Pub Date : 2019-11-21DOI: 10.5007/2175-7917.2019v24n2p190
Rodrigo L. Fonte
{"title":"Ensaios de um livro-bike: sobre \"Bagageiro\", de Marcelino Freire","authors":"Rodrigo L. Fonte","doi":"10.5007/2175-7917.2019v24n2p190","DOIUrl":"https://doi.org/10.5007/2175-7917.2019v24n2p190","url":null,"abstract":"","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"24 1","pages":"190-195"},"PeriodicalIF":0.0,"publicationDate":"2019-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46285757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-11-21DOI: 10.5007/2175-7917.2019v24n2p2
Elisângela da Silva Santos
Conceicao Evaristo, a writer from the State of Minas Gerais, brings as her mark the literary production born out of the life experience of the black person in Brazilian society, which shakes hegemonic literary structures and patterns. It is discussed in this article the thematic of childhood in the work of Conceicao Evaristo, Poncia Vicencio , which can also be read as a breaking of standards by offering prominence to the child. As we will see, in this novel, the childhood of the characters transits historically between past and present, describing the different forms of learning, the games and frolics, fantasies, violence and oppression, in consonance with the identity inheritance of the characters, that, once adults, rethink the child’s look and feelings. In a society that prioritizes the point of view of the experienced adult, the small black child acquires centrality and is able to narrate the own paths, from their social, racial status and also their gender. As will be seen, a social critique of the slave-making past permeates the whole book. The novel is constituted from a sinuous structure, since its reading depends on the memories of the main character, who enters in several labyrinths until finding an exit to its suffering and prostration before the situation of social and racial inequality experienced by her and by her family. In this sense, Evaristo presents us the possibility of thinking infancy in a plural way, for it invites us to think twice about the conception of what the children’s universe is, beyond innocence, lost paradise, colorful toys, and standardizing school desks.
{"title":"Pelos fios da memória: infância e ancestralidade em \"Ponciá Vicêncio\"","authors":"Elisângela da Silva Santos","doi":"10.5007/2175-7917.2019v24n2p2","DOIUrl":"https://doi.org/10.5007/2175-7917.2019v24n2p2","url":null,"abstract":"Conceicao Evaristo, a writer from the State of Minas Gerais, brings as her mark the literary production born out of the life experience of the black person in Brazilian society, which shakes hegemonic literary structures and patterns. It is discussed in this article the thematic of childhood in the work of Conceicao Evaristo, Poncia Vicencio , which can also be read as a breaking of standards by offering prominence to the child. As we will see, in this novel, the childhood of the characters transits historically between past and present, describing the different forms of learning, the games and frolics, fantasies, violence and oppression, in consonance with the identity inheritance of the characters, that, once adults, rethink the child’s look and feelings. In a society that prioritizes the point of view of the experienced adult, the small black child acquires centrality and is able to narrate the own paths, from their social, racial status and also their gender. As will be seen, a social critique of the slave-making past permeates the whole book. The novel is constituted from a sinuous structure, since its reading depends on the memories of the main character, who enters in several labyrinths until finding an exit to its suffering and prostration before the situation of social and racial inequality experienced by her and by her family. In this sense, Evaristo presents us the possibility of thinking infancy in a plural way, for it invites us to think twice about the conception of what the children’s universe is, beyond innocence, lost paradise, colorful toys, and standardizing school desks.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"24 1","pages":"42-58"},"PeriodicalIF":0.0,"publicationDate":"2019-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49313268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-11-21DOI: 10.5007/2175-7917.2019v24n2p196
Yarlenis Ileinis Mestre Malfrán, Mara Coelho de Souza Lago
{"title":"Feminismo negro: uma contra narrativa ao racismo brasileiro","authors":"Yarlenis Ileinis Mestre Malfrán, Mara Coelho de Souza Lago","doi":"10.5007/2175-7917.2019v24n2p196","DOIUrl":"https://doi.org/10.5007/2175-7917.2019v24n2p196","url":null,"abstract":"","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"24 1","pages":"196-201"},"PeriodicalIF":0.0,"publicationDate":"2019-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47230424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-11-21DOI: 10.5007/2175-7917.2019v24n2p116
Ana Bárbara Pedrosa
Neste artigo, resumimos as conclusoes da tese de doutoramento apresentada a Universidade Federal de Santa Catarina em 2017. Aqui, fazemos uma analise das condicoes de producao e recepcao das obras das autoras portuguesas censuradas pela PIDE. Com um corpus que alberga todos os romances censurados de todas as autoras portuguesas, incluindo ainda pecas de teatro e poesia, procuramos os motivos que levaram a censura e analisamos o papel que a censura teve na delineacao do cânone literario portugues. O seu papel nao e mesuravel, quantitativo. Nao apenas teve a sua influencia sobre os livros que censurou: existem ainda aqueles que foram modificados para evitarem a proibicao e aqueles que nem sequer foram escritos. Para mais, analisamos as condicoes de recepcao dessas obras, ja que, se umas foram simplesmente apagadas, outras motivaram processos judiciais ou movimentos sociais de apoio. O unico denominador simbolico comum parte de uma identidade social que, por sua vez, parte de elementos culturais, sociais e politicos.
{"title":"Do zeitgeist às prateleiras – as obras das autoras portuguesas censuradas","authors":"Ana Bárbara Pedrosa","doi":"10.5007/2175-7917.2019v24n2p116","DOIUrl":"https://doi.org/10.5007/2175-7917.2019v24n2p116","url":null,"abstract":"Neste artigo, resumimos as conclusoes da tese de doutoramento apresentada a Universidade Federal de Santa Catarina em 2017. Aqui, fazemos uma analise das condicoes de producao e recepcao das obras das autoras portuguesas censuradas pela PIDE. Com um corpus que alberga todos os romances censurados de todas as autoras portuguesas, incluindo ainda pecas de teatro e poesia, procuramos os motivos que levaram a censura e analisamos o papel que a censura teve na delineacao do cânone literario portugues. O seu papel nao e mesuravel, quantitativo. Nao apenas teve a sua influencia sobre os livros que censurou: existem ainda aqueles que foram modificados para evitarem a proibicao e aqueles que nem sequer foram escritos. Para mais, analisamos as condicoes de recepcao dessas obras, ja que, se umas foram simplesmente apagadas, outras motivaram processos judiciais ou movimentos sociais de apoio. O unico denominador simbolico comum parte de uma identidade social que, por sua vez, parte de elementos culturais, sociais e politicos.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"24 1","pages":"116-134"},"PeriodicalIF":0.0,"publicationDate":"2019-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5007/2175-7917.2019v24n2p116","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46887971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-11-21DOI: 10.5007/2175-7917.2019v24n2p71
Pedro Borges Pimenta Júnior
This article intends to discuss the use, in texts produced by black women writers, of natural elements that refer to women's resistance to the exclusionary realities and their capacity to act in the construction and transformation of society. For this, the tale Quem manda aqui? Will be analyzed in the book As andorinhas (2013a), written by the Mozambican Paulina Chiziane, and Sabela, by the Brazilian writer Conceicao Evaristo, a novel published in Historias de leves enganos e parecencas (2016). The study proposed here highlights the symbology of female and black resistance that Chiziane's swallows and the waters-reminders of Conceicao Evaristo evoke, helping to understand their literary project. In this sense, the reading of the works and the revision of the bibliography that she gave were guided by the studies of Maria Nazareth Fonseca (2014), Francisco Noa (2019), Pierre Bourdieu (2012), Assuncao Silva (2016), Ana Mafalda Leite (2003), Carmem Lucia Tindo Secco e Claudia Medeiros (2014), Mircea Eliade (1979) and Alfredo Bosi (1977).
{"title":"Andorinhas e águas – lembranças: elementos de resistência feminina em “Quem manda aqui”, de Paulina Chiziane, e “Sabela”, de Conceição Evaristo","authors":"Pedro Borges Pimenta Júnior","doi":"10.5007/2175-7917.2019v24n2p71","DOIUrl":"https://doi.org/10.5007/2175-7917.2019v24n2p71","url":null,"abstract":"This article intends to discuss the use, in texts produced by black women writers, of natural elements that refer to women's resistance to the exclusionary realities and their capacity to act in the construction and transformation of society. For this, the tale Quem manda aqui? Will be analyzed in the book As andorinhas (2013a), written by the Mozambican Paulina Chiziane, and Sabela, by the Brazilian writer Conceicao Evaristo, a novel published in Historias de leves enganos e parecencas (2016). The study proposed here highlights the symbology of female and black resistance that Chiziane's swallows and the waters-reminders of Conceicao Evaristo evoke, helping to understand their literary project. In this sense, the reading of the works and the revision of the bibliography that she gave were guided by the studies of Maria Nazareth Fonseca (2014), Francisco Noa (2019), Pierre Bourdieu (2012), Assuncao Silva (2016), Ana Mafalda Leite (2003), Carmem Lucia Tindo Secco e Claudia Medeiros (2014), Mircea Eliade (1979) and Alfredo Bosi (1977).","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"24 1","pages":"71-86"},"PeriodicalIF":0.0,"publicationDate":"2019-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44555539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-11-21DOI: 10.5007/2175-7917.2019v24n2p135
A. C. R. D. Moraes
Quando ouvimos a frase “conte-me uma historia”, em portugues, pode-se estar falando dos mitos e contos de fadas, da historia de vida de alguem ou dos acontecimentos da historia mundial. Assim, disciplina historica, literatura e biografia estao relacionadas quando colocamos a palavra “Historia” em jogo. Esse ensaio tem como objetivo pensar a relacao que se estabelece entre a Literatura e a Historia, num debate a respeito do papel da ficcao e do sujeito historiador na producao do conhecimento historico. Para isso, mobilizamos uma bibliografia interdisciplinar, onde alguns historiadores dialogam com escritos dos filosofos Jacques Ranciere e Giorgio Agamben, com o mitologo Furio Jesi e com a psicanalise. Por fim, o texto e permeado pela grande contribuicao do poeta e vidente Hermann Hesse que em seus livros de literatura pode trazer profundas reflexoes nao so para se pensar o sujeito, mas tambem para o campo da teoria e escrita da historia.
{"title":"A linguagem da História: entre o passado, a ficção e aquele que escreve","authors":"A. C. R. D. Moraes","doi":"10.5007/2175-7917.2019v24n2p135","DOIUrl":"https://doi.org/10.5007/2175-7917.2019v24n2p135","url":null,"abstract":"Quando ouvimos a frase “conte-me uma historia”, em portugues, pode-se estar falando dos mitos e contos de fadas, da historia de vida de alguem ou dos acontecimentos da historia mundial. Assim, disciplina historica, literatura e biografia estao relacionadas quando colocamos a palavra “Historia” em jogo. Esse ensaio tem como objetivo pensar a relacao que se estabelece entre a Literatura e a Historia, num debate a respeito do papel da ficcao e do sujeito historiador na producao do conhecimento historico. Para isso, mobilizamos uma bibliografia interdisciplinar, onde alguns historiadores dialogam com escritos dos filosofos Jacques Ranciere e Giorgio Agamben, com o mitologo Furio Jesi e com a psicanalise. Por fim, o texto e permeado pela grande contribuicao do poeta e vidente Hermann Hesse que em seus livros de literatura pode trazer profundas reflexoes nao so para se pensar o sujeito, mas tambem para o campo da teoria e escrita da historia.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"24 1","pages":"135-145"},"PeriodicalIF":0.0,"publicationDate":"2019-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48711647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-11-21DOI: 10.5007/2175-7917.2019v24n2p98
M. B. Braga
This article aims to show that the regionalist literary works of Bernardo Joaquim da Silva Guimaraes, a Brazilian author, can be considered as a source for studies on the economy and society of the Brazilian central hinterland in the context of the decay of mining activity in the 19 th century. In these works, one can find the description of poverty, slavery and other economic and social consequences of the end of the mining cycle, particularly in the Province of Minas Gerais, in the region known as the Triangulo Mineiro and Alto do Paranaiba, and South of Goias. The analysis focuses on the novels entitled O Garimpeiro (2015), O Ermitao de Muquem (1958) and O Indio Afonso (1900), and on two short stories, A Danca dos Ossos (2006a) and Uma Historia de Quilombolas (2006b) . The article also seeks to contribute to the study of the relationship between literature and economic history that can be found in numerous Brazilian authors.
本文旨在表明，巴西作家贝尔纳多·若阿金·达席尔瓦·吉马拉斯的地区主义文学作品可以作为研究19世纪采矿活动衰退背景下巴西中部腹地经济和社会的来源。在这些作品中，人们可以找到对采矿周期结束后的贫困、奴隶制和其他经济和社会后果的描述，特别是在米纳斯吉拉斯省、Triangulo Mineiro和Alto do Paranaiba地区以及戈亚斯南部。分析的重点是《O Garimpeiro》（2015）、《O Ermitao de Muquem》（1958）和《O Indio Afonso》（1900），以及两部短篇小说《A Danca dos Ossos》（2006a）和《Uma Historia de Quilombolas》（2006b）。这篇文章还试图为研究文学和经济史之间的关系做出贡献，这些关系可以在许多巴西作家身上找到。
{"title":"Economia e sociedade no Centro-Oeste brasileiro do século XIX a partir da leitura do romancista Bernardo Guimarães","authors":"M. B. Braga","doi":"10.5007/2175-7917.2019v24n2p98","DOIUrl":"https://doi.org/10.5007/2175-7917.2019v24n2p98","url":null,"abstract":"This article aims to show that the regionalist literary works of Bernardo Joaquim da Silva Guimaraes, a Brazilian author, can be considered as a source for studies on the economy and society of the Brazilian central hinterland in the context of the decay of mining activity in the 19 th century. In these works, one can find the description of poverty, slavery and other economic and social consequences of the end of the mining cycle, particularly in the Province of Minas Gerais, in the region known as the Triangulo Mineiro and Alto do Paranaiba, and South of Goias. The analysis focuses on the novels entitled O Garimpeiro (2015), O Ermitao de Muquem (1958) and O Indio Afonso (1900), and on two short stories, A Danca dos Ossos (2006a) and Uma Historia de Quilombolas (2006b) . The article also seeks to contribute to the study of the relationship between literature and economic history that can be found in numerous Brazilian authors.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"24 1","pages":"98-115"},"PeriodicalIF":0.0,"publicationDate":"2019-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5007/2175-7917.2019v24n2p98","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44812935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-11-21DOI: 10.5007/2175-7917.2019v24n2p15
F. R. Miranda
The paper is composed of three parts. In the first, I draw some parallels between Conceicao Evaristo's work Poncia Vicencio, comparing to other novels by brazilian black authors, signaling the contiguity of a dispersed, but communicating, set of novels that are interspersed by the romanesque genre and by the authorship of black women – as the pioneer Ursula, of Maria Firmina dos Reis, published in the nineteenth century; Agua funda (1946), by Ruth Guimaraes, the first novel by a black author published after the end of slavery; Pedacos da fome (1963) and Diario de Bitita (1986), both of Carolina Maria de Jesus; As mulheres de Tijucopapo (1982), Marilene Felinto and Um defeito de cor (2006), by Ana Maria Goncalves. In a second moment, I approach the concept of “escrevivencia”, observing its borderline location between fiction, realism and autobiography, emphasizing that the critical invoice of the concept generates an amplification of its respective scope. Finally, I highlight some lines of strength of the work, in order to emphasize its narrative power to forge and make visible the colonial counter-memories of the nation.
本文由三部分组成。在第一篇文章中，我将康塞卡奥·埃瓦里斯托的作品《Poncia Vicencio》与巴西黑人作家的其他小说进行了一些比较，表明了一组分散但交流的小说的连续性，这些小说穿插着浪漫主义风格和黑人女性的作者身份——就像19世纪出版的玛丽亚·菲尔米娜·杜斯·雷斯的先驱厄休拉；Ruth Guimaraes的《Agua funda》（1946），是奴隶制结束后黑人作家出版的第一部小说；Pedacos da fome（1963年）和Diario de Bitita（1986年），均为Carolina Maria de Jesus；《蒂朱科帕波》（1982年）、《玛丽莲·费林托和乌姆·德菲托·德科尔》（2006年），作者：安娜·玛丽亚·贡卡尔维斯。在第二个时刻，我探讨了“escrevivencia”的概念，观察了它在小说、现实主义和自传之间的边界位置，强调了这个概念的批判性发票会放大其各自的范围。最后，我强调了这部作品的一些力量，以强调它的叙事力量，塑造和展示这个国家的殖民反记忆。
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Pub Date : 2019-11-21DOI: 10.5007/2175-7917.2019v24n2p146
Milena Alves Borba, Alfeu Sparemberger
This paper is the result of a transtextual analysis, as discussed by Ginette (2006), of the short story "Viagem e Viajantes na Historia da Literatura" (1988), by Joao Inacio Padilha. To help with the analysis, other concepts were also used: the concept of the dual formal structure of short stories, by Ricardo Piglia (2006); the precepts of historiographic metafiction, by Hutcheon (1989); and the concept of autobiographical fiction, by Perrone-Moises (2016). This analysis, typical of the hipertextual practice, allows us to observe how the short story retakes original statements to resignify and recontextualize them during the construction of its narrative.In this process, the short story by Joao Padilha shows, indirectly, the way the readers should read the story because it activates references that work as reading metaphors, as a way of going through Machado de Assis’s work/text through the principle of palimpsestic construction. Through this reading operation, the reader is invited to be a traveler, but she/he should, therefore, activate a determinate reading repertoire which equals to moving through a vast series of literary traditions.
本文是Ginette(2006)对Joao Inacio Padilha的短篇小说《Viagem e Viajantes na Historia da Literatura》(1988)进行跨文本分析的结果。为了帮助分析，还使用了其他概念:里卡多·皮格利亚(2006)的短篇小说的双重形式结构概念;哈钦(1989)的《史学元虚构的戒律》;以及Perrone-Moises(2016)的自传体小说概念。这种分析是典型的超文本实践，它使我们能够观察到短篇小说在叙事构建过程中是如何对原始陈述进行重新定义和重新语境化的。在这个过程中，Joao Padilha的短篇故事间接地展示了读者应该阅读故事的方式，因为它激活了作为阅读隐喻的参考，作为一种通过重写结构原则来阅读Machado de Assis的作品/文本的方式。通过这种阅读操作，读者被邀请成为一个旅行者，但因此，她/他应该激活一个确定的阅读曲目，这相当于在一系列巨大的文学传统中移动。
{"title":"À roda da vida de Machado de Assis em \"Viagens e viajantes na história da literatura\"","authors":"Milena Alves Borba, Alfeu Sparemberger","doi":"10.5007/2175-7917.2019v24n2p146","DOIUrl":"https://doi.org/10.5007/2175-7917.2019v24n2p146","url":null,"abstract":"This paper is the result of a transtextual analysis, as discussed by Ginette (2006), of the short story \"Viagem e Viajantes na Historia da Literatura\" (1988), by Joao Inacio Padilha. To help with the analysis, other concepts were also used: the concept of the dual formal structure of short stories, by Ricardo Piglia (2006); the precepts of historiographic metafiction, by Hutcheon (1989); and the concept of autobiographical fiction, by Perrone-Moises (2016). This analysis, typical of the hipertextual practice, allows us to observe how the short story retakes original statements to resignify and recontextualize them during the construction of its narrative.In this process, the short story by Joao Padilha shows, indirectly, the way the readers should read the story because it activates references that work as reading metaphors, as a way of going through Machado de Assis’s work/text through the principle of palimpsestic construction. Through this reading operation, the reader is invited to be a traveler, but she/he should, therefore, activate a determinate reading repertoire which equals to moving through a vast series of literary traditions.","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"24 1","pages":"146-163"},"PeriodicalIF":0.0,"publicationDate":"2019-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42346494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-11-21DOI: 10.5007/2175-7917.2019v24n2p8
B. R. Mattia, D. Stoll, Elton da Silva Rodrigues, Isabele Soares Parente, Jair Zandoná, Marina Siqueira Drey, T. R. O. Ramos
{"title":"Palavras ditas libertam","authors":"B. R. Mattia, D. Stoll, Elton da Silva Rodrigues, Isabele Soares Parente, Jair Zandoná, Marina Siqueira Drey, T. R. O. Ramos","doi":"10.5007/2175-7917.2019v24n2p8","DOIUrl":"https://doi.org/10.5007/2175-7917.2019v24n2p8","url":null,"abstract":"","PeriodicalId":30964,"journal":{"name":"Anuario de Literatura","volume":"24 1","pages":"08-14"},"PeriodicalIF":0.0,"publicationDate":"2019-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5007/2175-7917.2019v24n2p8","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42626983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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