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Sintren dan Perkembangannya: Studi Kasus Tari Sintren Santri Sanggar Windu Ajibudaya Kaso Tengah Kecamatan Doro Kabupaten Pekalongan Jawa Tengah 辛特伦及其发展:中爪哇北加隆安县多罗区 Santri Sanggar Windu Ajibudaya Kaso Tengah 的辛特伦舞蹈案例研究
Pub Date : 2019-02-25 DOI: 10.14710/NUSA.14.1.104-114
M. LauraAndriRetno
Traditional arts or folk art have certain characteristics that lead to the peculiarities of each region. This art emerged as a result of human cultivation to express the value of beauty, pleasure, hope for both himself and others. The existence of socio-cultural-religious experiences in the community gave birth to traditional arts which contained many values of wisdom. Sintren dance that developed in Doro Pekalongan Subdistrict is one of the traditional arts as a result of the aesthetic product of its people. Like other traditional arts, the shift in function and form is also experienced by this Sintren art. By using the Windu Ajibudaya Kaso Tengah Studio as an object of research as well as the use of a qualitative descriptive approach and observation, interview, documentation techniques, it can be seen how the art group's efforts in preserving its artistry. As well as what teachings and symbolic meanings are contained in them.
传统艺术或民间艺术有一定的特点,导致每个地区的独特性。这种艺术是人类培养的结果,用来表达自己和他人的美、快乐和希望的价值。社区中社会文化宗教经验的存在催生了包含许多智慧价值的传统艺术。在多罗北卡隆岸街道发展起来的Sintren舞蹈是其人民审美产物的传统艺术之一。与其他传统艺术一样,这门艺术也经历了功能和形式的转变。通过使用Windu Ajibudaya Kaso Tengah工作室作为研究对象,以及使用定性描述方法和观察,访谈,文档技术,可以看到艺术团体如何努力保存其艺术性。以及它们所包含的教义和象征意义。
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引用次数: 1
Hegemoni Ideologi dalam Cerpen “Surga untuk Lelaki yang Tertipu” Karya Adam Yudhistira (Kajian Hegemoni Gramsci)
Pub Date : 2019-02-25 DOI: 10.14710/NUSA.14.1.1-10
Fajrul Falah
The background of this research is there is an indication that the short story was created not just accentuate the beauty aspects of language and narration. However, the language in the meaningful short stories and the author's ideological message through imaginary characters constructed. The purpose of this study is to reveal hegemony and ideology that contains short stories “Surga untuk Lelaki yang Tertipu” by Adam Yudhistira. The research approach used in the realm of sociology of literature, with the study of Gramsci hegemony. The research method used is descriptive qualitative. Research data in the form of language; words, phrases, sentences in the short story related ones are described and interpreted with the Gramsci hegemony approach. The results of the study show the relationship between the teacher's figure and Santo like a patron-client. The teacher has a higher status (superior) and the power to rule Santo (inferior). The ideological hegemony was carried out by the teacher's figure towards Santo went well. Because it has and is bound by the same beliefs. The orientation of the two figures is the same, namely heaven. The ideology instilled by the teacher has a significant influence on the Santo, so he wants to take action that sacrifices the lives of others and himself. The act which was originally believed to be true by Santo, but regretted in the end.
本研究的背景是有迹象表明,短篇小说的创作不仅仅强调语言和叙事的美方面。然而,语言在意味深长的短篇小说和作者的思想信息通过虚构的人物建构。本研究旨在揭示尤迪斯提拉的短篇小说《Surga untuk Lelaki yang terpu》所蕴含的霸权与意识形态。研究方法运用于文学社会学领域,以葛兰西为研究霸权。使用的研究方法是描述性定性的。以语言的形式研究资料;用葛兰西的霸权主义方法对短篇小说中的词语、短语、句子进行描述和解读。研究结果表明,教师的形象和桑托之间的关系就像一种赞助人-客户关系。老师有更高的地位(上级)和统治桑托(下级)的权力。老师对桑托的思想霸权进行得很顺利。因为它拥有同样的信仰,也被同样的信仰所束缚。两个人物的方位相同,即天。老师灌输的意识形态对桑托有很大的影响,所以他想采取牺牲他人和自己生命的行动。桑托起初相信这件事是真的,但最后却后悔了。
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引用次数: 0
Istilah-istilah dalam Budidaya Tanaman Padi di Desa Banjarsari, Kabupaten Cilacap, Jawa Tengah
Pub Date : 2019-02-25 DOI: 10.14710/NUSA.14.1.115-124
S. Suyanto
This paper aims to (1) describe the terms used in the rice cultivation process and (2) explain the lexical and cultural meaning of terms in the process of rice cultivation. This study uses the language relativism approach. Language relativism assumes that the meaning of the lexicon of each language or dialect of a language is relative, depending on the location and time. The research locus chose Banjarsari Village, a village on the east end of Cilacap Regency, Central Java. Data collection uses narrative and observations methods. The sources of this study were seven farmers in Banjarsari Village. Data analysis through five stages, namely data reduction, data display, data verification, theoretical interpretation and meaning, and conclusion results. The results of the study show that the terms in rice cultivation include 17 terms and two terms postharvest activity (mepe and slip). Seventeen of these terms consist of 5 terms in the nursery stage, four terms in the land preparation stage, five terms of the treatment phase, and three terms at the harvest stage.
本文旨在(1)描述水稻种植过程中使用的术语(2)解释水稻种植过程中术语的词汇和文化意义。本研究采用语言相对主义方法。语言相对主义认为,每种语言的词汇或方言的意义是相对的,取决于地点和时间。研究地点选择了Banjarsari村,这是中爪哇Cilacap Regency东端的一个村庄。数据收集采用叙述和观察的方法。这项研究的来源是Banjarsari村的7名农民。数据分析通过五个阶段,即数据还原、数据显示、数据验证、理论解释和意义、结论结果。研究结果表明,水稻栽培期包括17个期和采后活性期(mepe和slip) 2个期。其中育苗期5个,整地期4个,处理期5个,收获期3个。
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引用次数: 1
Sistem-Mekanisme Promosi Novel Chicklit dan Teenlit Indonesia 营销系统营销小说Chicklit和青少年印度尼西亚
Pub Date : 2019-02-25 DOI: 10.14710/NUSA.14.1.75-85
Redyanto Noor
In the context of promotion there are interesting phenomena related to the process of traveling chicklit and teenlit novels since going out from the publisher's warehouse to the readers. The process is through systems and mechanisms that involve many professional workers outside the field of literature. They are the marketing profession; from a public-relation, sales-promotion, to event organizers. To spread the chicklit and teenlit novels, team-work utilizes mass psychology conditions. The potential for public consumerism is exploited through various strategies. Every major publisher such as Elex Media Komputindo, GagasMedia, and Gramedia Pustaka Utama, has a promotion and marketing division that is responsible for selling products and ensuring the smooth distribution of products to consumers in the broadest range of regions. This business involves professional workers in certain fields that work in synergy. Promotional tips are carried out through event launching, book launching, book reviews, "meet the authors", and others. That way, marketing novels is not enough just to be stacked in a shop window, but promoted on a large scale through magazines, newspapers, book covers, even on-line bookstores (e-shop) on the internet.
在推广的背景下,从出版商的仓库到读者的旅行过程中,小鸡文学和青少年小说出现了一些有趣的现象。这一过程是通过涉及文学领域之外的许多专业工作者的制度和机制进行的。他们是营销专业人士;从公关、促销到活动组织者。为了传播小鸡小说和青少年小说,团队合作利用了大众心理条件。公众消费主义的潜力是通过各种策略来开发的。Elex Media Komputindo、GagasMedia和Gramedia Pustaka Utama等主要发行商都设有推广和营销部门,负责销售产品,并确保产品在最广泛的地区顺利分发给消费者。这项业务涉及某些领域的专业人员,他们协同工作。促销提示通过活动启动、图书发布、书评、“与作者见面”等方式进行。这样,营销小说就不仅仅是堆放在商店橱窗里,而是通过杂志、报纸、书籍封面,甚至网上书店(e-shop)进行大规模推广。
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引用次数: 0
Potret Kekuatan Perempuan Jawa dalam Bingkai Peralatan Tradisional Masyarakat Jawa Pesisir Melalui Analisis Peran Semantis
Pub Date : 2019-02-25 DOI: 10.14710/NUSA.14.1.22-32
M. Suryadi
This study is aimed to describe the strength of Javanese women in regulating the rhythms of family life. Strength in the form of tenacity and persistence of Javanese women is captured on the symbol of traditional equipment. The symbol of this equipment is stored in the traditional Javanese kitchen. This symbol contains components of material, function, and Javanese philosophy. The method of the research was descriptive qualitative, raising the phenomena of traditional equipment in the life of Javanese women. The method of data collection was by observation, in-depth interviews and demonstration activities. The analytical method used in this research was to decompose the components of the lingual units which are aligned on the standard equipment. The method used to explain the menaning was by the semantic equivalent and analogy.The findings of the research are the novelty of the method, namely the method of interpreting components based on semantic analogies. It was found the strength of Javanese female characters in traditional equipment symbols through understanding concepts and referents. The analysis of the semantic role is able to reveal the relationships of the concepts of the noble values of Javanese culture in the functions of traditional equipment.
本研究旨在描述爪哇妇女在调节家庭生活节奏方面的力量。爪哇女性坚韧和坚持的力量体现在传统装备的象征上。这种设备的象征被存放在传统的爪哇厨房里。这个符号包含了材料、功能和爪哇哲学的组成部分。研究方法采用描述性定性方法,提出了爪哇妇女生活中传统器具的现象。数据收集方法采用观察法、深度访谈法和示范活动法。在本研究中使用的分析方法是分解在标准设备上对齐的舌单位的组成部分。用语义等价和语义类比的方法来解释意义。本研究的发现是该方法的新颖之处,即基于语义类比的成分解释方法。通过对概念和所指物的理解,发现了传统装备符号中爪哇女性文字的力量。通过对其语义作用的分析,可以揭示爪哇文化的高贵价值观念在传统器具功能中的关系。
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引用次数: 1
Korean Wave dalam Fanatisme dan Konstruksi Gaya Hidup Generasi Z 韩国海浪的狂热和Z代生活方式的建设
Pub Date : 2019-02-25 DOI: 10.14710/NUSA.14.1.125-135
Karina Amaliantami Putri, A. Amirudin, M. H. Purnomo
The purpose of this research is to understand and analyze the lifestyles of the Generation Z which is formed because of their status as a Korean Wave fanatic fan. This study uses ethnographic research methods consisting of participation observation and depth interviews with five Generation Z of women who are fanatic fan of the Korean Wave. Based on the results of this study, there are four main components which are the factors why the Generation Z becomes fanatically attached with the Korean Wave, (1) high level of admiration and likes, (2) addiction, (3) feeling of wanting, and (4) loyalty. This paper then saw that the element of fanaticism inherent in Generation Z, which lead to indirect creation of a flow of the process of forming their lifestyle identity, which are the selection of Korean Wave as entertainment, spending a lot of time doing activities related to the Korean Wave, and use the money for the Korean Wave.
本研究的目的是了解和分析由于韩流狂热爱好者的身份而形成的Z世代的生活方式。本研究采用了参与观察和深度访谈的民族志研究方法,对5位韩流狂热粉丝Z世代女性进行了调查。根据本研究的结果,Z世代对韩流的狂热有四个主要因素,(1)高度的崇拜和喜欢,(2)成瘾,(3)想要的感觉,(4)忠诚。然后,本文看到了Z世代固有的狂热元素,这导致间接创造了一个流动的过程,形成了他们的生活方式身份,这是选择韩流作为娱乐,花大量的时间做与韩流相关的活动,并使用韩流的钱。
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引用次数: 8
Pertarungan Ideologi Realisme Sosialis dan Feodalisme Religis dalam Novel Midah Simanis Bergigi Emas Karya Pramoedya Ananta Toer 社会主义意识形态现实主义和宗教信仰的排比在普拉莫达·安塔·托尔的小说《长着金牙的甜蜜心灵》中
Pub Date : 2019-02-25 DOI: 10.14710/NUSA.14.1.86-95
M. Muzakka
Literary work is a means for authors to offer various ideologies to their readers. Through literature, the author can influence the views of life and or ideology of the reader. From the inter-group conflict that was built into the structure of literary works, the author can fight for the ideology he adheres to. This short article intends to uncover the ideological struggle in Pramoedya Ananta Toer's novel Midah Simanis Bergigi Emas using the analysis of Gramsci's hegemony. The analysis shows that the Midah Simanis Bergigi Emas novel offers three ideologies namely the ideology of feudalism (which controls), the primitive ideology of coastal culture (which is mastered), and the ideology of socialist realism (which is championed). Because in the novel the two contrasting cultures are seen as bad culture, the culture of socialist realism is the most ideal.
文学作品是作者向读者提供各种意识形态的手段。通过文学,作者可以影响读者的人生观或意识形态。从文学作品结构中嵌入的群体间冲突中,作者可以为自己所坚持的意识形态而斗争。本文旨在通过对葛兰西霸权理论的分析,揭示普拉姆迪亚·阿南塔·托尔小说《米达·西曼尼斯·贝尔吉吉·埃玛斯》中的意识形态斗争。分析表明,米达·西曼尼斯·贝尔吉吉·埃玛斯的小说提供了三种意识形态,即封建主义意识形态(控制)、沿海文化的原始意识形态(掌握)和社会主义现实主义意识形态(拥护)。因为在小说中这两种截然不同的文化都被看作是坏文化,所以社会主义现实主义文化是最理想的。
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引用次数: 0
Jurnalisme sebagai Arena Pertarungan Kepentingan: Telaah Teori Kebudayaan 研究文化理论
Pub Date : 2018-12-01 DOI: 10.14710/NUSA.13.4.644-657
A. Amirudin
This paper is a theoretical study of the use of cultural theory which played to explain journalism activities that just not an activity to provide accurate information in the public space. In an industrial context, in fact journalism activities has face  any complex situasion. Now, the activities is no longer exclusively owned by journalists, but journalism  is a kind of football arena that have some interest in it. To present news, journalists must be able to absorb various interest from various trajectories. There is a game metaphor that journalists must follow, and how journalist do "practice" the game in the field of contestation, which will be explored using Bourdieu's cultural theory,Through this article, I hope, it can contribute to how anthropology plays a role in developing media studies, and vice versa, it can be a trigger for how anthropologists should begin to enter cultural studies which are not just exotic and simple social units; but also entered the study arena into more complex social units, for example in media organizations
本文是运用文化理论对新闻活动进行理论研究,以解释新闻活动不是在公共空间中提供准确信息的活动。在工业背景下,新闻活动实际上面临着任何复杂的情况。现在,这些活动不再是记者独家拥有的,但新闻业是一种足球竞技场,有人对它感兴趣。新闻工作者要呈现新闻,就必须能够从不同的轨迹中吸收不同的兴趣。有一个新闻工作者必须遵循的游戏隐喻,以及新闻工作者如何在辩论领域“实践”这个游戏,这将用布迪厄的文化理论来探讨,我希望通过本文可以为人类学如何在媒体研究的发展中发挥作用做出贡献,反之亦然,它可以触发人类学家如何开始进入文化研究,而不仅仅是外来的和简单的社会单位;但也进入了研究领域,进入了更复杂的社会单位,比如媒体组织
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引用次数: 0
Penggunaan Bahasa Indonesia sebagai Bahasa Sehari-hari oleh Migran di Provinsi DKI Jakarta Berdasarkan Data Sensus Penduduk 1971
Pub Date : 2018-11-30 DOI: 10.14710/NUSA.13.4.579-589
S. Suyanto
This research is a linguistic demographic research. The focus of this study is the use of Indonesian (BI) by migrants as a colloquial language in the Province of the Special Capital Region of Jakarta based on 1971 Population Census data. This study aims: (1) to explain the number of Indonesian speakers nationally and according to ethnicity in Jakarta Province and (2) explaining the composition of migrants in Jakarta based on daily language or mother tongue. The data collection of this study uses the referral method that was developed with the technique of noting and analyzing data using descriptive statistical analysis. The results showed that the population of Indonesia was dominated by speakers of Javanese and Sundanese languages which were 40.44 percent and 15.06 percent respectively, and only 11.93 percent were Indonesian's mother tongue. The majority of migrants in Jakarta mostly use Indonesian for daily communication, which reaches 84.68 percent, and Javanese is used by 7.54 percent and third place in Sundanese is used by 3.96 percent. This conditions is far below the number of Javanese-speaking migrants who reached 41 percent and 31 percent of Sundanese. The occurrence of these symptoms is caused by: (1) the demands of work, (2) living with multilingual migrants, and (3) linguistic prestige.
本研究是一项语言人口统计学研究。本研究的重点是根据1971年人口普查数据,在雅加达特别首都地区的移民使用印尼语(BI)作为口语。本研究的目的是:(1)解释雅加达省按民族和按民族讲印度尼西亚语的人数;(2)根据日常语言或母语解释雅加达移民的构成。本研究的数据收集采用参照法,参照法是采用描述性统计分析的数据记录和分析技术发展起来的。结果表明,印尼人口以爪哇语和巽他语为主,分别占40.44%和15.06%,母语为印尼语的人口仅占11.93%。雅加达的大部分移民在日常交流中主要使用印尼语,占84.68%,爪哇语占7.54%,巽他语占3.96%,位居第三。这一比例远低于说爪哇语的移民人数,后者分别占总人口的41%和31%。这些症状的发生是由以下因素引起的:(1)工作的需要,(2)与多语种移民生活在一起,以及(3)语言威望。
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引用次数: 0
Lelaki Tua dan Laut Karya Ernest Hemingway (Sebuah Ulasan)
Pub Date : 2018-11-30 DOI: 10.14710/NUSA.13.4.667-675
Mirya Anggrahini Nimpuno
Novel Lelaki Tuadan Laut by Ernest Hemingway contains many of the themes that preoccupied Hemingway as a writer and as a man. The routines of life in a Cuban fishing village are evoked in the opening pages with a characteristic economy of language. The stripped-down  existence of the fisherman Santiago is crafted in a spare, elemental style that is as eloquently dismissive as a shrug of the old man’s powerful shoulders.Hemingway was famously fascinated with ideas of men proving their worth by facing and overcoming the challenges nature. Through his struggle, Santiago demonstrated the ability of the human spirit to endure hardship and suffering in order to win. It is also his deep love and knowledge of the sea, in its impassive cruelty and beneficence, that allows him to prevail. The essential physicality of the story – the smells of tar and salt and fish blood, the cramp and nausea and blind exhaustion of the old man, the terrifying death spasm of the great fish – is set against he ethereal qualities of dazzling light and water, isolation, and the swelling motion of the sea. And through it all narrative is constantly tugging, unreeling a little more, and then pulling again, all in tandem with the old man’s struggle.Structural analysis aims to describe (1) elements, characters, settings, and perspectives in the novel Old Man and The Sea, (2) the interrelationships between intrinsic elements in the form of themes, plot, background, character, characterization and perpective in the novel Old Man and The Sea by Ernest Hemingway.
欧内斯特·海明威的小说《拉基·图丹·劳特》包含了海明威作为一个作家和一个男人所关注的许多主题。古巴渔村的日常生活在开篇的几页中以一种特有的简洁语言被唤起。渔夫圣地亚哥的简朴生活被精心雕琢成一种简洁、质朴的风格,就像老人有力的肩膀耸了耸肩一样,令人信服地不屑一顾。海明威对人类通过面对和克服自然挑战来证明自己价值的想法非常着迷。通过他的斗争,圣地亚哥展示了人类精神的能力,忍受艰苦和痛苦,以取得胜利。这也是他对大海的深爱和了解,在它无情的残酷和仁慈中,使他获胜。这个故事的本质——焦油、盐和鱼血的气味,老人的痉挛、恶心和盲目的疲惫,大鱼可怕的死亡痉挛——与炫目的光和水、孤立和大海膨胀的运动等空灵的品质相映照。在整个过程中,叙事一直在不断地拖拽,再松开一点,然后再拉,所有这些都与老人的挣扎同步。结构分析的目的是描述(1)小说《老人与海》中的要素、人物、场景和视角;(2)海明威小说《老人与海》中的主题、情节、背景、人物、人物塑造和视角等内在要素之间的相互关系。
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引用次数: 0
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Nusa: Jurnal Ilmu Bahasa dan Sastra
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