Pub Date : 2021-04-09DOI: 10.5007/2176-8552.2020.E72581
Francielly Baliana
The concept of labyrinth is important to Julio Cortazar's literature, especially in works like Rayuela and in tales like those gathered in Bestiario. As his reader, Roberto Bolano for the time being seems to manifest in works like Amuleto the resignification of this labyrinthine capacity, taking literature to other levels, in which the notions of construction and destruction of the narrative can be associated with both the fatality of an abyss and the performance that involves the point of view of the narrator. This article aims to analyze how these movements occur in both authors and to what extent approximations and distances are possible within this larger labyrinth in which they both live together, Latin American literature.
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Pub Date : 2021-04-09DOI: 10.5007/2176-8552.2020.E73749
D. Radünz
The naturalist Fritz Muller published the article “Der Minhocao”, in 1877, in the German magazine Zoologische Garten, collecting testimonies about the inusual annelid that would have been seen in the states of Santa Catarina, Parana and Sao Paulo. Object this reading, the 19th century scientific report is read from the theory of displacement of the ideas of Philosophy of As If (Philosophie des Als Ob, 1911), by Hans Vaihinger, with elements of Wolfgang Iser (fictional, imaginary) and Vilem Flusser (philosophical fable Vampyrotheutis Infernalis). In this reading, descriptions of alternating zoology by Guimaraes Rosa and Wilson Bueno, a poem by Fritz Muller and a fragment of Galaxias, by Haroldo de Campos, are counterpoints that explore the limits between fiction and fact, and between fiction, hypothesis and scientific dogma.
博物学家弗里茨·穆勒(Fritz Muller)于1877年在德国杂志《动物学》(Zoologische Garten)上发表了一篇题为《Der Minhocao》的文章，收集了有关这种在圣卡塔琳娜州、巴拉那州和圣保罗可能看到的不寻常的节动物的证词。在这篇阅读中，19世纪的科学报告是从汉斯·维辛格(Hans Vaihinger)的《仿佛哲学》(Philosophie des Als Ob, 1911)的思想置换理论中读到的，其中包含沃尔夫冈·伊瑟尔(虚构的，想象的)和维勒姆·弗卢瑟(哲学寓言吸血鬼地狱)的元素。在这篇阅读中，吉马拉埃斯·罗莎和威尔逊·布埃诺对交替的动物学的描述，弗里茨·穆勒的一首诗和哈罗多·德·坎波斯的《银河》片段，是探索虚构与事实之间，虚构、假设和科学教条之间界限的对位。
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Pub Date : 2021-04-09DOI: 10.5007/2176-8552.2020.E73269
C. P. Flôres
This article proposes a reading of “Os doentes”, poem included in the book Eu, by the poet Augusto dos Anjos, starting from the philosopher Walter Benjamin’s conception about allegory as a ruinous procedure of language. In this poem, an “I” narrates historical events as someone who walks through an anachronistic metropolis, being himself pierced by individual decrepitude – the hetica, at the same time that he suffers a guilt for having “violated the laws of Nature” – the ethics. I consider death and physical decrepitude - portrayed throughout the poem in the body, in illness, in the corpse and in putrefaction - as allegorical of the moral and ethical degeneration of a “blond race”. Such reading makes it possible to place the narrative voice of the poem in two threshold dimensions, because the “I” is at the same time another (the sicks) and the others (a sick civilization).
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Pub Date : 2021-02-25DOI: 10.5007/2176-8552.2019.E73697
Isabela Bosi
In this article, we aim to dialogue with Elida Tessler’s artistic work, specifically her work 365, to reflect about subjects as sending and time. This installation – located between literature and visual art, word and image – emerges from an invitation by the artist to her interlocutors (known and unknown) to choose a letter from the favorite authors and send her a copy by mail. She waited for these correspondences for a year – 365 days –, between 2014 and 2015, to set up her exhibition with all the cards arranged in a huge suitcase. We understand her gesture, moved by affections, as a search for the fragile balance of a wait, of those letters sent as a promise, contingency. In her creative process, she proposes, to herself and to the other, new temporalities, escaping chronology and approaching a fluid time, with its multiple durations. In order to deepen this analysis, we evoke the theory of thinkers like Henri Bergson, Jacques Derrida, George Steiner, Giorgio Agamben, and others.
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Pub Date : 2021-02-25DOI: 10.5007/2176-8552.2019.E73473
Marcele Aires Franceschini
A world of medieval shine, expanded in violent, animalistic, monstrous acts of the Self: this is how unveils the narrative of the prize-winning novel the remorse of baltazar serapiao (2006), by the Angolan writer Valter Hugo Mae. With an unmistakable style conducted by the refusal of capital letters and formal punctuation models, the author applies a dense, oral narrative, embedded with carnal, primitive senses of language. Monstrosity dominates the actions of the protagonist, baltazar, from the physical/psychological deconstruction of his lady up until the misogynist concept that trespasses the saga – as well as the tyranny of his father against his own mother. Indeed, a paradoxical “misogyny”, since the I-narrator does not destroy only the feminine, but the humanity code that conceives each one of the characters. Witches, Lords, and the dammed: all partners in the convulsive dance opposed to fertility and resistance of the Being.
一个中世纪光辉的世界，在暴力、兽性、怪异的自我行为中扩展:这就是安哥拉作家瓦尔特·雨果·梅(Valter Hugo Mae)的获奖小说《巴尔塔扎尔·塞拉皮奥的悔恨》(2006)的叙事方式。通过拒绝大写字母和正式的标点模式，作者采用了一种明确无误的风格，采用了密集的口头叙事，嵌入了肉欲，原始的语言感觉。怪物支配着主人公巴尔塔扎尔的行为，从对他的女人的身体/心理解构，直到贯穿整个故事的厌女观念，以及他父亲对自己母亲的暴政。事实上，这是一种矛盾的“厌女症”，因为我的叙述者不仅摧毁了女性，而且摧毁了孕育每一个角色的人性准则。女巫，领主，和被诅咒的人:所有的伙伴在反对生育和抵抗存在的惊厥舞蹈。
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Pub Date : 2021-02-25DOI: 10.5007/2176-8552.2019.E73668
R. Bezerra, Camila Volker
his article aimed to contribute to the list of research on Carolina Maria de Jesus, an important figure in contemporary Brazilian literature, and to weave some reflections around the notion of (de) construction of the body, under the axis of social representations, in the work Quarto of eviction: diary of a favela (2014). For this, it was considered as a relevant element the place of speech of Carolina de Jesus, who recreates the unhealthy environment in which she lived and projects in the linguistic materiality the different voices of the favela construct. Thus, by means of an interpretative study, we started from the theoretical body status, in the Psychoanalysis of Jacques Lacan, and from the construction and deconstruction of Antelo (2007) and Nancy (2014), in order to indicate how the corporeality of the common reality is established in narrative.
他的文章旨在为当代巴西文学中的重要人物Carolina Maria de Jesus的研究清单做出贡献，并在《驱逐四开本:贫民窟日记》(2014)的社会表征轴下，围绕身体(de)建构的概念编织一些反思。为此，Carolina de Jesus的演讲场所被认为是一个相关的因素，她再现了她生活的不健康环境，并在语言的物质性中表达了贫民窟结构的不同声音。因此，通过解释性研究，我们从雅克·拉康《精神分析》中的理论身体地位出发，从安特洛(2007)和南希(2014)的建构和解构出发，以表明共同现实的肉体性是如何在叙事中建立起来的。
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Pub Date : 2021-02-25DOI: 10.5007/2176-8552.2019.E73061
P. Cunha
El presente trabajo propone empezar una investigacion acerca de la presencia de un gesto provocativo en la obra del escritor mexicano Mario Bellatin. Esta hipotesis parte de la lectura de los textos Underwood Portatil, modelo 1915 (2005), Disecado (2011) e Escribir sin escribir (2014). La presencia del gesto es buscada inicialmente en los relatos de algunos Sucesos de Escritura presentes en los textos seleccionados. El gesto esta pensado a partir de dos dimensiones interrelacionadas: a) la provocacion a traves de la construccion de una figura autoral ambigua; b) la provocacion a traves de ciertos procedimientos de escritura. La discusion nos lleva a sugerir que el gesto provocativo bellatiniano actua una busqueda por la condicion comunitaria de la escritura. Palabras-chave: Mario Bellatin; Sucesos de Escritura; mito del escritor; comunidad
在这篇文章中，我们分析了墨西哥作家Mario Bellatin作品中挑衅姿态的存在。这一假设是基于对《Underwood Portatil》、1915模型(2005)、《Disecado》(2011)和《write no write》(2014)文本的阅读。在这篇文章中，我们提出了一种方法，在这种方法中，手势的存在被认为是一种象征性的行为。这个手势从两个相互关联的维度来思考:a)通过构建一个模糊的作者形象来挑衅;b)通过某些写作程序进行挑衅。在这篇文章中，我们讨论了bellatinian的挑衅性姿态对写作的社区条件的探索。关键词:Mario Bellatin;写作事件;作者的神话;社会
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Pub Date : 2021-02-25DOI: 10.5007/2176-8552.2019.E73771
Michel Lagerlöf, G. P. Ribeiro
This article establishes the connection between MAD magazine, a North America humor magazine, and the hybridization between ight art and serious art, according to Andreas Huysen’s thoughts. The two art spheres will face problems with the current culture industry concept and its set of ideas. In the sequence, we will approach the general characteristics of the magazine as we look for a synthesis with the ideas we present. In summary, the article will discuss the theme of consumerism, which appears several times in the publication, as a form of critical engagement, which is an attribute of serious art, as a reaction to the domination mechanisms of a society based on the consumerism culture.
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Pub Date : 2021-02-25DOI: 10.5007/2176-8552.2019.E73603
Iara Machado Pinheiro
This piece tries to think the statutes that the absents and the remembrances have in the fiction’s narrative by the Italian writer Natalia Ginzburg. The propose is to draw a path by four novel’s endings – La strada che va in citta, Tutti i nostri ieri, Caro Michele and La citta e la casa – for read them with excerpts of Ginzburg’s essays, fragments of Espinosa related with the absence and the capacity of desire and Walter Benjamin’s concept of experience. The hypothesis of reading consists in the outline of a possible kind of joy in a world without sense, very different of an idyllic happiness because includes the ambivalence, and in the experience’s survival through the work with the memory.
这篇文章试图思考意大利作家纳塔莉亚·金兹伯格的小说叙述中缺失和记忆的法律。我们的建议是通过四部小说的结尾——《城市中的strada che va in citta》、《Tutti i nostri ieri》、《Caro Michele》和《城市中的La citta e La casa》来绘制一条路径，因为阅读这些小说时，我们会读到金兹堡的文章摘录、埃斯皮诺萨的片段，这些片段与欲望的缺失和能力以及沃尔特·本雅明(Walter Benjamin)的经验概念有关。阅读的假设包含了一种可能的快乐在一个没有意义的世界的轮廓，与田园诗般的快乐非常不同，因为它包含了矛盾心理，在经历中生存通过工作与记忆。
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Pub Date : 2021-02-25DOI: 10.5007/2176-8552.2019.E73769
Sérgio Gabriel Muknicka
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