account, does not hesitate to describe her as \"lustful\" and a \"cock-teaser\", introduce illegitimate children and hint at more shock /horror revelations to come. It ends with the disclosure that L.E.L. was the author's great-great-great-grandmother. Then comes a \"prologue\" in which Michael Gorman describes the kindling of his interest in Lentia and his identification with her. In an extraordinary piece of purple prose he describes himself as pulled by a strange \"kinetic karmic attraction to this forbear\" \"like some postulant kneeling to the altar of power over mind\". \"So many are the similarities between L.E.L. and myself that I feel at times as if another presence (hers) is guiding my hands across the keyboard to tell a story that must be told and written in the first person through the spirit of the very subject herself - in such a way that perhaps she is insistent on assisting me to complete her story as she would like it to be told.\" Michael Gorman visited his ancestress' grave in the company of Cynthia Lawford, who is writing a scholarly study of L.E.L. and has published some of her resea","PeriodicalId":89063,"journal":{"name":"African research & documentation","volume":"1 1","pages":"60"},"PeriodicalIF":0.0,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"56840734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Headaches and Brainwaves: Libraries, Evidence and Research Across the Disciplines 头痛和脑电波:图书馆、证据和跨学科研究
Pub Date : 2009-01-01 DOI: 10.1017/s0305862x00016459
C. Cramer
Keynote Address at the Third meeting of the European Librarians in African Studies (ELIAS), Liepzig, 3 June 2009 Once upon a time, my brother was working in the Dominican library in Paris. This was in the early 1980s and he was doing research for his PhD - on the subject of baptism in the ninth to twelfth centuries. Another man often worked there and they would talk now and then but they never actually introduced themselves. The other man sometimes gave my brother a lift across town when they left the library. He seemed rather authoritative. One day he asked my brother, 'Who are you working with?' and my brother said 'Jacques Ie Goff, a very renowned medieval historian. 'Ah, le Goff, yes, he's very astute', the man said, and my brother thought my goodness, who is this man to pass judgement so confidently on le Goff. Another day, when the news was full of the Pope, John Paul II, coming to Paris, my brother asked the man if he was going to see the pope. No, the man replied; you'll find very few people go. The French are racist and they will take offence that the pope chose to go to Africa first, and then to come after Africa to France. He turned out to have been fairly accurate - the numbers were surprisingly low for the Pope's public mass. Eventually, my brother said, look, Fm terribly sorry, I haven't introduced myself, my name is Peter Cramer. The other man smiled: 'Je suis Michel Foucault'. That is the first of three very short stories I want to tell about libraries and librarians. Barbara Spina, who kindly asked me to give a short talk, suggested that I should do something more personal than a formal paper and so I have tried to take her at her word. Let me tell you two more stories and then try actually to make a point or two, as well as to ask some questions. The health warning is that this will not be exclusively about 'African studies' though it is nicely relevant to what I have to say that this conference takes place in the Albertina library in Leipzig, which itself has a long history and includes medieval manuscripts, some of which were rescued when the library buildings were bombed and two-thirds destroyed in the Second World War, after which the library and its collections have been rebuilt magnificently. The second story I was told by an Indian historian who teaches at Princeton. We had been talking about Parsees from Bombay. He told how he'd been in the British Library one day and he'd chanced upon an unpublished manuscript, a detective novel written by a Parsee, Phirozeshah Jamesetji Chevalier (Chaiwala) in the 1920s. In the novel a pilot had flown a plane low over the Tower of Silence in Bombay and taken an aerial photograph of the tower, something anathema to the Parsees. The story then cut to London, where a man was looking up at a building. He'd come to track down the editor of the journal that published the photograph, with the aim of killing the editor and then the pilot of the plane who'd taken the photograph. On page 197 the
2009年6月3日,利比锡,第三届欧洲非洲研究图书馆员会议(ELIAS)主题演讲从前,我的兄弟在巴黎的多米尼加图书馆工作。那是在20世纪80年代早期,他正在为自己的博士学位做研究——关于9世纪到12世纪的洗礼。另一个人经常在那里工作,他们偶尔会交谈,但他们从来没有真正介绍过自己。另一个人有时在离开图书馆时让我弟弟搭顺风车穿过城市。他似乎很有权威。一天,他问我哥哥:“你和谁一起工作?”我哥哥说:“雅克·高夫,一位非常著名的中世纪历史学家。”“啊,高夫,是的,他很精明,”那人说,我哥哥想,天哪,这个人是谁,竟如此自信地对高夫下判断。还有一天,到处都是教皇约翰·保罗二世要来巴黎的消息,我哥哥问那个人是否要去见教皇。不,那人回答说;你会发现很少有人去。法国人是种族主义者,他们会因为教皇选择先去非洲,然后在非洲之后再来法国而生气。事实证明,他的预测相当准确——在教皇的公众弥撒中,这一数字出奇地低。最后,我哥哥说:听着,非常抱歉,我还没有自我介绍,我叫彼得·克莱默。另一个人笑着说:“我是米歇尔·福柯。”这是我想讲的关于图书馆和图书管理员的三个短篇故事中的第一个。芭芭拉·斯皮纳好心地邀请我做一个简短的演讲,她建议我应该做一些更私人的事情,而不是一篇正式的论文,所以我试着相信她的话。让我再告诉你们两个故事,然后试着提出一两个观点,并提出一些问题。健康警告是,这将不仅仅是关于“非洲研究”,尽管它与我要说的很好地相关,这次会议在莱比锡的阿尔贝蒂娜图书馆举行,它本身有着悠久的历史,包括中世纪的手稿,其中一些是在图书馆建筑被炸毁时抢救出来的,其中三分之二在第二次世界大战中被毁,之后图书馆和它的收藏得到了宏伟的重建。第二个故事是一位在普林斯顿教书的印度历史学家给我讲的。我们一直在谈论来自孟买的帕西人。他说,有一天他在大英图书馆偶然发现了一份未发表的手稿,是帕西人菲罗泽沙·詹姆斯塞吉·谢瓦利埃(Chaiwala)在20世纪20年代写的一本侦探小说。在小说中,一名飞行员驾驶一架飞机低空飞过孟买的沉默塔,并对这座塔进行了航拍,这是帕西人所憎恶的。故事转到伦敦,一个男人抬头望着一座大楼。他是来追踪刊登这张照片的杂志编辑的,目的是杀死编辑和拍摄这张照片的飞机飞行员。在第197页,手稿突然在句子中间结束了。这位历史学家非常沮丧。在旅途中,他一直把这部小说记在心里,只要有可能,他就会想,一定在什么地方有一部完整的手稿,并想了解一下作者。有一天,他在孟买的一家图书馆,那里的图书管理员不是图书管理员,而是一名工程师,他只是拒绝让图书馆在前任图书管理员去世后被废弃,并接替了这项工作。嗯,历史学家确实设法在那里找到了侦探小说的完整手稿,他现在正试图把它出版。我的第三个故事更直接地讲述了我自己的图书馆经历。我是剑桥大学的一名本科生,攻读历史学位。那是我的最后一年,有两件事占据了我的注意力(至少在学术方面)。一个是在努力为我的“特别课程”寻找原始资料:这是这门课的第一年,这门课是关于肯尼亚茅茅起义的,由约翰·朗斯代尔(John Lonsdale)教授。...
{"title":"Headaches and Brainwaves: Libraries, Evidence and Research Across the Disciplines","authors":"C. Cramer","doi":"10.1017/s0305862x00016459","DOIUrl":"https://doi.org/10.1017/s0305862x00016459","url":null,"abstract":"Keynote Address at the Third meeting of the European Librarians in African Studies (ELIAS), Liepzig, 3 June 2009 Once upon a time, my brother was working in the Dominican library in Paris. This was in the early 1980s and he was doing research for his PhD - on the subject of baptism in the ninth to twelfth centuries. Another man often worked there and they would talk now and then but they never actually introduced themselves. The other man sometimes gave my brother a lift across town when they left the library. He seemed rather authoritative. One day he asked my brother, 'Who are you working with?' and my brother said 'Jacques Ie Goff, a very renowned medieval historian. 'Ah, le Goff, yes, he's very astute', the man said, and my brother thought my goodness, who is this man to pass judgement so confidently on le Goff. Another day, when the news was full of the Pope, John Paul II, coming to Paris, my brother asked the man if he was going to see the pope. No, the man replied; you'll find very few people go. The French are racist and they will take offence that the pope chose to go to Africa first, and then to come after Africa to France. He turned out to have been fairly accurate - the numbers were surprisingly low for the Pope's public mass. Eventually, my brother said, look, Fm terribly sorry, I haven't introduced myself, my name is Peter Cramer. The other man smiled: 'Je suis Michel Foucault'. That is the first of three very short stories I want to tell about libraries and librarians. Barbara Spina, who kindly asked me to give a short talk, suggested that I should do something more personal than a formal paper and so I have tried to take her at her word. Let me tell you two more stories and then try actually to make a point or two, as well as to ask some questions. The health warning is that this will not be exclusively about 'African studies' though it is nicely relevant to what I have to say that this conference takes place in the Albertina library in Leipzig, which itself has a long history and includes medieval manuscripts, some of which were rescued when the library buildings were bombed and two-thirds destroyed in the Second World War, after which the library and its collections have been rebuilt magnificently. The second story I was told by an Indian historian who teaches at Princeton. We had been talking about Parsees from Bombay. He told how he'd been in the British Library one day and he'd chanced upon an unpublished manuscript, a detective novel written by a Parsee, Phirozeshah Jamesetji Chevalier (Chaiwala) in the 1920s. In the novel a pilot had flown a plane low over the Tower of Silence in Bombay and taken an aerial photograph of the tower, something anathema to the Parsees. The story then cut to London, where a man was looking up at a building. He'd come to track down the editor of the journal that published the photograph, with the aim of killing the editor and then the pilot of the plane who'd taken the photograph. On page 197 the","PeriodicalId":89063,"journal":{"name":"African research & documentation","volume":"1 1","pages":"3"},"PeriodicalIF":0.0,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"56840598","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Film as Evidence, Film as History and Film in History: Some African Perspectives 作为证据的电影,作为历史的电影和历史中的电影:一些非洲视角
Pub Date : 2009-01-01 DOI: 10.1017/s0305862x00017684
V. Bickford-Smith
During my undergraduate years, a long time ago now, I cannot remember a single instance when any form of film was used for any purpose whatsoever in a history course at Cambridge University. Yet clearly film has become more acceptable to the historical academy as a whole in recent years. My own experience of engaging with film has been in three ways: with film as a form of historical evidence; through exploring the role film has played 'in' history, possibly by influencing opinions and policies; and, most controversially for historians at large, with analysing film as attempted history, as a form of history itself.1 One might of course engage with film in all three ways simultaneously, as many of the contributions to Black and White in Colour: African History on Screen demonstrate.2 One can also add that there are various forms of film that one can engage with such as actuality footage, documentary, docudrama or feature films; albeit that the boundaries between these categories are not always clear. I will begin by saying something about films as evidence, relating this to elements of my current research project, before moving briefly to consider film in history and, at greater length, film as attempted history. Film as evidence Film can be used as historical evidence, with all the caveats about how one should query evidence in whatever medium, in two obvious ways. First, for the information it contains, or supposedly contains, about the past: about, for instance, places, objects, people, events, or cultural practices. Take the example of Barbet Schreuder's documentary made with the full co-operation of Idi Amin and entitled Idi Amin: AutoPortrait (1974). This might be scrutinised for what it suggests about Amin's personality or oratorical techniques, whether witty or involving buffoonery; or perhaps for the urban landscapes of Kampala in the mid-1970s; or for a glimpse into the nature of an Amin cabinet meeting; or for the Ugandan leader's musical skills or ways in which he addressed the foreign press corps. Historians as well as the makers of Last King of Scotland can mine AutoPortrait for this kind of information. Secondly, films might be analysed for evidence of contemporary attitudes, values and ideas, or for changes and continuities in attitudes, values and ideas over time. Thus AutoPortrait might also be examined for what it says about Barbet Schreuder's, or perhaps other western observers', perceptions of Idi Amin and Uganda. For although it is firmed in a Cinema Verite style, and this itself naturally raises the question of what sort of truth the presence of the camera provokes in the individuals under scrutiny, clearly there is editing, sequencing, narration, and scenes added to the film beyond Amin's control. Though, as you may know, Amin did attempt to influence the editing process by taking French hostages. Most obviously, and like Last King as well, AutoPortrait might be held to be a typical case of focusing on individuals, whether
在我读本科的时候,那是很久以前的事了,我不记得剑桥大学的历史课上有任何形式的电影被用于任何目的。然而,很明显,近年来,电影越来越被整个历史学院所接受。我自己与电影接触的经历有三种方式:将电影作为一种历史证据;通过探索电影在历史上所扮演的角色,可能是通过影响舆论和政策;而且,对于大多数历史学家来说,最具争议的是,将电影作为一种尝试的历史来分析,作为历史本身的一种形式当然,人们可能同时以这三种方式接触电影,正如《黑白彩色:银幕上的非洲历史》中的许多贡献所表明的那样你还可以补充说,有各种各样的电影形式,你可以参与,如现实镜头,纪录片,纪实片或故事片;尽管这些类别之间的界限并不总是很清楚。我将首先谈谈作为证据的电影,将其与我当前研究项目的元素联系起来,然后简要地考虑历史上的电影,以及更详细地说,作为尝试历史的电影。电影作为证据可以作为历史证据,在任何媒介中都有关于如何质疑证据的所有警告,有两种明显的方式。首先,因为它包含或据称包含了关于过去的信息:例如,关于地点、物体、人物、事件或文化习俗。以巴贝特·施罗德的纪录片为例,这部纪录片是在伊迪·阿明的全力合作下拍摄的,名为《伊迪·阿明:自动摄影》(1974)。这可能会被仔细审视,因为它暗示了阿明的个性或演讲技巧,无论是诙谐还是涉及滑稽;或者是20世纪70年代中期坎帕拉的城市景观;或者一睹阿明内阁会议的本质;或是这位乌干达领导人的音乐技巧,或是他对外国记者团讲话的方式。历史学家和《最后的苏格兰国王》的制作者可以从AutoPortrait中挖掘这类信息。其次,可以分析电影,以寻找当代态度、价值观和思想的证据,或者随着时间的推移,态度、价值观和思想的变化和连续性。因此,AutoPortrait也可以用来考察它对巴贝特•施罗德(Barbet Schreuder)或其他西方观察者对伊迪•阿明(Idi Amin)和乌干达的看法。因为,尽管影片以真实电影的风格呈现出来,而且这本身就很自然地提出了一个问题,即镜头的存在在被审视的个人身上激起了什么样的真相,但很明显,阿明无法控制影片中添加的剪辑、顺序、叙述和场景。不过,正如你所知,阿明确实试图通过劫持法国人质来影响剪辑过程。最明显的是,就像《最后的国王》一样,《AutoPortrait》可能被认为是关注个人的典型案例,无论他们是阿明,还是蒂普苏丹(18世纪的印度),还是萨达姆侯赛因,还是最近的罗伯特穆加贝,都是敌对政权真实或所谓暴行的化身。AutoPortrait也可能被一些人视为西方对非洲人或亚洲人的刻板印象(无论是书面形式还是视觉形式)的典型案例,这种刻板印象更普遍地认为非洲人或亚洲人是非理性的,因此无法成功地自治。在这个过程中,这种刻板印象转移了人们对西方的罪责的关注,而这种罪责可以说是最初产生这种暴政的环境;尽管或许应该指出的是,《最后的苏格兰国王》确实表明英国最初支持阿明掌权无论如何,将电影视为价值观、关注点和态度的证据,可能是学院在一系列学科中探索电影的最常见方式。这方面的先驱人物是杰弗里·理查兹,他的《昨天的幻象》(1973)有一个章节是关于大英帝国电影的,其中包括《河上的桑德斯》、《非洲的罗兹》、保罗·史密斯和安东尼·阿尔德盖特。…
{"title":"Film as Evidence, Film as History and Film in History: Some African Perspectives","authors":"V. Bickford-Smith","doi":"10.1017/s0305862x00017684","DOIUrl":"https://doi.org/10.1017/s0305862x00017684","url":null,"abstract":"During my undergraduate years, a long time ago now, I cannot remember a single instance when any form of film was used for any purpose whatsoever in a history course at Cambridge University. Yet clearly film has become more acceptable to the historical academy as a whole in recent years. My own experience of engaging with film has been in three ways: with film as a form of historical evidence; through exploring the role film has played 'in' history, possibly by influencing opinions and policies; and, most controversially for historians at large, with analysing film as attempted history, as a form of history itself.1 One might of course engage with film in all three ways simultaneously, as many of the contributions to Black and White in Colour: African History on Screen demonstrate.2 One can also add that there are various forms of film that one can engage with such as actuality footage, documentary, docudrama or feature films; albeit that the boundaries between these categories are not always clear. I will begin by saying something about films as evidence, relating this to elements of my current research project, before moving briefly to consider film in history and, at greater length, film as attempted history. Film as evidence Film can be used as historical evidence, with all the caveats about how one should query evidence in whatever medium, in two obvious ways. First, for the information it contains, or supposedly contains, about the past: about, for instance, places, objects, people, events, or cultural practices. Take the example of Barbet Schreuder's documentary made with the full co-operation of Idi Amin and entitled Idi Amin: AutoPortrait (1974). This might be scrutinised for what it suggests about Amin's personality or oratorical techniques, whether witty or involving buffoonery; or perhaps for the urban landscapes of Kampala in the mid-1970s; or for a glimpse into the nature of an Amin cabinet meeting; or for the Ugandan leader's musical skills or ways in which he addressed the foreign press corps. Historians as well as the makers of Last King of Scotland can mine AutoPortrait for this kind of information. Secondly, films might be analysed for evidence of contemporary attitudes, values and ideas, or for changes and continuities in attitudes, values and ideas over time. Thus AutoPortrait might also be examined for what it says about Barbet Schreuder's, or perhaps other western observers', perceptions of Idi Amin and Uganda. For although it is firmed in a Cinema Verite style, and this itself naturally raises the question of what sort of truth the presence of the camera provokes in the individuals under scrutiny, clearly there is editing, sequencing, narration, and scenes added to the film beyond Amin's control. Though, as you may know, Amin did attempt to influence the editing process by taking French hostages. Most obviously, and like Last King as well, AutoPortrait might be held to be a typical case of focusing on individuals, whether ","PeriodicalId":89063,"journal":{"name":"African research & documentation","volume":"1 1","pages":"17"},"PeriodicalIF":0.0,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"56841434","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Africa at IFLA 2009 2009年国际图联非洲展
Pub Date : 2009-01-01 DOI: 10.1017/s0305862x00020239
J. Mcilwaine
This continues the regular series of annual reports on African related activities at the annual IFLA conferences that have appeared In ARD since the early 1990s. Its most recent predecessors are "Africa at IFLA 2008 (Quebec City)", ARD, 106 (2008), pp.91-97 and "Africa at IFLA, 2005 (Oslo)", ARD, 99 (2005), pp.67-72. The World Library & Information Congress, 75th IFLA General Conference and Council was held In MUan, 23rd -27th August 2009. Among the 4,200+ delegates, the "List of participants" records 205 from 31 countries of Africa with 46 from Nigeria and 34 from South Africa. This represented a considerable increase (almost doubled) from African attendance at last year's Quebec conference where many delegates faUed at the last moment to be awarded visas. Government of IFLA. At the end of this year's conference, Ellen Tise (Senior Director, Library and Information Services, University of SteUenbosch) assumed office as President of IFLA, having served as President elect for the previous two years, and wUl hold office until the 2011 Conference in San Juan, Puerto Rico. She is the second African ever to serve as President, foUowing Kay Raseroka (University of Botswana) in 2003-2005. She is joined on the Governing Board of IFLA by two colleagues from Africa: Helena Asamoah-Hassan (University of Kumasi), already a Board member, who was re-elected by the membership for a further two years, and by Buhle Mbambo-Thata (UNISA), Chair of the Africa Section, 2007-2009, who joins the Board by virtue of being elected Chair of Division 5 (formerly Division 8: IFLA Sections and Divisions have been restructured) which represents the Sections of Africa, Asia and Oceania and Latin America and the Caribbean. The Africa Section http://www.rfla.org/en/africa This is the principal focus for IFLA's work with Africa and works closely with the IFLA Regional Office: Africa. The Regional Office relocated in February 2008 after long-term residence in Senegal to the University of South Africa Library Services, P.O. Box 392, PRETORIA, 0003, RSA. maafrica@unisa.ac.za The Director of the Regional Office, Lindy Nhlapo lnhlapo@unisa.ac.za is de facto a member of the Standing Committee of the Africa Section, and is also editor of the Section's Newsletter which under her management has returned to its scheduled two issues per year (most recent Issue 35, July 2009 http://www.ifla.org/files/africa/newsletters/jime-2009.pdf.) Membership of the Standing Committee of the Section has been increased to 18 with all regions of the continent represented: but sadly at the Milan Conference as so often in previous years, many members were unable to attend. Despite this, the two meetings of the Standing Committee held during the Conference and briskly chaired by the outgoing Chair Buhle Mbambo-Thata (UNISA), were comparatively weU attended by observers, both by African delegates to the Conference itseU and by the usual strong range of representatives of African interest from outside the contine
这延续了自1990年代初以来国际图联年度会议上关于非洲相关活动的定期系列年度报告。其最近的前身是“非洲在国际图联2008(魁北克市)”,ARD, 106(2008),第91-97页和“非洲在国际图联,2005(奥斯陆)”,ARD, 99(2005),第67-72页。第75届国际图联大会暨理事会于2009年8月23日至27日在西安举行。在4200多名代表中,“参与者名单”记录了来自非洲31个国家的205人,其中尼日利亚46人,南非34人。这比去年参加魁北克会议的非洲代表人数有了相当大的增长(几乎翻了一番),在去年的魁北克会议上,许多代表在最后一刻才申请签证。国际图联政府。在今年的会议结束时,Ellen Tise(斯图恩博斯大学图书馆与信息服务高级主管)就任国际图联主席,她在前两年担任国际图联当选主席,并将任职至2011年波多黎各圣胡安会议。她是第二位在2003-2005年担任博茨瓦纳大学校长的非洲人。与她一起加入国际图联理事会的还有两位非洲同事:Helena Asamoah-Hassan(库马西大学),她已经是理事会成员,并经全体成员再次选举连任两年;Buhle Mbambo-Thata (UNISA), 2007-2009年非洲科主席,因当选为第5分部(原第8分部)主席而加入理事会。国际图联分馆和分馆已经重组),代表非洲、亚洲、大洋洲、拉丁美洲和加勒比地区的分馆。非洲部http://www.rfla.org/en/africa这是国际图联非洲工作的主要重点,并与国际图联非洲地区办事处密切合作。区域办事处在塞内加尔长期居住后,于2008年2月迁至南非大学图书馆服务部,邮信箱392号,比勒陀利亚,0003,RSA。maafrica@unisa.ac.za区域办事处主任林迪·恩拉波lnhlapo@unisa.ac.za实际上是非洲科常设委员会的成员,也是非洲科通讯的编辑,在她的管理下,该通讯已恢复到每年两期的计划(最近的第35期,2009年7月http://www.ifla.org/files/africa/newsletters/jime-2009.pdf)。该科常设委员会的成员已增加到18个,代表了该大陆的所有区域:但令人遗憾的是,在米兰会议上,正如往年经常出现的那样,许多成员未能出席。尽管如此,常设委员会在会议期间举行的两次会议,由即将离任的主席Buhle Mbambo-Thata (UNISA)轻快地主持,观察员人数相对较少,既包括会议本身的非洲代表,也包括来自非洲大陆以外的非洲利益代表,包括美国国会图书馆非洲科、SCOLMA、INASP和NIDA(信息和数字获取网络)。会议听取了过去一年在该科主持下进行的活动,这些活动几乎都是由援助方案资助的(见下文)。2009年1月,在贝宁举办了关于非洲法语国家图书馆和档案馆预防性保护的培训讲习班(见:www.ifla.org / VI / 4 / news / pac-prevental-traintingjan-2009.htm)。2009年6月,加纳图书馆协会在阿克拉主办了一次关于“千年发展目标能力建设干预措施”的战略规划会议。2009年7月,联合国非洲经济委员会(UNECA)在埃塞俄比亚召开了“第一届非洲数字图书馆与档案国际会议”(icadla - 1),最初在南非和埃塞俄比亚的两个项目被合并为该会议的一部分。…
{"title":"Africa at IFLA 2009","authors":"J. Mcilwaine","doi":"10.1017/s0305862x00020239","DOIUrl":"https://doi.org/10.1017/s0305862x00020239","url":null,"abstract":"This continues the regular series of annual reports on African related activities at the annual IFLA conferences that have appeared In ARD since the early 1990s. Its most recent predecessors are \"Africa at IFLA 2008 (Quebec City)\", ARD, 106 (2008), pp.91-97 and \"Africa at IFLA, 2005 (Oslo)\", ARD, 99 (2005), pp.67-72. The World Library & Information Congress, 75th IFLA General Conference and Council was held In MUan, 23rd -27th August 2009. Among the 4,200+ delegates, the \"List of participants\" records 205 from 31 countries of Africa with 46 from Nigeria and 34 from South Africa. This represented a considerable increase (almost doubled) from African attendance at last year's Quebec conference where many delegates faUed at the last moment to be awarded visas. Government of IFLA. At the end of this year's conference, Ellen Tise (Senior Director, Library and Information Services, University of SteUenbosch) assumed office as President of IFLA, having served as President elect for the previous two years, and wUl hold office until the 2011 Conference in San Juan, Puerto Rico. She is the second African ever to serve as President, foUowing Kay Raseroka (University of Botswana) in 2003-2005. She is joined on the Governing Board of IFLA by two colleagues from Africa: Helena Asamoah-Hassan (University of Kumasi), already a Board member, who was re-elected by the membership for a further two years, and by Buhle Mbambo-Thata (UNISA), Chair of the Africa Section, 2007-2009, who joins the Board by virtue of being elected Chair of Division 5 (formerly Division 8: IFLA Sections and Divisions have been restructured) which represents the Sections of Africa, Asia and Oceania and Latin America and the Caribbean. The Africa Section http://www.rfla.org/en/africa This is the principal focus for IFLA's work with Africa and works closely with the IFLA Regional Office: Africa. The Regional Office relocated in February 2008 after long-term residence in Senegal to the University of South Africa Library Services, P.O. Box 392, PRETORIA, 0003, RSA. maafrica@unisa.ac.za The Director of the Regional Office, Lindy Nhlapo lnhlapo@unisa.ac.za is de facto a member of the Standing Committee of the Africa Section, and is also editor of the Section's Newsletter which under her management has returned to its scheduled two issues per year (most recent Issue 35, July 2009 http://www.ifla.org/files/africa/newsletters/jime-2009.pdf.) Membership of the Standing Committee of the Section has been increased to 18 with all regions of the continent represented: but sadly at the Milan Conference as so often in previous years, many members were unable to attend. Despite this, the two meetings of the Standing Committee held during the Conference and briskly chaired by the outgoing Chair Buhle Mbambo-Thata (UNISA), were comparatively weU attended by observers, both by African delegates to the Conference itseU and by the usual strong range of representatives of African interest from outside the contine","PeriodicalId":89063,"journal":{"name":"African research & documentation","volume":"1 1","pages":"65"},"PeriodicalIF":0.0,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"56842323","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
期刊
African research & documentation
全部 Acc. Chem. Res. ACS Applied Bio Materials ACS Appl. Electron. Mater. ACS Appl. Energy Mater. ACS Appl. Mater. Interfaces ACS Appl. Nano Mater. ACS Appl. Polym. Mater. ACS BIOMATER-SCI ENG ACS Catal. ACS Cent. Sci. ACS Chem. Biol. ACS Chemical Health & Safety ACS Chem. Neurosci. ACS Comb. Sci. ACS Earth Space Chem. ACS Energy Lett. ACS Infect. Dis. ACS Macro Lett. ACS Mater. Lett. ACS Med. Chem. Lett. ACS Nano ACS Omega ACS Photonics ACS Sens. ACS Sustainable Chem. Eng. ACS Synth. Biol. Anal. Chem. BIOCHEMISTRY-US Bioconjugate Chem. BIOMACROMOLECULES Chem. Res. Toxicol. Chem. Rev. Chem. Mater. CRYST GROWTH DES ENERG FUEL Environ. Sci. Technol. Environ. Sci. Technol. Lett. Eur. J. Inorg. Chem. IND ENG CHEM RES Inorg. Chem. J. Agric. Food. Chem. J. Chem. Eng. Data J. Chem. Educ. J. Chem. Inf. Model. J. Chem. Theory Comput. J. Med. Chem. J. Nat. Prod. J PROTEOME RES J. Am. Chem. Soc. LANGMUIR MACROMOLECULES Mol. Pharmaceutics Nano Lett. Org. Lett. ORG PROCESS RES DEV ORGANOMETALLICS J. Org. Chem. J. Phys. Chem. J. Phys. Chem. A J. Phys. Chem. B J. Phys. Chem. C J. Phys. Chem. Lett. Analyst Anal. Methods Biomater. Sci. Catal. Sci. Technol. Chem. Commun. Chem. Soc. Rev. CHEM EDUC RES PRACT CRYSTENGCOMM Dalton Trans. Energy Environ. Sci. ENVIRON SCI-NANO ENVIRON SCI-PROC IMP ENVIRON SCI-WAT RES Faraday Discuss. Food Funct. Green Chem. Inorg. Chem. Front. Integr. Biol. J. Anal. At. Spectrom. J. Mater. Chem. A J. Mater. Chem. B J. Mater. Chem. C Lab Chip Mater. Chem. Front. Mater. Horiz. MEDCHEMCOMM Metallomics Mol. Biosyst. Mol. Syst. Des. Eng. Nanoscale Nanoscale Horiz. Nat. Prod. Rep. New J. Chem. Org. Biomol. Chem. Org. Chem. Front. PHOTOCH PHOTOBIO SCI PCCP Polym. Chem.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1