Digital Applications in Archaeology and Cultural Heritage最新文献

英文中文

Three-dimensional modeling of the La Pastora Dolmen in Valencina de la Concepción, Seville, using photogrammetric techniques 三维建模的La Pastora Dolmen在瓦伦西纳de La Concepción，塞维利亚，使用摄影测量技术

Q1 Social Sciences

Digital Applications in Archaeology and Cultural Heritage

Pub Date : 2025-04-19 DOI: 10.1016/j.daach.2025.e00417

Rubén Martínez-Álvarez , Juan Carlos Mejías-García , Manuel José León-Bonillo , Antonio Miguel Pérez-Romero , Carmen Marín-Buzón

In this study, we present the advances of photogrammetry applied to prehistorical research, focusing on the creation of three-dimensional models of the dolmens of Valencina de la Concepción (Seville). Photogrammetry has proven to be an invaluable tool in the documentation and analysis of archaeological sites, enabling precise and detailed capture of ancient architecture. In this study, we applied photogrammetric techniques to capture high-resolution images of Dolmen de La Pastora, one of the most significant megalithic monuments of the 5th millennium BP in the Iberian Peninsula with great historical and cultural importance.

This multidisciplinary focus allows us not only to visually explore the monuments in detail but also to analyse their internal structure, orientation, and possible construction patterns. Additionally, we explore the utility of these 3D models in archaeological education and outreach, offering researchers and the general public the opportunity to virtually interact with these historical monuments.

In conclusion, this work manifests the possibilities the power of photogrammetry offers in the field of prehistorical research and its ability to revolutionize the way we study and understand our past. The generated 3D models not only enhance our appreciation of megalithic architecture but also provide an innovative approach to the analysis and preservation of endangered or deteriorating archaeological sites. With this contribution, apart from, we aim to advance the exploration of prehistory and inspire future interdisciplinary research in the fields of archaeology and image technology, providing possible visits to places that are difficult to access or where the constant passage of humans may cause deterioration to the World Heritage Sites.

在这项研究中，我们介绍了应用于史前研究的摄影测量学的进展，重点是创建Valencina de la Concepción（塞维利亚）石碑的三维模型。摄影测量已被证明是记录和分析考古遗址的宝贵工具，可以精确和详细地捕捉古代建筑。在这项研究中，我们应用摄影测量技术拍摄了Dolmen de La Pastora的高分辨率图像，这是伊比利亚半岛上最重要的巨石纪念碑之一，具有重要的历史和文化意义。这种多学科的关注使我们不仅可以在视觉上详细地探索纪念碑，还可以分析它们的内部结构、方向和可能的建筑模式。此外，我们还探索了这些3D模型在考古教育和推广中的应用，为研究人员和公众提供了与这些历史遗迹进行虚拟互动的机会。总之，这项工作体现了摄影测量学在史前研究领域提供的可能性，以及它彻底改变我们研究和理解过去的方式的能力。生成的3D模型不仅提高了我们对巨石建筑的欣赏，而且为分析和保护濒危或恶化的考古遗址提供了一种创新的方法。除此之外，我们的目标是推进对史前的探索，并激发考古学和图像技术领域未来的跨学科研究，提供可能访问难以进入或人类不断通过可能导致世界遗产地恶化的地方。

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引用次数: 0

Distress detection and classification of archaeological monuments through deep learning: A case study of chellah, a Moroccan monument 通过深度学习的考古遗迹的遇险检测和分类：一个案例研究chellah，一个摩洛哥的纪念碑

Q1 Social Sciences

Digital Applications in Archaeology and Cultural Heritage

Pub Date : 2025-04-19 DOI: 10.1016/j.daach.2025.e00422

Oumaima Khlifati, Khadija Baba, Sana Simou

Chellah, a Moroccan historical monument, possesses profound cultural, economic, and archaeological significance. This site represents a seamless blend of Islamic heritage and modern Western influences, not only preserving the remnants of ancient civilizations like the Phoenician, Carthaginian, and Roman but also vividly portraying diverse lifestyles and numerous legends within its walls. This remarkable monument withstands the relentless forces of nature, enduring both physical wear and chemical degradation, which results in the deterioration of its structural integrity and poses a threat to its safety. Therefore, regularly assessing this edifice is crucial to guarantee the preservation and upkeep of this historical monument, preventing its deterioration. Employing visual inspections conducted manually to detect and classify the different distress in historical monuments demonstrates itself as a labor-intensive and time-consuming endeavor. In response to these limitations, the current research presents a novel damage detection method for the automated identification of deterioration in Chellah, with the objective of accelerating the inquiry process and optimizing the effectiveness of distress identification. This study introduces a pioneering approach for automated damage detection in historical monuments, specifically targeting the Chellah site in Morocco. Leveraging the YOLOv5 deep learning model, this research achieves exceptional precision (97 %) and F1 score (92 %), outperforming state-of-the-art models like YOLOv7 and YOLOv8. Unlike traditional methods reliant on costly equipment or labor-intensive manual inspections, this method addresses challenges such as the detection of small or overlapping damages and the efficient use of a relatively small dataset. The novelty of this work lies in tailoring advanced object detection technologies to the complex, irregular surfaces of the Chellah monument, demonstrating superior real-time performance and low computational cost. This contribution provides a robust, scalable solution for preserving cultural heritage and sets a benchmark for future applications in heritage conservation and real-time monitoring.

摩洛哥历史古迹切拉（Chellah）具有深远的文化、经济和考古意义。该遗址代表了伊斯兰遗产与现代西方影响的完美融合，不仅保留了腓尼基、迦太基和罗马等古代文明的遗迹，还生动地描绘了城墙内不同的生活方式和众多传说。这座非凡的古迹经受住了大自然无情的考验，经受住了物理磨损和化学降解，导致其结构完整性恶化，对其安全构成威胁。因此，定期对该建筑进行评估对于确保保护和维护这一历史古迹、防止其恶化至关重要。采用人工目测的方式来检测历史古迹中的不同损伤并对其进行分类，这本身就是一项耗费大量人力和时间的工作。针对这些局限性，当前的研究提出了一种新颖的损坏检测方法，用于自动识别切拉赫古迹的损坏情况，目的是加快查询过程并优化损坏识别的有效性。本研究介绍了一种用于历史古迹自动损坏检测的开创性方法，特别针对摩洛哥的切拉遗址。本研究利用 YOLOv5 深度学习模型，实现了卓越的精度（97%）和 F1 分数（92%），超越了 YOLOv7 和 YOLOv8 等最先进的模型。与依赖昂贵设备或劳动密集型人工检测的传统方法不同，该方法解决了检测小型或重叠损坏以及有效利用相对较小的数据集等难题。这项工作的创新之处在于针对切拉古迹复杂、不规则的表面量身定制了先进的物体检测技术，展示了卓越的实时性能和较低的计算成本。这一贡献为保护文化遗产提供了一个稳健、可扩展的解决方案，并为未来在遗产保护和实时监测方面的应用树立了标杆。

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引用次数: 0

Digital documentation and dissemination of the Via Crucis of the Convent of Nossa Senhora da Arrábida, Portugal 葡萄牙Nossa Senhora da Arrábida修道院十字架之路的数字文件和传播

Q1 Social Sciences

Digital Applications in Archaeology and Cultural Heritage

Pub Date : 2025-04-19 DOI: 10.1016/j.daach.2025.e00421

Nara Silva Souza , Valeria Di Francesco , Nikedila De Wanda , Jesse Rafeiro , Ana Tomé

This research presents the documentation and dissemination of 7 chapels belonging to the Convent of Nossa Senhora da Arrábida in Portugal. These were part of the Via Crucis processions practiced between the 16th to 19th centuries. Within this scope, the research encompasses several interrelated objectives. Firstly, to create as-found condition models of these chapels using Historic Building Information Modeling (HBIM) for the convent's management and restoration efforts. Secondly, it virtually reconstructs the sequence of the Via Crucis chapels utilizing diverse historical sources and physical evidence. Ultimately, the research enhances the comprehension of the convent's historical and spiritual importance to lay the groundwork for a virtual experience that mirrors the Via Crucis once practiced by the friars. This will enrich visitors' knowledge of the convent by offering interactive elements that complement existing guided visits and contribute to building synergies with religious festivals still practiced within the convent today.

本研究介绍了葡萄牙Nossa Senhora da Arrábida修道院的7个小教堂的文件和传播。这些是16世纪到19世纪的十字架游行的一部分。在这个范围内，研究包括几个相互关联的目标。首先，使用历史建筑信息模型（HBIM）为修道院的管理和修复工作创建这些教堂的原状模型。其次，它利用不同的历史资料和实物证据，虚拟地重建了十字架之路教堂的顺序。最终，这项研究增强了对修道院历史和精神重要性的理解，为一种虚拟体验奠定了基础，这种体验反映了修士们曾经实践过的十字架之路。这将通过提供互动元素来丰富游客对修道院的了解，补充现有的导游参观，并有助于与今天仍在修道院举行的宗教节日建立协同作用。

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引用次数: 0

Exploring hand gesture-based tangible interactions in mixed reality for ancient fabric exhibits: A digital humanities approach to enhancing cultural heritage preservation and visitor engagement 在古代织物展览中探索基于手势的混合现实有形互动：一种加强文化遗产保护和游客参与的数字人文方法

Q1 Social Sciences

Digital Applications in Archaeology and Cultural Heritage

Pub Date : 2025-04-18 DOI: 10.1016/j.daach.2025.e00414

Yootthapong Tongpaeng , Ratchanon Nobnop , Natchaya Wongwan , Watsaporn Arayaphan , Kannikar Intawong , Kitti Puritat

This study explores the use of mixed reality (MR) technology to enhance visitor experiences in museum settings through immersive interactions with exhibits. Specifically, the research focuses on hand gesture-based tangible interactions for ancient fabric exhibits, utilizing Microsoft HoloLens 2 to enable hands-free exploration and gesture control. The study addresses the challenges in engaging modern museum visitors and preserving delicate artifacts. By investigating two types of interactions handling artifact objects and navigating digital collections the research aims to improve user experience by simplifying gestures and enhancing ease of use. The study was conducted at the Wieng Yong House Museum in Thailand with 30 participants, revealing that reducing gesture complexity enhances comprehension and usability. This research highlights the potential of MR to transform traditional museum experiences and underscores the importance of integrating intuitive interaction techniques in cultural heritage preservation.

本研究探讨了混合现实（MR）技术的应用，通过与展品的沉浸式互动来增强参观者在博物馆环境中的体验。具体而言，研究重点是基于手势的古代织物展品的有形交互，利用微软HoloLens 2实现免提探索和手势控制。这项研究解决了吸引现代博物馆游客和保存精美文物的挑战。通过研究处理工件对象和导航数字集合的两种类型的交互，本研究旨在通过简化手势和增强易用性来改善用户体验。这项研究是在泰国的永永故居博物馆进行的，有30名参与者参与。研究表明，减少手势的复杂性可以提高理解能力和可用性。本研究强调了磁共振成像改变传统博物馆体验的潜力，并强调了在文化遗产保护中整合直观互动技术的重要性。

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引用次数: 0

From 3D survey data of cultural heritage artefacts to 3D-printed prototypes based on cement and lime-based mortars 从文物的3D调查数据到基于水泥和石灰基砂浆的3D打印原型

Q1 Social Sciences

Digital Applications in Archaeology and Cultural Heritage

Pub Date : 2025-04-17 DOI: 10.1016/j.daach.2025.e00412

Manuel Jesus , João Teixeira , Ana S. Guimarães , Bárbara Rangel , Jorge L. Alves

The preservation of historic structures and artefacts has evolved with new technologies, and reverse engineering emerges as a pivotal tool for capturing their geometry and intricate details, enabling their replication and restoration through additive manufacturing techniques. This article delves into the application of digital technologies in the rehabilitation of cultural heritage artefacts, using 3D survey technologies for data acquisition of the building element, 3D modelling and liquid deposition modelling for the fabrication of the prototype. The methodology and challenges encountered during the scanning phase, the digital modelling preparation, and the 3D printing trials are described, offering insights into the technical processes involved and paving the way for further advancements in this field.

历史建筑和文物的保护随着新技术的发展而不断发展，逆向工程成为捕捉其几何形状和复杂细节的关键工具，通过增材制造技术实现其复制和修复。本文深入研究了数字技术在文物修复中的应用，利用三维测量技术获取建筑元素的数据，利用三维建模和液体沉积建模制作原型。描述了扫描阶段，数字建模准备和3D打印试验期间遇到的方法和挑战，提供了对所涉及的技术过程的见解，并为该领域的进一步发展铺平了道路。

引用次数: 0

Brick vaults by slices in Turin in the 19th century. A new approach to the building process 19世纪都灵的砖砌拱顶。建筑过程的新方法

Q1 Social Sciences

Digital Applications in Archaeology and Cultural Heritage

Pub Date : 2025-04-17 DOI: 10.1016/j.daach.2025.e00419

Licinia Aliberti , Ana López-Mozo , Ana González-Uriel , Manuel de-Miguel-Sánchez , José Calvo-López

引用次数: 0

Leveraging GIS and SfM photogrammetry for monitoring and risk assessment of rock art sites 利用地理信息系统和SfM摄影测量技术监测和评估岩画地点的风险

Q1 Social Sciences

Digital Applications in Archaeology and Cultural Heritage

Pub Date : 2025-04-17 DOI: 10.1016/j.daach.2025.e00413

Alfredo Sánchez-Hernández , Dídac Román , Peyman Javadi , Inés Domingo

The application of Geographic Information Systems (GIS) in archaeology, particularly in approaches to rock art, has significantly enhanced the analysis and management of these cultural heritage sites. GIS tools facilitate the mapping of rock art territories, assessment of land relief, identification of mobility patterns and evaluation of conservation issues. Recent developments have also integrated GIS with 3D modeling to enhance the visualisation of painted art. This paper assesses the efficacy of GIS and photogrammetry-based techniques as a diagnostic tool for the detection and monitoring of physical alterations in rock art sites, such as rockfalls and fractures, which could compromise the structural integrity of the art and the safety of the site. The methodology combines Digital Elevation Models (DEMs) generated through photogrammetry to track surface changes, offering a non-invasive means of monitoring rock integrity over time. This approach is designed to inform preservation strategies, identify and quantify deterioration, and mitigate risks to both the heritage and visitors, thereby contributing to the long-term conservation of rock art sites.

地理信息系统（GIS）在考古学中的应用，特别是在岩石艺术研究方面的应用，大大提高了对这些文化遗产遗址的分析和管理。地理信息系统工具有助于绘制岩石艺术地区的地图、评估土地救济情况、确定流动模式和评估保护问题。最近的发展也将地理信息系统与三维建模相结合，以增强绘画艺术的可视化。本文评估了GIS和基于摄影测量的技术作为检测和监测岩石艺术遗址物理变化（如落石和裂缝）的诊断工具的有效性，这些变化可能会损害艺术的结构完整性和遗址的安全。该方法结合了通过摄影测量生成的数字高程模型（dem）来跟踪地表变化，提供了一种非侵入性的监测岩石完整性的方法。这种方法旨在为保护策略提供信息，识别和量化恶化情况，减轻遗产和游客的风险，从而有助于岩石艺术遗址的长期保护。

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引用次数: 0

Virtual reconstruction of the Red Room exhibition 红屋展览的虚拟重建

Q1 Social Sciences

Digital Applications in Archaeology and Cultural Heritage

Pub Date : 2025-04-04 DOI: 10.1016/j.daach.2025.e00411

Michael Guthe , Marcus Mühlnikel

Museums increasingly use interactive installations to enhance exhibitions with additional content. Virtual reality can give the visitor access to remote places and bring the past back to life. This is especially interesting when artifacts cannot be brought back since they were sold or otherwise lost. In this project, we have partially reconstructed the Giech’s family exhibition in the Red Room of Thurnau Castle. The exhibition ended when the family had to sell the exhibits in the 19th century because of financial problems. The goal of the project is to fully reconstruct the part of the exhibition that was shown in the Red Room based on a painting and the list of artifacts. While museums explain exhibits using information boards, the visitor of the Giech’s family exhibition would have been guided by the earl himself. Therefore, we used virtual reality interaction techniques to make the exhibition more immersive and accessible.

博物馆越来越多地使用互动装置来增加展览内容。虚拟现实可以让游客进入遥远的地方，把过去带回生活。当文物被出售或以其他方式丢失而无法带回来时，这一点尤其有趣。在这个项目中，我们对位于Thurnau城堡红厅的Giech家族展览进行了部分重建。19世纪，由于财政问题，该家族不得不出售展品，展览结束了。该项目的目标是根据一幅画和文物清单，完全重建在红屋展出的部分展览。虽然博物馆使用信息板来解释展品，但参观Giech家族展览的游客将由伯爵亲自指导。因此，我们使用虚拟现实交互技术，使展览更具沉浸感和可访问性。

引用次数: 0

The Brancacci Chapel from the Quattrocento to the semantic web: An ontology-assisted case study of cultural data management and site reconstruction 从四世纪到语义网的布兰卡奇教堂：文化数据管理和遗址重建的本体辅助案例研究

Q1 Social Sciences

Digital Applications in Archaeology and Cultural Heritage

Pub Date : 2025-03-29 DOI: 10.1016/j.daach.2025.e00409

Manuele Veggi , Ivana Cerato

This study proposes an ontological model for cultural heterogeneous data and cultural site reconstructions. It is based on the concept of interpretative unit, which extends the semantics of stratigraphic units also to non-archaeological contexts. The ontology is named after the case study of this research, the Brancacci Chapel in Florence. Indeed, after a state of the art overview of the development methodology and the description of the most relevant entities, a first test case is proposed. An entry of the catalogue of a recent exhibition on Masolino, a 15th century painter who worked at the decoration of the chapel, has been serialised as Turtle file and the semantics of knowledge graph has been assessed via competency questions. The positive results encourage the deepening of this line of research in the direction of connecting linked data with nodes in 3D models, as well as their visualisation and communication to non-specialist audiences.

本研究为文化异质数据和文化遗址重建提出了一个本体论模型。该模型以解释性单元概念为基础，将地层单元的语义扩展到非考古范畴。本体论以本研究的案例--佛罗伦萨布兰卡奇礼拜堂命名。事实上，在对开发方法和最相关实体的描述进行了最先进的概述之后，我们提出了第一个测试案例。关于马索里诺（Masolino，15 世纪从事教堂装饰工作的画家）的近期展览目录中的一个条目已被序列化为 Turtle 文件，并通过能力问题对知识图谱的语义进行了评估。积极的成果鼓励深化这一研究方向，将链接数据与三维模型中的节点连接起来，并将其可视化，向非专业受众传播。

引用次数: 0

Automatic characterization of the border deterioration in Byzantine seals 拜占庭印章边界退化的自动表征

Q1 Social Sciences

Digital Applications in Archaeology and Cultural Heritage

Pub Date : 2025-03-28 DOI: 10.1016/j.daach.2025.e00410

Ege Şendoğan , Victoria Eyharabide , Béatrice Caseau , Isabelle Bloch

Byzantine seals were attached to official documents to authenticate the sender, thus enclosing a valuable part of the Byzantine Empire’s history. With the aim to provide computational models to help historians in the seal interpretation, this paper proposes a method to automatically determine the level of deterioration of the seal borders from their photographs, i.e., a non-destructive inspection. The method consists of a segmentation step based on Morphological Geodesic Active Contours, a feature extraction step, and a classification step that groups the seals into four border deterioration categories. Our best results reached 0.80 in accuracy, 0.73 in Cohen’s Kappa statistics score, and 0.80 in the macro F1 score.

拜占庭印章附在官方文件上，以验证发件人的身份，从而封闭了拜占庭帝国历史的宝贵部分。为了提供计算模型来帮助历史学家解释印章，本文提出了一种方法来自动确定印章边界的恶化程度，即非破坏性检查。该方法由基于形态测地线活动轮廓的分割步骤、特征提取步骤和分类步骤组成，分类步骤将密封分为四个边界退化类别。我们的最佳成绩是准确率0.80,Cohen’s Kappa统计分数0.73，宏观F1分数0.80。

引用次数: 0

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