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A Semantic Analysis of Causative and Experiential HAVE 使役HAVE和经验HAVE的语义分析
Pub Date : 2002-12-01 DOI: 10.15057/13030
H. Tomozawa
Dans l'exemple John had his brother help him., il est suggere que John a suscite l'aide de son frere, sans qu'il y ait indication du desir ou du rejet de la seconde partie. L'A. revient dans cet article sur l'emploi causatif du verbe have en anglais, tel qu'il est employe dans l'exemple ci-dessus. Son but est d'eclairer la potentialite semantique de have dans les constructions causatives, experientielles et apparentees. La discussion se focalise sur les expressions dans lesquelles have est suivi d'un objet et d'un infinitif nu, mais il est question aussi des cas ou le verbe prend des complements d'autres types.
在这个例子中,约翰让他的兄弟帮助他。,这表明约翰寻求了他哥哥的帮助,但没有任何迹象表明他想要或拒绝第二部分。那样。在这篇文章中,我们将回到动词have在英语中的使命性用法,如上面的例子所示。它的目的是阐明have在因果、经验和相关结构中的语义潜力。讨论的重点是have后面跟着宾语和不定式的短语,但也讨论了动词有其他类型补充的情况。
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引用次数: 2
The Economic Theme in Gulliver's Travels 《格列佛游记》中的经济主题
Pub Date : 2001-12-01 DOI: 10.15057/13125
Katsumi Hashinuma
In 1701 Lemuel Gulliver returns to England from Lilliput, after being rescued by an English merchantman on its way home from Japan, cruising north-east off Van Diemen's Land (or Tasmania on the modern map). Gulliver takes on board ten thousand Sprug coins and a portrait of the king of Lilliput, as well as live animals such as three hundred sheep, six cows, two bulls and as many ewes and rams, intending to "propagate the Breed." (GT, 66)1 He also wanted to take a dozen native Lilliputians but was unable to do so because of the king's injunction against their export. In less than ten months, before setting off on another voyage, he makes "a considerable Profit by showing [his] Cattle to many Persons of Quality, and others" and finally sells them for six hundred pounds (GT, 67). Later, returning from his final voyage, to the Houyhnhnm Land, Gulliver finds that "the Breed is considerably increased, especially the Sheep; which [he hopes] will prove much to the Advantage of the Woolen Manufacture, by the Fineness of the Fleeces" (GT, 68). His account of his Lilliputian sheep seems casual and irrelevant but it illustrates a point I wish to make in this article: that certain passages in Gulliver~ Travels, especially those in Part 111, become meaningful if looked at against the contemporary economic background. It is hardly surprising that Swift has something to say about economics, or "political economy" in the parlance of his age, in his most wide-ranging satire on European culture. The economic theme in Gulliver~ Travels has not been fully appreciated in modern criticism of the work. Critics have tended to emphasise the themes of politics and science, perhaps rightly, but most of thern treat these two strands of satire separately without any attempt to interrelate them. The economic theme is, I think, a possible link between the two. In Gulliver's account of Lilliputian sheep one may find an echo from A Proposal for the Universal Use of lrish Manufacture, the first of a series of Swift's pamphlets on the lrish problems, published in 1720. What Swift proposed in the pamphlet was to boycott all foreign-made (including English) clothes and to use only lrish-made woolen products in order to protect the lrish woolen industry.2 Gulliver as an Englishman is optimistic about the possibility of his Lilliputian sheep becoming a new industry for England. The irony here is that Gulliver's optimism is in sharp contrast to Swift's own stance in the Anglo-Irish trade issues. I shall return to the question of the Anglo-Irish relationship later. Let us consider, here, the
1701年,莱缪尔·格列佛从利力浦特回到英国,在从日本回家的路上,他被一名英国商人救起,从范·迪门斯地(即现代地图上的塔斯马尼亚)向东北航行。格列佛在船上带上了一万枚斯普鲁格硬币和一幅利力浦特国王的肖像,还有三百只羊、六头牛、两头公牛以及同样多的母羊和公羊,打算“繁殖这个品种”。(GT, 66)他还想带走十几个本土的利力浦特人,但由于国王禁止他们出境,他没能这样做。在不到10个月的时间里,在开始另一次航行之前,他“通过向许多有品质的人和其他人展示[他的]牛,赚取了可观的利润”,最后以600英镑的价格出售(GT, 67)。后来,格列佛从他的最后一次航行回到慧骃国,他发现“品种增加了很多,尤其是绵羊;[他希望]将证明羊毛制造的优势,通过羊毛的细度”(GT, 68)。他对他的利力浦特羊的描述似乎是随意而无关紧要的,但它说明了我想在本文中提出的一个观点:《格列佛游记》中的某些段落,尤其是第111部分,如果放在当代经济背景下看,就会变得有意义。在他对欧洲文化的最广泛的讽刺中,斯威夫特谈到了经济学,或者用他那个时代的说法是“政治经济学”,这并不奇怪。《格列佛游记》的经济主题在现代批评中没有得到充分的重视。评论家们倾向于强调政治和科学的主题,也许这是正确的,但他们中的大多数人将这两种讽刺分开对待,没有试图将它们联系起来。我认为,经济主题可能是两者之间的联系。在格列佛对利力浦特羊的描述中,人们可能会发现与《普遍使用爱尔兰制造的建议》的呼应,这是斯威夫特关于爱尔兰问题的一系列小册子中的第一本,出版于1720年。斯威夫特在小册子中提议抵制所有外国制造(包括英国)的衣服,只使用爱尔兰制造的羊毛产品,以保护爱尔兰的羊毛工业作为一个英国人,格列佛对他的利力浦特羊成为英国新产业的可能性持乐观态度。具有讽刺意味的是,格列佛的乐观与斯威夫特自己在英爱贸易问题上的立场形成鲜明对比。我稍后再谈英爱关系的问题。让我们考虑一下
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引用次数: 1
The Literary Avant-Grade in Japan: Von Research Notes 日本文学的先锋派:冯的研究笔记
Pub Date : 2001-12-01 DOI: 10.15057/13124
T. Mignon
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引用次数: 0
Uber Einige Zeitformen 时光飞逝
Pub Date : 2001-12-01 DOI: 10.15057/13123
Rainer Habermeier
A partir d'un apercu historique sur la philosophie du temps de Saint Augustin a Husserl, l'A. examine la critique de l'idealisme transcendantal de Kant par la philosophie de l'existence de Kierkegaard et l'individualisme de Nietzsche. De la theorie de l'evolution a la religion, l'A. compare les formes cycliques et lineaires, dialectiques et teleologiques, du temps individuel et collectif.
从胡塞尔的圣奥古斯丁时代哲学的历史概述,A。通过克尔凯郭尔的存在哲学和尼采的个人主义,考察康德对先验唯心主义的批判。从进化论到宗教,有。比较个人时间和集体时间的循环形式和线性形式,辩证形式和目的论形式。
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引用次数: 0
Rimband et le Mythe du Peuple dans les Poemes 1870-1871 1870-1871年诗歌中的Rimband和人民的神话
Pub Date : 2000-12-01 DOI: 10.15057/11470
Chiaki Sato
Le mythe du « peuple », motif essentiel des reves revolutionnaires au cours du XIX siecle, trouve son expression la plus orthodoxe chez Rimbaud, dans les poemes qu'il ecrit en 1870 avec le pressentiment d'un bouleversement social. « Le Forgeron » en constitue un cas exemplaire, avec la reference explicitement donnee a la Grande Revolution. Ainsi, l'A. s'y consacre assez longuement. Ce poeme permet de voir la position fondamentale de Rimbaud a l'egard du mythe en question, et il pourrait servir aussi de jalon pour mesurer l'evolution ulterieure du poete.
“人民”的神话是19世纪革命梦想的主要动机,兰波在1870年写的诗中得到了最正统的表达,诗中有一种社会动荡的预感。《铁匠》就是一个典型的例子,它明确提到了伟大的革命。因此,那样。他花了很长时间。这首诗让我们看到了兰波对这个神话的基本立场,它也可以作为衡量诗人进一步发展的里程碑。
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引用次数: 0
Zeitlichkeit und Raumlichkeit in der Geschichte: Watsuji, Heidegger und Braudel 历史上的时空
Pub Date : 2000-12-01 DOI: 10.15057/11471
Tomonaga Tairako
Critique du concept de fudo chez T. Watsuji, en vue d'une nouvelle perspective theorique sur la problematique de la temporalite et de la spatialite dans l'histoire. A poartir d'une comparaison avec l'hermeneutique existentielle, l'A. emprunte a Braudel l'idee d'un temps historique multiple qui vient combler les lacunes de Watsuji et Heidegger.
对Watsuji的fudo概念进行批判,以新的理论视角探讨历史上的时间性和空间性问题。通过与存在主义解释学的比较,它有。借用布劳德尔的多重历史时间的概念来填补Watsuji和Heidegger的空白。
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引用次数: 0
К ИСТОРИИ ПРЕПОДАВАНИЯ ИНОСТРАННЫХ ЯЗЫКОВ В РОССИИ
Pub Date : 2000-12-01 DOI: 10.15057/11472
Алла Хамано
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引用次数: 0
On "Rebels" in I. iii. TLN 195 of The Tragedie of Macbeth 论第一章中的“反叛者”。《麦克白的悲剧》第195页
Pub Date : 1999-12-01 DOI: 10.15057/11561
Naomichi Yamada
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引用次数: 0
Unsterblichkeit und Seelenwanderung bei Platon 他在柏拉图上长生不老
Pub Date : 1999-12-01 DOI: 10.15057/11560
Yuko Furusawa
L'A. se propose de montrer que la conception de l'immortalite de l'âme et de la migration des âmes chez Platon n'est pas irrationnelle ou mystique, mais qu'elle s'appuie directement sur la theorie des idees, dont elle depend etroitement. Revenant sur la tripartition de l'âme, l'A. souligne la necessite pour l'homme de s'affranchir des attaches corporelles pour parvenir a la connaissance des idees, qui garantissent l'unite et l'identite a travers les changements. L'immortalite de l'âme est donc garantie par l'existence des idees eternelles, auxquelles l'âme peut avoir acces et dont elle peut participer
那样。它的目的是表明,柏拉图关于灵魂不朽和灵魂迁移的概念不是非理性的或神秘的,而是直接基于它密切依赖的观念理论。回到灵魂的三分之一,a。强调人类需要从肉体的束缚中解放出来,以获得思想的知识,通过变化保证统一和身份。因此,灵魂的不朽是由灵魂可以接触和参与的永恒思想的存在所保证的。
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引用次数: 0
Proust et Ruskin : Autour du pastiche Goncourt dans Le Temps retrouvé 普鲁斯特和罗斯金:在《重新发现的时间》中围绕着龚古尔的模仿
Pub Date : 1998-12-01 DOI: 10.15057/13214
K. Maya
S'interrogeant sur l'interet litteraire et theorique du pastiche Goncourt dans Le Temps retrouve, l'A. en propose ici une interpretation a travers la ressemblance entre Proust et Ruskin concernant leur notion clef de l'art : l'anti-realisme ; le tableau et la fenetre proustiens ; deux « tableaux » descriptifs ; l'imagination et la surabondance de details ; l'absence de l'objet ; l'illusion.
他质疑龚古尔在《时间》中模仿龚古尔的文学和理论兴趣。在这里,我们通过普鲁斯特和罗斯金的相似之处来解释他们的关键艺术概念:反现实主义;普鲁斯特式的绘画和窗户;两个描述性“表”;想象力和丰富的细节;物体的缺失;错觉。
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Hitotsubashi journal of arts and sciences
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