Pub Date : 2022-11-14DOI: 10.1177/01634437221136014
Christian Schulz
The algorithmic imaginary as a theoretical concept has received increasing attention in recent years as it aims at users’ appropriation of algorithmic processes operating in opacity. But the concept originally only starts from the users’ point of view, while the processes on the platforms’ side are largely left out. In contrast, this paper argues that what is true for users is also valid for algorithmic processes and the designers behind. On the one hand, the algorithm imagines users’ future behavior via machine learning, which is supposed to predict all their future actions. On the other hand, the designers anticipate different actions that could potentially performed by users with every new implementation of features such as social media feeds. In order to bring into view this permanently reciprocal interplay coupled to the imaginary, in which not only the users are involved, I will argue for a more comprehensive and theoretically precise algorithmic imaginary referring to the theory of Cornelius Castoriadis. In such a perspective, an important contribution can be formulated for a theory of social media platforms that goes beyond praxeocentrism or structural determinism.
{"title":"A new algorithmic imaginary","authors":"Christian Schulz","doi":"10.1177/01634437221136014","DOIUrl":"https://doi.org/10.1177/01634437221136014","url":null,"abstract":"The algorithmic imaginary as a theoretical concept has received increasing attention in recent years as it aims at users’ appropriation of algorithmic processes operating in opacity. But the concept originally only starts from the users’ point of view, while the processes on the platforms’ side are largely left out. In contrast, this paper argues that what is true for users is also valid for algorithmic processes and the designers behind. On the one hand, the algorithm imagines users’ future behavior via machine learning, which is supposed to predict all their future actions. On the other hand, the designers anticipate different actions that could potentially performed by users with every new implementation of features such as social media feeds. In order to bring into view this permanently reciprocal interplay coupled to the imaginary, in which not only the users are involved, I will argue for a more comprehensive and theoretically precise algorithmic imaginary referring to the theory of Cornelius Castoriadis. In such a perspective, an important contribution can be formulated for a theory of social media platforms that goes beyond praxeocentrism or structural determinism.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"40 1","pages":"646 - 655"},"PeriodicalIF":3.3,"publicationDate":"2022-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76580849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-14DOI: 10.1177/01634437221136009
G. Elmer, Sabrina Ward-Kimola
This paper argues that the current disinformation studies literature lacks any sustained analysis of a crucial element in any communication campaign – its sources of funding. The paper argues that crowdfunding platforms are arguably better networked and ‘cross platform enabled’ than most social media sites to spread disinformation. And that disinformation actors have weaponized crowdfunding to amplify and sustain the spread of their grievances and forms of disinformation. The paper offers a rich qualitative study of a set of election fraud and 5G themed campaigns on the GoFundMe crowdfunding platform. The study questions how networked content and financial appeals in the crowdfunding pitch can contribute to the disinformation literature and potential solutions.
{"title":"Crowdfunding (as) disinformation: ‘Pitching’ 5G and election fraud campaigns on GoFundMe","authors":"G. Elmer, Sabrina Ward-Kimola","doi":"10.1177/01634437221136009","DOIUrl":"https://doi.org/10.1177/01634437221136009","url":null,"abstract":"This paper argues that the current disinformation studies literature lacks any sustained analysis of a crucial element in any communication campaign – its sources of funding. The paper argues that crowdfunding platforms are arguably better networked and ‘cross platform enabled’ than most social media sites to spread disinformation. And that disinformation actors have weaponized crowdfunding to amplify and sustain the spread of their grievances and forms of disinformation. The paper offers a rich qualitative study of a set of election fraud and 5G themed campaigns on the GoFundMe crowdfunding platform. The study questions how networked content and financial appeals in the crowdfunding pitch can contribute to the disinformation literature and potential solutions.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"583 1","pages":"578 - 594"},"PeriodicalIF":3.3,"publicationDate":"2022-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75934631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-11DOI: 10.1177/01634437221135979
Lucky Brian Dlamini, G. Daniels
This research scrutinises the strategies that three of South Africa’s largest mainstream media companies, namely, Media24, Independent News and Media, and Arena Holdings use to attract younger audiences, particularly Generation Z. The main question under focus is: Are South African media companies innovating adequately in their news media content and platforms to attract young audiences? The research examines the issue from both the discourses of the digital news editors of the media companies and a sample of young people interviewed about their news consumption. The rationale for this study is that Generation Z as active users of the various forms of the media have the potential to influence the way in which the media package and disseminate news. Therefore, it is important to study this rising segment of audiences as young people’s consumption behaviour and spending patterns shape the businesses of media institutions to adjust their news strategies quickly.
本研究详细分析了南非最大的三家主流媒体公司，即Media24、Independent News and media和Arena Holdings吸引年轻受众(尤其是z世代)的策略。重点关注的主要问题是:南非媒体公司是否在新闻媒体内容和平台上进行了充分的创新，以吸引年轻受众?该研究从媒体公司数字新闻编辑的话语和接受采访的年轻人的新闻消费样本中考察了这个问题。这项研究的基本原理是，Z世代作为各种形式媒体的活跃用户，有可能影响媒体包装和传播新闻的方式。因此，随着年轻人的消费行为和消费模式塑造媒体机构的业务，以迅速调整其新闻策略，研究这一不断增长的受众群体是很重要的。
{"title":"Scrutinising South African media companies’ strategies for Generation Z’s news consumption","authors":"Lucky Brian Dlamini, G. Daniels","doi":"10.1177/01634437221135979","DOIUrl":"https://doi.org/10.1177/01634437221135979","url":null,"abstract":"This research scrutinises the strategies that three of South Africa’s largest mainstream media companies, namely, Media24, Independent News and Media, and Arena Holdings use to attract younger audiences, particularly Generation Z. The main question under focus is: Are South African media companies innovating adequately in their news media content and platforms to attract young audiences? The research examines the issue from both the discourses of the digital news editors of the media companies and a sample of young people interviewed about their news consumption. The rationale for this study is that Generation Z as active users of the various forms of the media have the potential to influence the way in which the media package and disseminate news. Therefore, it is important to study this rising segment of audiences as young people’s consumption behaviour and spending patterns shape the businesses of media institutions to adjust their news strategies quickly.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"1 7","pages":"702 - 719"},"PeriodicalIF":3.3,"publicationDate":"2022-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72636004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-25DOI: 10.1177/01634437221127363
Susan Fountaine, S. Bulmer, F. Palmer, Lisa Chase
In settler-colonial countries like Aotearoa New Zealand, television programmes about rurality are fundamentally entwined with the nation’s colonial history, but how this context impacts on locally made, public service television content and production is seldom examined. Utilising data collected from interviews with programme makers and a novel bi-cultural friendship pair methodology, we examine how a high-rating mainstream programme, Country Calendar, conceptualises and delivers stories about Indigenous Māori and consider the extent to which these stories represent a decolonising of television narratives about rurality. The findings highlight the importance of incorporating Indigenous voices and values, the impact of structural limitations and staffing constraints on public service television’s decolonising aspirations, and challenges reconciling settler-colonialism with the show’s well-established ‘rosy glow’. While rural media are often overlooked by communication scholars, our study demonstrates the contributions they might make to the larger task of decolonising storytelling about national identity.
{"title":"Decolonising public service television in Aotearoa New Zealand: telling better stories about Indigenous rurality","authors":"Susan Fountaine, S. Bulmer, F. Palmer, Lisa Chase","doi":"10.1177/01634437221127363","DOIUrl":"https://doi.org/10.1177/01634437221127363","url":null,"abstract":"In settler-colonial countries like Aotearoa New Zealand, television programmes about rurality are fundamentally entwined with the nation’s colonial history, but how this context impacts on locally made, public service television content and production is seldom examined. Utilising data collected from interviews with programme makers and a novel bi-cultural friendship pair methodology, we examine how a high-rating mainstream programme, Country Calendar, conceptualises and delivers stories about Indigenous Māori and consider the extent to which these stories represent a decolonising of television narratives about rurality. The findings highlight the importance of incorporating Indigenous voices and values, the impact of structural limitations and staffing constraints on public service television’s decolonising aspirations, and challenges reconciling settler-colonialism with the show’s well-established ‘rosy glow’. While rural media are often overlooked by communication scholars, our study demonstrates the contributions they might make to the larger task of decolonising storytelling about national identity.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"54 1","pages":"685 - 701"},"PeriodicalIF":3.3,"publicationDate":"2022-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86389744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-18DOI: 10.1177/01634437221128935
Seyram Avle
The increased access to smartphones in Africa and elsewhere in the global south has opened new markets and new areas for surveillance/platform capitalism/data colonialism to operate. This article attends to the socio-technical practices of Transsion, the Chinese maker of Africa’s top selling smartphones, and through these showcases how essential hardware are to the global data economy. Working from a mix of data, including translocal fieldwork in Shenzhen, Accra, Addis Ababa, and a close reading of Transsion products and artifacts alongside business practices, the article shows how the company’s prioritizing of Black African consumer needs sustains its competitive position and how its constellation of hardware and apps are integral to its success in routine experimentation of artificial intelligence, facial recognition, and other emerging areas of computation. Ultimately, the argument is that consumer hardware such as low-cost smartphones are critical to the datafication of the everyday in the global south via the bundling of surveillant and extractive software and should be considered sites of power within discourses on the platform era.
{"title":"Hardware and data in the platform era: Chinese smartphones in Africa","authors":"Seyram Avle","doi":"10.1177/01634437221128935","DOIUrl":"https://doi.org/10.1177/01634437221128935","url":null,"abstract":"The increased access to smartphones in Africa and elsewhere in the global south has opened new markets and new areas for surveillance/platform capitalism/data colonialism to operate. This article attends to the socio-technical practices of Transsion, the Chinese maker of Africa’s top selling smartphones, and through these showcases how essential hardware are to the global data economy. Working from a mix of data, including translocal fieldwork in Shenzhen, Accra, Addis Ababa, and a close reading of Transsion products and artifacts alongside business practices, the article shows how the company’s prioritizing of Black African consumer needs sustains its competitive position and how its constellation of hardware and apps are integral to its success in routine experimentation of artificial intelligence, facial recognition, and other emerging areas of computation. Ultimately, the argument is that consumer hardware such as low-cost smartphones are critical to the datafication of the everyday in the global south via the bundling of surveillant and extractive software and should be considered sites of power within discourses on the platform era.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"45 1","pages":"1473 - 1489"},"PeriodicalIF":3.3,"publicationDate":"2022-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90040608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-18DOI: 10.1177/01634437221128937
Lianrui Jia, D. Nieborg, T. Poell
Aiming to enrich the conceptual vocabulary of platform and app studies, this article provides a critical political economic perspective on the media industry to understand how platform power is operationalized in the app economy. Using the China-based tech conglomerate Tencent as a case study, four mechanisms are discussed: conglomeration, financialization, platformization, and infrastructuralization. These mechanisms show how Tencent leveraged both a conglomerated corporate structure and access to finance capital. This was combined with the infrastructuralization of the MyApp app store and the WeChat platform by providing vertically integrated app development and distribution services, which are nested in Tencent’s holdings and investments. Taking Tencent as the starting point for theory building, this article attempts to “provincialize” US-based platform companies by charting Tencent’s corporate evolution and its path to mobile dominance.
{"title":"On super apps and app stores: digital media logics in China’s app economy","authors":"Lianrui Jia, D. Nieborg, T. Poell","doi":"10.1177/01634437221128937","DOIUrl":"https://doi.org/10.1177/01634437221128937","url":null,"abstract":"Aiming to enrich the conceptual vocabulary of platform and app studies, this article provides a critical political economic perspective on the media industry to understand how platform power is operationalized in the app economy. Using the China-based tech conglomerate Tencent as a case study, four mechanisms are discussed: conglomeration, financialization, platformization, and infrastructuralization. These mechanisms show how Tencent leveraged both a conglomerated corporate structure and access to finance capital. This was combined with the infrastructuralization of the MyApp app store and the WeChat platform by providing vertically integrated app development and distribution services, which are nested in Tencent’s holdings and investments. Taking Tencent as the starting point for theory building, this article attempts to “provincialize” US-based platform companies by charting Tencent’s corporate evolution and its path to mobile dominance.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"23 1","pages":"1437 - 1453"},"PeriodicalIF":3.3,"publicationDate":"2022-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81194032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-15DOI: 10.1177/01634437221127366
K. Ross, Susan Fountaine, M. Comrie
New Zealand’s 2020 General Election campaign was unusual, though not unprecedented, in featuring women as both Prime Minister (Jacinda Ardern, Labour) and Leader of the Opposition (Judith Collins, National). To explore the extent to which gender, party and style intersected in their social media positioning, we analysed all posts made on the two Party Leaders’ public Facebook pages. We found both quantitative (post frequency and composition, main topic and policy issues, audience reactions) and qualitative differences (tone, presentational style) but importantly, our research suggests that neither woman ‘performed’ gender in normatively stereotypical ways.
{"title":"Gender, party and performance in the 2020 New Zealand general election: politicking on Facebook with Jacinda and Judith","authors":"K. Ross, Susan Fountaine, M. Comrie","doi":"10.1177/01634437221127366","DOIUrl":"https://doi.org/10.1177/01634437221127366","url":null,"abstract":"New Zealand’s 2020 General Election campaign was unusual, though not unprecedented, in featuring women as both Prime Minister (Jacinda Ardern, Labour) and Leader of the Opposition (Judith Collins, National). To explore the extent to which gender, party and style intersected in their social media positioning, we analysed all posts made on the two Party Leaders’ public Facebook pages. We found both quantitative (post frequency and composition, main topic and policy issues, audience reactions) and qualitative differences (tone, presentational style) but importantly, our research suggests that neither woman ‘performed’ gender in normatively stereotypical ways.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"36 1","pages":"388 - 405"},"PeriodicalIF":3.3,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75209151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-15DOI: 10.1177/01634437221127796
Lin Zhang, J. Chen
This article situates China’s efforts to toughen the regulation of its tech companies since the late 2010s in the global context of Big Techs rein-in and the specific trajectory of economic development in China. Focusing on the three-phase development of Alibaba and Tencent since the late 1990s, we propose a regional and historical approach to study platform capitalism concerning how platform companies, through interacting and negotiating with shifting institutional conditions, have developed novel business models, organizational structures, and technological innovations. Not a static domination, state power co-shapes platform capitalism through a constant process of institutional improvisation and innovation, as well as interacting with private players. This geographically and historically conscious approach to platform capitalism not only contributes to a more nuanced understanding of the specificities and historicity of platform capitalism in China, but also helps to deprovincialize platform studies and extend its analytical relevance beyond the Euro-American focus or the disciplinary boundaries.
{"title":"A regional and historical approach to platform capitalism: The cases of Alibaba and Tencent","authors":"Lin Zhang, J. Chen","doi":"10.1177/01634437221127796","DOIUrl":"https://doi.org/10.1177/01634437221127796","url":null,"abstract":"This article situates China’s efforts to toughen the regulation of its tech companies since the late 2010s in the global context of Big Techs rein-in and the specific trajectory of economic development in China. Focusing on the three-phase development of Alibaba and Tencent since the late 1990s, we propose a regional and historical approach to study platform capitalism concerning how platform companies, through interacting and negotiating with shifting institutional conditions, have developed novel business models, organizational structures, and technological innovations. Not a static domination, state power co-shapes platform capitalism through a constant process of institutional improvisation and innovation, as well as interacting with private players. This geographically and historically conscious approach to platform capitalism not only contributes to a more nuanced understanding of the specificities and historicity of platform capitalism in China, but also helps to deprovincialize platform studies and extend its analytical relevance beyond the Euro-American focus or the disciplinary boundaries.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"18 1","pages":"1454 - 1472"},"PeriodicalIF":3.3,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81256047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-15DOI: 10.1177/01634437221126062
Hannah Zeavin
This essay concerns itself with the status of ‘melancholic media’, or digital objects in psychic life after trauma on the grounds of three very different cases: Replika (a chatbot with avatar), Deep Nostalgia (the reanimating of family photographs), and Not the Only One (a noncommercial virtual agent). If for Freud, trauma is more than mind can endure; these surrogates both suggest concretization that which is being endured. Instead of directly confronting trauma and its overwhelm, these users might omnipotently reproduce a literal figure of their loss. Rather than examining these human and non-human interactions via the lens of the uncanny, I will return to the status of objects as melancholic media to think about psychic states in relationship to trauma and its multi-temporal aftermath. I trouble what these digital partial revivifications might do to and for psyches.
这篇文章关注的是“忧郁媒体”的地位，或者是创伤后精神生活中的数字对象，基于三个非常不同的案例:Replika(带化身的聊天机器人)、Deep Nostalgia(家庭照片的复活)和Not the Only One(非商业虚拟代理)。如果对弗洛伊德来说，精神创伤是无法忍受的;这些替代物都暗示了正在忍受的具体化。而不是直接面对创伤和它的压倒性，这些用户可能会无所不能地再现他们失去的文字形象。而不是通过神秘的镜头来审视这些人类和非人类的互动，我将回到物体作为忧郁媒介的地位，思考与创伤及其多时间后果有关的精神状态。我很担心这些数字部分重现会对心理产生什么影响。
{"title":"Melancholic media: virtual reality, traumatic loss, and magic","authors":"Hannah Zeavin","doi":"10.1177/01634437221126062","DOIUrl":"https://doi.org/10.1177/01634437221126062","url":null,"abstract":"This essay concerns itself with the status of ‘melancholic media’, or digital objects in psychic life after trauma on the grounds of three very different cases: Replika (a chatbot with avatar), Deep Nostalgia (the reanimating of family photographs), and Not the Only One (a noncommercial virtual agent). If for Freud, trauma is more than mind can endure; these surrogates both suggest concretization that which is being endured. Instead of directly confronting trauma and its overwhelm, these users might omnipotently reproduce a literal figure of their loss. Rather than examining these human and non-human interactions via the lens of the uncanny, I will return to the status of objects as melancholic media to think about psychic states in relationship to trauma and its multi-temporal aftermath. I trouble what these digital partial revivifications might do to and for psyches.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"69 1","pages":"181 - 190"},"PeriodicalIF":3.3,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74775961","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-15DOI: 10.1177/01634437221126081
Arkaitz Lareki, Jon Altuna, Juan-Ignacio Martínez-de-Morentin
This study aims to determine whether or not there is an association between creating fake user accounts and engaging in behaviors deemed to constitute cyberbullying. A quantitative research methodology was used with a clear descriptive and interpretative intent. The sample comprised 1989 adolescents aged between 10 and 17 years from five regions in Southern Europe, who completed an online questionnaire. The results reveal that adolescents aged 16 years were the ones who engaged most in cyberbullying actions. Those who created false profiles tended to engage in more behaviors linked to cyberbullying. Adolescent social media users were mainly older boys who engaged more in cyberbullying behaviors. Relatively few adolescents claim to engage regularly in behaviors linked to cyberbullying. The study concludes that there is an urgent need to provide adolescents with training in the responsible use of digital technologies at an earlier age, before they begin using them assiduously.
{"title":"Fake digital identity and cyberbullying","authors":"Arkaitz Lareki, Jon Altuna, Juan-Ignacio Martínez-de-Morentin","doi":"10.1177/01634437221126081","DOIUrl":"https://doi.org/10.1177/01634437221126081","url":null,"abstract":"This study aims to determine whether or not there is an association between creating fake user accounts and engaging in behaviors deemed to constitute cyberbullying. A quantitative research methodology was used with a clear descriptive and interpretative intent. The sample comprised 1989 adolescents aged between 10 and 17 years from five regions in Southern Europe, who completed an online questionnaire. The results reveal that adolescents aged 16 years were the ones who engaged most in cyberbullying actions. Those who created false profiles tended to engage in more behaviors linked to cyberbullying. Adolescent social media users were mainly older boys who engaged more in cyberbullying behaviors. Relatively few adolescents claim to engage regularly in behaviors linked to cyberbullying. The study concludes that there is an urgent need to provide adolescents with training in the responsible use of digital technologies at an earlier age, before they begin using them assiduously.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"31 1","pages":"338 - 353"},"PeriodicalIF":3.3,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83627238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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