Pub Date : 2019-10-05DOI: 10.26593/risa.v3i04.3521.381-397
Yosafat Bakti Dwiana, A. Maurina
Abstract- Deployable structure is a type of structure that can be transformed from a closed configuration to an open configuration. This structure can be assembled and disassembled with ease. This easy construction is a reason why deployable structure is the right structure for after disaster scenario. In emergency, natural resources are needed since it can be found and used easily. Bamboo is a common plant that can be found everywhere in Indonesia. Research have been done by UNPAR’s architecture lecturer regarding deployable structure (deployable spatial and deployable planar) with bamboo as its material. It says that deployable spatial structure has easier and shorter time in instalation than deployable planar structure. Deployable spatial structure has tons of room for development. Some development that can be done is to make deployable structure module to be duplicated in every direction, and to implement self locking mechanism in this structure. This research is done to find deployable structure module that can be duplicated in every direction, and also implementing self locking mechanism in this structure Method that used in this research is qualitative by comparing some buildings that implementing deployable system (Resiploy and Triangle Prism) and modular system (Rising Canes and Y-BIO). The comparastion result is opportunity and thread from each building. This result which is opportunity and thread from each building then synthesized to find criteria for deployable structure that can be duplicated in every direction. Based on the research, it can be concluded that in deployable structure, nut and bolt is needed so that some building element can be rotated to create a movement. In modular building, we need a simple system that can be used in every joint so that building can be duplicated in every way with ease. Reciprocal structure is needed to make a building with self locking mechanism. By simplifying Resiploy’s joint and using Rising Canes’s modules, we can make a deployable structure that can be duplicated in every way with self locking mechanism Key Words: bamboo structure, deployable, modular, self locking mechanism
{"title":"MODULAR BAMBOO STRUCTURE DESIGN EXPLORATION WITH DEPLOYABLE CONSTRUCTION SYSTEM","authors":"Yosafat Bakti Dwiana, A. Maurina","doi":"10.26593/risa.v3i04.3521.381-397","DOIUrl":"https://doi.org/10.26593/risa.v3i04.3521.381-397","url":null,"abstract":"Abstract- Deployable structure is a type of structure that can be transformed from a closed configuration to an open configuration. This structure can be assembled and disassembled with ease. This easy construction is a reason why deployable structure is the right structure for after disaster scenario. In emergency, natural resources are needed since it can be found and used easily. Bamboo is a common plant that can be found everywhere in Indonesia. Research have been done by UNPAR’s architecture lecturer regarding deployable structure (deployable spatial and deployable planar) with bamboo as its material. It says that deployable spatial structure has easier and shorter time in instalation than deployable planar structure. Deployable spatial structure has tons of room for development. Some development that can be done is to make deployable structure module to be duplicated in every direction, and to implement self locking mechanism in this structure. This research is done to find deployable structure module that can be duplicated in every direction, and also implementing self locking mechanism in this structure Method that used in this research is qualitative by comparing some buildings that implementing deployable system (Resiploy and Triangle Prism) and modular system (Rising Canes and Y-BIO). The comparastion result is opportunity and thread from each building. This result which is opportunity and thread from each building then synthesized to find criteria for deployable structure that can be duplicated in every direction. Based on the research, it can be concluded that in deployable structure, nut and bolt is needed so that some building element can be rotated to create a movement. In modular building, we need a simple system that can be used in every joint so that building can be duplicated in every way with ease. Reciprocal structure is needed to make a building with self locking mechanism. By simplifying Resiploy’s joint and using Rising Canes’s modules, we can make a deployable structure that can be duplicated in every way with self locking mechanism Key Words: bamboo structure, deployable, modular, self locking mechanism ","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126365696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-05DOI: 10.26593/RISA.V3I03.3333.222-239
Jansen Chandra, Jonathan Hans Yoas Sihotang
Abstract- Sopo is a granary house in traditional Batak Toba architecture. Sopo is important for Batak Toba community because it serves as a place to store rice which is the source of life. Nowadays sopo is harder to find than ruma. Most of the sopo has transformed into Batak Toba house and uses as a residence. Sopo is located in Lake Toba, North Sumatra, which is prone to earthquakes. Sopo Nagari Sihotang was built in the 1920s and has experienced many earthquakes, now the sopo still survive without any structural damage. The resistance of the sopo over the years proves the sopo resilience to earthquakes. From the evidence of resilience to earthquake, its interesting to investigate the tectonics of this sopo. The purpose of the research is to understand the tectonic of Sopo Nagari Sihotang that resilience to earthquake and find local wisdom in facing earthquake disaster.The research used descriptive method with qualitative approach by describing the existing state of Sopo Nagari Sihotang and comparing it with tectonic theory and earthquake resistant structure. The sopo’s data were collected by field observation and literature study. The data are grouped into four parts, namely construction, detail, space, and ornaments that become points for analysis of tectonics. Tectonic analysis is associated with the theory of earthquake resistant structures to find out what makes tectonic of the sopo resilient to earthquakes.The result is the tectonic resilience of the Sopo Nagari Sihotang to earthquakes are found in the tectonics construction in the use of materials; tectonics detail on vertical structures and horizontal structures; and tectonics space at the story height – the activity, the spatial form – the building hape, the spatial form - the structure, and the activity - the structure. The tectonic resilience of Sopo Nagari Sihotang to earthquakes is not found in the tectonics construction and tectonics ornament. The local wisdom which are the main factors make the sopo resilience to earthquake are found on, the tectonics detail of the sopo post-batu ojahan can retain the sopo by relying on the frictional force resulting from self-weight of the sopo; the tectonics detail of the sopo post-ransang can bind every sopo posts; the use of lightweight wood materials thus reducing inertia forces. Key Words: resilience, tectonics, sopo, earthquake, Batak Toba
{"title":"SOPO BATAK TOBA RESILIENCE TECTONICS TOWARD EARTHQUAKE STUDY OBJECT: SOPO NAGARI SIHOTANG","authors":"Jansen Chandra, Jonathan Hans Yoas Sihotang","doi":"10.26593/RISA.V3I03.3333.222-239","DOIUrl":"https://doi.org/10.26593/RISA.V3I03.3333.222-239","url":null,"abstract":"Abstract- Sopo is a granary house in traditional Batak Toba architecture. Sopo is important for Batak Toba community because it serves as a place to store rice which is the source of life. Nowadays sopo is harder to find than ruma. Most of the sopo has transformed into Batak Toba house and uses as a residence. Sopo is located in Lake Toba, North Sumatra, which is prone to earthquakes. Sopo Nagari Sihotang was built in the 1920s and has experienced many earthquakes, now the sopo still survive without any structural damage. The resistance of the sopo over the years proves the sopo resilience to earthquakes. From the evidence of resilience to earthquake, its interesting to investigate the tectonics of this sopo. The purpose of the research is to understand the tectonic of Sopo Nagari Sihotang that resilience to earthquake and find local wisdom in facing earthquake disaster.The research used descriptive method with qualitative approach by describing the existing state of Sopo Nagari Sihotang and comparing it with tectonic theory and earthquake resistant structure. The sopo’s data were collected by field observation and literature study. The data are grouped into four parts, namely construction, detail, space, and ornaments that become points for analysis of tectonics. Tectonic analysis is associated with the theory of earthquake resistant structures to find out what makes tectonic of the sopo resilient to earthquakes.The result is the tectonic resilience of the Sopo Nagari Sihotang to earthquakes are found in the tectonics construction in the use of materials; tectonics detail on vertical structures and horizontal structures; and tectonics space at the story height – the activity, the spatial form – the building hape, the spatial form - the structure, and the activity - the structure. The tectonic resilience of Sopo Nagari Sihotang to earthquakes is not found in the tectonics construction and tectonics ornament. The local wisdom which are the main factors make the sopo resilience to earthquake are found on, the tectonics detail of the sopo post-batu ojahan can retain the sopo by relying on the frictional force resulting from self-weight of the sopo; the tectonics detail of the sopo post-ransang can bind every sopo posts; the use of lightweight wood materials thus reducing inertia forces. Key Words: resilience, tectonics, sopo, earthquake, Batak Toba","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"26 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129213976","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-05DOI: 10.26593/RISA.V3I03.3337.295-310
Meuthia Rizki Fauziah, Hartanto Budiyuwono
Abstract- Arabian came to Indonesia to trade and spread Islam in Indonesia. They came by sea or river. Then they stayed and grew a family with locals on an area. That area became a settlement in a form of a village that known as Arabian Village. One of the famous Arabian Villages is Al-Munawar Arabian Village in Palembang. Al-Munawar Arabian Village is the oldest village in Palembang. This village is still preserve its relics and culture nowadays. One of its remaining relics is eight buildings that decided as heritage buildings. These 8 buildings have their own unique hundreds of year historical background. Three buildings out of eight buildings are picked as object of research.These buildings are land house. These houses adapted Palembang architectural style, which is pyramid house. Land house has “kekijing” in front of its house. Kekijing is a floor with ± 30-40cm terraces. Each step of floor illustrates the depth of faith. The division of land house room follows the division of Islamic residential space. The second building is stone house with Indian architectural style. The wall thickness of this house is ± 37cm. Stone house has an increase of ± 60 cm from ground level. The floor material uses tiles imported directly from Italy. The division of stone house room also follows the division of Islamic residential space. The third building is greenhouse. Greenhouse is a residential home that has changed its function to islamic school with the same shape. This house consists of two floors, the first floor uses brick wall and the second floor uses wooden wall. The division of greenhouse room doesn’t follow the division of Islamic residential space because the building is not a residential house anymore.It’s important to study the cultural heritage buildings in this village. Considering the number of villages and traditional buildings that forgotten because of the modernization. Furthermore, there are few abandoned traditional houses and changed its shape and material became more modern.The purpose of this study is to know the shape, room and the order of the house in Al-Munawar Arabian Village on the Palembang Musi River bank.This is so that traditional buildings in the village will not extinct and become learning materials for all people.The method used is qualitative method. If judged based on the purpose of the research is descriptive research. The data collecting technique are literature study, field observation and interview to the head of neighborhood in the village. This research shows that style of a building and the material that used on the objects of research are different. In addition, the division of residential space such as stone house and greenhouses are still using the division of Islamic residential space, while the greenhouse is no longer. Key Words: Arabic village Palembang, Al-Munawar village, form, space and order.
{"title":"FORM, SPACE, AND ORDER IN AL-MUNAWAR ARABIC VILLAGE PALEMBANG","authors":"Meuthia Rizki Fauziah, Hartanto Budiyuwono","doi":"10.26593/RISA.V3I03.3337.295-310","DOIUrl":"https://doi.org/10.26593/RISA.V3I03.3337.295-310","url":null,"abstract":"Abstract- Arabian came to Indonesia to trade and spread Islam in Indonesia. They came by sea or river. Then they stayed and grew a family with locals on an area. That area became a settlement in a form of a village that known as Arabian Village. One of the famous Arabian Villages is Al-Munawar Arabian Village in Palembang. Al-Munawar Arabian Village is the oldest village in Palembang. This village is still preserve its relics and culture nowadays. One of its remaining relics is eight buildings that decided as heritage buildings. These 8 buildings have their own unique hundreds of year historical background. Three buildings out of eight buildings are picked as object of research.These buildings are land house. These houses adapted Palembang architectural style, which is pyramid house. Land house has “kekijing” in front of its house. Kekijing is a floor with ± 30-40cm terraces. Each step of floor illustrates the depth of faith. The division of land house room follows the division of Islamic residential space. The second building is stone house with Indian architectural style. The wall thickness of this house is ± 37cm. Stone house has an increase of ± 60 cm from ground level. The floor material uses tiles imported directly from Italy. The division of stone house room also follows the division of Islamic residential space. The third building is greenhouse. Greenhouse is a residential home that has changed its function to islamic school with the same shape. This house consists of two floors, the first floor uses brick wall and the second floor uses wooden wall. The division of greenhouse room doesn’t follow the division of Islamic residential space because the building is not a residential house anymore.It’s important to study the cultural heritage buildings in this village. Considering the number of villages and traditional buildings that forgotten because of the modernization. Furthermore, there are few abandoned traditional houses and changed its shape and material became more modern.The purpose of this study is to know the shape, room and the order of the house in Al-Munawar Arabian Village on the Palembang Musi River bank.This is so that traditional buildings in the village will not extinct and become learning materials for all people.The method used is qualitative method. If judged based on the purpose of the research is descriptive research. The data collecting technique are literature study, field observation and interview to the head of neighborhood in the village. This research shows that style of a building and the material that used on the objects of research are different. In addition, the division of residential space such as stone house and greenhouses are still using the division of Islamic residential space, while the greenhouse is no longer. Key Words: Arabic village Palembang, Al-Munawar village, form, space and order.","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128820051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-05DOI: 10.26593/RISA.V3I03.3336.277-294
Grace Mananda Hutabarat
Abstract- Batak Toba tribe is an ethnic group that still holds tradition as an identity that distinguish them from other ethnic groups in Indonesia. Part of the culture that strongly influences society’s daily life is the kinship, as can be seen with the usage of family name and the philosophy of Dalihan na Tolu, which regulates attitudes and behaviors among society. Aside from the kinship, the traditional architecture is also a cultural identity of Batak Toba tribe, ranging from the order of settlements to organization of space in each dwelling. The research aims to study the physical spatial order of the settlements as a consequence of Batak Toba kinship system, to see the relation between settlement’s physical spatial order with the clan system and the philosophy of Dalihan na Tolu, and lastly to see the effect of modernization in the development of Batak Toba settlements.Huta Ginjang Village in Sianjur Mula-mula is an indigenous village that still holds Batak Toba tradition and culture. Residents are mostly from the Sagala clan and originated from one ancestor. Each house is inhabited by one nuclear family and the collection of several dwellings in a certain order forms a settlement that still knows the kinship of one another. Huta Ginjang Village consists of eight cluster of settlements that still have relation to each other, forming a small clan group.Data on the spatial physical order of the settlements in Huta Ginjang Village and the society’s kin relationship are obtained from literature studies, direct observation in the object of study, and interview with the villagers. The obtained data were analyzed qualitatively by using the relation theory in architecture.The result of the research shows the undeniable relation between physical spatial order of settlement in Huta Ginjang Village with the society’s kin relationship, either on the village, huta, or on the dwelling scale. One of the relation can be seen in the absence of hierarchy in dwelling placement, as the principle of the Dalihan na Tolu has no hierarchy between each of the components. The relation with the kin relationship cannot be seen from each of the building’s typology, because there are no special features that distinguishes each of the kinship groups. Key Words: relation, physical spatial order, kin relationships, Huta Ginjang Village
{"title":"RELATION BETWEEN PHYSICAL SPATIAL ORDER OF SETTLEMENT WITH BATAK TOBA SOCIETY’S KIN RELATIONSHIP STUDY OBJECT: HUTA GINJANG VILLAGE, SIANJUR MULA-MULA SUB-DISTRICT","authors":"Grace Mananda Hutabarat","doi":"10.26593/RISA.V3I03.3336.277-294","DOIUrl":"https://doi.org/10.26593/RISA.V3I03.3336.277-294","url":null,"abstract":"Abstract- Batak Toba tribe is an ethnic group that still holds tradition as an identity that distinguish them from other ethnic groups in Indonesia. Part of the culture that strongly influences society’s daily life is the kinship, as can be seen with the usage of family name and the philosophy of Dalihan na Tolu, which regulates attitudes and behaviors among society. Aside from the kinship, the traditional architecture is also a cultural identity of Batak Toba tribe, ranging from the order of settlements to organization of space in each dwelling. The research aims to study the physical spatial order of the settlements as a consequence of Batak Toba kinship system, to see the relation between settlement’s physical spatial order with the clan system and the philosophy of Dalihan na Tolu, and lastly to see the effect of modernization in the development of Batak Toba settlements.Huta Ginjang Village in Sianjur Mula-mula is an indigenous village that still holds Batak Toba tradition and culture. Residents are mostly from the Sagala clan and originated from one ancestor. Each house is inhabited by one nuclear family and the collection of several dwellings in a certain order forms a settlement that still knows the kinship of one another. Huta Ginjang Village consists of eight cluster of settlements that still have relation to each other, forming a small clan group.Data on the spatial physical order of the settlements in Huta Ginjang Village and the society’s kin relationship are obtained from literature studies, direct observation in the object of study, and interview with the villagers. The obtained data were analyzed qualitatively by using the relation theory in architecture.The result of the research shows the undeniable relation between physical spatial order of settlement in Huta Ginjang Village with the society’s kin relationship, either on the village, huta, or on the dwelling scale. One of the relation can be seen in the absence of hierarchy in dwelling placement, as the principle of the Dalihan na Tolu has no hierarchy between each of the components. The relation with the kin relationship cannot be seen from each of the building’s typology, because there are no special features that distinguishes each of the kinship groups. Key Words: relation, physical spatial order, kin relationships, Huta Ginjang Village","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123550392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-05DOI: 10.26593/RISA.V3I03.3335.258-276
Naomi Santoso, Y. Suriansyah
Abstract- South Quarter is one of the buildings that applies green building principles located in South Jakarta. Based on the Greenship assessment standards, energy saving efforts to decrease OTTV value on some office floors are considered optimal (≤33.25W/m2), but haven’t occupied the natural lighting intensity standard (≤30%). Based on the existing design, there are things which can be optimized such as the color selection of floor, ceiling, and envelope material. The lighting optimization will certainly affect the heat that goes into the building, therefore the effort of optimizing South Quarter office façade design for the fulfillment of natural lighting intensity and OTTV value based on the Greenship criteria is important to do.This research uses descriptive-evaluative research with quantitative-qualitative approach. The evaluative research is done by controlling the building envelope design (simulation method), then observing the effects. These effects are devoted to 2 points, which are natural lighting intensity and OTTV value. The qualitative approach is done by observing the object of study.By replacing glass material, floor material, adding shading elements and light shelf, the optimization of building envelope design has increased the natural lighting intensity by 14.84-30.71% to occupy the Greenship criteria, while maintaining the OTTV standard. Key Words: natural lighting intensity, OTTV value, Greenship, material, shading, light shelf.
{"title":"OPTIMIZATION BUILDING ENCLOSURE REDESIGN TO FULFILL NATURAL LIGHTING INTENSITY STANDARD AND OTTV IN SOUTH QUARTER JAKARTA OFFICE BUILDING BASED ON GREENSHIP CRITERIA","authors":"Naomi Santoso, Y. Suriansyah","doi":"10.26593/RISA.V3I03.3335.258-276","DOIUrl":"https://doi.org/10.26593/RISA.V3I03.3335.258-276","url":null,"abstract":"Abstract- South Quarter is one of the buildings that applies green building principles located in South Jakarta. Based on the Greenship assessment standards, energy saving efforts to decrease OTTV value on some office floors are considered optimal (≤33.25W/m2), but haven’t occupied the natural lighting intensity standard (≤30%). Based on the existing design, there are things which can be optimized such as the color selection of floor, ceiling, and envelope material. The lighting optimization will certainly affect the heat that goes into the building, therefore the effort of optimizing South Quarter office façade design for the fulfillment of natural lighting intensity and OTTV value based on the Greenship criteria is important to do.This research uses descriptive-evaluative research with quantitative-qualitative approach. The evaluative research is done by controlling the building envelope design (simulation method), then observing the effects. These effects are devoted to 2 points, which are natural lighting intensity and OTTV value. The qualitative approach is done by observing the object of study.By replacing glass material, floor material, adding shading elements and light shelf, the optimization of building envelope design has increased the natural lighting intensity by 14.84-30.71% to occupy the Greenship criteria, while maintaining the OTTV standard. Key Words: natural lighting intensity, OTTV value, Greenship, material, shading, light shelf.","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130370108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-05DOI: 10.26593/RISA.V3I03.3338.205-221
Theodorus Alvin, Yenny Gunawan
Abstract- Java Island is one of many islands which has a lot of active volcanoes and also intersected by many active tectonic plates, which cause the locals of the island to be vulnerable and exposed to natural disaster. High population in the island causes the evacuation and post-disaster handling become difficult. One solution to answer the needs of livable housings is temporary shelter. But, many temporary shelters are designed and developed with too many modern features, which caused the shelters to be expensive and hard to be built with participatory methods. Therefore, the idea to adapt Joglo architecture capability of knock-down system as temporary shelter is developed. The research aims to: (1) know the strength and weakness of Joglo architecture as post-earthquake temporary shelter; and (2) develop design prototypes of temporary shelters which adapt Joglo architectureThe methods used in this research is experimental research, which focused on designs that adapt the ability of knock-down in Joglo architecture and later applied in temporary shelters. The data used to support the research are design guidelines and criteria of temporary shelters stated by UNHCR (2011) and the functionality and technical aspects of Joglo architecture composed by Frick (1997). After analyzing the data of Joglo architecture, then the result will be analyzed again with the design criteria of temporary shelters in effectivity and efficiency aspects. The next phase is stating the strengths and weaknesses of Joglo architecture as temporary shelter.These strengths will be developed, meanwhile the weakness will be handled without diminishing the existing potentials of Joglo architecture as temporary shelter. The final phase is developing 2 types of temporary shelters design prototypes, which have alternatives based on the construction material; coconut wood (type I) and wulung bamboo (type II). These materials are used in order to replace the authentic material of Joglo, teak wood, which is not efficient as temporary shelters structural material. These 2 types of temporary shelters are able to fulfil the design criteria of temporary shelter, because these prototypes are functional (effective) and able to fulfil technical requirements (efficient). Along with this research, the writer hoped that in the future there will be many traditional architectures which will be adapted as a solution to respond the issue of post-disaster architecture. Key Words: Joglo, knock-down, temporary shelter, post-earthquake
{"title":"JOGLO ARCHITECTURE DEVELOPMENT FOR POST EARTHQUAKE TEMPORARY SHELTER","authors":"Theodorus Alvin, Yenny Gunawan","doi":"10.26593/RISA.V3I03.3338.205-221","DOIUrl":"https://doi.org/10.26593/RISA.V3I03.3338.205-221","url":null,"abstract":"Abstract- Java Island is one of many islands which has a lot of active volcanoes and also intersected by many active tectonic plates, which cause the locals of the island to be vulnerable and exposed to natural disaster. High population in the island causes the evacuation and post-disaster handling become difficult. One solution to answer the needs of livable housings is temporary shelter. But, many temporary shelters are designed and developed with too many modern features, which caused the shelters to be expensive and hard to be built with participatory methods. Therefore, the idea to adapt Joglo architecture capability of knock-down system as temporary shelter is developed. The research aims to: (1) know the strength and weakness of Joglo architecture as post-earthquake temporary shelter; and (2) develop design prototypes of temporary shelters which adapt Joglo architectureThe methods used in this research is experimental research, which focused on designs that adapt the ability of knock-down in Joglo architecture and later applied in temporary shelters. The data used to support the research are design guidelines and criteria of temporary shelters stated by UNHCR (2011) and the functionality and technical aspects of Joglo architecture composed by Frick (1997). After analyzing the data of Joglo architecture, then the result will be analyzed again with the design criteria of temporary shelters in effectivity and efficiency aspects. The next phase is stating the strengths and weaknesses of Joglo architecture as temporary shelter.These strengths will be developed, meanwhile the weakness will be handled without diminishing the existing potentials of Joglo architecture as temporary shelter. The final phase is developing 2 types of temporary shelters design prototypes, which have alternatives based on the construction material; coconut wood (type I) and wulung bamboo (type II). These materials are used in order to replace the authentic material of Joglo, teak wood, which is not efficient as temporary shelters structural material. These 2 types of temporary shelters are able to fulfil the design criteria of temporary shelter, because these prototypes are functional (effective) and able to fulfil technical requirements (efficient). Along with this research, the writer hoped that in the future there will be many traditional architectures which will be adapted as a solution to respond the issue of post-disaster architecture. Key Words: Joglo, knock-down, temporary shelter, post-earthquake","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116535885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-05DOI: 10.26593/RISA.V3I03.3334.240-257
Javier Johnson, Roni Sugiarto
Abstract- Nowadays, spatial experience still plays important role in the making of the good quality of architectural spaces. The experience of the space is a multi-sensory experience, so architecture should emphasize its attention not only to visual experience but also other experience like auditory experience. The study was conducted to determine the dynamics connection of soundscape experience and The Seven Sorrows of Virgin Saint Mary Church, Pandu Street, Bandung.The research method is qualitative and descriptive analysis. The analysis is done through questionnaire distribution, field observation, analysis, and by relating it with the study of theories about church architecture, soundscape, sense of place, intention of architecture, and perception theory.In The Seven Sorrows Of Virgin Saint Mary Church are found quite a lot of source of noise which are considered as sounds that decline the quality of the people spatial experience. The noise sounds that are found there are the sound of airplane, motor vehicle, and many more. Those noises can disturb the praying activity. This indicates that there are some architectural elements that have not been able to work optimally. It can be the material, activity settings, building and site shape or character. Furthermore, relation between activity schedule and noises climax will be analized.Through design that concern in the multi-sensory aspects of experience, especially in auditory experience, the experience of space can be felt thoroughly and the quality of a public space can be increased. Key Words: Soundscape, Architectural Elements, Church, The Seven Sorrows of Virgin Saint Mary Church
{"title":"DYNAMICS CONNECTION OF SOUNDSCAPE WITH ARCHITECTURAL ELEMENTS CASE STUDY: THE SEVEN SORROWS OF VIRGIN SAINT MARY CHURCH","authors":"Javier Johnson, Roni Sugiarto","doi":"10.26593/RISA.V3I03.3334.240-257","DOIUrl":"https://doi.org/10.26593/RISA.V3I03.3334.240-257","url":null,"abstract":"Abstract- Nowadays, spatial experience still plays important role in the making of the good quality of architectural spaces. The experience of the space is a multi-sensory experience, so architecture should emphasize its attention not only to visual experience but also other experience like auditory experience. The study was conducted to determine the dynamics connection of soundscape experience and The Seven Sorrows of Virgin Saint Mary Church, Pandu Street, Bandung.The research method is qualitative and descriptive analysis. The analysis is done through questionnaire distribution, field observation, analysis, and by relating it with the study of theories about church architecture, soundscape, sense of place, intention of architecture, and perception theory.In The Seven Sorrows Of Virgin Saint Mary Church are found quite a lot of source of noise which are considered as sounds that decline the quality of the people spatial experience. The noise sounds that are found there are the sound of airplane, motor vehicle, and many more. Those noises can disturb the praying activity. This indicates that there are some architectural elements that have not been able to work optimally. It can be the material, activity settings, building and site shape or character. Furthermore, relation between activity schedule and noises climax will be analized.Through design that concern in the multi-sensory aspects of experience, especially in auditory experience, the experience of space can be felt thoroughly and the quality of a public space can be increased. Key Words: Soundscape, Architectural Elements, Church, The Seven Sorrows of Virgin Saint Mary Church","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125722968","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-15DOI: 10.26593/RISA.V3I02.3278.170-187
A. Angga, Y. B. Dwisusanto, Franseno Pujianto
Abstract- Reidfiled (1953) states that new buildings built within the vernacular architecture physically manifest and perpetuate the cultural norms and building that accumulate in them. In essence, Balinese culture is classified as an expressive type that emphasizes the religious and aesthetic values (art) as the dominant value, so the value is always prominent and present along with other elements in everyday life (Pujaastawa, 2014). This research describes Desa Adat Julah sattlement’s concept as Bali Aga Village which still survive, viewed from cultural aspect, ceremony and daily routine as dominant element and the relation of architectural form to the activity in it. This study applies the theory of Vernacular Architecture Paul Oliver: (1) Religion and Belief, (2) Ceremony and Ritual, and (3) Domestic Routine.The architectural elements of Desa Adat Julah classified into order, space and form based on D. K. Ching theory.The research shown, beliefs factors led the village zonation based on natural factors such as mountains (ulun) and sea (teben). In ceremonial activity, the main circulation path can be called the "center" of village orientation. The concept of dwelling yard is associated with the catuspatha. The catuspatha generates a “natah” space. The canges of domestic routine also changed its form. Key Words: Desa Adat Julah, belief, ritual and domestic routine, form, space and order, concept of settlement.
{"title":"CONCEPT OF SETTLEMENT IN JULAH CULTURAL VILLAGE AS A PART OF BALI AGA VILLAGE REVIEWED ON RITUAL, BELIEF, AND DOMESTIC ROUTINE ASPECTS","authors":"A. Angga, Y. B. Dwisusanto, Franseno Pujianto","doi":"10.26593/RISA.V3I02.3278.170-187","DOIUrl":"https://doi.org/10.26593/RISA.V3I02.3278.170-187","url":null,"abstract":"Abstract- Reidfiled (1953) states that new buildings built within the vernacular architecture physically manifest and perpetuate the cultural norms and building that accumulate in them. In essence, Balinese culture is classified as an expressive type that emphasizes the religious and aesthetic values (art) as the dominant value, so the value is always prominent and present along with other elements in everyday life (Pujaastawa, 2014). This research describes Desa Adat Julah sattlement’s concept as Bali Aga Village which still survive, viewed from cultural aspect, ceremony and daily routine as dominant element and the relation of architectural form to the activity in it. This study applies the theory of Vernacular Architecture Paul Oliver: (1) Religion and Belief, (2) Ceremony and Ritual, and (3) Domestic Routine.The architectural elements of Desa Adat Julah classified into order, space and form based on D. K. Ching theory.The research shown, beliefs factors led the village zonation based on natural factors such as mountains (ulun) and sea (teben). In ceremonial activity, the main circulation path can be called the \"center\" of village orientation. The concept of dwelling yard is associated with the catuspatha. The catuspatha generates a “natah” space. The canges of domestic routine also changed its form. Key Words: Desa Adat Julah, belief, ritual and domestic routine, form, space and order, concept of settlement.","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127206635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-15DOI: 10.26593/RISA.V3I02.3275.121-137
Gabriella Serena, B. Fauzy
Abstract- The growth of globalization is a worldwide phenomenon that is unavoidable and its impact affects a lot of fields, including architecture. Non-local elements, like modernism, that penetrate Indonesia’s culture cause a competition against the local architecture including traditional values, which are reduced due to modernization. Combining modern and local architecture can be seen as an effort to conserve traditional values and answer to the era’s challenge at the same time through the application of modernization.The aim of this research is to understand the meaning of acculturation in architecture, discover which acculturation that occurs in Selasar Sunaryo Art Space architecture and discover what domination that exists in Selasar Sunaryo Art Space’s architecture. Study of synthesis of architecture in Selasar Sunaryo Art Space is done by doing firstly a survey to gain object data, undertake an interview with the architect and client to gain the architectural concept of the object, and re-model the object in 3D. Literature is also done to gain theories about acculturation in architecture, building anatomy theory to describe the study object, also Sundanese and modern architecture theories. Afterwards, the object is analyzed by the said theories and interpreted referring to literature.The result of this research shows that modern architecture dominates Selasar Sunaryo’s architecture, especially in it’s body, floor, structure, and ‘s shape. Synthesis of architecture can be seen from the landscape design and roof design. Overall, Selasar Sunaryo’s architecture is dominated by modern structure and arrangements, although there are several adaptations to the building’s climate context and application of Sundanese architecture concepts to its buildings.Hopefully this thesis would be beneficial to practitioners, academics, and people in general as a contribution to expand the knowledge of local and non-local architecture synthesis, also as a contribution of knowledge that is beneficial within designing process or of continuation of the research. Key Words: acculturation, architecture, modern, Sundanese
{"title":"ACCULTURATION VARIETY OF SUNDANESSE AND MODERN ARCHITECTURE AT SELASAR SUNARYO ART SPACE IN BANDUNG","authors":"Gabriella Serena, B. Fauzy","doi":"10.26593/RISA.V3I02.3275.121-137","DOIUrl":"https://doi.org/10.26593/RISA.V3I02.3275.121-137","url":null,"abstract":"Abstract- The growth of globalization is a worldwide phenomenon that is unavoidable and its impact affects a lot of fields, including architecture. Non-local elements, like modernism, that penetrate Indonesia’s culture cause a competition against the local architecture including traditional values, which are reduced due to modernization. Combining modern and local architecture can be seen as an effort to conserve traditional values and answer to the era’s challenge at the same time through the application of modernization.The aim of this research is to understand the meaning of acculturation in architecture, discover which acculturation that occurs in Selasar Sunaryo Art Space architecture and discover what domination that exists in Selasar Sunaryo Art Space’s architecture. Study of synthesis of architecture in Selasar Sunaryo Art Space is done by doing firstly a survey to gain object data, undertake an interview with the architect and client to gain the architectural concept of the object, and re-model the object in 3D. Literature is also done to gain theories about acculturation in architecture, building anatomy theory to describe the study object, also Sundanese and modern architecture theories. Afterwards, the object is analyzed by the said theories and interpreted referring to literature.The result of this research shows that modern architecture dominates Selasar Sunaryo’s architecture, especially in it’s body, floor, structure, and ‘s shape. Synthesis of architecture can be seen from the landscape design and roof design. Overall, Selasar Sunaryo’s architecture is dominated by modern structure and arrangements, although there are several adaptations to the building’s climate context and application of Sundanese architecture concepts to its buildings.Hopefully this thesis would be beneficial to practitioners, academics, and people in general as a contribution to expand the knowledge of local and non-local architecture synthesis, also as a contribution of knowledge that is beneficial within designing process or of continuation of the research. Key Words: acculturation, architecture, modern, Sundanese","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114350047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-15DOI: 10.26593/RISA.V3I02.3276.138-155
J. Amaris
Abstract- A mosque is a religious place for followers of Islam all over the world, as well in Indonesia, which is the country with the largest number of Muslims society in the world. Thus will affect the high needs of Muslims society for the mosque architecture building that used to perform rituals of worship activity. In this modern era, the shape and style of mosque architecture gets more diverse because of the influence of construction technology. In addition, the diversity is also due to the absence of concrete provisions that discuss the form and style of architecture in the Alquran. The diversity in the form and style of mosque architecture will result in different architectural expression for mosque building. Due to these phenomena, many people are questioning the proper mosque’s form.Masjid Islamic Centre Tulang Bawang Barat (Tubaba) is one of the mosques that meets the object research’s criteria because it doesn’t have universal mosque’s form that generally uses dome. Mosque as a sacred building requires a clear symbolization of the physical elements of the mosque building. This symbolization can be described in the form of activities, such as pray. Undertaken activities will result in spatial space analysis of the mosque which can then be reviewed by the theory of form and meaning. The research was done by applying the theory of anatomy and scope of the building. Furthermore, a review based on the theory of form and meaning is done to see if Masjid Tubaba’s building meets the criteria of symbolization of activities that will result in spatial space of the mosque. As a result, this research will obtained a new standard on the spatial space of the mosque resulting from the symbolization of ritual activities. Key Words: mosque, expression, spatial space, symbolization, ritual activity
摘要:清真寺是世界各地伊斯兰教信徒的宗教场所，印度尼西亚也是如此，印度尼西亚是世界上穆斯林社会人数最多的国家。这样就会影响到穆斯林社会对清真寺建筑的高度需求，清真寺建筑用于进行礼拜活动的仪式。在现代，由于建筑技术的影响，清真寺建筑的形态和风格更加多样化。此外，这种多样性也是由于《古兰经》中没有具体规定建筑的形式和风格。清真寺建筑形式和风格的多样性将导致清真寺建筑表现形式的不同。由于这些现象，许多人质疑清真寺的正确形式。清真寺伊斯兰中心Tulang Bawang Barat (Tubaba)是符合对象研究标准的清真寺之一，因为它没有普遍使用圆顶的清真寺形式。清真寺作为一种神圣的建筑，要求清真寺建筑的物理元素具有明确的符号化。这种符号化可以用祈祷等活动的形式来描述。所进行的活动将导致清真寺的空间分析，然后可以通过形式和意义理论进行审查。该研究是通过应用解剖学理论和建筑的范围来完成的。进而，以形式与意义理论为基础，对图巴巴清真寺的建筑是否符合活动符号化的标准，从而形成清真寺的空间空间。因此，本研究将获得一个新的标准，清真寺的空间空间，由仪式活动的符号化。关键词:清真寺，表达，空间空间，象征，仪式活动
{"title":"ANALYZING THE ESSENCE BETWEEN CEREMONIAL SPACE WITH ISLAMIC CENTER MOSQUE EXPRESSION IN WEST TULANG BAWANG","authors":"J. Amaris","doi":"10.26593/RISA.V3I02.3276.138-155","DOIUrl":"https://doi.org/10.26593/RISA.V3I02.3276.138-155","url":null,"abstract":"Abstract- A mosque is a religious place for followers of Islam all over the world, as well in Indonesia, which is the country with the largest number of Muslims society in the world. Thus will affect the high needs of Muslims society for the mosque architecture building that used to perform rituals of worship activity. In this modern era, the shape and style of mosque architecture gets more diverse because of the influence of construction technology. In addition, the diversity is also due to the absence of concrete provisions that discuss the form and style of architecture in the Alquran. The diversity in the form and style of mosque architecture will result in different architectural expression for mosque building. Due to these phenomena, many people are questioning the proper mosque’s form.Masjid Islamic Centre Tulang Bawang Barat (Tubaba) is one of the mosques that meets the object research’s criteria because it doesn’t have universal mosque’s form that generally uses dome. Mosque as a sacred building requires a clear symbolization of the physical elements of the mosque building. This symbolization can be described in the form of activities, such as pray. Undertaken activities will result in spatial space analysis of the mosque which can then be reviewed by the theory of form and meaning. The research was done by applying the theory of anatomy and scope of the building. Furthermore, a review based on the theory of form and meaning is done to see if Masjid Tubaba’s building meets the criteria of symbolization of activities that will result in spatial space of the mosque. As a result, this research will obtained a new standard on the spatial space of the mosque resulting from the symbolization of ritual activities. Key Words: mosque, expression, spatial space, symbolization, ritual activity","PeriodicalId":166027,"journal":{"name":"Riset Arsitektur (RISA)","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127891085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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