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On The Nature of the Romulean Tribes 论罗慕尔部落的性质
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.1353/tcj.2022.0014
J. Richardson
Abstract:It is generally held that the Romulean tribes were connected somehow with gentes and that membership of them depended on birth. Servius Tullius subsequently created an entirely different system of tribes, one based instead on residence, with the result that Roman citizenship could now be granted to others. Although this is the orthodox view of the Romulean tribes, it is not only based on hardly any evidence, but it actually requires that most of the evidence there is must be discarded. This paper reassesses the evidence for the Romulean tribes. It would appear that it ultimately derives from M. Terentius Varro’s reconstruction of Romulus’ Rome. As such, it sheds no light on archaic times.
摘要:人们普遍认为,罗慕尔部落与氏族有某种联系,氏族的成员取决于出生。塞尔维乌斯·图利乌斯随后创建了一个完全不同的部落体系,一个以居住地为基础的体系,结果是罗马公民权现在可以授予其他人。虽然这是罗慕尔部落的正统观点,但它不仅几乎没有任何证据,而且实际上要求大部分证据必须被丢弃。本文重新评估了罗慕尔部落的证据。它似乎最终源于特伦提乌斯·瓦罗先生对罗穆卢斯罗马的重建。因此,它无法揭示古代的情况。
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引用次数: 0
The Other Iliad: Inversion and Likeness on the Battlefield 另一个伊利亚特:战场上的颠倒与相似
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.1353/tcj.2022.0010
Emily P. Austin
Abstract:The narrative and figurative inversions in the Iliad’s central battle books function like a large-scale reverse simile. Just as similes force the audience to assess likeness and difference by comparing unlike terms, so when the Achaian camp adopts features of a city under siege, the audience is compelled to consider how the Trojans and Achaians are, and are not, like one another. In building this simile-like reversal, the poem’s poetic devices are integrally at work with its narrative structure. The transposition has a universalizing effect—the story of your enemy may be like your own—even as the inversion makes the audience reconsider distinctions between the two sides at war.
摘要:《伊利亚特》核心战役书中的叙事和比喻倒转就像一个大规模的反向明喻。正如比喻迫使观众通过比较不同的术语来评估相似和不同,所以当亚该亚人的阵营采用了一个被围困的城市的特征时,观众被迫考虑特洛伊人和亚该亚人是如何相似的,而不是彼此相似的。在建立这种类似的逆转时,诗歌的诗歌手段与它的叙事结构是一体的。这种转换有一种普遍化的效果——你的敌人的故事可能就像你自己的故事一样——即使这种倒置让观众重新考虑战争双方之间的区别。
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引用次数: 0
Merely a Slave? Bastardy, Legitimation and Inheritance in Euripides’ Andromache 仅仅是一个奴隶?欧里庇得斯《安德洛玛刻》中的私生子、合法性与继承权
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.1353/tcj.2022.0012
Anastasia-Stavroula Valtadorou
Abstract:In this article, I argue that the divinely driven legitimation of Neoptolemus’ bastard child in Euripides’ Andromache may have evoked in the minds of the audience the legitimation of Athenian bastards that, as E. Carawan first proposed, took place after the outbreak of the plague in Athens in 430 bc.
摘要:本文认为,在欧里庇得斯的《安德洛玛刻》中,神的驱使下,尼奥波托勒摩斯私生子的合法化可能唤起了观众对雅典私生子合法化的思考,正如E.卡拉万最初提出的那样,雅典私生子的合法化发生在公元前430年雅典爆发瘟疫之后。
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引用次数: 0
Index: Vol 117 (2021–2022) 指数:第117卷(2021-2022)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.1353/tcj.2022.0020
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引用次数: 0
Clash of Cultures: A Psychodynamic Analysis of Homer and the Iliad by Vincenzo Sanguineti (review) 《文化的冲突:荷马与《伊利亚特》的心理动力学分析》(文琴佐·桑吉内蒂著)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.1353/tcj.2022.0016
Marcus Ziemann
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引用次数: 0
Classicisms in the Black Atlantic ed. by Ian Moyer, Adam Lecznar and Heidi Morse (review) 伊恩·莫耶、亚当·莱兹纳和海蒂·莫尔斯主编的《黑大西洋的古典主义》(书评)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/tcj.2022.0004
Ronald Charles
his volume is a groundbreaking study of how Classical texts, tropes, figures, art, myths and history have been received, used, deployed and interpreted within the Black Atlantic. The book aims to show how artists and intellectuals in the Black Atlantic have excavated the classical texts, images, narratives and practices in order to imagine new possibilities. The essays emphasize the outcomes of slavery’s aftermaths by way of various geographical (dis)location and cultural connections. The volume is divided into three parts: 1) Wakes, 2) Journeys and 3) Tales. The editors grace the book with a programmatic Introduction in which they lay out the aims and contours of the project. Paul Gilroy’s famous work on the Black Atlantic provides the broad conceptual framework for these analyses of the reception of the classics in the diasporic world.
他的著作开创性地研究了古典文本、比喻、人物、艺术、神话和历史是如何在黑大西洋地区被接受、使用、部署和解释的。这本书旨在展示黑大西洋地区的艺术家和知识分子如何挖掘古典文本、图像、叙事和实践,以想象新的可能性。这些文章通过不同的地理位置和文化联系强调了奴隶制的后果。全书分为三部分:1)醒来,2)旅行,3)故事。编辑恩典与编程介绍这本书的制定项目的目标和轮廓。保罗·吉尔罗伊的名著《黑大西洋》为这些分析散居世界对经典的接受提供了广泛的概念框架。
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引用次数: 0
Familial Pity in Greek Tragedy 希腊悲剧中的家庭怜悯
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/tcj.2022.0002
Teresa Danze
Abstract:In this article we analyze explicit expressions of pity among family members within Euripides' Iphigenia at Aulis and Sophocles' Electra with particular attention to the closeness of individuals involved and the merit for misfortune, two categories informed by Aristotle's definition of pity in the Rhetoric. Instances within these plays suggest that a type of estrangement exists between pitier and pitied while the question of whether one's misfortune is merited can be ignored in favor of assumed obligations to kin. This interpretation sheds light on the instance of pity found between father and son in Aeschylus' Persians.
摘要:本文分析了欧里庇得斯的《奥里斯的伊菲盖涅亚》和索福克勒斯的《伊勒克特拉》中家庭成员之间的同情的明确表达,特别关注了所涉及个人的亲密关系和不幸的功德,这两个类别受到亚里士多德在《修辞学》中对同情的定义的影响。这些戏剧中的例子表明,怜悯者和被怜悯者之间存在着一种隔阂,而一个人的不幸是否值得的问题可以被忽略,而更倾向于对亲属承担的义务。这种解释揭示了埃斯库罗斯的《波斯人》中父子之间的怜悯。
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引用次数: 0
Nero-Antichrist: The Founding and Fashioning of a Paradigm by Shushma Malik (review) 《尼禄-敌基督:一种范式的建立与形成》作者:舒什玛·马利克(书评)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/tcj.2022.0008
L. Ginsberg
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引用次数: 0
Laughing Atoms, Laughing Matter: Lucretius' De Rerum Natura and Satire by T.H.M. Gellar-Goad (review) 笑的原子,笑的物质:卢克莱修的《论自然与讽刺》作者:T.H.M.盖勒-戈德(书评)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/tcj.2022.0009
C. Dance
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引用次数: 1
Ovid and the Magic Doll: Witchcraft and Defixiones In Amores 3.7 奥维德和魔法娃娃:《阿莫里斯》中的巫术和解咒
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/tcj.2022.0000
Mathias Hanses
Abstract:This paper explores the depiction of magic in Amores 3.7, an elegy in which "Ovid" suffers from impotence and wonders if a witch is to be blamed for his predicament. Adding to existing metapoetic readings, I argue that the poem combines allusions to famous witches from earlier Greco-Roman literature with detailed evocations of actual rites that are familiar to us from the material record, such as the piercing of magic dolls and the casting of binding and separation spells. These acts were meant to cause the same deathlike sensations that Ovid experiences in Am. 3.7, which means that—even though the poem ultimately calls the efficacy of magic into question—it nevertheless provides a "realistic" portrayal of these spells' imagined effects.
摘要:本文探讨了挽歌《阿莫里斯》3.7中对魔法的描写。在这首挽歌中,奥维德患有阳痿,他想知道自己的困境是否应该归咎于女巫。除了现有的元诗歌解读之外,我认为这首诗结合了对早期希腊罗马文学中著名女巫的典喻,以及对我们从材料记录中熟悉的实际仪式的详细再现,比如穿洞魔法娃娃,施放束缚和分离咒语。这些行为是为了引起奥维德在《阿玛姆》3.7中所经历的同样的死亡般的感觉,这意味着——尽管这首诗最终对魔法的功效提出了质疑——它仍然提供了这些咒语想象效果的“现实”写照。
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引用次数: 1
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