The observation of urban reality complexity, through a new sensibility towards the environment, the nature and the earth, is slowly changing the sense and the value of some practices of architectural and urban acting, not only in the academia, but also in the institutional/politic field. In this way, it is possible to define a new kind of urban landscape, the productive landscape , whose main component is represented by the land and by its multi-functional value. A experimentation of the concept has been applied to the ex Nato area in west Naples (Italy). The area was occupied by the U.S. Army for 50 years. In 2013, it was finally freed, and through an agreement with the Municipality of Naples (in the person of the Mayor Luigi de Magistris) and the Banco di Napoli Foundation, what once was a place where wars were decided, today it becomes a place to build peace and sociality. The project of an agricultural natural park stems from a public demand and from the active participation of citizens that promoted the use and management of this area. The realization of this project for the Municipality of Naples is an example of how the interests of citizens, institutions and professionals can meet. Therefore, the guiding principles of Naples municipality “interest” can be summarized as follows: the identification of a young segment of the population as the first recipient of the area reuse, the expression of the social function of the project to be implemented in order of a recovery of social cohesion , a conformation of an urban self-governing community of users and residents, activation of spontaneous processes among the users, direct participation of the citizens, support of public institutions, adoption of environmental sustainability.
对城市现实复杂性的观察，通过对环境、自然和地球的一种新的敏感性，正在慢慢改变一些建筑和城市行为实践的意义和价值，不仅在学术界，而且在制度/政治领域。通过这种方式，可以定义一种新的城市景观，即生产性景观，其主要组成部分由土地及其多功能价值代表。在西那不勒斯(意大利)的前北约地区进行了这一概念的试验。该地区被美国军队占领了50年。2013年，通过与那不勒斯市政府(由市长Luigi de Magistris主持)和那不勒斯银行基金会达成协议，它最终被释放，曾经是一个决定战争的地方，今天它成为一个建立和平与社会的地方。农业自然公园项目源于公众的需求和市民的积极参与，促进了该地区的使用和管理。那不勒斯市政府的这个项目的实现是公民、机构和专业人员如何满足利益的一个例子。因此，那不勒斯市政府“利益”的指导原则可以概括为以下几点:确定年轻人群作为区域再利用的第一个接受者，表达项目的社会功能，以恢复社会凝聚力，形成用户和居民的城市自治社区，激活用户之间的自发过程，公民的直接参与，公共机构的支持，采用环境可持续性。
{"title":"Community and City. Naples, Bagnoli: former Nato area","authors":"C. Piscopo, Daniela Buonanno","doi":"10.14198/I2.2015.3.07","DOIUrl":"https://doi.org/10.14198/I2.2015.3.07","url":null,"abstract":"The observation of urban reality complexity, through a new sensibility towards the environment, the nature and the earth, is slowly changing the sense and the value of some practices of architectural and urban acting, not only in the academia, but also in the institutional/politic field. In this way, it is possible to define a new kind of urban landscape, the productive landscape , whose main component is represented by the land and by its multi-functional value. A experimentation of the concept has been applied to the ex Nato area in west Naples (Italy). The area was occupied by the U.S. Army for 50 years. In 2013, it was finally freed, and through an agreement with the Municipality of Naples (in the person of the Mayor Luigi de Magistris) and the Banco di Napoli Foundation, what once was a place where wars were decided, today it becomes a place to build peace and sociality. The project of an agricultural natural park stems from a public demand and from the active participation of citizens that promoted the use and management of this area. The realization of this project for the Municipality of Naples is an example of how the interests of citizens, institutions and professionals can meet. Therefore, the guiding principles of Naples municipality “interest” can be summarized as follows: the identification of a young segment of the population as the first recipient of the area reuse, the expression of the social function of the project to be implemented in order of a recovery of social cohesion , a conformation of an urban self-governing community of users and residents, activation of spontaneous processes among the users, direct participation of the citizens, support of public institutions, adoption of environmental sustainability.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"07 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127375209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
E. Pérez, J. López, José Manuel López Ujaque, Luis Navarro Jover, Esteban Salcedo Sánchez
CUT-UP is a term coined by the American writer William S. Burroughs based on the juxtaposition of passages from the own works and also from others in order to re-assemble the random fragments generating completly new senses and meanings. Moved to architecture, the purpose of this operation would be to define strategies, using existing forms, to realise completely different effects. So, we can say that the notions of originality, and even creation, so present in our culture, could be understood in a more freely and unprejudiced way.
{"title":"CUT-UP CITY. El ready-made como experimento urbano. (www.cutupcity.com)","authors":"E. Pérez, J. López, José Manuel López Ujaque, Luis Navarro Jover, Esteban Salcedo Sánchez","doi":"10.14198/I2.2015.3.05","DOIUrl":"https://doi.org/10.14198/I2.2015.3.05","url":null,"abstract":"CUT-UP is a term coined by the American writer William S. Burroughs based on the juxtaposition of passages from the own works and also from others in order to re-assemble the random fragments generating completly new senses and meanings. Moved to architecture, the purpose of this operation would be to define strategies, using existing forms, to realise completely different effects. So, we can say that the notions of originality, and even creation, so present in our culture, could be understood in a more freely and unprejudiced way.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116572477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
En Chile, el terremoto y tsunami del 27 de febrero del ano 2010, cuya intensidad fue 8,8 ° en la escala de Richter, hicieron evidente la necesidad de reconstruir de manera planificada el borde costero de pequenas localidades y caletas pesqueras de la zona central del pais, las que fueron afectadas por dicha catastrofe. Por este motivo, desde el ano 2010 en adelante, se ponen en marcha una serie de adyacencias creativas hacia el diseno sustentable de centros urbanos devastados por el tsunami. Esto se materializo a traves de lo que fue denominado Planes Maestros de Reconstruccion Territorial, cuyo proposito fue asumir el reto de articular equipos multidisciplinarios de areas tan diversas como: la arquitectura, el urbanismo, la construccion, el diseno, la economia y las politicas publicas para alcanzar la implementacion de planes de Reconstruccion integrales, gestados por una amplia gama de profesionales por medio de la sumatoria de micro estrategias urbanas a traves del consenso entre los distintos actores que intervienen en la ciudad y la extension del campo disciplinar de la arquitectura. A partir de la experiencia chilena, se aborda como caso estudio el Plan de Reconstruccion Estrategico Sustentable (P.R.E.S.) de Duao, Iloca y La Pesca, caso que refleja exitos y desaciertos de la asociatividad entre entidades publicas, organizaciones educacionales y actores privados en la planificacion del territorio en un contexto post catastrofe natural. Para ello se utiliza una metodologia descriptiva en un corte temporal de dos anos.
{"title":"Modelo de Gestión Territorial utilizado en la reconstrucción post terremoto y tsunami del 27-F en Chile","authors":"L. González","doi":"10.14198/i2.2015.3.02","DOIUrl":"https://doi.org/10.14198/i2.2015.3.02","url":null,"abstract":"En Chile, el terremoto y tsunami del 27 de febrero del ano 2010, cuya intensidad fue 8,8 ° en la escala de Richter, hicieron evidente la necesidad de reconstruir de manera planificada el borde costero de pequenas localidades y caletas pesqueras de la zona central del pais, las que fueron afectadas por dicha catastrofe. Por este motivo, desde el ano 2010 en adelante, se ponen en marcha una serie de adyacencias creativas hacia el diseno sustentable de centros urbanos devastados por el tsunami. Esto se materializo a traves de lo que fue denominado Planes Maestros de Reconstruccion Territorial, cuyo proposito fue asumir el reto de articular equipos multidisciplinarios de areas tan diversas como: la arquitectura, el urbanismo, la construccion, el diseno, la economia y las politicas publicas para alcanzar la implementacion de planes de Reconstruccion integrales, gestados por una amplia gama de profesionales por medio de la sumatoria de micro estrategias urbanas a traves del consenso entre los distintos actores que intervienen en la ciudad y la extension del campo disciplinar de la arquitectura. A partir de la experiencia chilena, se aborda como caso estudio el Plan de Reconstruccion Estrategico Sustentable (P.R.E.S.) de Duao, Iloca y La Pesca, caso que refleja exitos y desaciertos de la asociatividad entre entidades publicas, organizaciones educacionales y actores privados en la planificacion del territorio en un contexto post catastrofe natural. Para ello se utiliza una metodologia descriptiva en un corte temporal de dos anos.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125119485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Black Mountain College fue una institucion educativa norteamericana que funciono como centro de creacion multidisciplinar y residencia artistica, donde la experimentacion desde las distintas areas de conocimiento era esencial en el proceso formativo. La arquitectura estaba presente en su proyecto docente a traves de profesionales que impartieron clase o lo visitaron y, de propuestas y acciones que demuestran la capacidad de la arquitectura de entenderse como acontecimiento. El presente articulo se centra en el Black Mountain College, realizando una aproximacion a su arquitectura, entendiendo esta como una actividad multidisciplinar propositiva y estudiandola a traves de los acontecimientos que tuvieron lugar en el centro y su presencia en el proyecto educativo. Unas ideas y modos de trabajo desarrolladas bajo una filosofia global que se encuentran vigentes en la actualidad, por mas que hayan pasado casi ochenta anos desde su fundacion. Por ultimo, se identifican los vinculos que se establecieron entre esta institucion y Espana a traves de las figuras que formaron parte de esta experiencia.
{"title":"La arquitectura como acontecimiento a través del Black Mountain College","authors":"A. Díaz","doi":"10.14198/I2.2015.3.03","DOIUrl":"https://doi.org/10.14198/I2.2015.3.03","url":null,"abstract":"Black Mountain College fue una institucion educativa norteamericana que funciono como centro de creacion multidisciplinar y residencia artistica, donde la experimentacion desde las distintas areas de conocimiento era esencial en el proceso formativo. La arquitectura estaba presente en su proyecto docente a traves de profesionales que impartieron clase o lo visitaron y, de propuestas y acciones que demuestran la capacidad de la arquitectura de entenderse como acontecimiento. El presente articulo se centra en el Black Mountain College, realizando una aproximacion a su arquitectura, entendiendo esta como una actividad multidisciplinar propositiva y estudiandola a traves de los acontecimientos que tuvieron lugar en el centro y su presencia en el proyecto educativo. Unas ideas y modos de trabajo desarrolladas bajo una filosofia global que se encuentran vigentes en la actualidad, por mas que hayan pasado casi ochenta anos desde su fundacion. Por ultimo, se identifican los vinculos que se establecieron entre esta institucion y Espana a traves de las figuras que formaron parte de esta experiencia.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126724302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
words) It seems that in the last decades architecture has finally become aware of the impact the demands of its construc- tion and of its maintenance and operation have on the environment. The demands for architecture of being green or becoming ecological have been answered mostly through an enhanced use of technology, through a technical deployment of a multiplicity of systems and gadgets that try to achieve a better performance, or in other words, a better efficiency, but not by addressing the roots of the question. Henceforth, this increase in the use of technology is covering the fact that what architecture needs to do for being green is not to promote the use of technology, but to rethink its original relation with technique and nature. This paper will propose in the first place a brief survey of this original and tainted relation between architecture, technique and nature, to show how and why this relation was condemned since the beginning. Then, I will propose in the first place two strategies to fight this original mis- understanding: an architecture of visibility, which should be a critical one, and an architecture of gratuity, that should necessarily be a disinterested one. It will follow a review of some of the questions already mentioned with more detail, addressing the question of a necessary negotiation with nature, the issues posed by the rhetorical use of green technology, the demands of transparency and gratuity in architecture, the relations between physis and techne, and the important question of disinterest through the lens of Kantian aesthetics. In a final and short conclusion I will propose, instead of a technical substratum for the relations between architecture and nature, an aesthetical one, that can anticipate a relation between man and nature based in disinterest instead of extraction and domination.
{"title":"Monstrous Desires and Disinterested Appreciation: Architecture, Technique and Nature","authors":"José Vela Castillo","doi":"10.14198/I2.2015.3.04","DOIUrl":"https://doi.org/10.14198/I2.2015.3.04","url":null,"abstract":"words) It seems that in the last decades architecture has finally become aware of the impact the demands of its construc- tion and of its maintenance and operation have on the environment. The demands for architecture of being green or becoming ecological have been answered mostly through an enhanced use of technology, through a technical deployment of a multiplicity of systems and gadgets that try to achieve a better performance, or in other words, a better efficiency, but not by addressing the roots of the question. Henceforth, this increase in the use of technology is covering the fact that what architecture needs to do for being green is not to promote the use of technology, but to rethink its original relation with technique and nature. This paper will propose in the first place a brief survey of this original and tainted relation between architecture, technique and nature, to show how and why this relation was condemned since the beginning. Then, I will propose in the first place two strategies to fight this original mis- understanding: an architecture of visibility, which should be a critical one, and an architecture of gratuity, that should necessarily be a disinterested one. It will follow a review of some of the questions already mentioned with more detail, addressing the question of a necessary negotiation with nature, the issues posed by the rhetorical use of green technology, the demands of transparency and gratuity in architecture, the relations between physis and techne, and the important question of disinterest through the lens of Kantian aesthetics. In a final and short conclusion I will propose, instead of a technical substratum for the relations between architecture and nature, an aesthetical one, that can anticipate a relation between man and nature based in disinterest instead of extraction and domination.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"91 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125239795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This emerging investigation joins the search of a territorial model to give meaning to this “complete world” which is the Tarragona central area, where ENTREVIAS claim a deserved prominence that as yet unrecognized. Through previous positions on episodes around urban marginality, which have influenced the manufactured image of the city, it is hoped to reclaim urban values by the importance of uncharted zones, discontinuous areas after the erratic development on gradually redrawing urban spaces based on the relative needs of the moment. The "informal" industrial plants, peripheral residential areas, expanding port, infrastructures that condition the territory and the urban attributes on ENTREVIAS can be the scenarios to detect urban processes that we recognize as usual. The conclusions of this article urge caution against a hasty metropolitan organization for this territory of independent living units in a polyhedral complex balance.
{"title":"Cuatro escenarios para entrevías-Tarragona. ¿Cabría una dinámica dominante?","authors":"J. Fernández","doi":"10.14198/I2.2015.3.01","DOIUrl":"https://doi.org/10.14198/I2.2015.3.01","url":null,"abstract":"This emerging investigation joins the search of a territorial model to give meaning to this “complete world” which is the Tarragona central area, where ENTREVIAS claim a deserved prominence that as yet unrecognized. Through previous positions on episodes around urban marginality, which have influenced the manufactured image of the city, it is hoped to reclaim urban values by the importance of uncharted zones, discontinuous areas after the erratic development on gradually redrawing urban spaces based on the relative needs of the moment. The \"informal\" industrial plants, peripheral residential areas, expanding port, infrastructures that condition the territory and the urban attributes on ENTREVIAS can be the scenarios to detect urban processes that we recognize as usual. The conclusions of this article urge caution against a hasty metropolitan organization for this territory of independent living units in a polyhedral complex balance.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121773883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In a first energy model, the geodesic dome of R.B. Fuller, focused on the problem of how cover the maximum space with the minimum of energy, is made of many air molecules, such as “The Cardboard House” project where he explained the same items in a smaller scale. Because of the influence of the ballistic and navigation studies, the air solution, which is represented by several soft corpuscles and likely to support compression strength, is replaced with water solution, which is made by corpuscles too, but such as small steel balls that are not be able to afford compression strength sliding one each other without taking up tangential stresses. In these studies, geometry is a working tool of prevention and measure of unexpected forces of nature, calculating in advance the energy events through time. In a second energy model, a conexion is established by contiguity and not by formal association with the principle of automorphism of R. Le Ricolais through two infrastuctural projects adapted to different enviroments, one is aereal “Sky-Rail” and the other aquatic “Under Sea Transit”, showing how small glasses and microorganisms without gravity lead to building principles of new energy systems like artificial islands. Le Ricolais said that together with life comes the problem of growth, and until now man has not been capable of making machines that grow. About future structural projects, some thoughful approches for the future are alternated between the utilization of state-of-art technologies and no technology at all, between seeking total control of environment and abandoning all modes of control.
在第一个能量模型中，R.B. Fuller的测地圆屋顶，专注于如何用最小的能量覆盖最大的空间的问题，由许多空气分子组成，例如“纸板屋”项目，他在其中解释了相同的项目在较小的规模。由于弹道和导航研究的影响，空气溶液由几个软微粒代表，可能支持抗压强度，被水溶液取代，水溶液也由微粒组成，但如小钢球，它们不能在不承担切向应力的情况下相互滑动以承受抗压强度。在这些研究中，几何是预防和测量自然意外力量的有效工具，可以提前计算出时间中的能量事件。在第二个能源模型中，通过两个适应不同环境的基础设施项目，一个是空中的“Sky-Rail”，另一个是水生的“Under Sea Transit”，通过相邻性而不是与R. Le Ricolais的自同态原理正式联系，建立了一个连接，展示了没有重力的小玻璃和微生物如何导致像人工岛屿这样的新能源系统的构建原理。Le Ricolais说，伴随着生命而来的是生长的问题，直到现在，人类还没有能力制造出能生长的机器。关于未来的结构项目，在利用最先进的技术和根本不使用技术之间，在寻求完全控制环境和放弃所有控制模式之间，对未来的一些深思熟虑的方法进行了交替。
{"title":"Dos enfoques energéticos que dominan y liberan el medioambiente en un proyecto de arquitectura","authors":"C. J. Camacho","doi":"10.14198/I2.2014.2.06","DOIUrl":"https://doi.org/10.14198/I2.2014.2.06","url":null,"abstract":"In a first energy model, the geodesic dome of R.B. Fuller, focused on the problem of how cover the maximum space with the minimum of energy, is made of many air molecules, such as “The Cardboard House” project where he explained the same items in a smaller scale. Because of the influence of the ballistic and navigation studies, the air solution, which is represented by several soft corpuscles and likely to support compression strength, is replaced with water solution, which is made by corpuscles too, but such as small steel balls that are not be able to afford compression strength sliding one each other without taking up tangential stresses. In these studies, geometry is a working tool of prevention and measure of unexpected forces of nature, calculating in advance the energy events through time. In a second energy model, a conexion is established by contiguity and not by formal association with the principle of automorphism of R. Le Ricolais through two infrastuctural projects adapted to different enviroments, one is aereal “Sky-Rail” and the other aquatic “Under Sea Transit”, showing how small glasses and microorganisms without gravity lead to building principles of new energy systems like artificial islands. Le Ricolais said that together with life comes the problem of growth, and until now man has not been capable of making machines that grow. About future structural projects, some thoughful approches for the future are alternated between the utilization of state-of-art technologies and no technology at all, between seeking total control of environment and abandoning all modes of control.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"162 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133905158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This research looks at the paths undertaken by anonymous citizens that take part in the development of Independent Cultural Centers. Especifically, we study, from the architectural point of view, those that are installed in public empty buidings located in historical city centers from towns like Madrid or Malaga. Therefore the action is a political act that is committed to a model of participatory management in public domain but also is a way of ensuring the physical, environmental and social health of a very sensitive fragment of these towns. The aim is to analyze the phenomenon looking at two cases, with the intention to clarify the architect role in a participatory and indeterministic way of doing, that is proving to be highly effective at material and emotional levels, whatever it can show us leads about the redefinition of the profession: from conductor to mediator between expectation and reality.
{"title":"Conservación del patrimonio construido, acción ciudadana y redefinición disciplinar. La Tabacalera de Lavapiés - La Casa Invisible de Málaga","authors":"P. Martínez, J. B. Sansó","doi":"10.14198/I2.2014.2.01","DOIUrl":"https://doi.org/10.14198/I2.2014.2.01","url":null,"abstract":"This research looks at the paths undertaken by anonymous citizens that take part in the development of Independent Cultural Centers. Especifically, we study, from the architectural point of view, those that are installed in public empty buidings located in historical city centers from towns like Madrid or Malaga. Therefore the action is a political act that is committed to a model of participatory management in public domain but also is a way of ensuring the physical, environmental and social health of a very sensitive fragment of these towns. The aim is to analyze the phenomenon looking at two cases, with the intention to clarify the architect role in a participatory and indeterministic way of doing, that is proving to be highly effective at material and emotional levels, whatever it can show us leads about the redefinition of the profession: from conductor to mediator between expectation and reality.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114483785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ornament and Crime and Architecture , the two articles that have undoubtedly helped to spread the ideas and to support the celebrity of the architect Adolf Loos (1870-1933), come from two conferences. Its origin is, therefore, oral nature. And the controversy triggered following them becomes, in his time and for History, in real oracles, whose sense their transcripts, both French and German, partly inevitably distort. Just comparing what was said by the master, and then written and published, with his built work we can restore the original meaning of his thought. This is the hypothesis on which we discoursing. To his words and constructed works it must be added that the architect and journalist's attention, who thus confesses, gives trades and materials that support them, in the way of thinking of Gottfried Semper, as the basis of design. It is therefore in the light of their attendance at the architectural work, and from this to the space of inhabitation, and no from other graphic and photographic documents, as it must be assessed what has been said and written by Loos, if we stick to his own advice. The said is illuminated with what the done. And the fact is authorized by the inhabitation.
{"title":"Hacer… hablar; hablar… tal vez habitar. Apuntes sobre lo dicho y hecho por Adolf Loos (1870-1933)","authors":"Joaquín Arnau Amo, María Elia Gutiérrez Mozo","doi":"10.14198/I2.2014.2.05","DOIUrl":"https://doi.org/10.14198/I2.2014.2.05","url":null,"abstract":"Ornament and Crime and Architecture , the two articles that have undoubtedly helped to spread the ideas and to support the celebrity of the architect Adolf Loos (1870-1933), come from two conferences. Its origin is, therefore, oral nature. And the controversy triggered following them becomes, in his time and for History, in real oracles, whose sense their transcripts, both French and German, partly inevitably distort. Just comparing what was said by the master, and then written and published, with his built work we can restore the original meaning of his thought. This is the hypothesis on which we discoursing. To his words and constructed works it must be added that the architect and journalist's attention, who thus confesses, gives trades and materials that support them, in the way of thinking of Gottfried Semper, as the basis of design. It is therefore in the light of their attendance at the architectural work, and from this to the space of inhabitation, and no from other graphic and photographic documents, as it must be assessed what has been said and written by Loos, if we stick to his own advice. The said is illuminated with what the done. And the fact is authorized by the inhabitation.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"198 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134474829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Between 1978 and 1979 Norman and Wendy Foster design their own home in the London neighbourhood of Hampstead. The most personal project of the Fosters allows us —as in many other cases— to trace the references, obsessions, dreams and frustrations of its creators. This project represents a unique attempt to apply the “well-serviced shed” concept —as described by Reyner Banham— to the domestic realm. A concept based in the use of systems integration as the main project strategy. The 18 months of intense work show, through the various options developed, the evolution of the production of the couple of architects, from the industrial functionalism of the “well-serviced shed”, towards the technological expressionism of the so-called High-Tech movement. In the reasons behind the failure of this unbuilt project, one can read the debates and conflicts —between architecture and engineering, prefabrication and craftsmanship, expressionism and functionalism— in which the practice is immerse by the end of the 1970s. A series of events that will precipitate a new way of understanding the relationship between architecture and technology.
{"title":"La casa de Norman y Wendy Foster en Hampstead","authors":"C. Bravo","doi":"10.14198/I2.2014.2.02","DOIUrl":"https://doi.org/10.14198/I2.2014.2.02","url":null,"abstract":"Between 1978 and 1979 Norman and Wendy Foster design their own home in the London neighbourhood of Hampstead. The most personal project of the Fosters allows us —as in many other cases— to trace the references, obsessions, dreams and frustrations of its creators. This project represents a unique attempt to apply the “well-serviced shed” concept —as described by Reyner Banham— to the domestic realm. A concept based in the use of systems integration as the main project strategy. The 18 months of intense work show, through the various options developed, the evolution of the production of the couple of architects, from the industrial functionalism of the “well-serviced shed”, towards the technological expressionism of the so-called High-Tech movement. In the reasons behind the failure of this unbuilt project, one can read the debates and conflicts —between architecture and engineering, prefabrication and craftsmanship, expressionism and functionalism— in which the practice is immerse by the end of the 1970s. A series of events that will precipitate a new way of understanding the relationship between architecture and technology.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"205 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132097828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：