Pub Date : 2019-06-13DOI: 10.4067/S0719-51762019000100116
C. Guerrero
Resumen: La violencia urbana actua indiscriminadamente sobre los espacios poblacionales y los cuerpos de los sujetos devienen en repositorio de toda vileza humana, enajenandose en desecho, cosa o carne. La presente investigacion tiene como objetivo abordar esta condicion y establecer como la violencia urbana termina causando estragos en la anatomia del sujeto marginal en las peliculas “Caluga o menta” y “Matar a un hombre”. Se profundiza en el abandono periferico en el que son dejados, lugar colmado de polvo, cemento y hacinamiento de block habitacionales; en la desvalorizacion que sufre la integridaddel marginado, a traves de una corporalidad intervenida, y en los accionares violentos que terminan derivando al cuerpo en un bulto biologico en estragos. Palabras claves: cuerpo, violencia urbana, anatomia en estragos, “Caluga o menta”, “Matar a un hombre”. Abstract: Urban violence acts indiscriminately on the peripheral areas and the bodies of the subjects become repositories of all human vileness, alienating themselves in waste, thing or flesh. The present investigation aims to address this condition and establish how urban violence ends up wreaking havoc on the anatomy of the marginal subject in the films "Caluga o menta" and "Matar a un hombre". It deepens in the peripheral abandonment in which they are left, a place full of dust, cement and overcrowded housing blocks; in the devaluation suffered by the integrity of the marginalized, through an intervened corporality, and in the violent actioners who end up deriving the body in a biological bundle in havoc. Keywords: body, urban violence, anatomy in havoc, “Caluga o menta”, “Matar a un hombre”.
摘要：城市暴力不分青红皂白地作用于人口空间，主体的身体成为人类所有邪恶的储存库，变成废物、东西或肉。这项研究的目的是解决这种情况，并确定城市暴力如何最终对电影《卡卢加或薄荷》和《杀死一个人》中边缘主体的解剖造成破坏。它深入研究了他们被遗弃的周边地区，那里到处都是灰尘、水泥和拥挤的居住区；在被边缘化的完整性所遭受的贬值中，通过干预的公司，以及最终导致身体成为一个巨大的生物肿块的暴力行为。关键词：身体，城市暴力，肆虐的解剖，“Caluga或薄荷”，“杀死一个人”。摘要：城市暴力不分青红皂白地发生在周边地区，主体的身体成为所有人类邪恶的储存库，在废物、东西或逃跑中疏远了自己。目前的调查旨在解决这种情况，并确定城市暴力是如何结束对电影《Caluga o Minta》和《杀死一个人》中边缘主题的解剖进行激烈的改写的。它深入到他们离开的周边遗弃，一个充满灰尘、水泥和人满为患的住房街区的地方；在被边缘化者的完整性所遭受的贬值中，通过干预的公司，以及最终将尸体变成生物束的暴力行为。关键词：身体，城市暴力，仇恨解剖，“Caluga或Minta”，“杀死一个人”。
{"title":"ANATOMÍA EN ESTRAGOS: EL CUERPO PERIFÉRICO BAJO LA VIOLENCIA URBANA EN LAS PELÍCULAS “CALUGA O MENTA” Y “MATAR A UN HOMBRE”","authors":"C. Guerrero","doi":"10.4067/S0719-51762019000100116","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100116","url":null,"abstract":"Resumen: \u0000 \u0000La violencia urbana actua indiscriminadamente sobre los espacios poblacionales y los cuerpos de los sujetos devienen en repositorio de toda vileza humana, enajenandose en desecho, cosa o carne. La presente investigacion tiene como objetivo abordar esta condicion y establecer como la violencia urbana termina causando estragos en la anatomia del sujeto marginal en las peliculas “Caluga o menta” y “Matar a un hombre”. Se profundiza en el abandono periferico en el que son dejados, lugar colmado de polvo, cemento y hacinamiento de block habitacionales; en la desvalorizacion que sufre la integridaddel marginado, a traves de una corporalidad intervenida, y en los accionares violentos que terminan derivando al cuerpo en un bulto biologico en estragos. \u0000 \u0000Palabras claves: cuerpo, violencia urbana, anatomia en estragos, “Caluga o menta”, “Matar a un hombre”. \u0000 \u0000Abstract: \u0000 \u0000Urban violence acts indiscriminately on the peripheral areas and the bodies of the subjects become repositories of all human vileness, alienating themselves in waste, thing or flesh. The present investigation aims to address this condition and establish how urban violence ends up wreaking havoc on the anatomy of the marginal subject in the films \"Caluga o menta\" and \"Matar a un hombre\". It deepens in the peripheral abandonment in which they are left, a place full of dust, cement and overcrowded housing blocks; in the devaluation suffered by the integrity of the marginalized, through an intervened corporality, and in the violent actioners who end up deriving the body in a biological bundle in havoc. \u0000 \u0000Keywords: body, urban violence, anatomy in havoc, “Caluga o menta”, “Matar a un hombre”.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43778136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-13DOI: 10.4067/s0719-51762019000100100
J. Arismendi
Resumen: Este articulo analiza la manera en que se da cuenta de lo indigena en La guerra perdida del indio Lorenzo (2015), la ultima novela publicada en vida por el escritor colombiano Rafael Baena (1956-2015). El pretendido caracter indigenista de la obra, anunciado ya desde el titulo eponimo, no se corresponderia con el protagonismo apenas relativo del personaje de Victoriano Lorenzo ni con otros elementos que problematizan la reivindicacion de una cuestion indigena particular. Palabras clave: Rafael Baena, La guerra perdida del indio Lorenzo, novela colombiana, indios en la literatura, indigenismo literario. Abstract: This article analyzes the manner we become aware of the indigenous theme in La guerra perdida del indio Lorenzo (2015), the last novel published by the Colombian author, Rafael Baena (1956-2105) during his lifetime. The presumptive indigenist character of the work, announced starting with the eponymic title, does not correspond with the barely reletive protagonism of the character Victoriano Lorenzo or to with other elements that problematize the vindication of a particular indigenous issue. Keywords: Rafael Baena, La guerra perdida del indio Lorenzo, Colombian novel, Indians in literature, Literary indigenism.
摘要:本文分析了哥伦比亚作家拉斐尔·巴埃纳(Rafael Baena, 1956-2015)出版的最后一部小说《la guerra perdida del indio Lorenzo》(2015)中对土著的认识。这部作品的土著特征，从同名标题中就已经宣布了，与维多利亚诺·洛伦佐(victoria Lorenzo)的角色几乎没有相对的主角，也与其他质疑特定土著问题的元素不一致。关键词:拉斐尔·巴埃纳，La guerra perdida del indio Lorenzo，哥伦比亚小说，文学中的印第安人，文学土著主义。摘要:本文分析了哥伦比亚作家拉斐尔·巴埃纳(Rafael Baena, 1956-2105)一生中出版的最新小说《La guerra perdida del indio Lorenzo》(2015)中我们对土著主题的认识方式。以同名标题宣布的这部作品的假定土著人物，并不与维多利亚时代的洛伦佐人物的相对地位相对应，也不与质疑某一特定土著问题的主张的其他因素相对应。关键词:拉斐尔·巴埃纳，La guerra perdida del indio Lorenzo，哥伦比亚小说，文学中的印第安人，文学土著主义。
{"title":"LA GUERRA PERDIDA DEL INDIO LORENZO, DE RAFAEL BAENA: ¿NOVELA INDIGENISTA O CON INDIOS?","authors":"J. Arismendi","doi":"10.4067/s0719-51762019000100100","DOIUrl":"https://doi.org/10.4067/s0719-51762019000100100","url":null,"abstract":"Resumen: \u0000Este articulo analiza la manera en que se da cuenta de lo indigena en La guerra perdida del indio Lorenzo (2015), la ultima novela publicada en vida por el escritor colombiano Rafael Baena (1956-2015). El pretendido caracter indigenista de la obra, anunciado ya desde el titulo eponimo, no se corresponderia con el protagonismo apenas relativo del personaje de Victoriano Lorenzo ni con otros elementos que problematizan la reivindicacion de una cuestion indigena particular. \u0000 \u0000Palabras clave: Rafael Baena, La guerra perdida del indio Lorenzo, novela colombiana, indios en la literatura, indigenismo literario. \u0000 \u0000 \u0000Abstract: \u0000This article analyzes the manner we become aware of the indigenous theme in La guerra perdida del indio Lorenzo (2015), the last novel published by the Colombian author, Rafael Baena (1956-2105) during his lifetime. The presumptive indigenist character of the work, announced starting with the eponymic title, does not correspond with the barely reletive protagonism of the character Victoriano Lorenzo or to with other elements that problematize the vindication of a particular indigenous issue. \u0000 \u0000Keywords: Rafael Baena, La guerra perdida del indio Lorenzo, Colombian novel, Indians in literature, Literary indigenism.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43740594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-13DOI: 10.4067/S0719-51762019000100151
F. Alfonso, Ximena Figueroa Flores
Luego de su exilio en 1974, el poeta Luis Mizon (Valparaiso, 1942) ha sido ampliamente reconocido en Francia donde reside hasta la fecha. Ha publicado cerca de cincuenta libros, varios de ellos bilingues, traducidos, entre otros, por Roger Caillois y Claude Couffon, en editoriales tan prestigiosas como Gallimard y Du Seuil. Ademas, ha sido condecorado como Caballero de las Artes y las Letras (1990) por el Ministerio de la Cultura y la Comunicacion de Francia y ha recibido el premio Benjamin Fondane (2014), para escritores francofonos. Tambien es director de la revista Confluence poetiques fundada en 2006, y presidente de la asociacion del mismo nombre...
{"title":"VIAJES Y REGRESOS DE LUIS MIZÓN","authors":"F. Alfonso, Ximena Figueroa Flores","doi":"10.4067/S0719-51762019000100151","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100151","url":null,"abstract":"Luego de su exilio en 1974, el poeta Luis Mizon (Valparaiso, 1942) ha sido ampliamente reconocido en Francia donde reside hasta la fecha. Ha publicado cerca de cincuenta libros, varios de ellos bilingues, traducidos, entre otros, por Roger Caillois y Claude Couffon, en editoriales tan prestigiosas como Gallimard y Du Seuil. Ademas, ha sido condecorado como Caballero de las Artes y las Letras (1990) por el Ministerio de la Cultura y la Comunicacion de Francia y ha recibido el premio Benjamin Fondane (2014), para escritores francofonos. Tambien es director de la revista Confluence poetiques fundada en 2006, y presidente de la asociacion del mismo nombre...","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49506107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-13DOI: 10.4067/S0719-51762019000100131
Sara Quintero Ramírez
Resumen: En el presente articulo, tenemos el objetivo de identificar las condiciones tanto sintacticas como textuales que resultan adecuadas para la produccion de los gerundios enunciativos en espanol con base en un corpus constituido de 500 textos de diferentes tipos y generos. A fin de tener un primer acercamiento del fenomeno en cuestion, concebimos un modelo de analisis conformado de tres diferentes componentes que van desde rasgos sintacticos, como la configuracion de las construcciones de este gerundio enunciativo, hasta caracteristicas textuales, como el proposito de dichas construcciones en generos discursivos especificos. Palabras clave: gerundio enunciativo, verba dicendi, metacomunicacion, textualidad. Abstract: This study identifies the ideal syntactic and textual conditions for the use of performative gerunds in Spanish, based on a corpus consisting of 500 texts of different types and genres. In order to analyze both corpora, we create an analytic model comprising three different components that consider syntactic aspects such as the configuration of the gerund constructions and textual aspects such as the purpose of these constructions in specific discourse genres. Keywords: performative gerund, verba dicendi, metadiscourse, textuality.
{"title":"GERUNDIO ENUNCIATIVO: UNA APROXIMACIÓN SINTÁCTICO-TEXTUAL","authors":"Sara Quintero Ramírez","doi":"10.4067/S0719-51762019000100131","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100131","url":null,"abstract":"Resumen: \u0000 \u0000En el presente articulo, tenemos el objetivo de identificar las condiciones tanto sintacticas como textuales que resultan adecuadas para la produccion de los gerundios enunciativos en espanol con base en un corpus constituido de 500 textos de diferentes tipos y generos. A fin de tener un primer acercamiento del fenomeno en cuestion, concebimos un modelo de analisis conformado de tres diferentes componentes que van desde rasgos sintacticos, como la configuracion de las construcciones de este gerundio enunciativo, hasta caracteristicas textuales, como el proposito de dichas construcciones en generos discursivos especificos. \u0000 \u0000Palabras clave: gerundio enunciativo, verba dicendi, metacomunicacion, textualidad. \u0000 \u0000Abstract: \u0000 \u0000This study identifies the ideal syntactic and textual conditions for the use of performative gerunds in Spanish, based on a corpus consisting of 500 texts of different types and genres. In order to analyze both corpora, we create an analytic model comprising three different components that consider syntactic aspects such as the configuration of the gerund constructions and textual aspects such as the purpose of these constructions in specific discourse genres. \u0000 \u0000Keywords: performative gerund, verba dicendi, metadiscourse, textuality.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46249360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-13DOI: 10.4067/S0719-51762019000100064
John O´Kuinghttons Rodríguez
Resumen: Analizamos la cuestion de las aspiraciones de movilidad social como una de las posibles motivaciones que pudo haber orientado la construccion del Quijote de Miguel de Cervantes y la consecuente respuesta de Fernandez de Avellaneda como refutacion ideologica destinada a consagrar la estabilidad de las jerarquias sociales. Para lo particular, avalaremos nuestro estudio con contribuciones de Iffland (1999) y Gomez Canseco (2005; 2014) en lo relativo a la posicion ideologica de Avellaneda; asimismo, nos apoyaremos en los conceptos de ideologia segun van Djik (1999) y de Aparatos Ideologicos del Estado (AIE) y Aparatos Represivos del Estado (ARE), de Althusser (2013). Palabras clave: Ideologia, Reversibilidad, Movilidad social, Aparatos Ideologicos del Estado, Aparatos Represivos del Estado. Abstract: In this article we analyze the expectation of social mobility as one of the possible motivations that may have guided Miguel de Cervantes on the creation of his capital novel and on the resulting answer from Fernandez de Avellaneda as an ideological refutation intended to support the stability of social hierarchies. We will base our study on Iffland’s (1999) and Gomez Canseco’s (2005; 2014) analysis of Avellaneda´s ideological position and on the concepts of ideology according to van Djik (1999) and to Althusser’s State Ideological Systems and State Repressive Systems (2013). Keywords: Ideology, Reversibility, Social removal, State Ideological Systems, State Represive Systems.
摘要:本文分析了社会流动性的愿望问题，作为指导米格尔·德·塞vantes的《Quijote》建构的可能动机之一，以及Fernandez de Avellaneda随后的回应，作为对社会等级稳定性的意识形态否定。为我们研究,avalaremos特别是捐款Iffland(1999年)和戈麦斯Canseco(2005年;2014年)关于阿韦亚内达的意识形态立场;本研究的主要目的是分析西班牙语作为一种交流媒介的使用，以及西班牙语作为一种交流媒介的使用，以及西班牙语作为一种交流媒介的使用，以及西班牙语作为一种交流媒介的使用。关键词:意识形态，可逆性，社会流动性，意识形态国家机构，压制性国家机构。Abstract: In this条we analyze the expectation of social mobility as one of the可能motivations that may have guided塞万提斯(Miguel de Cervantes on the creation of的初期资本and on the的答案from Fernandez Avellaneda as an ideological refutation目标或支持对稳定社会hierarchies。我们将根据Iffland’s(1999)和Gomez Canseco’s(2005)进行研究;2014) analysis of Avellaneda´s ideological position and van Djik关于概念的意识形态,根据(1999年)和Althusser ' s State ideological Systems and State Repressive Systems(2013年)。Keywords:社会意识形态、Reversibility removal, State Systems公司Ideological State Represive Systems。
{"title":"EL QUIJOTE DE AVELLANEDA Y LA CONSTITUCIÓN DE UNA REFUTACIÓN DEL MENSAJE CERVANTINO","authors":"John O´Kuinghttons Rodríguez","doi":"10.4067/S0719-51762019000100064","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100064","url":null,"abstract":"Resumen: \u0000 \u0000Analizamos la cuestion de las aspiraciones de movilidad social como una de las posibles motivaciones que pudo haber orientado la construccion del Quijote de Miguel de Cervantes y la consecuente respuesta de Fernandez de Avellaneda como refutacion ideologica destinada a consagrar la estabilidad de las jerarquias sociales. Para lo particular, avalaremos nuestro estudio con contribuciones de Iffland (1999) y Gomez Canseco (2005; 2014) en lo relativo a la posicion ideologica de Avellaneda; asimismo, nos apoyaremos en los conceptos de ideologia segun van Djik (1999) y de Aparatos Ideologicos del Estado (AIE) y Aparatos Represivos del Estado (ARE), de Althusser (2013). \u0000 \u0000Palabras clave: Ideologia, Reversibilidad, Movilidad social, Aparatos Ideologicos del Estado, Aparatos Represivos del Estado. \u0000 \u0000Abstract: \u0000 \u0000In this article we analyze the expectation of social mobility as one of the possible motivations that may have guided Miguel de Cervantes on the creation of his capital novel and on the resulting answer from Fernandez de Avellaneda as an ideological refutation intended to support the stability of social hierarchies. We will base our study on Iffland’s (1999) and Gomez Canseco’s (2005; 2014) analysis of Avellaneda´s ideological position and on the concepts of ideology according to van Djik (1999) and to Althusser’s State Ideological Systems and State Repressive Systems (2013). \u0000 \u0000Keywords: Ideology, Reversibility, Social removal, State Ideological Systems, State Represive Systems.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45770685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-13DOI: 10.4067/S0719-51762019000100164
Ineke Phaf-Rheinberger
La unica razon de que escribiera esos relatos es mi temprana y constante reflexion sobre la deriva de Africa tras las independencias, que no trajeron ni libertad ni desarrollo a nuestros pueblos.
{"title":"DONATO NDONGO-BIDYOGO: ENTREVISTA CON INEKE PHAF-RHEINBERGER EN MARZO DE 2017","authors":"Ineke Phaf-Rheinberger","doi":"10.4067/S0719-51762019000100164","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100164","url":null,"abstract":"La unica razon de que escribiera esos relatos es mi temprana y constante reflexion sobre la deriva de Africa tras las independencias, que no trajeron ni libertad ni desarrollo a nuestros pueblos.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41795081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-13DOI: 10.4067/S0719-51762019000100082
Eugenia Ortíz Gambetta
Resumen: Este articulo busca indagar en la conformacion de una leyenda literaria guarani, la de los hermanos Tupi y Guarani, y analizarla desde el concepto “interfaz indigena-colonial”. El objetivo principal es analizar este tipo de discurso en tres dimensiones espaciales: como cartografia de los desplazamientos, como la interseccion de realidades culturales, y por ultimo, desde la logica de proyeccion «providencialista» de la conquista, como forma de validacion historico-teologica y politica. Palabras clave: Leyendas guaranies, Tupi y Guarani, interfaz indigena-colonial, discursos coloniales. Abstract: This paper aims to consider the conformation of a Guarani folk tales, that of the Tupi and Guarani brothers, and analyze it from the concept "native-colonial interface". The main objective is to analyze this type of discourse in thre espatial dimensions: as a cartography of displacements, as the intersection of cultural realities, and finally, from the logic of "providentialist" projection of conquest, as a form of historical-theological validation and politics. Keywords: Guarani legends, Tupi and Guarani, native-colonial interface, colonial discourses.
{"title":"LA INTERFAZ INDÍGENA-COLONIAL Y LA MIGRACIÓN DE IMAGINARIOS: EL CASO DE TUPÍ Y GUARANÍ","authors":"Eugenia Ortíz Gambetta","doi":"10.4067/S0719-51762019000100082","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100082","url":null,"abstract":"Resumen: \u0000 \u0000Este articulo busca indagar en la conformacion de una leyenda literaria guarani, la de los hermanos Tupi y Guarani, y analizarla desde el concepto “interfaz indigena-colonial”. El objetivo principal es analizar este tipo de discurso en tres dimensiones espaciales: como cartografia de los desplazamientos, como la interseccion de realidades culturales, y por ultimo, desde la logica de proyeccion «providencialista» de la conquista, como forma de validacion historico-teologica y politica. \u0000 \u0000Palabras clave: Leyendas guaranies, Tupi y Guarani, interfaz indigena-colonial, discursos coloniales. \u0000 \u0000Abstract: \u0000 \u0000This paper aims to consider the conformation of a Guarani folk tales, that of the Tupi and Guarani brothers, and analyze it from the concept \"native-colonial interface\". The main objective is to analyze this type of discourse in thre espatial dimensions: as a cartography of displacements, as the intersection of cultural realities, and finally, from the logic of \"providentialist\" projection of conquest, as a form of historical-theological validation and politics. \u0000 \u0000Keywords: Guarani legends, Tupi and Guarani, native-colonial interface, colonial discourses.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48352422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-13DOI: 10.4067/S0719-51762019000100018
Alessandro Mistrorigo
Resumen: Temperatura voz es el quinto libro de poemas de Mariano Peyrou, autor nacido en Buenos Aires en 1971 y que vive en Madrid desde los 5 anos. Se trata de un libro muy particular dentro de la trayectoria de este poeta. Segun algunos criticos, se escribio a partir de una idea de poesia relacionada con la musica dodecafonica y con un modelo combinatorio. Gracias al estudio de algunas grabaciones con la lectura en voz alta del mismo autor realizadas para el proyecto Phonodia, el ensayo reflexiona sobre la voz fisica, en la phone, materia pre-verbal del lenguaje, considerandola la matriz sonora que esta en la base de la particular escritura de Peyrou. A traves del analisis de la senal acustica realizada con PRAAT, se muestra como la voz del poeta que lee estos textos lleva a la superficie el conflicto que ocurre entre serie metrica y serie sintactica. La forma en que la voz del autor resuelve este conflicto tipico del lenguaje poetico proporciona preciosas informaciones sobre su escritura. Palabras clave: voz, phone, analisis acustica, pre-verbal, escritura. Abstract: Temperatura voz is Mariano Peyrou’s fifth poetry book. Born in Buenos Aires in 1971, he has been living in Madrid since he was 5 years old. This book of his is a very particular one within his trajectory. According to some critics, it was written based on an idea of poetic language related to dodecaphonic music and through a combinatorial model. Thanks to the study of some recordings made for Phonodia project where is possible to listen to the poet’s voice reading aloud, this essay focuses on the physical voice, on the phone, the preverbal matter of language, considering it as the sound matrix for the particular Peyrou’s poetic writing. Through the analysis of the acoustic signal realised with PRAAT, the essay also shows how the voice of the poet who reads aloud his texts brings to the surface the conflict that occurs between metric and syntactic series. The way in which his voice solves this poetic language specific conflict provides precious information about his writing. Keywords: voice, phone, acoustic analysis, pre-verbal, writing.
《温度之声》是马里亚诺·佩鲁的第五本诗集，作者1971年出生于布宜诺斯艾利斯，从5岁起就住在马德里。在这位诗人的职业生涯中，这是一本非常特别的书。根据一些评论家的说法，它是基于与十二音音乐相关的诗歌理念和组合模式而写的。通过对同一作者为Phonodia项目制作的一些录音的研究，这篇文章反映了物理声音，在电话中，语言的前语言物质，认为它是Peyrou独特写作的基础的声音矩阵。通过对PRAAT的声学信号的分析，揭示了诗人阅读这些文本时的声音是如何将韵律系列和句法系列之间发生的冲突带到了表面的。作者的声音解决这种典型的诗歌语言冲突的方式为他的写作提供了宝贵的信息。关键词:语音，电话，声学分析，语言前，写作。摘要:温度声音是马里亚诺·佩鲁的第五本诗集。他于1971年出生于布宜诺斯艾利斯，从5岁起就一直住在马德里。这是一本非常特别的书。根据to some critics, it was书面based on an想法及poetic language to dodecaphonic music and through a combinatorial model。幸亏to the study of some纪实made for单人床Phonodia project where to listen to the poet ' s voice阅读aloud, this essay的on the physical voice on the phone, preverbal事项of language),虽然ngok it as the sound matrix for the特别是Peyrou ' s poetic writing。Through the analysis of the acoustic signal realised with PRAAT, essay还了how the voice of the poet who reads aloud其texts树立to the surface the conflict that occurs metric与syntactic系列。The way in其voice solves this poetic特定语言冲突提供precious information about的writing。关键词:语音、电话、声学分析、语言前、写作。
{"title":"TEMPERATURA VOZ DE MARIANO PEYROU: EMERGENCIAS DESDE LA PHONÉ.","authors":"Alessandro Mistrorigo","doi":"10.4067/S0719-51762019000100018","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100018","url":null,"abstract":"Resumen: Temperatura voz es el quinto libro de poemas de Mariano Peyrou, autor nacido en Buenos Aires en 1971 y que vive en Madrid desde los 5 anos. Se trata de un libro muy particular dentro de la trayectoria de este poeta. Segun algunos criticos, se escribio a partir de una idea de poesia relacionada con la musica dodecafonica y con un modelo combinatorio. Gracias al estudio de algunas grabaciones con la lectura en voz alta del mismo autor realizadas para el proyecto Phonodia, el ensayo reflexiona sobre la voz fisica, en la phone, materia pre-verbal del lenguaje, considerandola la matriz sonora que esta en la base de la particular escritura de Peyrou. A traves del analisis de la senal acustica realizada con PRAAT, se muestra como la voz del poeta que lee estos textos lleva a la superficie el conflicto que ocurre entre serie metrica y serie sintactica. La forma en que la voz del autor resuelve este conflicto tipico del lenguaje poetico proporciona preciosas informaciones sobre su escritura. \u0000 \u0000Palabras clave: voz, phone, analisis acustica, pre-verbal, escritura. \u0000 \u0000Abstract: Temperatura voz is Mariano Peyrou’s fifth poetry book. Born in Buenos Aires in 1971, he has been living in Madrid since he was 5 years old. This book of his is a very particular one within his trajectory. According to some critics, it was written based on an idea of poetic language related to dodecaphonic music and through a combinatorial model. Thanks to the study of some recordings made for Phonodia project where is possible to listen to the poet’s voice reading aloud, this essay focuses on the physical voice, on the phone, the preverbal matter of language, considering it as the sound matrix for the particular Peyrou’s poetic writing. Through the analysis of the acoustic signal realised with PRAAT, the essay also shows how the voice of the poet who reads aloud his texts brings to the surface the conflict that occurs between metric and syntactic series. The way in which his voice solves this poetic language specific conflict provides precious information about his writing. \u0000 \u0000Keywords: voice, phone, acoustic analysis, pre-verbal, writing.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42281146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-01DOI: 10.4067/s0719-51762019000100038
{"title":"REFLEXIONES SOBRE AUTORIA Y MERCADO DE ARTE EN \"EL MUSEO DARBOT\", DE VICTOR GIUDICE","authors":"","doi":"10.4067/s0719-51762019000100038","DOIUrl":"https://doi.org/10.4067/s0719-51762019000100038","url":null,"abstract":"","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45574861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-01DOI: 10.4067/S0719-51762019000100001
L. G. García
The aim of this work is to analyze from the theoretical and literary work of the French writer Albert Camus (1913-1960), the close relationship between the anti-heroism and the nihilism that is established under characters who, disrupted by transcendence and glory, warn in their taciturn and absurd attitude a threatening nihilism underlying the moral ambiguity that sustains them. In this way, it is intended to show how Camus proposes an original ethical exhortation after the nihilistic component inserted germinally in any action that moves between denial and total affirmation; that is, in the vain and ascetic resignation as in the frenetism by the absolute recomposition of meaning.
{"title":"ANTIHEROÍSMO Y NIHILISMO EN LA OBRA LITERARIA DE ALBERT CAMUS","authors":"L. G. García","doi":"10.4067/S0719-51762019000100001","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100001","url":null,"abstract":"The aim of this work is to analyze from the theoretical and literary work of the French writer Albert Camus (1913-1960), the close relationship between the anti-heroism and the nihilism that is established under characters who, disrupted by transcendence and glory, warn in their taciturn and absurd attitude a threatening nihilism underlying the moral ambiguity that sustains them. In this way, it is intended to show how Camus proposes an original ethical exhortation after the nihilistic component inserted germinally in any action that moves between denial and total affirmation; that is, in the vain and ascetic resignation as in the frenetism by the absolute recomposition of meaning.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45224342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：