Lucía Martín López, Carmelina De Jesús Martínez de la Cruz
Architecture and clothing respond to the idea of corporeal spatiality in which space is defined by the bodies and energies contained in it. Starting from this, fashion can be defined as a set of ephemeral wearable devices whose learnings at a conceptual, structural, material, semiotic, aesthetic, economic, social and/or environmental levels are often inspired in architecture, leaving marks in its understanding; it is an ongoing exchange through its processes of creation and realization. This paper focuses in underlining the transversal paths by which fashion and architecture establish conceptual dialogues between them, creating a mutual knowledge transfer. For this purpose, an update of the state of the matter of the topic is presented in the first place through the organization of the bibliography, together with a historical comparison that is valid for either of the two disciplines and that serves as a starting point in the approach of numerous research questions. Secondly, a classification of the texts is shown according to three categories repeated numerous times in them: architecture and clothing as information terminals; architecture and clothing as natural-artificial sheaths; and the relationships between architecture and clothing and the typology-topology binomial. Using hermeneutics research, this paper expects to continue a dialogue around both disciplines through these three understandings.
{"title":"Espacialidad corpórea. Trasvases entre vestimenta y arquitectura","authors":"Lucía Martín López, Carmelina De Jesús Martínez de la Cruz","doi":"10.14198/i2.2020.2.05","DOIUrl":"https://doi.org/10.14198/i2.2020.2.05","url":null,"abstract":"Architecture and clothing respond to the idea of corporeal spatiality in which space is defined by the bodies and energies contained in it. Starting from this, fashion can be defined as a set of ephemeral wearable devices whose learnings at a conceptual, structural, material, semiotic, aesthetic, economic, social and/or environmental levels are often inspired in architecture, leaving marks in its understanding; it is an ongoing exchange through its processes of creation and realization. This paper focuses in underlining the transversal paths by which fashion and architecture establish conceptual dialogues between them, creating a mutual knowledge transfer. For this purpose, an update of the state of the matter of the topic is presented in the first place through the organization of the bibliography, together with a historical comparison that is valid for either of the two disciplines and that serves as a starting point in the approach of numerous research questions. Secondly, a classification of the texts is shown according to three categories repeated numerous times in them: architecture and clothing as information terminals; architecture and clothing as natural-artificial sheaths; and the relationships between architecture and clothing and the typology-topology binomial. Using hermeneutics research, this paper expects to continue a dialogue around both disciplines through these three understandings.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117342947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Opinion article on the film Blow Up by Michelangelo Antonioni through the reflections of John Hejduk and his project entitled the Cemetery of the Ashes of Thought.
{"title":"Ampliando Entre Blow Up de Antonioni y el Cementerio de las Cenizas del Pensamiento de John Hejduk","authors":"Carlos Barberá Pastor","doi":"10.14198/i2.2020.1.05","DOIUrl":"https://doi.org/10.14198/i2.2020.1.05","url":null,"abstract":"Opinion article on the film Blow Up by Michelangelo Antonioni through the reflections of John Hejduk and his project entitled the Cemetery of the Ashes of Thought.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117328006","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
espanolEste texto surge desde la imposibilidad de conversar con las mujeres del barrio. Mujeres companeras con quienes comparto la vida hace mas de diez anos. Mujeres que nos conocemos en nuestras luchas existenciales por la tierra, por el trabajo, por la vivienda, por la autonomia, y que acuerpadas, sostuvimos diversas resistencias pero que jamas pudimos compartir la palabra “orgasmo”. Recorremos preguntas que van configurando un mapa de subjetividades presas de multiples violencias, tanto territorializadas como encarnadas en personajes policiales, que nos ayudan a entender esta imposibilidad de conversacion. Con esta investigacion desmantelamos la impunidad del disciplinamiento espacial domestico, dejandolo en evidencia. Los resultados obtenidos son fundamento de nuestra actual linea de investigacion de Arquitecturas Feministas, donde estamos revisando a la luz de la justicia erotica, el diseno patriarcal biopolitico y la casa como dispositivo. EnglishThis text come to light from the impossibility to talk with women in the field work. Female co workers with whom I share life more than ten years ago. Women who know each other in our existential struggles for the land, for work, for housing, for autonomy, and who agreed, we held various resistance but we could never share the word "orgasm." We go through questions that configure a map of subjectivities imprisoned by multiple kind of violences, both territorialized and embodied in police characters, that help us understand this impossibility of conversation. This research was revealing. It dismantled the impunity of domestic space that discipline our body and life, being the foundation of our current line of Feminist Architectural Research, where we are reviewing in the light of erotic justice, biopolitical patriarchal design and the house as a dispositive.
{"title":"Arquitecturas domésticas. Mapas heteropatriarcales del biopoder","authors":"Laura Sarmiento","doi":"10.14198/i2.2020.1.02","DOIUrl":"https://doi.org/10.14198/i2.2020.1.02","url":null,"abstract":"espanolEste texto surge desde la imposibilidad de conversar con las mujeres del barrio. Mujeres companeras con quienes comparto la vida hace mas de diez anos. Mujeres que nos conocemos en nuestras luchas existenciales por la tierra, por el trabajo, por la vivienda, por la autonomia, y que acuerpadas, sostuvimos diversas resistencias pero que jamas pudimos compartir la palabra “orgasmo”. Recorremos preguntas que van configurando un mapa de subjetividades presas de multiples violencias, tanto territorializadas como encarnadas en personajes policiales, que nos ayudan a entender esta imposibilidad de conversacion. Con esta investigacion desmantelamos la impunidad del disciplinamiento espacial domestico, dejandolo en evidencia. Los resultados obtenidos son fundamento de nuestra actual linea de investigacion de Arquitecturas Feministas, donde estamos revisando a la luz de la justicia erotica, el diseno patriarcal biopolitico y la casa como dispositivo. EnglishThis text come to light from the impossibility to talk with women in the field work. Female co workers with whom I share life more than ten years ago. Women who know each other in our existential struggles for the land, for work, for housing, for autonomy, and who agreed, we held various resistance but we could never share the word \"orgasm.\" We go through questions that configure a map of subjectivities imprisoned by multiple kind of violences, both territorialized and embodied in police characters, that help us understand this impossibility of conversation. This research was revealing. It dismantled the impunity of domestic space that discipline our body and life, being the foundation of our current line of Feminist Architectural Research, where we are reviewing in the light of erotic justice, biopolitical patriarchal design and the house as a dispositive.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"283 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114138954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
reseña de libro del 40 aniversario de la universidad de alicante
阿利坎特大学40周年书评
{"title":"Paisaje, Urbanismo y Arquitectura En el Campus de la Universidad de Alicante","authors":"Joaquín Arnau Amo","doi":"10.14198/i2.2020.1.11","DOIUrl":"https://doi.org/10.14198/i2.2020.1.11","url":null,"abstract":"reseña de libro del 40 aniversario de la universidad de alicante","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"323 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115843640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This is a review of the book "Atlas Conceptual Atlas. Teoria e Historia de la Arquitectura Moderna".
这是对《阿特拉斯概念阿特拉斯》一书的评论。“现代建筑历史”。
{"title":"Reseña de \"Atlas Conceptual. Historia y Teoría de la arquitectura moderna\"","authors":"Andrés Martínez-Medina","doi":"10.14198/i2.2020.1.09","DOIUrl":"https://doi.org/10.14198/i2.2020.1.09","url":null,"abstract":"This is a review of the book \"Atlas Conceptual Atlas. Teoria e Historia de la Arquitectura Moderna\".","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133673163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
We recently "celebrated" in Seville - the verb on this occasion is very appropriate - the presentation of the book by Jose Maria Torres Nadal and colleagues from the School of Architecture of Alicante, entitled Arquitectura in dependencia. The event consisted of several colleagues making some comments and asking some questions that Jose Maria answered by showing different parts of the book and I suppose adding some more things. My comments and questions were raised more about my experiences at the School of Architecture in Alicante -- and that's what the book is about, the history of the School, from the early 80s until now, although the book is told more as a story of ideas and experiences, even adventures I would say, than a story in its more conventional sense.
最近，我们在塞维利亚“庆祝”了一本名为《独立的建筑》的书，这本书是由阿利坎特建筑学院的Jose Maria Torres纳达尔和他的同事们撰写的。在这个活动中，几位同事发表了一些评论，并提出了一些问题，何塞·玛丽亚通过展示书的不同部分来回答，我想还增加了一些东西。我的评论和问题更多地是关于我在阿利坎特建筑学院的经历——这就是这本书的内容，从80年代初到现在，学校的历史，尽管这本书更多地讲述了一个关于想法和经历的故事，甚至是冒险的故事，而不是传统意义上的故事。
{"title":"La experiencia de Arquitectura / Alicante ¿como referencia para la reforma universitaria? Un encuentro en Sevilla con J.M. Torres Nadal","authors":"José Pérez de Lama","doi":"10.14198/i2.2020.1.12","DOIUrl":"https://doi.org/10.14198/i2.2020.1.12","url":null,"abstract":"We recently \"celebrated\" in Seville - the verb on this occasion is very appropriate - the presentation of the book by Jose Maria Torres Nadal and colleagues from the School of Architecture of Alicante, entitled Arquitectura in dependencia. The event consisted of several colleagues making some comments and asking some questions that Jose Maria answered by showing different parts of the book and I suppose adding some more things. My comments and questions were raised more about my experiences at the School of Architecture in Alicante -- and that's what the book is about, the history of the School, from the early 80s until now, although the book is told more as a story of ideas and experiences, even adventures I would say, than a story in its more conventional sense.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125848354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
espanolLa abundante obra restaurada del Movimiento Moderno, permite elaborar los primeros corpus metodologicos de restauracion y rehabilitacion. La mayoria de estas intervenciones se han realizado en edificios iconicos, contando, generalmente, con importante apoyo publico o privado. En la mayoria de los casos, la restauracion de estos edificios termina en su musealizacion, lo que les aparta de su funcion habitacional original. Existe una amplia obra, mas alla de estos grandes iconos arquitectonicos, que no esta sujeta a protecciones de maximo nivel, por lo que carece de apoyos y recursos economicos para ser conservada. En estos casos, es muy importante realizar un “analisis habitacional”, es decir, un estudio historico de las transformaciones producidas en las viviendas. Identificados los elementos configuradores de la “autenticidad de diseno” del edificio, este analisis permite determinar los limites de su “variabilidad aceptable”, de forma que, manteniendo su originalidad y funcion, sea posible una serie de transformaciones sin perder su condicion habitacional. Se ha analizado la historia y reformas de los edificios de viviendas de la calle Muntaner 342-348 y Rossello 36 de Josep Lluis Sert, por reunir esas condiciones: importancia historica, encontrarse en uso en la actualidad, y carecer de proteccion patrimonial de maximo nivel. EnglishThe abundant restored work of the Modern Movement, allows to elaborate the first methodological corpus of restoration and rehabilitation. Most of these interventions have been carried out on iconic buildings, generally with significant public or private support. In most cases, the restoration of these buildings ends up in their musealization, which takes them away from their original residential function. There is a wide range of work, beyond these great architectural icons, which is not subject to the highest level of protection, so it lacks support and economic resources to be pre-served. In these cases, it is very important to carry out a "housing analysis", that is, a historical study of the transformations produced in the houses. Identifying the elements that configure the "design authenticity" of the building, this analysis allows us to determine the limits of its "acceptable variability", so that, while maintaining its originality and function, a series of transformations is possible without losing its housing condition. The history and reforms of the residential buildings at 342-348 Muntaner Street and 36 Rossello Street by Josep Lluis Sert have been analysed because they meet these conditions: historical importance, being in use today, and lacking the highest level of heritage protection.
现代运动的大量修复工作，允许发展第一个方法语料库的修复和恢复。这些干预大多是在标志性建筑中进行的，通常得到了重要的公共或私人支持。在大多数情况下，这些建筑的修复以博物馆化结束，这使它们远离了原来的居住功能。除了这些伟大的建筑图标之外，还有大量的工作不受最高级别的保护，因此缺乏支持和经济资源来保存。在这些情况下，进行“住房分析”是非常重要的，即对住房变化的历史研究。确定了构成建筑“设计真实性”的元素，这种分析允许确定其“可接受的可变性”的限度，以便在保持其原创性和功能的同时，可以在不丧失其居住条件的情况下进行一系列的改造。Josep Lluis Sert的calle Muntaner 342-348和Rossello 36住宅建筑的历史和改革被分析，以满足这些条件:历史重要性，目前正在使用，缺乏最高水平的遗产保护。EnglishThe厚生restored work of the Modern Movement, allows对政党the first方法语料库restoration和康复。Most of这些干预措施得到的iconic的开展公共或私人建筑,鉴于支助。在大多数情况下，这些建筑的修复结束于它们的博物馆化，这将它们从原来的住宅功能中删除。在这些伟大的建筑标志之外，还有大量的工作，这些工作不受最高级别的保护，因此缺乏支持和经济资源来提供服务。在这些情况下，进行“住房分析”是非常重要的，也就是说，对房屋内部发生的变化进行历史研究。通过确定构成建筑“设计真实性”的要素，这种分析使我们能够确定其“可接受的变异性”的限度，从而在保持其原创性和功能的同时，可以在不丧失其住房条件的情况下进行一系列改造。Josep Lluis Sert设计的Muntaner街342-348号和Rossello街36号的住宅建筑的历史和改造已经进行了分析，因为它们符合以下条件:历史意义、今天的使用和缺乏最高水平的遗产保护。
{"title":"El “análisis habitacional” como estrategia de conservación de los edificios residenciales DOCOMOMO. Viviendas de Muntaner y Roselló de Josep Lluis Sert","authors":"Miguel Ángel Ruano Hernansanz","doi":"10.14198/i2.2020.1.04","DOIUrl":"https://doi.org/10.14198/i2.2020.1.04","url":null,"abstract":"espanolLa abundante obra restaurada del Movimiento Moderno, permite elaborar los primeros corpus metodologicos de restauracion y rehabilitacion. La mayoria de estas intervenciones se han realizado en edificios iconicos, contando, generalmente, con importante apoyo publico o privado. En la mayoria de los casos, la restauracion de estos edificios termina en su musealizacion, lo que les aparta de su funcion habitacional original. Existe una amplia obra, mas alla de estos grandes iconos arquitectonicos, que no esta sujeta a protecciones de maximo nivel, por lo que carece de apoyos y recursos economicos para ser conservada. En estos casos, es muy importante realizar un “analisis habitacional”, es decir, un estudio historico de las transformaciones producidas en las viviendas. Identificados los elementos configuradores de la “autenticidad de diseno” del edificio, este analisis permite determinar los limites de su “variabilidad aceptable”, de forma que, manteniendo su originalidad y funcion, sea posible una serie de transformaciones sin perder su condicion habitacional. Se ha analizado la historia y reformas de los edificios de viviendas de la calle Muntaner 342-348 y Rossello 36 de Josep Lluis Sert, por reunir esas condiciones: importancia historica, encontrarse en uso en la actualidad, y carecer de proteccion patrimonial de maximo nivel. EnglishThe abundant restored work of the Modern Movement, allows to elaborate the first methodological corpus of restoration and rehabilitation. Most of these interventions have been carried out on iconic buildings, generally with significant public or private support. In most cases, the restoration of these buildings ends up in their musealization, which takes them away from their original residential function. There is a wide range of work, beyond these great architectural icons, which is not subject to the highest level of protection, so it lacks support and economic resources to be pre-served. In these cases, it is very important to carry out a \"housing analysis\", that is, a historical study of the transformations produced in the houses. Identifying the elements that configure the \"design authenticity\" of the building, this analysis allows us to determine the limits of its \"acceptable variability\", so that, while maintaining its originality and function, a series of transformations is possible without losing its housing condition. The history and reforms of the residential buildings at 342-348 Muntaner Street and 36 Rossello Street by Josep Lluis Sert have been analysed because they meet these conditions: historical importance, being in use today, and lacking the highest level of heritage protection.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"369 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114785741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pablo Llamazares Blanco, Fernando Zaparaín Hernández, Jorge Ramos Jular
espanolLa publicacion en 1965 del influyente ensayo de Donald Judd titulado Specific Objects, puso de relieve que la reflexion norteamericana sobre el objeto de arte, desarrollada desde los anos veinte, habia alcanzado una identidad propia. Esa particularidad se apoyaba en el empirismo anglosajon y en el interes por la iconografia industrial e ingenieril, que posibilitaron el predominio estadounidense despues de la Segunda Guerra Mundial. La potencia formal de las obras publicas y las maquinas se venia resaltando desde principios de siglo en las nuevas instituciones culturales neoyorquinas, con exposiciones y ferias que suponian un reconocible posicionamiento formal y artistico. Despues, en los cincuenta, se erigieron diversos edificios con vocacion publica, que instituyeron la estetica moderna de la caja como emblema de la postguerra. Asi se llego, en el Nueva York de los sesenta, al Expresionismo Abstracto, el Pop y el Land Art, o el Minimalismo, que siguieron enfatizando la “objetualidad” hasta realizar una transferencia de categorias espaciales arquitectonicas a otras disciplinas artisticas, de unas caracteristicas sin precedentes. Especialmente, el Minimalismo hizo que la escultura dejara de ser un mero volumen percibido desde fuera, para expandir su campo de accion al contexto expositivo e integrar el movimiento del espectador. A la vez, se activaba el espacio interior del objeto, hasta hacerlo incluso habitable. Se dejaba asi preparado el camino para el definitivo entrelazamiento de arquitectura, escultura, escenografia y medios audiovisuales, propio de las instalaciones. EnglishThe publication in 1965 of Donald Judd's influential essay entitled Specific Objects, high-lighted that the American reflection on the art object, developed since the 1920s, had reached an identity by itself. This particularity was based on Anglo-Saxon empiricism and on the interest in industrial and engineering iconography, which made the American pre-dominance possible after the Second World War. The formal power of public works and machines had been highlighted since the beginning of the century in the new cultural institutions of New York, with exhibitions and festivals that involved a recognizable formal and artistic position. Later, in the 1950s, several buildings with a public vocation were erected, which established the modern aesthetics of the box as the post-war emblem. Therefore, in the 1960s New York, Abstract Expressionism, Pop and Land Art, or Minimalism continued to emphasize “objectivity” until reaching a transfer of architectural spatial categories to other artistic disciplines, with unprecedented characteristics. Especially, Minimalism made the sculpture stop being a mere volume perceived from outside, expanding its field of action to the exhibition context and so integrate the movement of the viewer. At the same time, the interior space of the object was activated, as far as it was even habitable. Thus, the way was prepared for the definitive int
唐纳德·贾德(Donald Judd)在1965年发表的一篇颇具影响力的文章《特定物品》(Specific Objects)强调，自20世纪20年代以来发展起来的美国人对艺术品的反思已经达到了自己的身份。这一特点是基于盎格鲁-撒克逊经验主义和对工业和工程肖像学的兴趣，这使得美国在二战后占据主导地位。自本世纪初以来，公共作品和机器的正式力量在纽约的新文化机构中得到了强调，展览和博览会代表了一种可识别的正式和艺术定位。后来，在20世纪50年代，人们建造了各种各样的公共建筑，确立了盒子的现代美学作为战后的象征。在20世纪60年代的纽约，抽象表现主义、波普和大地艺术或极简主义继续强调“客观性”，直到建筑空间类别转移到其他艺术学科，具有前所未有的特点。特别是，极简主义使雕塑不再仅仅是一个从外部感知的体积，而是将其行动领域扩展到展览环境中，并整合观众的运动。与此同时，物体的内部空间被激活，使其甚至可居住。这为建筑、雕塑、透视和视听媒体的最终交织铺平了道路，这是装置的特点。EnglishThe出版物in 1965年《唐纳德·贾德influential essay特定entitled Objects, high-lighted that the American reflection on the art object,发达国家鉴于the 1920s,则忿忿不平,an identity by本身。This was particularity based on Anglo-Saxon empiricism and on the interest in industrial and engineering iconography, which made the American pre-dominance可能after the Second World War。自世纪之交以来，纽约新文化机构通过展览和节日突出了公共作品和机器的形式力量，这些展览和节日涉及到一种可识别的形式和艺术地位。后面,in the追溯到1950年代,若干建筑with a public vocation erected设立的,which the modern aesthetics of the box as the post-war emblem。在20世纪60年代的纽约，抽象表现主义、波普和土地艺术或极简主义继续强调“客观性”，直到达到建筑空间类别向其他艺术学科的转移，具有空前的特点。特别是,Minimalism made the sculpture stop being a mere volume薄弱,from之外,expanding its field of action to the exhibition context and so将the movement of the viewer。= =地理= =根据美国人口普查，这个县的面积为。因此，这条路是为建筑、雕塑、透视和视听媒体的最终交织，典型的装置而准备的。
{"title":"Nueva York y la reformulación del objeto. Transferencias norteamericanas entre escultura y arquitectura en el siglo XX","authors":"Pablo Llamazares Blanco, Fernando Zaparaín Hernández, Jorge Ramos Jular","doi":"10.14198/i2.2020.1.03","DOIUrl":"https://doi.org/10.14198/i2.2020.1.03","url":null,"abstract":"espanolLa publicacion en 1965 del influyente ensayo de Donald Judd titulado Specific Objects, puso de relieve que la reflexion norteamericana sobre el objeto de arte, desarrollada desde los anos veinte, habia alcanzado una identidad propia. Esa particularidad se apoyaba en el empirismo anglosajon y en el interes por la iconografia industrial e ingenieril, que posibilitaron el predominio estadounidense despues de la Segunda Guerra Mundial. La potencia formal de las obras publicas y las maquinas se venia resaltando desde principios de siglo en las nuevas instituciones culturales neoyorquinas, con exposiciones y ferias que suponian un reconocible posicionamiento formal y artistico. Despues, en los cincuenta, se erigieron diversos edificios con vocacion publica, que instituyeron la estetica moderna de la caja como emblema de la postguerra. Asi se llego, en el Nueva York de los sesenta, al Expresionismo Abstracto, el Pop y el Land Art, o el Minimalismo, que siguieron enfatizando la “objetualidad” hasta realizar una transferencia de categorias espaciales arquitectonicas a otras disciplinas artisticas, de unas caracteristicas sin precedentes. Especialmente, el Minimalismo hizo que la escultura dejara de ser un mero volumen percibido desde fuera, para expandir su campo de accion al contexto expositivo e integrar el movimiento del espectador. A la vez, se activaba el espacio interior del objeto, hasta hacerlo incluso habitable. Se dejaba asi preparado el camino para el definitivo entrelazamiento de arquitectura, escultura, escenografia y medios audiovisuales, propio de las instalaciones. EnglishThe publication in 1965 of Donald Judd's influential essay entitled Specific Objects, high-lighted that the American reflection on the art object, developed since the 1920s, had reached an identity by itself. This particularity was based on Anglo-Saxon empiricism and on the interest in industrial and engineering iconography, which made the American pre-dominance possible after the Second World War. The formal power of public works and machines had been highlighted since the beginning of the century in the new cultural institutions of New York, with exhibitions and festivals that involved a recognizable formal and artistic position. Later, in the 1950s, several buildings with a public vocation were erected, which established the modern aesthetics of the box as the post-war emblem. Therefore, in the 1960s New York, Abstract Expressionism, Pop and Land Art, or Minimalism continued to emphasize “objectivity” until reaching a transfer of architectural spatial categories to other artistic disciplines, with unprecedented characteristics. Especially, Minimalism made the sculpture stop being a mere volume perceived from outside, expanding its field of action to the exhibition context and so integrate the movement of the viewer. At the same time, the interior space of the object was activated, as far as it was even habitable. Thus, the way was prepared for the definitive int","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"136 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115913871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Reseña de exposición como conmemoración del 40 aniversario de la Universidad de Alicante.
为纪念阿利坎特大学成立40周年而举办的展览回顾。
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On the occasion of a stay in Chile, I attend and live with the awakening of the Chilean people that took place during October 2019. An awakening that silenced completely the University and almost all the institutions inherited from Modernity. With this text, I want to reflect on the scope of this silence and this difficulty of the aacademia to participate more actively in the debates of the present.
{"title":"¡Chile despertó! o la Universidad amanece dormida","authors":"Enrique Nieto Fernández","doi":"10.14198/i2.2019.2.01","DOIUrl":"https://doi.org/10.14198/i2.2019.2.01","url":null,"abstract":"On the occasion of a stay in Chile, I attend and live with the awakening of the Chilean people that took place during October 2019. An awakening that silenced completely the University and almost all the institutions inherited from Modernity. With this text, I want to reflect on the scope of this silence and this difficulty of the aacademia to participate more actively in the debates of the present.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117175027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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