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Ofiara zwierzęca w obrzędowości starożytnych Rzymian: rekonstrukcja rytuału ofiarnego w świetle antycznych świadectw literackich 古罗马人仪式中的动物祭祀:从古代文学证言看祭祀仪式的重建
Pub Date : 2021-12-28 DOI: 10.18778/1733-0319.24.03
Idaliana Kaczor
Religious ceremonies in ancient Rome, foundational for its cult, made manifest the communal piety by the means of sacrificial rites. Adopting a formalist religious approach, the Romans carefully regulated the sacrificial process (sacrificium). Partially preserved literary sources in theory allow one to reconstruct the sequence of acts comprising a Roman sacrificial rite, with the following article employing said sources to propose a template for a Roman animal sacrifice ritual.
古罗马的宗教仪式是其崇拜的基础,以祭祀仪式的形式体现了集体的虔诚。罗马人采取形式主义的宗教方式,仔细地规范了祭祀过程(sacrificium)。理论上,部分保存下来的文献资料允许人们重建包括罗马祭祀仪式的行为顺序,下面的文章利用这些文献资料提出了罗马动物祭祀仪式的模板。
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引用次数: 1
Recenzja książki: "Errando discimus?" – O pewnej gramatyce języka łacińskiego 书评:“Errando discimus?”——关于拉丁语的某些语法
Pub Date : 2021-12-28 DOI: 10.18778/1733-0319.24.16
Joanna Pieczonka
The article concerns the Latin Grammar by Emilia Kubicka, published in 2019. The book presents the rules of the Latin pronunciation, conjugation, declension of the nouns, adjectives, numerals, pronouns, and the indeclinable parts of speech such as adverbs and prepositions. However, the grammar does not present all the principles that govern the structure of Latin sentences, and the book has numerous errors.
这篇文章涉及艾米莉亚·库比卡于2019年发表的《拉丁语法》。本书介绍了名词、形容词、数词、代词的拉丁发音、变位、变化规律,以及副词和介词等不可分割的词性。然而,语法并没有呈现出支配拉丁句子结构的所有原则,而且这本书有很多错误。
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引用次数: 0
Redness as Perceived through the Eyes of the Romans 罗马人眼中的红色
Pub Date : 2021-12-28 DOI: 10.18778/1733-0319.24.05
Marta Czapińska-Bambara, Zbigniew Danek
The article is an attempt to revise the long-established belief in the alabaster-white exterior shape of Roman antiquity, which in fact turns out to be full of colours that bring life to its image. The authors implement this intention by indicating how intensely the colour red was present in the reality described by classical Latin authors – contrary to the accusation that one of the participants of the discussion on this subject in Aulus Gellius’ Attic Nights (Gell. Noc. Att. 2.26) makes of the alleged poverty regarding various shades of red in Latin terminology. The material presented contradicts the opinion expressed in Gellius’ text, and at the same time makes us realise how colourful and lively the world that emerges from the literary works of the classical Roman period was. In comparison with it, the reality witnessed by the literature of the Christian era – this parallel is what the authors of the article focus on, concluding their deliberations – in which red becomes almost exclusively a sign of shame, turns out to be ascetically sterile and depressingly colourless.
这篇文章试图修正人们长期以来对罗马古代雪花石膏白色外观形状的看法,事实上,事实证明,它充满了色彩,给它的形象带来了生命。作者通过表明红色在古典拉丁作家所描述的现实中有多么强烈来实现这一意图——与奥勒斯·格里乌斯的《阁楼之夜》(Gell.)中讨论这一主题的一位参与者的指控相反。Noc。第2.26条)提出了所谓的贫穷关于各种深浅的红色在拉丁术语。所呈现的材料与Gellius文本中表达的观点相矛盾,同时使我们认识到古典罗马时期文学作品中出现的世界是多么丰富多彩和生动活泼。与之相比,基督教时代的文学所见证的现实——这是本文作者在总结他们的讨论时所关注的——红色几乎完全成为羞耻的标志,结果是苦行僧般的贫瘠和令人沮丧的无色。
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引用次数: 0
Pasja i antyk. Wawrzyńca Korwina (1465–1527) rozważania wielkanocne
Pub Date : 2021-12-28 DOI: 10.18778/1733-0319.24.10
R. Zawadzki
The article is an attempt of interpretation of seven poems written by Wawrzyniec Korwin which were inserted in St. Bonaventura`s homilies and constitute forms of prayers to be said daily by Christians. The author analyses the artistic skill of the language used by the poet. His poems keep fascinating their readers because of their language, i.e. style as a system of remarkable pattern of linguistic elements and ancient metre.
这篇文章试图解释Wawrzyniec Korwin写的七首诗,这些诗被插入圣博纳文图拉的讲道中,构成了基督徒每天祈祷的形式。作者分析了诗人使用语言的艺术技巧。他的诗歌之所以能吸引读者,是因为他的语言,即风格作为一种语言元素的显著模式和古老的韵律系统。
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引用次数: 0
Jan Nepomucen Józef Braun (1926–2015), filolog klasyczny, orientalista, kartwelista, sumerolog Jan Nepomucen Józef Braun(1926–2015),古典文献学家、东方学家、制图师、sumerologist
Pub Date : 2021-12-28 DOI: 10.18778/1733-0319.24.14
K. Witczak
Jan Braun, born on 15th May 1926 in Łódź, studied classical philology and classical archaeology at the University of Lodz (years 1947–1951). His MA thesis (1951) was devoted to the ethnogenesis of the Etruscans. He also worked as junior assistant at the Department of Classical Archaeology, University of Lodz (from May 1949 do September 1950) and later as junior lecturer at the Department of Classical Philology of the same university (from October 1950 to September 1951). In October 1951, Braun left for Georgia in order to complete his doctoral studies. From there he returned to Poland as PhD, specializing in Georgian and other oriental languages, especially the ancient languages of the Near East. In the years 1955–2002, he worked at the University of Warsaw, initially as assistant professor. In 1970, he became associate professor. In 1991, he received the higher doctoral degree (habilitation), and in 1995 he obtained the position of full professor. He studied the genetic relations of ancient and modern languages, including a suggested Basque-Kartvelian connection. During his habilitation colloquium, he gave an interesting lecture entitled Basic problems of historical-comparative research over the ancient languages of the Mediterranean area (Warsaw, May 28th, 1991), which is presented in Appendix No. 1 (with some comments and bibliographical references). The paper presents Braun’s main fields of research and his achievements made in Łódź (Poland), Tbilisi (Georgia) and Warsaw. According to Braun’s view, suggested as early as 1951, Etruscan represents an external member of the Anatolian languages (deriving from Luwian), so that it belongs to the Indo-European language family. In his opinion, Basque is a western member of the South Caucasian (or Kartvelian) family.
Jan Braun,1926年5月15日出生于罗兹,在罗兹大学学习古典文献学和古典考古学(1947年-1951年)。他的文学硕士论文(1951年)致力于伊特鲁里亚人的人种起源。他还曾在罗兹大学古典考古系担任初级助理(1949年5月至1950年9月),后来在该大学古典文献学系担任初级讲师(1950年10月至1951年9月。1951年10月,布劳恩前往乔治亚州完成博士研究。从那里,他回到波兰攻读博士学位,专门研究格鲁吉亚语和其他东方语言,尤其是近东古代语言。1955年至2002年,他在华沙大学工作,最初担任助理教授。1970年,他成为副教授。1991年,他获得了高等博士学位(适应),1995年获得了正式教授的职位。他研究了古代和现代语言的遗传关系,包括巴斯克-卡尔特维尔语的联系。在他的适应座谈会上,他做了一个有趣的讲座,题为“地中海地区古代语言历史比较研究的基本问题”(华沙,1991年5月28日),见附录1(附一些评论和参考文献)。本文介绍了布劳恩的主要研究领域以及他在Łód罗兹(波兰)、第比利斯(格鲁吉亚)和华沙取得的成就。根据布劳恩早在1951年就提出的观点,伊特鲁里亚语代表了安纳托利亚语言(源自卢维语)的外部成员,因此它属于印欧语系。在他看来,巴斯克是南高加索人(或卡尔特维利亚人)家族的西部成员。
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引用次数: 0
Motyw winy Heleny w tradycji epickiej i w dyskursie 海伦娜在史诗传统与话语中的罪恶动机
Pub Date : 2021-12-28 DOI: 10.18778/1733-0319.24.01
K. Zieliński
The paper takes up the issue of Helen’s guilt for the outbreak of the Trojan war present in the Iliad and in the oral epic tradition. It puts forward a thesis that in order to blame others or to free themselves from blame epic heroes employ the typical in oral culture technique of conducting disputes. Like other characters in the Iliad, Helen, is also under constant social pressure which seeks to find her guilty and, in effect, to activate a mechanism of making a scapegoat of her. To defend herself, she risks self-accusations in order to make it impossible for other people to bring a charge against her. Helen cares about her good opinion in the Trojan society and particularly in the circle of women.
本文探讨了《伊利亚特》和口头史诗传统中海伦对特洛伊战争爆发的罪责问题。提出了一个论点,即史诗英雄为了责备他人或摆脱责备,采用了典型的口头文化中的纠纷处理技巧。和《伊利亚特》中的其他角色一样,海伦也承受着持续的社会压力,试图认定她有罪,实际上是为了激活一种让她成为替罪羊的机制。为了为自己辩护,她冒着自我指责的风险,让其他人无法对她提出指控。海伦关心自己在特洛伊社会,尤其是在女性圈子里的好感。
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引用次数: 0
"Idem aliter", czyli o dwóch opisach dyplomatycznej podróży do Persji w poezji późnego antyku (Claud. Cons. Stil.. I 51–68; Sid. Carm. II 75–88)
Pub Date : 2021-12-28 DOI: 10.18778/1733-0319.24.07
Tomasz Babnis
Two Latin poets of late antiquity, Claudian and Sidonius Apollinaris, included in their verse panegyrics short descriptions of diplomatic journey to Persia. The first mentioned the mission of Stilicho himself in “Panegyric on the consulate of Stilicho” (400 AD), whereas the latter described the mission of Procopius, father of the honorand in the “Panegyric on the consulate of Anthemius” (468 AD). Since Sidonius was in many ways imitator of Claudian, these pieces show a great deal of similarity both in content and form (especially in wording). However, closer scrutiny enables us to discover some differences in the treatment of Oriental topics as well as in general attitude to the praised heroes. Such an analysis allows us an insight into the image of Iranian world created in the Roman poetry as well as the question of sources used by late Latin poets. This paper can be also treated as a small contribution to the discussion on Sidonius’ imitation of Claudian poetry.
古代晚期的两位拉丁诗人克劳狄翁和西多尼乌斯·阿波利纳里斯在他们的诗歌颂词中包括了对波斯外交之旅的简短描述。前者在公元400年的《斯蒂利科领事的颂词》中提到了斯蒂利科本人的使命,而后者在公元468年的《安特米乌斯领事的颂词》中描述了荣誉之父普罗科匹厄斯的使命。由于西多尼乌斯在很多方面都是克劳狄的模仿者,这些作品在内容和形式(尤其是措辞)上都表现出很大的相似性。然而,仔细观察,我们会发现在对待东方话题的方式以及对被称赞英雄的总体态度上存在一些差异。这样的分析可以让我们深入了解罗马诗歌所创造的伊朗世界的形象,以及后期拉丁诗人所使用的来源问题。这篇论文也可以看作是对西多尼乌斯模仿克劳狄诗歌的讨论的一个小小的贡献。
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引用次数: 2
Miłość i poezja w Elegii 2.30 Sekstusa Propercjusza 挽歌2.30中的爱与诗
Pub Date : 2021-12-28 DOI: 10.18778/1733-0319.24.04
A. Bobrowski
Elegy 2.30 has been considered to be one of Propertius’ most difficult poems due to its complicated sequence of thought and distant associations noticeable in the discourse, which was often the reason for dividing the text into two separate poems. The article is an interpretative proposal aimed at demonstrating the integrity of 2.30, which was obtained by the poet by combining the concept of love with the concept of love poetry, as well as by using subtly constructed mythological references.
《挽歌2.30》被认为是普罗佩修斯最困难的诗歌之一,因为它的思想顺序复杂,在话语中明显存在着遥远的联想,这往往是将文本分为两首独立诗歌的原因。这篇文章是一篇旨在展示2.30完整性的解释性建议,这是诗人通过将爱情的概念与爱情诗歌的概念相结合,以及通过巧妙构建的神话参考而获得的。
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引用次数: 0
Book Review: Thanos Zartaloudis, "The Birth of Nomos", Edinburgh: Edinburgh University Press, 2019 书评:萨诺斯·扎塔卢迪斯,《诺莫斯的诞生》,爱丁堡:爱丁堡大学出版社,2019年
Pub Date : 2021-12-28 DOI: 10.18778/1733-0319.24.15
J. Skarbek-Kazanecki
This paper contains a critical assessment of the The Birth of Nomos (Edinburgh: Edinburgh University Press, 2019) of Thanos Zartaloudis. It describes the key assumptions made in this recent publication, as well as the content of each chapter, judging on its merits and defects.
本文对萨诺斯·扎塔卢迪斯的《诺莫斯的诞生》(爱丁堡:爱丁堡大学出版社,2019年)进行了批判性评估。它描述了最近出版的主要假设,以及每章的内容,判断其优点和缺点。
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引用次数: 0
Renesansowy poemat "Sarca" jako "aemulatio" z autorami antycznymi 文艺复兴时期的诗歌“萨卡”与古代作家的“交流”
Pub Date : 2021-12-28 DOI: 10.18778/1733-0319.24.09
Daria Kowalczyk-Cantoro
The aim of this article is to analyse the Renaissance poem Sarca, whose authorship is attributed to the Italian humanist Pietro Bembo, and to indicate the ancient inspirations of the work. The main model for the work is Carmen 64 by Catullus, although the author also refers to other Roman poets. The intertextual relations between Sarca and the hypotexts are presented on various levels. The analysis focuses on showing parallel elements of the setting and takes in consideration the few similarities at the linguistic and stylistic level. Genre-wise Sarca is classified as an epithalamium of an aythiological character. Its characteristics typical of the Renaissance era are also highlighted. The article also brings up the history of the poem and the topic of its attribution, presenting an extensive state of research.
本文的目的是分析文艺复兴时期的诗歌《萨尔卡》,其作者是意大利人文主义者彼得罗·本博,并指出该作品的古代灵感。这部作品的主要模型是卡图卢斯的《卡门64》,尽管作者也提到了其他罗马诗人。Sarca与形下文之间的互文关系呈现在不同的层面上。分析的重点是展示背景的平行元素,并考虑到语言和风格层面的少数相似之处。从流派上讲,Sarca被归类为一种具有aythiological特征的表halamium。其文艺复兴时期的典型特征也被突显出来。文章还介绍了这首诗的历史及其归属问题,介绍了广泛的研究状况。
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引用次数: 0
期刊
Collectanea Philologica
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