This paper deals with Apollo and Dyonisian elements in dervish Ahmed Nuruddin's characterisation. This paper analyses the dervish Ahmed Nuruddin in light of Nietzche's understanding of Apollo and Dionysus deities in terms of their divine roots originating from ancient Greek mythology without any intention whatsoever to present Nietzche's entire philosophical system on the relationships between Dionysus, Greek tragedy, and the connections between art and nature with these principles. The dichotomy will be analysed on the example of the Serbian novel, Death and the Dervish written by Meša Selimović. The paper tackles the characterisation of the literary hero, protagonist Ahmed Nuruddin as a bridge between dervish-Apollo to Nuruddin-avenger, which is Dionysus focusing on revenge resulting in human and moral destruction caused by hatred, the opposite of Ahmed Nuruddin˙s neutrality, while performing the dervish duty. The avenger Nuruddin, the one surfacing after the murder of his sibling, will be considered Dionysus in light of an injustice inflicted on him by Harun's murder, a flywheel for his revenge. Special emphasis will be placed on Nuruddin's human defeat – moral decadence in the form of his transfiguration from a priest to a Machiavellian character. Taking Nietzche's understanding of Hellenic tragedy into consideration, this paper aims to prove Ahmed Nuruddin turning Apollo into Dionysus.
{"title":"MEASURE AND EXCESS: AHMED NURUDDIN – TRANSFORMING APOLLO INTO DIONYSUS","authors":"Marija Terzić","doi":"10.21618/fil2327497t","DOIUrl":"https://doi.org/10.21618/fil2327497t","url":null,"abstract":"This paper deals with Apollo and Dyonisian elements in dervish Ahmed Nuruddin's characterisation. This paper analyses the dervish Ahmed Nuruddin in light of Nietzche's understanding of Apollo and Dionysus deities in terms of their divine roots originating from ancient Greek mythology without any intention whatsoever to present Nietzche's entire philosophical system on the relationships between Dionysus, Greek tragedy, and the connections between art and nature with these principles. The dichotomy will be analysed on the example of the Serbian novel, Death and the Dervish written by Meša Selimović. The paper tackles the characterisation of the literary hero, protagonist Ahmed Nuruddin as a bridge between dervish-Apollo to Nuruddin-avenger, which is Dionysus focusing on revenge resulting in human and moral destruction caused by hatred, the opposite of Ahmed Nuruddin˙s neutrality, while performing the dervish duty. The avenger Nuruddin, the one surfacing after the murder of his sibling, will be considered Dionysus in light of an injustice inflicted on him by Harun's murder, a flywheel for his revenge. Special emphasis will be placed on Nuruddin's human defeat – moral decadence in the form of his transfiguration from a priest to a Machiavellian character. Taking Nietzche's understanding of Hellenic tragedy into consideration, this paper aims to prove Ahmed Nuruddin turning Apollo into Dionysus.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123103397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ekphrasis, a stylistic figure characteristic of epic poetry, has also found its application in Roman historiography. Namely, the Roman historian Tacitus and his work Annals are known for its highly stylised poetic language. Tacitus' language – color poeticus, is full of rhetorical and stylistic figures with which this historian portrays events from the past. The author's narrative in visual images – faithful descriptions of people, events, battles, objects and phenomena – leaves a strong impression on readers. This pictorial expression in ancient times was called ekphrasis. Our goal is to explain the basic concept and role of ekphrasis, and then determine its application in a selected example from Tacitus' Annals. There are many examples of ekphrasis, and for the purposes of this work we have chosen the description of The Great Fire of Rome, which occurred during the reign of Emperor Nero. Based on the analysed example, we will see how Tacitus used ekphrasis in his ʻTacitus styleʼ to portray this terrible event.
{"title":"ILLUSTRATIVE EXAMPLE OF EKPHRASIS IN ROMAN HISTORIOGRAPHY. DESCRIPTION OF THE GREAT FIRE OF ROME (TACITUS, ANN. XV, 38)","authors":"Sanja Ljubišić","doi":"10.21618/fil2327419l","DOIUrl":"https://doi.org/10.21618/fil2327419l","url":null,"abstract":"Ekphrasis, a stylistic figure characteristic of epic poetry, has also found its application in Roman historiography. Namely, the Roman historian Tacitus and his work Annals are known for its highly stylised poetic language. Tacitus' language – color poeticus, is full of rhetorical and stylistic figures with which this historian portrays events from the past. The author's narrative in visual images – faithful descriptions of people, events, battles, objects and phenomena – leaves a strong impression on readers. This pictorial expression in ancient times was called ekphrasis. Our goal is to explain the basic concept and role of ekphrasis, and then determine its application in a selected example from Tacitus' Annals. There are many examples of ekphrasis, and for the purposes of this work we have chosen the description of The Great Fire of Rome, which occurred during the reign of Emperor Nero. Based on the analysed example, we will see how Tacitus used ekphrasis in his ʻTacitus styleʼ to portray this terrible event.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128198298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE SIGNIFICANCE OF SERBIAN ORTHODOX PRIESTS AND MONKS IN THE 19THAND 20TH -CENTURY SERBIAN LITERATURE","authors":"Соња С. Ђорић","doi":"10.21618/fil2327526d","DOIUrl":"https://doi.org/10.21618/fil2327526d","url":null,"abstract":"<jats:p>Приказ</jats:p>","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114361834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper studies the morphological productivity of adjective-forming prefixes at the level of word-formation rules. The productivity at the aforementioned level is the union of the productivity at the level of word-formation types and morphological types. The aim of the paper is to offer pieces of information on the interaction of different concepts within different word-formation types together with the morphological aspect through different morphological types. We find 267 examples of adjectives and analyse 31 prefixes interacting with various simple or complex adjectives in the corpus comprised of news, literary, academic and TV registers. After analytic, descriptive and statistical methods, we conclude that they fall into 5 different conceptual categories, i.e., wordformation type clusters (Quality, Location, Quantity, Time and State). The majority of clusters show that the stem is determining the conceptual category while prefixes refine it. The highest productivity rates are recorded with such word-formation types. The only exceptions are Quantity and Time where the conceptual category depends on the prefixes and stems equally. The results from the morphological analyses show that most of the prefixes are inserting additional semantic pieces of information, usually recording the highest PR and not changing the conceptual category of the stem and appearing within one or multiple clusters, with exceptions for Quantity and Time.
{"title":"MORPHOLOGICAL PRODUCTIVITY OF ADJECTIVE-FORMING PREFIXES IN ENGLISH AT THE LEVEL OF WORD-FORMATION RULES","authors":"Maja M. Žarković Mccray","doi":"10.21618/fil2327046z","DOIUrl":"https://doi.org/10.21618/fil2327046z","url":null,"abstract":"This paper studies the morphological productivity of adjective-forming prefixes at the level of word-formation rules. The productivity at the aforementioned level is the union of the productivity at the level of word-formation types and morphological types. The aim of the paper is to offer pieces of information on the interaction of different concepts within different word-formation types together with the morphological aspect through different morphological types. We find 267 examples of adjectives and analyse 31 prefixes interacting with various simple or complex adjectives in the corpus comprised of news, literary, academic and TV registers. After analytic, descriptive and statistical methods, we conclude that they fall into 5 different conceptual categories, i.e., wordformation type clusters (Quality, Location, Quantity, Time and State). The majority of clusters show that the stem is determining the conceptual category while prefixes refine it. The highest productivity rates are recorded with such word-formation types. The only exceptions are Quantity and Time where the conceptual category depends on the prefixes and stems equally. The results from the morphological analyses show that most of the prefixes are inserting additional semantic pieces of information, usually recording the highest PR and not changing the conceptual category of the stem and appearing within one or multiple clusters, with exceptions for Quantity and Time.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122801704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper approaches the notion of truth( fulness) within the written media discourse, namely the three B&H daily newspapers. Aimed at researching computeraccessible online articles published in the chosen three time frames, the paper focuses on narratives containing the keyphrase “Alan Šeranić” and the representation of the notions of values of trust and confidence found in extracts which contain both the chosen keyphrase and examples of news values. The results show that the attitude towards the researched keyphrase changes both in accordance with the time frames of its use and in accordance with the geographical area of the publication source.
{"title":"ADDRESSING TRUTH VALUES IN WRITTEN CORPORA – A B&H CASE STUDY","authors":"Željka Lj. Babić","doi":"10.21618/fil2327019b","DOIUrl":"https://doi.org/10.21618/fil2327019b","url":null,"abstract":"This paper approaches the notion of truth( fulness) within the written media discourse, namely the three B&H daily newspapers. Aimed at researching computeraccessible online articles published in the chosen three time frames, the paper focuses on narratives containing the keyphrase “Alan Šeranić” and the representation of the notions of values of trust and confidence found in extracts which contain both the chosen keyphrase and examples of news values. The results show that the attitude towards the researched keyphrase changes both in accordance with the time frames of its use and in accordance with the geographical area of the publication source.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131974662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In his novel The temptation to be happy, Lorenzo Marone depicts the late maturation of Cesare Annunziata, the main character who, in his seventies, establishes stronger ties with society, including family members. Living in Naples, a city teeming with people, at first he avoids situations where he must interact with others, but this slowly changes through a series of pleasant and unpleasant events. As Cesare Annunciata changes, so does the image of Naples. In this paper, we follow the construction of the image of the city and the opening of views of Naples. We analyse the course of the narration in order to see the writer's procedure by which he successfully avoids the possibility of giving the usual representations of one of the most described cities in literature and forms a representation that will be new and unique.
{"title":"ТHE TRANSFORMATION OF NAPLES THROUGH CESARE ANNUNZIATA’S MATURATION IN THE TEMPTATION TO BE HAPPY BY LORENZO MARONE","authors":"Danijela M. Janjić","doi":"10.21618/fil2327431j","DOIUrl":"https://doi.org/10.21618/fil2327431j","url":null,"abstract":"In his novel The temptation to be happy, Lorenzo Marone depicts the late maturation of Cesare Annunziata, the main character who, in his seventies, establishes stronger ties with society, including family members. Living in Naples, a city teeming with people, at first he avoids situations where he must interact with others, but this slowly changes through a series of pleasant and unpleasant events. As Cesare Annunciata changes, so does the image of Naples. In this paper, we follow the construction of the image of the city and the opening of views of Naples. We analyse the course of the narration in order to see the writer's procedure by which he successfully avoids the possibility of giving the usual representations of one of the most described cities in literature and forms a representation that will be new and unique.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133084881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this paper we focused on the transformation of the main character in the novel The Color Purple, Celie, through the letters she writes to God and her sister Nettie. We contrastively analysed the original text and its Serbian translation. In this paper we followed Celie’s path from an insecure and molested girl, to a confident and emancipated individual which can be observed in the development of her language and writing style. There are three types of letters within the novel: (a) letters written to God; (b) letters which introduce her transformation; (c) letters written to Celie’s sister Nettie. The insecurity of the protagonist is mirrored in her language which is a stylised version of African American English. The Serbian translation employed linguistic features that don’t belong to any particular dialect, but rather represent an approximation of the way undereducated people would speak. The beginning of the novel is characterised by short sentences, repetitive lexicon and the use of the prolonged underscore ______. In the second half of the novel the sentences become longer and the vocabulary richer. Going through the transformation from a victim of dire circumstances to a self-aware individual that accepts herself and her language, Celie represents a character of the Afro-American woman in specific historical circumstances. In addition to Celie, the transformation can be seen in other side characters, especially on the level of onomastics.
{"title":"TRANSFORMATION OF THE LITERARY HEROINE CELIE FROM A VICTIM TO A SELF-AWARE INDIVIDUAL IN THE NOVEL THE COLOR PURPLE","authors":"Milan D. Todorović, Jelena M. Pavlović Jovanović","doi":"10.21618/fil2327445t","DOIUrl":"https://doi.org/10.21618/fil2327445t","url":null,"abstract":"In this paper we focused on the transformation of the main character in the novel The Color Purple, Celie, through the letters she writes to God and her sister Nettie. We contrastively analysed the original text and its Serbian translation. In this paper we followed Celie’s path from an insecure and molested girl, to a confident and emancipated individual which can be observed in the development of her language and writing style. There are three types of letters within the novel: (a) letters written to God; (b) letters which introduce her transformation; (c) letters written to Celie’s sister Nettie. The insecurity of the protagonist is mirrored in her language which is a stylised version of African American English. The Serbian translation employed linguistic features that don’t belong to any particular dialect, but rather represent an approximation of the way undereducated people would speak. The beginning of the novel is characterised by short sentences, repetitive lexicon and the use of the prolonged underscore ______. In the second half of the novel the sentences become longer and the vocabulary richer. Going through the transformation from a victim of dire circumstances to a self-aware individual that accepts herself and her language, Celie represents a character of the Afro-American woman in specific historical circumstances. In addition to Celie, the transformation can be seen in other side characters, especially on the level of onomastics.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122343644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Scholarly works on pipeline vandalism have paid extensive attention to empirical questions of causes and consequences. But there remains a dearth of studies on the representation of the acts of vandalism in newspapers, which is necessary for evaluating what message about the problem is being disseminated to the citizens and how that could contribute to resolving the problem or sustaining it. This paper examines the identity construction for critical social actors in Nigerian newspaper reports on pipeline vandalism. Sixteen –news samples were purposively selected from three newspapers: The Tide, New Waves, and The Guardian published between 2015 and 2019. Theoretically, the study is anchored on a combination of Fina’s (2011) identity process and van Dijk’s (1995, 2006a, 2006b) in-group/out-group description. The analysis involved accounting for the deployment of group self-schemata (van Dijk, 1995, 2005) and ideological strategies (van Dijk, 2006) in realising the three identity processes of indexing, positioning, and local occasioning established by Fina (2011). The study finds that through a combination of media identity ascription and social actors’ positive-self description in the news reports, each of the major stakeholders in the conflict assumes an identity of innocence and responsible entity while shifting the blame to others. It concludes therefore that this could be responsible for the difficulty in ending the conflict.
{"title":"DISCURSIVE CONSTRUCTION OF IDENTITY IN NIGERIAN NEWSPAPER REPORTS ON PIPELINE VANDALISM","authors":"Mathias O. Chukwu","doi":"10.21618/fil2327063c","DOIUrl":"https://doi.org/10.21618/fil2327063c","url":null,"abstract":"Scholarly works on pipeline vandalism have paid extensive attention to empirical questions of causes and consequences. But there remains a dearth of studies on the representation of the acts of vandalism in newspapers, which is necessary for evaluating what message about the problem is being disseminated to the citizens and how that could contribute to resolving the problem or sustaining it. This paper examines the identity construction for critical social actors in Nigerian newspaper reports on pipeline vandalism. Sixteen –news samples were purposively selected from three newspapers: The Tide, New Waves, and The Guardian published between 2015 and 2019. Theoretically, the study is anchored on a combination of Fina’s (2011) identity process and van Dijk’s (1995, 2006a, 2006b) in-group/out-group description. The analysis involved accounting for the deployment of group self-schemata (van Dijk, 1995, 2005) and ideological strategies (van Dijk, 2006) in realising the three identity processes of indexing, positioning, and local occasioning established by Fina (2011). The study finds that through a combination of media identity ascription and social actors’ positive-self description in the news reports, each of the major stakeholders in the conflict assumes an identity of innocence and responsible entity while shifting the blame to others. It concludes therefore that this could be responsible for the difficulty in ending the conflict.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133334343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Over the last decades, especially in the Slavic countries, onomastic disciplines and their terminologies have significantly improved. Therefore, in ethnonymics – a study of the names of peoples and, in a broader sense, the names of the inhabitants of physiographic and/or administrative regions – not only necessary terms, but also terms whose purposefulness is at best debatable, have been introduced. This paper examines whether such terms include the Bulgarian term govoren etnonim and the Anglophone term shibbolethnonym, which denote ethnonyms motivated by some speech characteristic of the community in question. The analysis is performed from the standpoint of Serbian onomastics and etymology using appropriate examples from different varieties of the Serbian language: the standard, rural vernacular, and informal varieties of urban environments (i.e. colloquial style and youth jargon or slang). Examples are classified into shibbolethnonyms ʻproperʼ, with more or less clear motivation reflected in the imitation of phonological, grammatical and/or lexical features in the speech of another ethnic or regional community (Švabenzi infrm. ‘Germans’), and ʻfalseʼ shibbolethnonyms, with blurred motivation or meaning which only describe the speech characteristics of the Other (Nijemci stnd. ‘Germans’). We particularly point to the examples which, in addition to speech characteristics, (re)produce positive stereotypes about the greatest closely related nation (baćuška ‘a Russian man’) and regional communities of the same, Serbian or Croatian people (đetić ‘a man from Montenegro’; prika ‘a man from Slavonia’, rođo ‘a man from Herzegovina’). Finally, based on the number and importance of the presented examples, it is concluded that the introduction of the notion in question is necessary, even if one takes the view that yet another onomastic term, in addition to many already accepted, may appear undesirable.
{"title":"WHAT ARE SHIBBOLETHNONYMS AND DO THEY EXIST IN THE SERBIAN LANGUAGE?","authors":"Milan D. Ivanović","doi":"10.21618/fil2327275i","DOIUrl":"https://doi.org/10.21618/fil2327275i","url":null,"abstract":"Over the last decades, especially in the Slavic countries, onomastic disciplines and their terminologies have significantly improved. Therefore, in ethnonymics – a study of the names of peoples and, in a broader sense, the names of the inhabitants of physiographic and/or administrative regions – not only necessary terms, but also terms whose purposefulness is at best debatable, have been introduced. This paper examines whether such terms include the Bulgarian term govoren etnonim and the Anglophone term shibbolethnonym, which denote ethnonyms motivated by some speech characteristic of the community in question. The analysis is performed from the standpoint of Serbian onomastics and etymology using appropriate examples from different varieties of the Serbian language: the standard, rural vernacular, and informal varieties of urban environments (i.e. colloquial style and youth jargon or slang). Examples are classified into shibbolethnonyms ʻproperʼ, with more or less clear motivation reflected in the imitation of phonological, grammatical and/or lexical features in the speech of another ethnic or regional community (Švabenzi infrm. ‘Germans’), and ʻfalseʼ shibbolethnonyms, with blurred motivation or meaning which only describe the speech characteristics of the Other (Nijemci stnd. ‘Germans’). We particularly point to the examples which, in addition to speech characteristics, (re)produce positive stereotypes about the greatest closely related nation (baćuška ‘a Russian man’) and regional communities of the same, Serbian or Croatian people (đetić ‘a man from Montenegro’; prika ‘a man from Slavonia’, rođo ‘a man from Herzegovina’). Finally, based on the number and importance of the presented examples, it is concluded that the introduction of the notion in question is necessary, even if one takes the view that yet another onomastic term, in addition to many already accepted, may appear undesirable.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129681892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
There are relatively few phraselogisms in the novel Medea. Voices by Christa Wolf. They appear mainly as lexicalised verbal phrases, possibly with a verb synonym as a hyperonym; in addition, there are also occasional, non-lexicalised phrase-formatives to find. Their number and structure changes in translations from German into ʻBosnianʼ or the Serbian language; in Medeja. Glasovi, translated by Vahidin Preljević, lexicalised verbal phrases prevail, some of them absolutely equivalent to the lexical units (LU) in the original text, others only partially. In the second, Serbian text, under the same name – Medeja. Glasovi, translated into Serbian by Mirjana Milošević-Wittmann, the number of phraseologisms decreases; instead of verbal phrases as formatives, the author uses verbs which are only partially equivalent to the units in the original text. Compared to V. Preljević’s LU-phrasemes, these are partially synonymous. As a result, the text loses some of its creativity and expressivity.
{"title":"PHRASEOLOGISMS IN THE NOVEL MEDEA. VOICES BY CHRISTA WOLF – ORIGINAL AND TRANSLATION. A CONTRIBUTION TO DISTINGUISHING BETWEEN CONSTRUCTIVE PHRASEOLOGY AND TRANSLATOLOGY","authors":"Bozinka M. Petronijevic","doi":"10.21618/fil2327236p","DOIUrl":"https://doi.org/10.21618/fil2327236p","url":null,"abstract":"There are relatively few phraselogisms in the novel Medea. Voices by Christa Wolf. They appear mainly as lexicalised verbal phrases, possibly with a verb synonym as a hyperonym; in addition, there are also occasional, non-lexicalised phrase-formatives to find. Their number and structure changes in translations from German into ʻBosnianʼ or the Serbian language; in Medeja. Glasovi, translated by Vahidin Preljević, lexicalised verbal phrases prevail, some of them absolutely equivalent to the lexical units (LU) in the original text, others only partially. In the second, Serbian text, under the same name – Medeja. Glasovi, translated into Serbian by Mirjana Milošević-Wittmann, the number of phraseologisms decreases; instead of verbal phrases as formatives, the author uses verbs which are only partially equivalent to the units in the original text. Compared to V. Preljević’s LU-phrasemes, these are partially synonymous. As a result, the text loses some of its creativity and expressivity.","PeriodicalId":197643,"journal":{"name":"Филолог – часопис за језик књижевност и културу","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115219839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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