{"title":"Classification of Experimental Methods in Sport Science","authors":"H. Polster","doi":"10.15057/11685","DOIUrl":"https://doi.org/10.15057/11685","url":null,"abstract":"","PeriodicalId":265291,"journal":{"name":"Hitotsubashi journal of arts and sciences","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1995-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128071557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cet article vise un aspect peu pris en consideration dans la sociologie de la religion de M. Weber. L'A. tente d'appliquer le raisonnement de M. Weber au sujet du processus de desenchantement du monde a la resurgence du mythe et de l'irrationalite au sein d'un monde de rationalite. Ce grand processus historico-religieux se mit en place avec la prophetie judaique et avec le concours de la pensee scientifique hellenique, a rejete tous les remedes magiques employes dans la recherche du salut comme etant superstitions et sacrileges. Cette rationalisation de la religion s'est accomplie dans l'ascetisme du protestantisme, tel que l'a montre Weber. Facteur culturel important du capitalisme rationnel moderne, ce protestantisme, bien etabli et developpe, voit disparaitre la religion presupposant son origine. Or, si l'on s'avance dans le temps, on s'apercoit qu'un desert socio-culturel s'etend sur les enormes systemes fonctionnels des bureaucraties et des marches, dans lesquels s'assechent les oeuvres sensibles liees aux valeurs sociales. L'A. tente de montrer qu'une avancee dans la rationalite s'accompagne toujours de contre-rationalite. Le mythe ressurgit alors, non comme une victoire des contre-rationalisations traditionnelles mais comme un resultat dialectique de la rationalite moderne elle-meme
{"title":"Der neue und der alte Polytheismus. Bemerkungen zu M. Webers Religionssoziologie","authors":"Rainer Habermeier","doi":"10.15057/11684","DOIUrl":"https://doi.org/10.15057/11684","url":null,"abstract":"Cet article vise un aspect peu pris en consideration dans la sociologie de la religion de M. Weber. L'A. tente d'appliquer le raisonnement de M. Weber au sujet du processus de desenchantement du monde a la resurgence du mythe et de l'irrationalite au sein d'un monde de rationalite. Ce grand processus historico-religieux se mit en place avec la prophetie judaique et avec le concours de la pensee scientifique hellenique, a rejete tous les remedes magiques employes dans la recherche du salut comme etant superstitions et sacrileges. Cette rationalisation de la religion s'est accomplie dans l'ascetisme du protestantisme, tel que l'a montre Weber. Facteur culturel important du capitalisme rationnel moderne, ce protestantisme, bien etabli et developpe, voit disparaitre la religion presupposant son origine. Or, si l'on s'avance dans le temps, on s'apercoit qu'un desert socio-culturel s'etend sur les enormes systemes fonctionnels des bureaucraties et des marches, dans lesquels s'assechent les oeuvres sensibles liees aux valeurs sociales. L'A. tente de montrer qu'une avancee dans la rationalite s'accompagne toujours de contre-rationalite. Le mythe ressurgit alors, non comme une victoire des contre-rationalisations traditionnelles mais comme un resultat dialectique de la rationalite moderne elle-meme","PeriodicalId":265291,"journal":{"name":"Hitotsubashi journal of arts and sciences","volume":"221 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1995-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132937266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fruhromantik und Franzosische Revolution","authors":"Ralph-Rainer Wuthenow","doi":"10.15057/1742","DOIUrl":"https://doi.org/10.15057/1742","url":null,"abstract":"","PeriodicalId":265291,"journal":{"name":"Hitotsubashi journal of arts and sciences","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1994-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123925927","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Geniekult und Romantik","authors":"Rainer Habermeier","doi":"10.15057/1744","DOIUrl":"https://doi.org/10.15057/1744","url":null,"abstract":"","PeriodicalId":265291,"journal":{"name":"Hitotsubashi journal of arts and sciences","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1994-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116113475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Beckett wrote his first novel, Dream of Fair to Middling Women (hereafter Dream), in Paris in the summer of 1932, when he was twenty-six. He would not permit the publication of this earliest novel in his lifetime, though, at first, he had tried hard to publish it. The novel was to reach the public only in 1992, three years after his death. In 1932, Beckett was still an unknown young man who had just started his literary career. Whi]e he was teaching English at the Ecole Normale Sup~rieure from 1928 to 1930, he was ab]e to breathe the atmosphere of the flourishing avant-garde movements of Paris, for which, we can well imagine, he had had a great longing in Dublin. Among other things, he got to know James Joyce who was then writing Finnegans Wake (still Work in Progress at that time). ~eckett almost worshipped Joyce and was much influenced by him. Joyce in turn recognised this young compatriot's talent and valued his help in the composition of Work in Progress. Beckett published an essay, "Dante . . . Bruno . Vico . . Joyce," in 1929, in which he explicated and defended the still unpopular Work in Progress. In the next year his prize-winning first poem, Wlloroscope, came out. In 1931, he published a monograph, Proust. These and other minor writings were all he had published when he wrote Dream. After he found it unpublishable, he reshaped it into a collection of ten short stories which have the same hero Belacqua and are slightly more readable.1 This collection, into which some parts of Dream were incorporated, was entitled More Pricks Than Kicks and published in 1934. Joyce's infiuence on Dream is manifest. There are many obsolete or archaic words, many coinages and there is a good deal of wordplay. Foreign languages (especially Latin, French, German and Italian) abound and mix with English. Different styles are used : visionary (dream-like), realistic, ar~haic, or parodic style. Moreover, there is an almost overwhelming amount of literary a]lusion. The title itse]f parodies Tennyson's A Dream of Fair Women.2 The epigraph is taken from the opening lines of Chaucer's The Legendof Good Women, on which the poem of Tennyson is based. The text constantiy refers to
{"title":"An Introduction on Beckett's Dream of Fair to Middling Women","authors":"Yoshiki Tajiri","doi":"10.15057/1747","DOIUrl":"https://doi.org/10.15057/1747","url":null,"abstract":"Beckett wrote his first novel, Dream of Fair to Middling Women (hereafter Dream), in Paris in the summer of 1932, when he was twenty-six. He would not permit the publication of this earliest novel in his lifetime, though, at first, he had tried hard to publish it. The novel was to reach the public only in 1992, three years after his death. In 1932, Beckett was still an unknown young man who had just started his literary career. Whi]e he was teaching English at the Ecole Normale Sup~rieure from 1928 to 1930, he was ab]e to breathe the atmosphere of the flourishing avant-garde movements of Paris, for which, we can well imagine, he had had a great longing in Dublin. Among other things, he got to know James Joyce who was then writing Finnegans Wake (still Work in Progress at that time). ~eckett almost worshipped Joyce and was much influenced by him. Joyce in turn recognised this young compatriot's talent and valued his help in the composition of Work in Progress. Beckett published an essay, \"Dante . . . Bruno . Vico . . Joyce,\" in 1929, in which he explicated and defended the still unpopular Work in Progress. In the next year his prize-winning first poem, Wlloroscope, came out. In 1931, he published a monograph, Proust. These and other minor writings were all he had published when he wrote Dream. After he found it unpublishable, he reshaped it into a collection of ten short stories which have the same hero Belacqua and are slightly more readable.1 This collection, into which some parts of Dream were incorporated, was entitled More Pricks Than Kicks and published in 1934. Joyce's infiuence on Dream is manifest. There are many obsolete or archaic words, many coinages and there is a good deal of wordplay. Foreign languages (especially Latin, French, German and Italian) abound and mix with English. Different styles are used : visionary (dream-like), realistic, ar~haic, or parodic style. Moreover, there is an almost overwhelming amount of literary a]lusion. The title itse]f parodies Tennyson's A Dream of Fair Women.2 The epigraph is taken from the opening lines of Chaucer's The Legendof Good Women, on which the poem of Tennyson is based. The text constantiy refers to","PeriodicalId":265291,"journal":{"name":"Hitotsubashi journal of arts and sciences","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1994-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124175654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gender Warriors: The Politics of Sharia Feminism","authors":"Jane Barnes Mack","doi":"10.15057/1740","DOIUrl":"https://doi.org/10.15057/1740","url":null,"abstract":"","PeriodicalId":265291,"journal":{"name":"Hitotsubashi journal of arts and sciences","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1994-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124892450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Was Wurde aus der Rezeptionsasthetik? Entstehung und Verlauf Eines Literaturtheoretischen Diskurses","authors":"Renate Giacomuzzi-Putz","doi":"10.15057/1741","DOIUrl":"https://doi.org/10.15057/1741","url":null,"abstract":"","PeriodicalId":265291,"journal":{"name":"Hitotsubashi journal of arts and sciences","volume":"29 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1994-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132167606","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Theoretical Framework for Pulsar Timing","authors":"S. Kopeikin","doi":"10.15057/1828","DOIUrl":"https://doi.org/10.15057/1828","url":null,"abstract":"","PeriodicalId":265291,"journal":{"name":"Hitotsubashi journal of arts and sciences","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1993-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124071004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In [N 91], the author intended to present an easy finitary proof of Skolem's Theorem but unfortunately it turned out to contain some serious errors. This corrected version is self-contained and readers' knowledge of [N 91] is not assuJned. Skolem's Theorem is the following statement: In the classical predicate logic, Iet f be a k-ary function symbol not contained in a formula vxl Vx 9yA(xl' . . . k . . . , xh,y)DB. Then Yx Yx gJ'A(X . . xh,y) :) B 1 ' ' ' k l' " is valid if and only ,f
{"title":"Revised Proof of Skolem's Theorem","authors":"T. Nagashima","doi":"10.15057/1829","DOIUrl":"https://doi.org/10.15057/1829","url":null,"abstract":"In [N 91], the author intended to present an easy finitary proof of Skolem's Theorem but unfortunately it turned out to contain some serious errors. This corrected version is self-contained and readers' knowledge of [N 91] is not assuJned. Skolem's Theorem is the following statement: In the classical predicate logic, Iet f be a k-ary function symbol not contained in a formula vxl Vx 9yA(xl' . . . k . . . , xh,y)DB. Then Yx Yx gJ'A(X . . xh,y) :) B 1 ' ' ' k l' \" is valid if and only ,f","PeriodicalId":265291,"journal":{"name":"Hitotsubashi journal of arts and sciences","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1993-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116818697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cet article analyse la facon dont la personne emettrice d'un message analyse les connaissances du recepteur
本文分析了消息发送者如何分析接收者的知识
{"title":"Einschatzung des Sprechers uber das Horerwissen und dementsprechende Verfahren -im Fall von d-Det-Benzugswort + Relativsats-","authors":"Hirofumi Mikame","doi":"10.15057/1827","DOIUrl":"https://doi.org/10.15057/1827","url":null,"abstract":"Cet article analyse la facon dont la personne emettrice d'un message analyse les connaissances du recepteur","PeriodicalId":265291,"journal":{"name":"Hitotsubashi journal of arts and sciences","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1993-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124472631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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