Nikolay Fedorovic Katanov (1862-1922) Orta Asya ve Sibirya’daki Turk halklari uzerine farkli alanlarda cok sayida arastirmalar yapmis bir ilim adamidir. Idealist ve gayretli bir kisilige sahip olan N. F. Katanov erken yaslardan itibaren bircok Avrupa ve Asya dilini ogrenmis, daha Krasnoyarsk Klasik Gimnazyumu’nda ogrenci iken eserlerini kaleme almaya baslamistir. Kisiliginin ve ilmi hayatinin sekillenmesinde N. I. Ilminskiy’in ve V. V. Radlov’un buyuk etkisi olmustur. 1894-1922 yillari arasinda Kazan Universitesi’nde calismistir. Katanov, Avrupa ve Rusya’daki bircok ilmi toplulugun aktif uyeligini yapmis ve toplumsal faaliyetlerle de yakindan ilgilenmistir. Katanov’un Sibirya’daki Turk halklari ile ilgili ilmi calismalari ve inceleme metotlari ilim dunyasinda hala gecerliligini korumaktadir. Katanov ilmi gezileri sirasinda topladigi din, dil, edebiyat, folklor, tarih, etnografya gibi farkli alanlari iceren ve farkli dillerde yazilmis kaynaklardan muazzam bir kutuphane olusturmustur. Fakat maddi yetersizliklerden dolayi kutuphanesini satmak zorunda kalmistir. Degerli devlet ve ilim adamlarinin cabalariyla bu kutuphane Istanbul’a getirilmistir. Rusya’da ve Turkiye’de Katanov’un hayatini, ilmi calismalarini ve kutuphanesini konu alan calismalarda Katanov kutuphanesinin Turkiye’ye getirilme tarihi ve sureci ile ilgili bilgiler tam olarak aydinlatilamamistir. Calismamizda Katanov’un kutuphanesinin Turkiye’ye getirilme sureci ve bu surece dâhil olan kisiler incelenmektedir.
{"title":"Nikolay Fedoroviç Katanov’un Kütüphanesinin Türkiye’ye Getirilmesine Dair Bir İnceleme","authors":"Gülcan Inalcik","doi":"10.16985/mtad.840623","DOIUrl":"https://doi.org/10.16985/mtad.840623","url":null,"abstract":"Nikolay Fedorovic Katanov (1862-1922) Orta Asya ve Sibirya’daki Turk halklari uzerine farkli alanlarda cok sayida arastirmalar yapmis bir ilim adamidir. Idealist ve gayretli bir kisilige sahip olan N. F. Katanov erken yaslardan itibaren bircok Avrupa ve Asya dilini ogrenmis, daha Krasnoyarsk Klasik Gimnazyumu’nda ogrenci iken eserlerini kaleme almaya baslamistir. Kisiliginin ve ilmi hayatinin sekillenmesinde N. I. Ilminskiy’in ve V. V. Radlov’un buyuk etkisi olmustur. 1894-1922 yillari arasinda Kazan Universitesi’nde calismistir. Katanov, Avrupa ve Rusya’daki bircok ilmi toplulugun aktif uyeligini yapmis ve toplumsal faaliyetlerle de yakindan ilgilenmistir. Katanov’un Sibirya’daki Turk halklari ile ilgili ilmi calismalari ve inceleme metotlari ilim dunyasinda hala gecerliligini korumaktadir. Katanov ilmi gezileri sirasinda topladigi din, dil, edebiyat, folklor, tarih, etnografya gibi farkli alanlari iceren ve farkli dillerde yazilmis kaynaklardan muazzam bir kutuphane olusturmustur. Fakat maddi yetersizliklerden dolayi kutuphanesini satmak zorunda kalmistir. Degerli devlet ve ilim adamlarinin cabalariyla bu kutuphane Istanbul’a getirilmistir. Rusya’da ve Turkiye’de Katanov’un hayatini, ilmi calismalarini ve kutuphanesini konu alan calismalarda Katanov kutuphanesinin Turkiye’ye getirilme tarihi ve sureci ile ilgili bilgiler tam olarak aydinlatilamamistir. Calismamizda Katanov’un kutuphanesinin Turkiye’ye getirilme sureci ve bu surece dâhil olan kisiler incelenmektedir.","PeriodicalId":320054,"journal":{"name":"Marmara Türkiyat Araştırmaları Dergisi","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128386954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Way of Yasawi which have been influential in social and cultural respects in geography of Turkestan from 12th century, developped about to Khawaja Ahmad Yasawi’s (death 562/1166/1167) ideas and spread to various part of Central Asia with many followers. One of the names of these religious-mystical movements which ongoing in the series with Yasawi’s caliphs, is a poet with Shams al-Asi pseudonym whose about haven’t maden a serious work up to now. It was mentioned and claimed in the Hofman and Dmitrieva’s catalogues of Turkish manuscripts that he must have been lived in 12-13th centuries and he have been lived in the same term with Sulaimān Bakirgani. There are his works which are Vafātnāma-i Hazrat-i Ibrahim, Kissa-i Yatimnāma, Kissa-i Kūdaknāma, Alifnāma and wisdom poems in the different bulletin. Except his wisdom poems, style of his works, such as Kissa-i Yatimnāma and Kissa-i Kū daknāma attracts, which reflects marks of Yasawi tadition. In this paper, will be thought over the affect of Khawaja Ahmad Yasawi in the poets who have not been informed about the date of his born and died in the resources, works named Kissa-i Yatimnāma, Kissa-i Kūdaknāma and in his wisdom poems, will be referred to this works contributions to the tradition of Yasawi. Thus, it have been given cares Khawaja Ahmad Yasawi’s affect on his era and years ahead specially with his wisdom poems which he have said or wroten and then they have been transfered from word to word.
{"title":"Şems-i Asî’nin Eserlerinde Hoca Ahmed Yesevî’nin Etkisi","authors":"Fatih Bakırcı","doi":"10.16985/mtad.752838","DOIUrl":"https://doi.org/10.16985/mtad.752838","url":null,"abstract":"Way of Yasawi which have been influential in social and cultural respects in geography of Turkestan from 12th century, developped about to Khawaja Ahmad Yasawi’s (death 562/1166/1167) ideas and spread to various part of Central Asia with many followers. One of the names of these religious-mystical movements which ongoing in the series with Yasawi’s caliphs, is a poet with Shams al-Asi pseudonym whose about haven’t maden a serious work up to now. It was mentioned and claimed in the Hofman and Dmitrieva’s catalogues of Turkish manuscripts that he must have been lived in 12-13th centuries and he have been lived in the same term with Sulaimān Bakirgani. There are his works which are Vafātnāma-i Hazrat-i Ibrahim, Kissa-i Yatimnāma, Kissa-i Kūdaknāma, Alifnāma and wisdom poems in the different bulletin. Except his wisdom poems, style of his works, such as Kissa-i Yatimnāma and Kissa-i Kū daknāma attracts, which reflects marks of Yasawi tadition. In this paper, will be thought over the affect of Khawaja Ahmad Yasawi in the poets who have not been informed about the date of his born and died in the resources, works named Kissa-i Yatimnāma, Kissa-i Kūdaknāma and in his wisdom poems, will be referred to this works contributions to the tradition of Yasawi. Thus, it have been given cares Khawaja Ahmad Yasawi’s affect on his era and years ahead specially with his wisdom poems which he have said or wroten and then they have been transfered from word to word.","PeriodicalId":320054,"journal":{"name":"Marmara Türkiyat Araştırmaları Dergisi","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117060099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Although its origins go back to the Renaissance, in the art of painting, depicting everyday life is a phenomenon that began to refine in the 17th century with Dutch painting. In the course time, paintings of everyday life which would be recognized as a genre of painting and become one of the primary instruments of understanding the depicted society, undertakes a specific mission for figuring out the societies of the 20th century. In case of Turkish painting, the depiction of such scenes begins with the literary works produced after the Tanzimat reform era, and their adoption onto canvas painting takes place in the 2nd Constitutionalist Period. The works of Mehmed Ruhi Bey, who is among the painters of the 1914 Generation, have a specific importance in Turkish painting. Mehmed Ruhi Bey receives an Academic education based on Classism, emphasizing beauty, nobility, balance and idealization. He get an academic education, but he makes detailed realistic depictions against academism.The works of the artist, who features figures from the society and their lives within their whole reality, carries some documentary aspects for revealing the socio-economic profile of the depicted era. This study, which is a research article, is a qualitative study based on descriptive model. An evaluation has been made within the period by emphasizing the art life of Mehmed Ruhi. Considering the style and art works of Mehmed Ruhi, which was aimed in the subject study; why did the artist who received an academic education adopt Realism? Why did he follow a different path from his contemporaries? This study, aims to search for answers to these questions in his style. Actually he is among the leading artists of Turkish painting by describing new topics.
{"title":"Gündelik Hayata Dokunan Bir Ressam, Mehmed Ruhi Bey","authors":"Ilona Baytar","doi":"10.16985/mtad.752849","DOIUrl":"https://doi.org/10.16985/mtad.752849","url":null,"abstract":"Although its origins go back to the Renaissance, in the art of painting, depicting everyday life is a phenomenon that began to refine in the 17th century with Dutch painting. In the course time, paintings of everyday life which would be recognized as a genre of painting and become one of the primary instruments of understanding the depicted society, undertakes a specific mission for figuring out the societies of the 20th century. In case of Turkish painting, the depiction of such scenes begins with the literary works produced after the Tanzimat reform era, and their adoption onto canvas painting takes place in the 2nd Constitutionalist Period. The works of Mehmed Ruhi Bey, who is among the painters of the 1914 Generation, have a specific importance in Turkish painting. Mehmed Ruhi Bey receives an Academic education based on Classism, emphasizing beauty, nobility, balance and idealization. He get an academic education, but he makes detailed realistic depictions against academism.The works of the artist, who features figures from the society and their lives within their whole reality, carries some documentary aspects for revealing the socio-economic profile of the depicted era. This study, which is a research article, is a qualitative study based on descriptive model. An evaluation has been made within the period by emphasizing the art life of Mehmed Ruhi. Considering the style and art works of Mehmed Ruhi, which was aimed in the subject study; why did the artist who received an academic education adopt Realism? Why did he follow a different path from his contemporaries? This study, aims to search for answers to these questions in his style. Actually he is among the leading artists of Turkish painting by describing new topics.","PeriodicalId":320054,"journal":{"name":"Marmara Türkiyat Araştırmaları Dergisi","volume":"165 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122828189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abdullah Tukay (1886-1913), Tatar halkinin milli kimligini belirleyen bir sembol, estetik anlayisinin ve yazili edebiyatinin gelisim surecine en buyuk katkiyi yapan Tatar sairidir. Tatar halki, sairin biraktigi edebi mirasla gunumuzde de yakindan baglantili bir sekilde yasamaktadir. Tukay, ayni zamanda Turk dunyasinin onemli aydinlarindan biri ve bilinen bir yazaridir. Şairin mirasini etraflica ogrenmek, Tatar edebiyat bilimi acisindan buyuk onem tasimaktadir. 2016 yilinda, Tataristan’da Abdullah Tukay Ansiklopedisi yayimlanmistir. Buyuk sairin hayati ve edebi mirasini genis bir sekilde ele alan bu ansiklopedi, Tukay ile ilgili tum bilgileri toplamak amaciyla ortaya cikmistir. Abdullah Tukay Ansiklopedisi, Tatar Kiril alfabesine gore siralanan 2.358 makaleyi icermektedir. Bu cok ciddi ve ozel bilimsel calismaya iliskin cabalar, 20 yila yakin bir zaman dilimini kapsayan bir tarihceye sahiptir. Boyle bir ansiklopedinin onemini, ilk defa 1978 yilinda Tatar bilim insanlari Nil Yuzeev (1931-1996), Ebrar Kerimullin (1925-2000) ve Flun Musin (1939-2009) dile getirmislerdir. Ne var ki o donemde bunu gerceklestirmek mumkun olmamistir.
{"title":"Gabdulla Tukay Éntsiklopédiyesé [Abdullah Tukay Ansiklopedisi], Baş rédaktorı Z. Z. Rameev, Galimcan İbrahimov is. Tél, Edebiyat hem Sengat İnstitutı, Kazan 2016, 864 b. (ISBN: 978-5-93091-203-6).","authors":"Zufar Rameev, Ilsever Rami̇","doi":"10.16985/mtad.752915","DOIUrl":"https://doi.org/10.16985/mtad.752915","url":null,"abstract":"Abdullah Tukay (1886-1913), Tatar halkinin milli kimligini belirleyen bir sembol, estetik anlayisinin ve yazili edebiyatinin gelisim surecine en buyuk katkiyi yapan Tatar sairidir. Tatar halki, sairin biraktigi edebi mirasla gunumuzde de yakindan baglantili bir sekilde yasamaktadir. Tukay, ayni zamanda Turk dunyasinin onemli aydinlarindan biri ve bilinen bir yazaridir. Şairin mirasini etraflica ogrenmek, Tatar edebiyat bilimi acisindan buyuk onem tasimaktadir. 2016 yilinda, Tataristan’da Abdullah Tukay Ansiklopedisi yayimlanmistir. Buyuk sairin hayati ve edebi mirasini genis bir sekilde ele alan bu ansiklopedi, Tukay ile ilgili tum bilgileri toplamak amaciyla ortaya cikmistir. Abdullah Tukay Ansiklopedisi, Tatar Kiril alfabesine gore siralanan 2.358 makaleyi icermektedir. Bu cok ciddi ve ozel bilimsel calismaya iliskin cabalar, 20 yila yakin bir zaman dilimini kapsayan bir tarihceye sahiptir. Boyle bir ansiklopedinin onemini, ilk defa 1978 yilinda Tatar bilim insanlari Nil Yuzeev (1931-1996), Ebrar Kerimullin (1925-2000) ve Flun Musin (1939-2009) dile getirmislerdir. Ne var ki o donemde bunu gerceklestirmek mumkun olmamistir.","PeriodicalId":320054,"journal":{"name":"Marmara Türkiyat Araştırmaları Dergisi","volume":"159 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122138135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ayfer Tunc’un Kirmizi Azap’ta yer alan cogu hikâyesinde karakterler varoluslarini anlamlandiracak dayanaklardan yoksun, ailesiz, sevgisiz ve yalnizdirlar. Onlari kusatan cografya; zorlayici mevsimlerle, mekânlarla ilk bakista onlarin icsel sikintilarini daha da artirici gibi durur. Ancak hikâyelere yakindan bakildiginda cografyanin tek basina azap kaynagi olmadigi gorulur. Ister suca bulasmis bir sehirde, ister uzak bir tasra kasabasinda, ister kara kisin hukmu altindaki mekânlarda olsunlar hikâye kisileri icin azabin kaynagi “icsel vatansizlik”tir. Bu makale, Ulric Beck ve Elisabeth Beck-Gernsheim’dan odunc aldigi bu kavrami Ayfer Tunc karakterleri uzerinden tartisir ve icsel vatansizlik halini deneyimleyen karakterlerin bir mekânla duygusal bag kurabilmelerinin ancak o mekâni anlamlandiracak, karakterlerin yarim kalmisliklarini tamamlayacak bir otekinin varligina bagli oldugunu gostermeye calisir. Hikâyelerde bazen sahiplenmenin siddetle hissedildigi, karsi tarafi bogan bir ask, bazen yasamin ancak kotuluk yaparsa duyumsanabilecegi dusuncesi karakterlerin yasadigi icsel vatansizligi gidermenin, onunla basa cikmanin, varolusu anlamlandirmanin yollari olarak belirse de makalede, ezeli bir caresizlige, yogun bir dus kirikligina gebe sonlariyla bu hikâyelerin, mekâni asan bir sikintiyi somut kildigi, cografyadan azade bir icsel sikintiyi cisimlestirdigi sonucuna varilir.
{"title":"Ayfer Tunç’un Kırmızı Azap’taki Hikâyelerinde İçsel Vatansızlık","authors":"Pelin Aslan Ayar","doi":"10.16985/MTAD.571830","DOIUrl":"https://doi.org/10.16985/MTAD.571830","url":null,"abstract":"Ayfer Tunc’un Kirmizi Azap’ta yer alan cogu hikâyesinde karakterler varoluslarini anlamlandiracak dayanaklardan yoksun, ailesiz, sevgisiz ve yalnizdirlar. Onlari kusatan cografya; zorlayici mevsimlerle, mekânlarla ilk bakista onlarin icsel sikintilarini daha da artirici gibi durur. Ancak hikâyelere yakindan bakildiginda cografyanin tek basina azap kaynagi olmadigi gorulur. Ister suca bulasmis bir sehirde, ister uzak bir tasra kasabasinda, ister kara kisin hukmu altindaki mekânlarda olsunlar hikâye kisileri icin azabin kaynagi “icsel vatansizlik”tir. Bu makale, Ulric Beck ve Elisabeth Beck-Gernsheim’dan odunc aldigi bu kavrami Ayfer Tunc karakterleri uzerinden tartisir ve icsel vatansizlik halini deneyimleyen karakterlerin bir mekânla duygusal bag kurabilmelerinin ancak o mekâni anlamlandiracak, karakterlerin yarim kalmisliklarini tamamlayacak bir otekinin varligina bagli oldugunu gostermeye calisir. Hikâyelerde bazen sahiplenmenin siddetle hissedildigi, karsi tarafi bogan bir ask, bazen yasamin ancak kotuluk yaparsa duyumsanabilecegi dusuncesi karakterlerin yasadigi icsel vatansizligi gidermenin, onunla basa cikmanin, varolusu anlamlandirmanin yollari olarak belirse de makalede, ezeli bir caresizlige, yogun bir dus kirikligina gebe sonlariyla bu hikâyelerin, mekâni asan bir sikintiyi somut kildigi, cografyadan azade bir icsel sikintiyi cisimlestirdigi sonucuna varilir.","PeriodicalId":320054,"journal":{"name":"Marmara Türkiyat Araştırmaları Dergisi","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122363448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Marmara Universitesi Turkiyat Arastirmalari Enstitusu tarafindan ilki 18-20 Kasim 1991 tarihlerinde yapilan toplantinin devami niteliginde olan “Ikinci Milletlerarasi Cagdas Turk Alfabeleri Sempozyumu”, Marmara Universitesi Rektorlugu Bilimsel Arastirma Projeleri Koordinasyon Birimi, Ataturk Kultur, Dil ve Tarih Yuksek Kurumu Turk Dil Kurumu ve Sultanbeyli Belediyesi Baskanligi destegiyle 20-21 Kasim 2018 tarihleri arasinda yurt ici ve yurt disindan bircok katilimcinin istirakiyle Istanbul’da duzenlendi.
{"title":"İkinci Milletlerarası Çağdaş Türk Alfabeleri Sempozyumu 20-21 Kasım 2018’de İstanbul (Türkiye)’da Gerçekleşti.","authors":"Ö. Yılmaz","doi":"10.16985/MTAD.571865","DOIUrl":"https://doi.org/10.16985/MTAD.571865","url":null,"abstract":"Marmara Universitesi Turkiyat Arastirmalari Enstitusu tarafindan ilki 18-20 Kasim 1991 tarihlerinde yapilan toplantinin devami niteliginde olan “Ikinci Milletlerarasi Cagdas Turk Alfabeleri Sempozyumu”, Marmara Universitesi Rektorlugu Bilimsel Arastirma Projeleri Koordinasyon Birimi, Ataturk Kultur, Dil ve Tarih Yuksek Kurumu Turk Dil Kurumu ve Sultanbeyli Belediyesi Baskanligi destegiyle 20-21 Kasim 2018 tarihleri arasinda yurt ici ve yurt disindan bircok katilimcinin istirakiyle Istanbul’da duzenlendi.","PeriodicalId":320054,"journal":{"name":"Marmara Türkiyat Araştırmaları Dergisi","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129315332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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