Pub Date : 2022-10-23DOI: 10.1177/09571558221120881
Daniel Morgan
Résumé Au royaume des cieux (Julien Duvivier, 1949) et La Cage aux filles (Maurice Cloche, 1950), deux fictions situées dans des centres de rééducation pour jeunes femmes, ont une histoire liée. Fondées sur le même fait divers, produites en même temps, elles font l'objet de tractations complexes lorsqu'elles sont soumises à la censure. Le film de Duvivier, dont le rapport au réel est ambigu, finit par échapper à une réécriture, alors que Maurice Cloche accepte de travailler de près avec le ministère de la Justice et finit par réaliser un film réaliste reproduisant le discours officiel des autorités. Pourtant, les deux œuvres présentent la rééducation en internat d'une manière trompeuse et contraire aux reportages sur lesquels elles sont fondés. En examinant la genèse parallèle des deux films, cet article réexamine le rôle des négociations et de la propagande dans la construction du cinéma « consensuel » français de l'après-guerre.
{"title":"Censure et consensus dans le cinéma de l’après-guerre : La genèse parallèle d’Au royaume des cieux (Julien Duvivier, 1949) et La Cage aux filles (Maurice Cloche, 1950)","authors":"Daniel Morgan","doi":"10.1177/09571558221120881","DOIUrl":"https://doi.org/10.1177/09571558221120881","url":null,"abstract":"Résumé Au royaume des cieux (Julien Duvivier, 1949) et La Cage aux filles (Maurice Cloche, 1950), deux fictions situées dans des centres de rééducation pour jeunes femmes, ont une histoire liée. Fondées sur le même fait divers, produites en même temps, elles font l'objet de tractations complexes lorsqu'elles sont soumises à la censure. Le film de Duvivier, dont le rapport au réel est ambigu, finit par échapper à une réécriture, alors que Maurice Cloche accepte de travailler de près avec le ministère de la Justice et finit par réaliser un film réaliste reproduisant le discours officiel des autorités. Pourtant, les deux œuvres présentent la rééducation en internat d'une manière trompeuse et contraire aux reportages sur lesquels elles sont fondés. En examinant la genèse parallèle des deux films, cet article réexamine le rôle des négociations et de la propagande dans la construction du cinéma « consensuel » français de l'après-guerre.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"34 1","pages":"377 - 393"},"PeriodicalIF":0.4,"publicationDate":"2022-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47750427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-11DOI: 10.1177/09571558221115031
I. Kristeva
On the basis of the problematization of the relationships between translatability and untranslatability, tradition and translation, we try to clear the impact of cultural context on the translator's choices. This impact is illustrated through three French translations of the opening stanza of the famous Hamlet monologue (III, 1), those of Voltaire, François-Victor Hugo and Yves Bonnefoy. The adopted perspective focuses on the philosophical dimension, the cultural horizon and the historicity of the act of translating. The starting hypothesis postulates that the translation can be considered as a rewriting of the original, which reflects a poetics and a worldview that reveal the functioning of the literature of a language-culture at a given time. Then the translational analysis can shed some light on the mechanisms of this conditioning. The developed reasoning leads to the conclusion that even though any translation depends on its cultural and historical space, the ethical aim requires to preserve the letter and the spirit of the source text.
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Pub Date : 2022-08-08DOI: 10.1177/09571558221118338
Gai Farchi
The challenges of climate change and mass extinction have stressed the need to rethink our encounters with non-human others in the literary imagination. This article explores this question by reading L'étourdissement by Joël Egloff and Notre vie dans les forêts by Marie Darrieussecq vis-à-vis Sartre’s literary works (namely, La nausée) and philosophical works (namely, L’être et le néant). Drawing upon post-anthropocentric thought, I show how Egloff and Darrieussecq radicalize Sartre in a posthumanistic fashion. In L'étourdissement, this radicalization turns the drama of the look and of the affectivity of the nausea from a dyadic conflict of subject and object into an exposure to multiplicity. In Notre vie dans les forêts, the reciprocity of the self and its other is embedded in a corporeal interdependence, where the double is not perceived as a threat to the self but as a potential ally. In this sense, the Sarterian struggle against the undermining look of the other turns into a realization of radical interdependence and eventually into the emergence of care for the other.
气候变化和大灭绝的挑战强调了重新思考我们在文学想象中与非人类他人相遇的必要性。本文通过阅读JoëL Egloff的《L’étourdisament》和Marie Darrieussecq的《Notre vie dans les forêts》，对萨特的文学作品（即La nausée）和哲学作品（即L’être et le néant）进行了探讨。根据后人类中心主义思想，我展示了Egloff和Darrieussecq如何以后人类主义的方式激进化萨特。在L’étourdispment中，这种激进化将恶心的表情和情感从主体和客体的二元冲突变成了对多样性的暴露。在《圣母院》中，自我和他人的互惠嵌入了物质上的相互依存，在这种相互依存中，替身并不被视为对自我的威胁，而是被视为潜在的盟友。从这个意义上说，萨特式的对抗对方破坏性外表的斗争转变为对彻底相互依存的实现，并最终转变为对对方的关爱。
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Pub Date : 2022-08-04DOI: 10.1177/09571558221118244
J. Armitage
Through concepts such as the act of transgression, the idea of the pursuit of luxury can be radically transformed by reconsidering the work of the French philosopher Georges Bataille on sovereignty and desire within contemporary culture. This article on the relations between transgression, luxury, sovereignty, and desire constitutes a reworking of Bataille's thought. Offering an exploration and development of the key notions which run through current work on luxury, from sumptuous living to human lives in search of lavishness, the article places these important concepts in their intellectual and historical contexts and goes on to trace their considerable possibilities for contemporary French thought. In this manner, the article not only makes the idea of the pursuit of luxury accessible, but also invites readers to make their own critical judgements of such a pursuit. The article concludes with an account of the pursuit of luxury and acts of transgression as a moral vision, and with the perpetual problems of luxury and necessity. The notion of the pursuit of luxury is now impossible to disregard for anybody who is serious-minded about contemporary acts of transgression, and this article affords the ideal companion to the wide-ranging diversity of Bataille's critical texts on sovereignty and desire.
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Pub Date : 2022-07-19DOI: 10.1177/09571558221078446
Sana Alaya Seghair
Presumably guilty of an “ increasing visibility”, the ostentatious presence of Muslim women in the streets of France participates, in Michel Houellebecq's novel Soumission, in this fashionable jeremiad announcing the slow and painful decadence of France and the West. In burqa, veiled or naked, they are the actors of an insidious implementation of a new word in the old one which does not go without leaving scares. Arab women painted as both conquerors and submissive would be the translation of a French historical awareness marked by a surrender to a creeping islam. In the light of the sociological work of Gérald Bronner, this article proposes to think and evaluate the stereotypical representation of the Muslim woman as pernicious contribution to a cognitive market where the most risky beliefs are competing.
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Pub Date : 2022-07-06DOI: 10.1177/09571558221109708
J. Armitage
This article deals with the concept and practice of haute couture, of the designing and making of high-quality fashion clothes, and haute couture's contemporary engagement with the virtual worlds of the ‘metaverse’, a shared virtual environment that features online gaming and augmented reality. The article is an encounter with these virtual worlds, particularly as they are manifested in the haute couture of the French haute couturier Julian Fournié. To understand Fournié's haute couture, and thus to build a foundation for an interpretation of his most important fashion ideas, it is argued that researchers need to explore Fournié's engagement with virtual worlds and augmented reality from the perspective of German philosopher Martin Heidegger's phenomenological explanation of thinking and rethinking, and then at how Fournié develops and revises the meaning of haute couture.
{"title":"Rethinking haute couture: Julien Fournié in the virtual worlds of the metaverse","authors":"J. Armitage","doi":"10.1177/09571558221109708","DOIUrl":"https://doi.org/10.1177/09571558221109708","url":null,"abstract":"This article deals with the concept and practice of haute couture, of the designing and making of high-quality fashion clothes, and haute couture's contemporary engagement with the virtual worlds of the ‘metaverse’, a shared virtual environment that features online gaming and augmented reality. The article is an encounter with these virtual worlds, particularly as they are manifested in the haute couture of the French haute couturier Julian Fournié. To understand Fournié's haute couture, and thus to build a foundation for an interpretation of his most important fashion ideas, it is argued that researchers need to explore Fournié's engagement with virtual worlds and augmented reality from the perspective of German philosopher Martin Heidegger's phenomenological explanation of thinking and rethinking, and then at how Fournié develops and revises the meaning of haute couture.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"34 1","pages":"129 - 146"},"PeriodicalIF":0.4,"publicationDate":"2022-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47753872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01Epub Date: 2022-06-08DOI: 10.1098/rsif.2022.0139
Richard D Rabbitt
Outer hair cells are the cellular motors in the mammalian inner ear responsible for sensitive high-frequency hearing. Motor function over the frequency range of human hearing requires expression of the protein prestin in the OHC lateral membrane, which imparts piezoelectric properties to the cell membrane. In the present report, electrical power consumption and mechanical power output of the OHC membrane-motor complex are determined using previously published voltage-clamp data from isolated OHCs and membrane patches. Results reveal that power output peaks at a best frequency much higher than implied by the low-pass character of nonlinear capacitance, and much higher than the whole-cell resistive-capacitive corner frequency. High frequency power output is enabled by a -90° shift in the phase of electrical charge displacement in the membrane, manifested electrically as emergence of imaginary-valued nonlinear capacitance.
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Pub Date : 2022-05-29DOI: 10.1177/09571558221099637
Michèle Bacholle
This paper argues that Céline Sciamma's Portrait of a Lady on Fire (2019) goes beyond the lesbian or queer categorization that critics have often hastily reduced it to. Set in pre-revolutionary France, Portrait is a film from 'the 2019th century' (Sciamma) that addresses contemporary issues (consent, patriarchal and heteronormative order, women's silencing, women's desire and sexuality). It offers a reflection on 'fluid' time and historicizes and archives both disappeared women artists and same-sex women's relations in French painting and cinema. Sciamma reeducates her spectators’ (male) gaze, precludes voyeurism and the objectification and fetishization of her heroines’ bodies, bestows agency upon them, and displays equality and respect in both form and content. Despite its Queer Palme award at Cannes, Portrait calls for a qualifier better suited to our changing times, as this fluid approach attempts to show.
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Pub Date : 2022-05-29DOI: 10.1177/09571558221098003
Paul McElhinny
This essay takes Marguerite Duras’s presentation of Sino-French relations as a case study to re-examine and call into question postcolonial theorizations of China’s shifting position vis-à-vis the West. I use two understudied essays by Duras, which describe her childhood travels to Yunnan, a Chinese province that borders Indochina, and her views on the Tiananmen Square protests. In each iteration of Duras’s Cycle indochinois, spanning almost four decades, she significantly alters her depictions of Chinese characters and settings – namely that of the Chinese lover and Cholon. I explore how Duras utilizes her memories of China as a thread to connect and re-interpret different parts of her personal life while also reflecting the regional interplay between China and France in continental Southeast Asia, as well as China’s growing power within the world economic system. I contend that the personal anxiety Duras projects towards China’s so-called ‘rise’ in her late-career signals a contemporary re-balancing of Franco-Chinese cross-cultural representations as the author’s engagement with the country shifts from that of a mythical, timeless civilization to a geopolitical and historical reality.
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Pub Date : 2022-05-27DOI: 10.1177/09571558221092954
Katharina Vajta
Orthography and education of the citizens in texts for dictation by Gouzien. During the 19th century, dictation was probably the most current exercise in French schools and therefore the content of the texts dictated must not be neglected. Hence, we here intend to examine how they can contribute to constructing France, building national identity and forming citizenship during the first years of the French Third République. The first part of the study will give a historical background to the teaching of spelling. Then, we will present the theoretical and methodological frame of the study, before examining the double aim of dictation (to instruct and to educate) and the themes contributing to the discursive construction of the nation and the pupil’s education to citizenship, i.e. History, Homeland and National imaginary.
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