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Canciones de boda en la provincia de Guadalajara. Su proceso de creación y la dinámica de cambio 瓜达拉哈拉省的婚礼歌曲。它的创造过程和变化的动力
Pub Date : 2020-04-15 DOI: 10.3989/RDTP.1992.V47.I1.253
María Asunción Lizarazu de Mesa
Taking as a basis a specific collection of wedding songs compiled in the province of Guadalajara, we analyze the view that wedding rituals inspire in the same society that composed and recognized them as a creation of its own, and furthermore, the change which that society was subject to, as reflected by those occasional songs that were created for the sake of specific circumstances. Consideration is also given to the repercussions that social changes may have on the evolution of music. Both the texts and the different factors that are involved in the different phases of the musical process ( composers, interpreters and audience) bring to light a dynamics of change which, in the specific case assessed here, consist of small modifications or variants, both textual and musical, presumably leading to changes in style, while the repertoire continues in force; they manifest, though, more radical modifications that go as far as cause the substitution of a musical system for another, a circumstance that entails not only the disappearance of ancient repertoires but also the transformation of the very concept of music and of its cultural significance.
以在瓜达拉哈拉省汇编的一组婚礼歌曲为基础,我们分析了这样一种观点,即婚礼仪式在创作并将其视为自己的创作的同一个社会中受到启发,并且进一步分析了该社会所遭受的变化,这些变化反映在为特定情况而创作的偶尔歌曲中。还考虑到社会变化可能对音乐发展产生的影响。文本和涉及音乐过程不同阶段的不同因素(作曲家,诠释者和观众)都揭示了变化的动态,在这里评估的具体情况下,包括文本和音乐上的小修改或变体,可能导致风格的变化,而保留曲目继续有效;然而,它们表现出更激进的变化,甚至导致一种音乐系统被另一种音乐系统所取代,这种情况不仅导致古代曲目的消失,而且导致音乐概念及其文化意义的转变。
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引用次数: 0
Existencia y poder de las figuras acuáticas femeninas en la cultura popular centroeuropea. Su significación mitológico-religiosa 中欧流行文化中女性水上人物的存在与力量。它的神话宗教意义
Pub Date : 2020-04-15 DOI: 10.3989/RDTP.1992.V47.I1.250
A. Oppermann
The feminine figure in the phancasy of middle European narrative is deeply roored in the culture of our peoples and landscapes and has given rise to a suggestive subject for perusal. l;rom the Big Mother up to the mermaid of the vast ocean, there emerges a full cohurt of aquatic personages, fraught with a history of its own, mistery and a symbolic scrength. In our work we show the evolution of these myths from the classic cultures of ancient times up to their full development in the XIX century in the Germanic countries and, specially in Germany, as well as cheir reflection in the fine arts, above ali in literature. sculpture, painting and music.
欧洲神话中的女性形象深深扎根于我们的民族文化和风景中,并成为一个发人深省的阅读主题。从“大母亲”到浩瀚海洋中的美人鱼,出现了一群水生人物,他们充满了自己的历史,神秘和象征性的长度。在我们的工作中,我们展示了这些神话从古代经典文化的演变,直到19世纪在日耳曼国家,特别是在德国得到充分发展,以及它们在美术,尤其是文学中的反映。雕塑、绘画和音乐。
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引用次数: 0
Botánica y Dialectología en las Islas Canarias 加那利群岛的植物学和方言
Pub Date : 2020-04-15 DOI: 10.3989/RDTP.1992.V47.I1.252
Marie Rose Simoni Aurembou
The data gleaned by the botanist G. Kunkel and those compiled from the Linguistic Atlas of the Canary Islands are set together as a basis for studying the vulgar names of the Canarias flora. The condusions reached underline the need to resort to sources complementing each other in the study of the existent vocabulary.
植物学家G. Kunkel收集的数据和加那利群岛语言地图集汇编的数据被放在一起,作为研究加那利植物群粗俗名称的基础。得出的结论强调了在现有词汇的研究中需要采用互补的来源。
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引用次数: 0
El cuento folklórico y sus adaptaciones. Entre la tradición oral y la fijación escrita. Tres apropiaciones del cuento «Juan el oso» (Cuento-Tipo AT 301b) 民间故事及其改编。在口头传统和书面固定之间。故事“胡安·埃尔·熊”的三次拨款(计数类型AT 301b)
Pub Date : 2020-04-15 DOI: 10.3989/rdtp.1992.v47.i1.247
M. J. G. Collado
La nouvelle medievale francaise anonyme « Histoire de Valentin et Orson », « Ursοn y Valentin, hijos del Rey de Francia » (comedie espagnole de Lope de Vega), et les ballades « Don Claudio y Dona Margarita » ont une origine folklorique commune : le conte populaire « Juan el Oso » (Jean de l'Ours) (conte-type AT 301b). L'A. propose une analyse comparative des versions orales et litteraires.
法国新medievale匿名的情人和Orson»、««故事Urs n y (Valentinοhijos del Rey的Francia»(comedie 56081 Vega)、西班牙和唐Claudio y Dona Margarita»«民谣有民俗民间故事:共同起源Oso»«胡安·埃尔(Jean de熊conte-type印证AT)。那样。提供口头和文学版本的比较分析。
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引用次数: 0
Violencia, ritual y división simbólica de los sexos en Almadén (Ciudad Real) almaden (Ciudad Real)中的暴力、仪式和象征性的性别划分
Pub Date : 2020-04-15 DOI: 10.3989/RDTP.1992.V47.I1.243
M. Ruiz
The instances of iconoclastic violence which Spain has suffered in recent phases of its history have not been explained in all of their cultural determinants. An interpretation is offered here of the relations between ritual system, sacrophobia and conflicts by reason of sex in Almaden, a mining village in Castilla-La Mancha, that serves to put forward an approach to those factors which, arising from an extrapolitical field, may seem to contribute to the forming of unconscious aspects of the Spanish contemporary anticlerical ideology.
西班牙在其历史的最近阶段所遭受的破坏圣像的暴力事件并没有在其所有文化决定因素中得到解释。这里提供了一种解释,在卡斯蒂利亚-拉曼查的一个采矿村庄阿尔马登,仪式制度,恐骶症和性冲突之间的关系,这有助于提出一种方法来处理这些因素,这些因素源于一个非政治领域,似乎有助于形成西班牙当代反教权意识形态的无意识方面。
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引用次数: 0
Cuentos folklóricos en las Cartas criticas de Francisco de Alvarado 弗朗西斯科·德·阿尔瓦拉多评论信中的民间故事
Pub Date : 2020-04-15 DOI: 10.3989/RDTP.1992.V47.I1.256
L. Rodriguez
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没有可用的
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引用次数: 0
Algunas consideraciones sobre los temas de los cuentos tradicionales de Castilla y León 对卡斯提尔和leon传统故事主题的一些思考
Pub Date : 2020-04-03 DOI: 10.3989/RDTP.1993.V48.I1.263
J. A. Espinosa
The comparison of the animal tales and tales of magic in three large collections of traditional tales provides an inventory of tales of the types mentioned in the areas of Castile and Leon. The fact that the tales were collected during a limited period gives precise information regarding the popularity and preservation of the various themes and types. Based on the catalogue of Aarne-Thompson, the inventory includes sorne 160 types of tales. The most popular tales are generally the same in the three collections. In the most recent one, a tendency to shorten the tale is apparent, and there is a considerable number of very short tales. In any case, the inventory gives evidence of the vitality of the oral tale in popular culture.
动物故事和魔法故事在三个大的传统故事集的比较提供了卡斯蒂利亚和莱昂地区提到的故事类型的清单。这些故事是在有限的时间内收集的,这一事实提供了关于各种主题和类型的流行和保存的准确信息。该目录以阿恩-汤普森的目录为基础,包括160多种故事。在这三本合集里,最受欢迎的故事大体上是相同的。在最近的一部小说中,很明显有缩短故事的趋势,而且有相当多的短篇小说。无论如何,这份清单证明了口头故事在流行文化中的生命力。
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引用次数: 0
Introducción a la antropología general de Pierre Bourdieu 皮埃尔·布迪厄的《一般人类学导论》
Pub Date : 2020-04-03 DOI: 10.3989/RDTP.1993.V48.I1.257
Joaquín Rodríguez López
The paper deal with the summing up of the content of Pierre Bourdieu's works and the searching of the line of argument that links seemingly unrelated fields of work: trough the categorys of field, habitus and doxa, developed by the author himself, we reach to the problem of the social construction of understanding and judgement and, through that, to its daily and contextual use and to the social construction of the sense of reality.
本文对皮埃尔·布迪厄作品的内容进行了总结,并寻找了将看似无关的工作领域联系起来的论证路线:通过作者自己开发的领域,习惯和doxa的范畴,我们达到了理解和判断的社会建构问题,并通过它的日常和语境使用以及现实感的社会建构。
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引用次数: 0
Una versión asturiana de Lanzarote y el ciervo de pie blanco 阿斯图里亚版本的兰萨罗特和白脚鹿
Pub Date : 2020-04-03 DOI: 10.3989/RDTP.1993.V48.I1.264
Jesús Suárez López
A new version is presented of the romance Lanzarote y el ciervo de pie blanco, collected in the village of El Argumosin (Asturias). So far very few variations are known in the oral tradition of this rare bailad of the Arturic cycle, namely from the Canary Islands, Almeria and Jaen. The formal aspectsd and the story parts are analyzed of the different modern versions, and its probable origin is postulated in the only printed text within the Cancionero de Romances of Martln Nudo (1550).
一个新版本的浪漫兰萨罗特和el ciervo de pie blanco,收集在el Argumosin村(阿斯图里亚斯)。到目前为止,在这个罕见的阿图尔周期的口述传统中,即来自加那利群岛,阿尔梅里亚和哈恩的变化很少。对不同现代版本的形式方面和故事部分进行了分析,并在马丁·努多(1550)的《罗曼史》(Cancionero de Romances)中唯一的印刷文本中假定其可能的起源。
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引用次数: 0
Realidad y ficción literaria del maranchonero: muletero, tratante y rico maranchonero的现实与文学小说:骡子、商人和富人
Pub Date : 2020-04-03 DOI: 10.3989/rdtp.1993.v48.i1.262
J. Jiménez
There are contrasting descriptions and viewpoint,;, of the maranchunero personality, more from a literary aspect rather than from a real one, in accordance with out-of-date ideas impregnated with a certain romanticism which eventuaHy compares them ethnically with the gipsies. The descriptions of their attire are particularly noteworthy.
对马兰丘内罗人的性格有不同的描述和观点,更多的是从文学的角度而不是从现实的角度来描述的,这些描述和观点与某种浪漫主义的过时观念是一致的,这种浪漫主义最终将他们在种族上与吉卜赛人相提并论。对他们着装的描述尤其值得注意。
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引用次数: 0
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