Pub Date : 2021-06-01DOI: 10.4067/s0719-51762021000100290
R. C. Rocha
Resumo: Este artigo dedica-se a refletir a respeito do arquivo e da preservacao da literatura digital. Para isso, percorre discussoes relativas ao estatuto da efemeridade da cultura digital e de como ele se confronta com as especificidades do literario, que coloca em xeque iniciativas como a manutencao, a emulacao, a adaptacao e a recriacao de obras, estrategias museograficas voltadas a producao artistica em midia variavel. Como conclusao, propoe a ideia de “anarquivo”, conceito mais condizente com as caracteristicas da arte e da literatura do tempo presente. As reflexoes aqui apresentadas sao resultado do desenvolvimento do Projeto de Pesquisa (CNPq) “Repositorio da Literatura Digital Brasileira”. Resumen: Este articulo propone reflexiones sobre el archivamiento y la preservacion de la literatura digital. Para eso, hace un recorrido por las discusiones relacionadas al estatuto de la fugacidad de la cultura digital y la manera como el se confronta con las especificidades del literario, que pone en jaque iniciativas como la manutencion, la emulacion, la adaptacion y la recreacion, estrategias museograficas utilizadas por la produccion artistica hecha en midias variables. Al fin, propone la idea de “anarchivo”, concepto mas proximo de las caracteristicas del arte y de la literatura de nuestro tiempo. Las reflexiones aca presentadas son resultado del desarrollo del proyecto de investigacion subsidiado por CNPq (Consejo Nacional de Investigacion) “Repositorio da Literatura Digital Brasileira”. Abstract: This article is dedicated to reflect on the archive and the preservation of digital literature. For this, it goes through discussions related to the status of the ephemerality of digital culture and how it confronts the specifics of the literary, which puts in check initiatives such as the maintenance, emulation, adaptation and recreation of works, museographic strategies aimed at production artistic in variable media. As a conclusion, he proposes the idea of “anarchist”, a concept more consistent with the characteristics of art and literature of the present time. The reflections presented here are the result of the development of the Research Project (CNPq) "Repositorio da Literatura Brasileira Brasileira".
文摘:本文致力于对数字文学的存档和保存进行反思。,全长discussoes寿命短暂的数字文化的地位以及他是如何面对文学的特色,让在检查维护这样的倡议,在emulacao、适应和recriacao的作品,“museograficas出口生产艺术在媒体查询。最后，提出了“档案”的概念，这一概念更符合当代艺术和文学的特点。这里提出的反思是研究项目(CNPq)“巴西数字文献库”发展的结果。摘要:本文对数字文学的归档和保存提出了一些思考。相关项有一个方法是由美国discusiones al de la fugacidad地位啦y数字文化别厄尔直面反面特征的文学,小马的胆固醇jaque啦manutencion,倡议emulacion堂吉诃德,adaptacion啦recreacion,所使用的“museograficas produccion艺术hecha附带相关的变量。最后，他提出了“档案”的概念，这是一个更接近我们这个时代艺术和文学特征的概念。这里提出的反思是由CNPq(国家研究委员会)资助的研究项目“巴西数字文学库”的发展结果。摘要:本文致力于对数字文学的存档和保存进行反思。为此，它讨论了数字文化短暂性的现状以及它如何与文学的具体特点相对抗，这些特点包括检查诸如作品的维护、模仿、改编和再创造等举措，以及旨在在可变媒体中制作艺术的博物馆学策略。作为结论，我提出了“无政府主义”的概念，这一概念更符合当代艺术和文学的特点。这里提出的思考是研究项目(CNPq)发展的结果。“巴西文学宝库”。
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Pub Date : 2021-06-01DOI: 10.4067/s0719-51762021000100090
Ignacio Sánchez Osores
Resumen: En este articulo se analiza Quince poemas directos (1936) de Benjamin Subercaseaux, acaso el primer poemario homoerotico de la poesia chilena. En particular, se propone que el poeta incorpora dos figuras clave en el imaginario queer local: el cruisser -hermano errado del flâneur- y el nino homosexual. Dado lo anterior, se indaga en como estas figuraciones polemizan directamente con el imaginario heteropatriarcal del Frente Popular en tanto promotor de una masculinidad hegemonica y una politica reproductiva de la nacion que excluyen a las subjetividades sexo-disidentes. Abstract: This article analyzes Quince poemas directos (1936) by Benjamin Subercaseaux, perhaps the first homoerotic collection of poetry in Chilean poetry. In particular, it is proposed that the poet incorporates two key figures in the local queer imaginary: the cruisser - flâneur’s wrong brother- and the homosexual child. Given the above, it is investigated how these figurations directly polemicize with the heteropatriarchal imaginary of the Frente Ppopular as promoter of a hegemonic masculinity and a reproductive policy of the nation that exclude sex-dissident subjectivities.
摘要:本文分析了Benjamin Subercaseaux的15首直接诗歌(1936年)，这可能是智利诗歌的第一本同性恋诗歌。特别地，有人建议诗人将两个关键人物融入当地的酷儿想象中:cruisser——flaneur的错误兄弟——和同性恋儿童。在这篇文章中，我们分析了这些形象是如何与大众阵线的异性恋形象直接冲突的，因为它促进了霸权的男性气概和国家的生殖政策，排除了性别异见的主体性。摘要:本文分析了本杰明·苏伯卡索(Benjamin Subercaseaux) 1936年的《十五首直接诗》(quinze poemas direct)，可能是智利诗歌中第一本同性恋诗集。尤其是,it is - that the poet incorporates two key数字In the local queer imaginary: cruisser -前线âneur不对的吗同性恋brother - and the child。综上所述，本文探讨了这些形象如何直接与人民阵线的异性恋想象相冲突，因为它推动了国家的霸权男子气概和排斥性别异议主体性的生殖政策。
{"title":"VALPARAÍSO, O LA LOCA GEOGRAFÍA DEL DESEO: INFANCIA QUEER Y CRUISING HOMOSEXUAL EN QUINCE POEMAS DIRECTOS (1936) DE BENJAMÍN SUBERCASEAUX","authors":"Ignacio Sánchez Osores","doi":"10.4067/s0719-51762021000100090","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100090","url":null,"abstract":"Resumen: \u0000En este articulo se analiza Quince poemas directos (1936) de Benjamin Subercaseaux, acaso el primer poemario homoerotico de la poesia chilena. En particular, se propone que el poeta incorpora dos figuras clave en el imaginario queer local: el cruisser -hermano errado del flâneur- y el nino homosexual. Dado lo anterior, se indaga en como estas figuraciones polemizan directamente con el imaginario heteropatriarcal del Frente Popular en tanto promotor de una masculinidad hegemonica y una politica reproductiva de la nacion que excluyen a las subjetividades sexo-disidentes. \u0000 \u0000 Abstract: \u0000This article analyzes Quince poemas directos (1936) by Benjamin Subercaseaux, perhaps the first homoerotic collection of poetry in Chilean poetry. In particular, it is proposed that the poet incorporates two key figures in the local queer imaginary: the cruisser - flâneur’s wrong brother- and the homosexual child. Given the above, it is investigated how these figurations directly polemicize with the heteropatriarchal imaginary of the Frente Ppopular as promoter of a hegemonic masculinity and a reproductive policy of the nation that exclude sex-dissident subjectivities.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45048450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.4067/s0719-51762021000100005
M. Marinho, Rocío Arasy Chamorro Jara, A. Rodríguez
Resumen Sor Juana Ines de la Cruz (Mexico, 1648-1695) es autora de una vasta obra literaria enmarcada por una fuerte ambiguedad y amplia polisemia. En el presente ensayo, se propone la relectura de uno de sus poemas cualificados como sacros por la critica especializada (Olimon, Sabat de Rivers). Se parte de la constatacion de que el texto se estructura sobre un campo lexical en el que se aglutinan innumerables terminos que remiten al erotismo y a la sexualidad masculina. Con base en las herramientas interpretativas propias de la hermeneutica, lo que incluye la estilistica y aparatos de la filologia, proponemos dos versiones parafrasticas al poema, con el fin de explotar la ambiguedad de sentidos que enmarca la obra de la monja anticipadamente feminista, la cual fue condenada por la Inquisicion a la renuncia forzada a sus derechos humanos sobre la Grande Poesia. Abstract: Sor Juana Ines de la Cruz (Mexico, 1648-1695) is the author of a large literary work framed within a strong ambiguity and a broad polysemy. This essay is aimed to bring forth a rereading upon one of her poems once qualified as sacred works by some specialized critics (Olimon, Sabat de Rivers). We start from the evidence that the text is structured upon a lexical field in which innumerable terms that refer to eroticism and male sexuality are interwoven. Based on analytical tools related to hermeneutics, which include philologycal apparatus and stylistics tools, we propose two paraphrastic versions for the poem, in order to exploit the ambiguity of meanings that frames the work of that anticipatedly feminist nun, which was condemned by the Inquisition to a mandatory abdication of her human rights to the Great Poetry.
摘要Juana Ines de la Cruz修女（墨西哥，1648-1695）是一部以强烈的歧义和广泛的多义性为框架的大型文学作品的作者。在这篇文章中，他建议重新阅读他的一首被专业评论家（奥利蒙，萨巴特·德·里弗斯）评为圣人的诗歌。它的出发点是，文本是在一个词汇领域中构建的，在这个领域中，无数的术语聚集在一起，指的是色情和男性性行为。根据解释学特有的解释工具，包括风格主义和语言学的工具，我们对这首诗提出了两个paragrastics版本，以利用这位提前女权主义修女作品中意义的模糊性，她因调查而被判在伟大的诗歌中被迫放弃人权。摘要：胡安娜·伊内斯·德拉克鲁兹修女（墨西哥，1648-1695）是一部以强烈的歧义和广泛的一夫多妻制为框架的大型文学作品的作者。这篇文章的目的是重新阅读她的一首诗，这首诗曾被一些专业评论家（奥利蒙，萨巴特·德·里弗斯）定性为牺牲作品。我们从证据开始，该文本是在一个词汇领域构建的，在这个领域中，无数涉及色情和男性性的术语是相互交织的。根据与解释学有关的分析工具，包括语言学工具和文体学工具，我们为这首诗提出了两个paraphrastic版本，以利用为这位期待已久的女权主义修女的工作提供框架的含义的模棱两可，她因被调查而被判强制放弃对伟大诗歌的人权。
{"title":"PAISAJES HUMANOS LATINOAMERICANOS: CULTURA, TABÚES Y EROTISMO EN “ROMANCE A SAN PEDRO”, UN POEMA SACRO, BURLESCO Y APÓSTATA DE SOR JUANA INÉS DE LA CRUZ","authors":"M. Marinho, Rocío Arasy Chamorro Jara, A. Rodríguez","doi":"10.4067/s0719-51762021000100005","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100005","url":null,"abstract":"Resumen \u0000Sor Juana Ines de la Cruz (Mexico, 1648-1695) es autora de una vasta obra literaria \u0000enmarcada por una fuerte ambiguedad y amplia polisemia. En el presente ensayo, se \u0000propone la relectura de uno de sus poemas cualificados como sacros por la critica \u0000especializada (Olimon, Sabat de Rivers). Se parte de la constatacion de que el texto se \u0000estructura sobre un campo lexical en el que se aglutinan innumerables terminos que remiten \u0000al erotismo y a la sexualidad masculina. Con base en las herramientas interpretativas \u0000propias de la hermeneutica, lo que incluye la estilistica y aparatos de la filologia, \u0000proponemos dos versiones parafrasticas al poema, con el fin de explotar la ambiguedad de \u0000sentidos que enmarca la obra de la monja anticipadamente feminista, la cual fue condenada \u0000por la Inquisicion a la renuncia forzada a sus derechos humanos sobre la Grande Poesia. \u0000 \u0000 Abstract: \u0000Sor Juana Ines de la Cruz (Mexico, 1648-1695) is the author of a large literary work framed \u0000within a strong ambiguity and a broad polysemy. This essay is aimed to bring forth a \u0000rereading upon one of her poems once qualified as sacred works by some specialized critics \u0000(Olimon, Sabat de Rivers). We start from the evidence that the text is structured upon a \u0000lexical field in which innumerable terms that refer to eroticism and male sexuality are \u0000interwoven. Based on analytical tools related to hermeneutics, which include philologycal \u0000apparatus and stylistics tools, we propose two paraphrastic versions for the poem, in order to exploit the ambiguity of meanings that frames the work of that anticipatedly feminist \u0000nun, which was condemned by the Inquisition to a mandatory abdication of her human \u0000rights to the Great Poetry.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42171907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.4067/s0719-51762021000100336
Julissa Fernández Villagra
This article proposes that the poetic representation of motherhood identified in Winétt de Rokha's Cantoral (1936) and Oniromancia (1943) has a political character as it is enunciated from a maternal subjectivity that is not aligned with patriarchalising cultural imperatives of the maternal role. This will be demonstrated through a propositional reading that includes theoretical categories from feminist criticism, gender and literary theory, as well as contextual, socio-cultural and political aspects.
本文提出，winsamtt de Rokha的《cantora》(1936)和《Oniromancia》(1943)中对母性的诗意表现具有政治特征，因为它是从母性主体性中阐述出来的，而母性主体性与父权化的母性角色的文化要求并不一致。这将通过命题阅读，包括从女权主义批评，性别和文学理论，以及上下文，社会文化和政治方面的理论类别证明。
{"title":"MADRE ÍNTIMA: GESTACIÓN DE LA MADRE POÉTICA. ASPECTOS POLÍTICOS EN LA CONSTRUCCIÓN DE UNA SUBJETIVIDAD MATERNA EN LAS OBRAS POÉTICAS CANTORAL Y ONIROMANCIA DE WINÉTT DE ROKHA","authors":"Julissa Fernández Villagra","doi":"10.4067/s0719-51762021000100336","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100336","url":null,"abstract":"This article proposes that the poetic representation of motherhood identified in Winétt de Rokha's Cantoral (1936) and Oniromancia (1943) has a political character as it is enunciated from a maternal subjectivity that is not aligned with patriarchalising cultural imperatives of the maternal role. This will be demonstrated through a propositional reading that includes theoretical categories from feminist criticism, gender and literary theory, as well as contextual, socio-cultural and political aspects.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45551510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.4067/s0719-51762021000100385
Oscar Rosales Neira
: This article analyzes the symbolic implications of the figure of the dog in the literature of Valparaíso. From a perspective which makes textual referents dialogue that account for the antecedents and current situation of the canine imagery in the port city, this presence is interpreted from the becoming-animal proposed by Deleuze and Guattari and other theoretical contributions that are part of what has been called the "Animal Turn" of contemporary thought. The installation of the imaginary of a "quiltro citizenship" is proposed, which relates to the construction, from local literature, of a subject who comes into contact with the so-called animal zone to insert itself into the symbolic dispute of the territory, critically exposing what the hegemonic administrative discourse omits and / or excludes in the process of imposing and homogenizing identity paradigms that the city-image must reflect and reproduce.
{"title":"PERROS DEL “PARAÍSO”: EL IMAGINARIO DE UNA CIUDADANÍA QUILTRA EN LA NARRATIVA DE VALPARAÍSO","authors":"Oscar Rosales Neira","doi":"10.4067/s0719-51762021000100385","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100385","url":null,"abstract":": This article analyzes the symbolic implications of the figure of the dog in the literature of Valparaíso. From a perspective which makes textual referents dialogue that account for the antecedents and current situation of the canine imagery in the port city, this presence is interpreted from the becoming-animal proposed by Deleuze and Guattari and other theoretical contributions that are part of what has been called the \"Animal Turn\" of contemporary thought. The installation of the imaginary of a \"quiltro citizenship\" is proposed, which relates to the construction, from local literature, of a subject who comes into contact with the so-called animal zone to insert itself into the symbolic dispute of the territory, critically exposing what the hegemonic administrative discourse omits and / or excludes in the process of imposing and homogenizing identity paradigms that the city-image must reflect and reproduce.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46264383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.4067/s0719-51762021000100428
Francisco Nazareth
Resumo: Este trabalho propoe um estudo com desenvolvimento posterior sobre os escritores portugueses que refletiram acerca das guerras de dissolucao da ultima Jugoslavia, no final do seculo XX. Para tal, ele parte do meu proprio posicionamento enquanto alguem que viveu nos Balcas durante 11 anos e que tem alguma experiencia do lugar. A minha convivencia com as pessoas e as minhas viagens pela peninsula colocaram me numa posicao privilegiada (o que nao quer dizer melhor) para poder refletir sobre esse espaco e os seus tempos, tendo em conta as proprias idiossincrasias dentro das quais se situa a minha perspetiva. Abstract: This work proposes a study with a subsequent development about Portuguese writers who reflected upon the Yugoslav Wars of destruction that happened at the end of the Twentieth Century. For that, it takes as its point of departure precisely my positioning as someone who lived in the Balkans for eleven years and has some experience of the place. My coexistence with the local peoples and my travels throughout the peninsula placed me in a privileged position (which is by no means the best) to be able to think about that space and its own times, taking also into account the idiosyncratic nature that obviously brands every perspective. Resumen: Con el presente trabajo se propone un estudio, con posterior desarrollo, sobre los escritores portugueses que reflexionaron sobre las guerras de desintegracion de la ultima Yugoslavia, a finales del siglo XX. Para ello, se parte con mi propia perspectiva como alguien que vivio en los Balcanes durante 11 anos y que tiene cierta experiencia del lugar. Mi interaccion con la gente y mis viajes por la peninsula me colocaron en una posicion privilegiada (no superior) para poder reflexionar sobre ese espacio y sus circunstancias; esto, teniendo en cuenta las propias idiosincrasias desde las que se proyecta mi punto de vista.
{"title":"ESBOÇO DE UMA VOZ LATERAL: BREVES APONTAMENTOS SOBRE A ESCRITA PORTUGUESA E AS GUERRAS DE DESMEMBRAMENTO DA JUGOSLÁVIA NO FINAL DO SÉCULO XX","authors":"Francisco Nazareth","doi":"10.4067/s0719-51762021000100428","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100428","url":null,"abstract":"Resumo: \u0000Este trabalho propoe um estudo com desenvolvimento posterior sobre os escritores portugueses que refletiram acerca das guerras de dissolucao da ultima Jugoslavia, no final do seculo XX. Para tal, ele parte do meu proprio posicionamento enquanto alguem que viveu nos Balcas durante 11 anos e que tem alguma experiencia do lugar. A minha convivencia com as pessoas e as minhas viagens pela peninsula colocaram me numa posicao privilegiada (o que nao quer dizer melhor) para poder refletir sobre esse espaco e os seus tempos, tendo em conta as proprias idiossincrasias dentro das quais se situa a minha perspetiva. \u0000 \u0000 Abstract: \u0000This work proposes a study with a subsequent development about Portuguese writers who reflected upon the Yugoslav Wars of destruction that happened at the end of the Twentieth Century. For that, it takes as its point of departure precisely my positioning as someone who lived in the Balkans for eleven years and has some experience of the place. My coexistence with the local peoples and my travels throughout the peninsula placed me in a privileged position (which is by no means the best) to be able to think about that space and its own times, taking also into account the idiosyncratic nature that obviously brands every perspective. \u0000 \u0000 Resumen: \u0000Con el presente trabajo se propone un estudio, con posterior desarrollo, sobre los escritores portugueses que reflexionaron sobre las guerras de desintegracion de la ultima Yugoslavia, a finales del siglo XX. Para ello, se parte con mi propia perspectiva como alguien que vivio en los Balcanes durante 11 anos y que tiene cierta experiencia del lugar. Mi interaccion con la gente y mis viajes por la peninsula me colocaron en una posicion privilegiada (no superior) para poder reflexionar sobre ese espacio y sus circunstancias; esto, teniendo en cuenta las propias idiosincrasias desde las que se proyecta mi punto de vista.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48144511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.4067/s0719-51762021000100459
Gema Martínez Ruiz
Resumen: El valor visual de El Quijote ha sido sumamente valioso a lo largo de los anos, siendo una de las obras mas ilustradas de la historia de la literatura espanola y universal. La cantidad de artistas, pintores, dibujantes y grabadores que se han encargado de trasladar el texto cervantino a la imagen es mas que nutrida, y esto se debe, en gran parte, a la capacidad de Miguel de Cervantes de transmitir imagenes concisas de los personajes, ambientes y escenarios de su obra magna a traves del uso de la palabra. En este trabajo se pretenden estudiar las lecturas visuales, de una serie de autores seleccionados, de un capitulo concreto (el XVII, de la segunda parte) de El Quijote: "De donde se declaro el ultimo punto y estremo adonde llego y pudo llegar el inaudito animo de don Quijote con la felicemente acabada aventura de los leones". Abstract: The visual value of don Quixote has been highly remarkable through the times, as it is one of the most illustrated novels in the history of Literature. The number of artists, painters, drawers, and engravers that have been in charge of translating the Cervantine text to pictures is more than nurtured, and this is due to Miguel de Cervantes' great ability for transmitting concise pictures of the characters, sceneries, and atmospheres of his masterpiece, using the written word. The main goal of this research is to analyze and study the visual interpretations, given by a selected set of authors, of a specific chapter of novel: " Where is Shown the Furthest and Highest Point which the Unexampled Courage of Don Quixote Reached or could reach; Together with the Happily achieved Adventure of the Lions"
{"title":"EL QUIJOTE A TRAVÉS DE SUS ILUSTRACIONES. INTERPRETACIONES GRÁFICAS DEL CAPÍTULO II: 17 \"LA FELICEMENTE ACABADA AVENTURA DE LOS LEONES\"","authors":"Gema Martínez Ruiz","doi":"10.4067/s0719-51762021000100459","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100459","url":null,"abstract":"Resumen: \u0000El valor visual de El Quijote ha sido sumamente valioso a lo largo de los anos, siendo una de las obras mas ilustradas de la historia de la literatura espanola y universal. La cantidad de artistas, pintores, dibujantes y grabadores que se han encargado de trasladar el texto cervantino a la imagen es mas que nutrida, y esto se debe, en gran parte, a la capacidad de Miguel de Cervantes de transmitir imagenes concisas de los personajes, ambientes y escenarios de su obra magna a traves del uso de la palabra. En este trabajo se pretenden estudiar las lecturas visuales, de una serie de autores seleccionados, de un capitulo concreto (el XVII, de la segunda parte) de El Quijote: \"De donde se declaro el ultimo punto y estremo adonde llego y pudo llegar el inaudito animo de don Quijote con la felicemente acabada aventura de los leones\". \u0000 \u0000 \u0000 Abstract: \u0000The visual value of don Quixote has been highly remarkable through the times, as it is one of the most illustrated novels in the history of Literature. The number of artists, painters, drawers, and engravers that have been in charge of translating the Cervantine text to pictures is more than nurtured, and this is due to Miguel de Cervantes' great ability for transmitting concise pictures of the characters, sceneries, and atmospheres of his masterpiece, using the written word. The main goal of this research is to analyze and study the visual interpretations, given by a selected set of authors, of a specific chapter of novel: \" Where is Shown the Furthest and Highest Point which the Unexampled Courage of Don Quixote Reached or could reach; Together with the Happily achieved Adventure of the Lions\"","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48544430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.4067/s0719-51762021000100310
José Manuel Correoso Rodenas, M. Aragón
Abstract: The awakening of Gothic in literature in 1764 marked a milestone in the development of the Western literary canon. The inclusion of the supernatural and the horrific provoked the end of the reign of Enlightenment and opened the door for Romanticism. In Spain it took a while longer for the new literary trend to flourish. However, a group of writers who had published during the last decades of the eighteenth century started to include gothic elements in their works, creating Enlightenment-Gothic hybrids. Some of these authors were Gaspar Melchor de Jovellanos, Jose Cadalso and Juan Melendez Valdes. Their El delincuente honrado, Noches lugubres, and “A Jovino, el melancolico,” respectively prove that gothic and sublime aesthetics also affected Spanish belles lettres. Resumen: El surgimiento de la literatura gotica en 1764 supuso un hito en el desarrollo del canon literario occidental. La inclusion de lo sobrenatural y lo terrorifico provoco el final del reinado de la Ilustracion y allano el camino al Romanticismo. En Espana, su florecimiento se haria esperar algo mas. Sin embargo, un grupo de escritores que habian venido publicando desde las ultimas decadas del siglo XVIII comenzaron a incluir elementos goticos en sus obras, creando hibridos entre el espiritu ilustrado y la literatura gotica. Algunos de esos autores fueron Gaspar Melchor de Jovellanos, Jose Cadalso y Juan Melendez Valdes. Sus El delincuente honrado, Noches lugubres y “A Jovino, el melancolico”, respectivamente, prueban que las esteticas gotica y sublime ya se habian integrado en las belles lettres espanolas.
摘要：1764年哥特式在文学中的觉醒标志着西方文学经典发展的里程碑。超自然和可怕的包容导致了启蒙统治的结束，为浪漫主义打开了大门。在西班牙，新文学的蓬勃发展需要更长的时间。然而，在18世纪的最后几十年里出版的一群作家开始在他们的作品中加入哥特式元素，创造了启蒙-哥特式混合体。其中一些作者是Gaspar Melchor de Jovellanos、Jose Cadalso和Juan Melendez Valdes。他们的诚实罪犯《悲伤的夜晚》和《忧郁的乔维诺》分别证明，哥特式和崇高的美学也影响了西班牙的美丽文学。摘要：1764年哥特式文学的出现是西方文学经典发展的里程碑。超自然和恐怖的融合导致了插图统治的结束，并为浪漫主义铺平了道路。在西班牙，它的开花会让人期待更多。然而，自18世纪最后几十年以来一直在出版的一群作家开始在他们的作品中加入哥特式元素，在启蒙精神和哥特式文学之间创造了混合体。其中一些作者是Gaspar Melchor de Jovellanos、Jose Cadalso和Juan Melendez Valdes。他的《诚实的罪犯》、《悲伤的夜晚》和《忧郁的A Jovino》分别证明了哥特式和崇高的美学已经融入了美丽的西班牙文学中。
{"title":"GOTHIC ELEMENTS IN THREE WORKS OF EARLY SPANISH ROMANTICISM","authors":"José Manuel Correoso Rodenas, M. Aragón","doi":"10.4067/s0719-51762021000100310","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100310","url":null,"abstract":"Abstract: \u0000The awakening of Gothic in literature in 1764 marked a milestone in the development of \u0000the Western literary canon. The inclusion of the supernatural and the horrific provoked the \u0000end of the reign of Enlightenment and opened the door for Romanticism. In Spain it took a \u0000while longer for the new literary trend to flourish. However, a group of writers who had \u0000published during the last decades of the eighteenth century started to include gothic \u0000elements in their works, creating Enlightenment-Gothic hybrids. Some of these authors \u0000were Gaspar Melchor de Jovellanos, Jose Cadalso and Juan Melendez Valdes. Their El \u0000delincuente honrado, Noches lugubres, and “A Jovino, el melancolico,” respectively prove \u0000that gothic and sublime aesthetics also affected Spanish belles lettres. \u0000 \u0000 Resumen: \u0000El surgimiento de la literatura gotica en 1764 supuso un hito en el desarrollo del canon \u0000literario occidental. La inclusion de lo sobrenatural y lo terrorifico provoco el final del \u0000reinado de la Ilustracion y allano el camino al Romanticismo. En Espana, su florecimiento \u0000se haria esperar algo mas. Sin embargo, un grupo de escritores que habian venido \u0000publicando desde las ultimas decadas del siglo XVIII comenzaron a incluir elementos \u0000goticos en sus obras, creando hibridos entre el espiritu ilustrado y la literatura gotica. \u0000Algunos de esos autores fueron Gaspar Melchor de Jovellanos, Jose Cadalso y Juan \u0000Melendez Valdes. Sus El delincuente honrado, Noches lugubres y “A Jovino, el \u0000melancolico”, respectivamente, prueban que las esteticas gotica y sublime ya se habian \u0000integrado en las belles lettres espanolas.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46628126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.4067/s0719-51762021000100047
Mariana Pascual, Natalia Díaz Alegría
From a discourse studies perspective, this research examines from an interpersonal standpoint the affect that Chilean women with chronic pain construct in their narratives describing their experiences with endometriosis. A total of 7230 Facebook comments published over a period of four years on three Chilean webpages on endometriosis were analyzed. The data were classified in terms of affect type, following the System of Appraisal (Martin English; Martin and White). Then, these items were related to the appraised entities so as to identify patterns of use. A clear predominance of values of un/happiness (sadness) and dis/satisfaction (pleasure and discontent) was observed. Sadness was significantly related to pain, to the condition per se, and to surgical treatments. Having observed a strong predominance of sadness, this fact should be considered when designing patient-centered health actions.
{"title":"EL AFECTO EN RELATOS DE DOLOR CRÓNICO EN COMENTARIOS DE FACEBOOK DE MUJERES CHILENAS","authors":"Mariana Pascual, Natalia Díaz Alegría","doi":"10.4067/s0719-51762021000100047","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100047","url":null,"abstract":"From a discourse studies perspective, this research examines from an interpersonal standpoint the affect that Chilean women with chronic pain construct in their narratives describing their experiences with endometriosis. A total of 7230 Facebook comments published over a period of four years on three Chilean webpages on endometriosis were analyzed. The data were classified in terms of affect type, following the System of Appraisal (Martin English; Martin and White). Then, these items were related to the appraised entities so as to identify patterns of use. A clear predominance of values of un/happiness (sadness) and dis/satisfaction (pleasure and discontent) was observed. Sadness was significantly related to pain, to the condition per se, and to surgical treatments. Having observed a strong predominance of sadness, this fact should be considered when designing patient-centered health actions.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42623837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.4067/s0719-51762021000100119
Biviana Hernández
Resumen: Desde la pregunta por como operan, en clave social y de genero, los lenguajes de la poesia y la protesta, y que funcion desempena en el espacio publico el caracter desapropiativo de sus practicas, este trabajo ahonda en la produccion colectiva de una serie de escrituras ciudadanas que, en el marco del “estallido social”, expresan su deseo por una nueva constitucion para Chile. En especifico, se centra en el volumen (re)constitucion poetica desde los aportes que hacen las escritoras Daniela Catrileo, Begona Ugalde y Elvira Hernandez, quienes junto con adherir a la demanda publica desarrollan una mirada critica del modelo de mercado y la autoria a partir del regimen estetico de las producciones simbolicas contemporaneas que, en colectivo, discuten y disputan su derecho a la palabra. Abstract: From the question of how the languages of poetry and protest operate, in a social and gender perspective, and what role the non-appropriation of their practices plays in the public space, this work delves into the collective production of a series of writings citizens who, within the framework of the “estallido social”, express their desire for a new Constitution for Chile. Specifically, it focuses on the (re)constitucion poetica’ volume from the contributions made by the writers Daniela Catrileo, Begona Ugalde and Elvira Hernandez, who, along with adhering to the public demand, develop a critical view of the market model and authorship from the aesthetic regime of contemporary symbolic productions that collectively discuss and dispute their right to speak.
{"title":"POESÍA Y MUNDO (EN) COMÚN: VOCES POÉTICAS DE LA REVUELTA","authors":"Biviana Hernández","doi":"10.4067/s0719-51762021000100119","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100119","url":null,"abstract":"Resumen: \u0000Desde la pregunta por como operan, en clave social y de genero, los lenguajes de la poesia y la protesta, y que funcion desempena en el espacio publico el caracter desapropiativo de sus practicas, este trabajo ahonda en la produccion colectiva de una serie de escrituras ciudadanas que, en el marco del “estallido social”, expresan su deseo por una nueva \u0000constitucion para Chile. En especifico, se centra en el volumen (re)constitucion poetica desde los aportes que hacen las escritoras Daniela Catrileo, Begona Ugalde y Elvira \u0000Hernandez, quienes junto con adherir a la demanda publica desarrollan una mirada critica del modelo de mercado y la autoria a partir del regimen estetico de las producciones \u0000simbolicas contemporaneas que, en colectivo, discuten y disputan su derecho a la palabra. \u0000 \u0000 Abstract: \u0000From the question of how the languages of poetry and protest operate, in a social and gender perspective, and what role the non-appropriation of their practices plays in the \u0000public space, this work delves into the collective production of a series of writings citizens who, within the framework of the “estallido social”, express their desire for a new \u0000Constitution for Chile. Specifically, it focuses on the (re)constitucion poetica’ volume from the contributions made by the writers Daniela Catrileo, Begona Ugalde and Elvira \u0000Hernandez, who, along with adhering to the public demand, develop a critical view of the market model and authorship from the aesthetic regime of contemporary symbolic \u0000productions that collectively discuss and dispute their right to speak.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49591698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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