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Philip the Chancellor and the Heresy Inquisition in Northern France, 1235–1236 财政大臣菲利普和法国北部的异端裁判所,1235-1236
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2006-01-01 DOI: 10.1484/J.VIATOR.2.3017486
D. Traill
That Philip the Chancellor wrote Dogmatum falsas species is clear from its juxtaposition, in two manuscripts, with other poems known to be by him. Its condemnation of French bishops for not taking action against heretics aligns Philip with the tenor of Gregory IX’s bull Dudum ad aliquorum murmur (21 August 1235). Philip is known to have assisted Robert le Bougre in the trial and execution of heretics at Châlons-sur-Marne early in 1236. Whether Philip accompanied Robert in the following months in his campaign against heretics in Flanders is not clear from our sources, but an analysis of the text of the poem suggests that this is likely. Henry of Braine, archbishop of Reims, had reasons for allowing Robert to pursue heretics in his province while keeping him out of his diocese.
在两份手稿中,大臣腓力与其他已知由他创作的诗歌并放在一起,就可以清楚地看出这首诗是腓力写的。它谴责法国主教没有对异教徒采取行动,使菲利普与格雷戈里九世的公牛杜杜姆和aliquorum杂音(1235年8月21日)的男高音保持一致。众所周知,1236年初,腓力曾协助罗伯特·勒·布格里在马恩河畔的克隆斯审判和处决异教徒。从我们的资料来源来看,腓力在接下来的几个月里是否陪伴罗伯特在佛兰德斯对抗异教徒的战役中并不清楚,但对这首诗的文本的分析表明,这是可能的。兰斯大主教布莱恩的亨利有理由允许罗伯特在他的省内追捕异教徒,同时把他赶出他的教区。
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引用次数: 2
The Painted Chamber at Westminster, Edward I, and the Crusade 威斯敏斯特的画室,爱德华一世和十字军东征
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2006-01-01 DOI: 10.1484/J.VIATOR.2.3017484
Matthew Reeve
This article proposes a rereading of the Old Testament imagery in the Painted Chamber in Westminster Palace, London, patronized by Edward I between 1292–1297. It is argued here that the paintings—which represent the battles for the Holy Land—must be understood within the context of the crusading efforts of the English court, and in particular that they were intended to be a reflection of Edward’s own zeal to return on crusade in the aftermath of the fall of Acre in 1291. In seeking to understand the Old Testament imagery within its broader cultural contexts, its themes and meanings are explored within the contexts of contemporary crusading propaganda. Like the Capetians, the Plantagenets also embraced the typological conceit of being successors to the kings of Judah, and manipulated this connection in their own propaganda. Edward’s use of Old Testament imagery in his crusading propaganda—and particularly the image of Judas Maccabeus—provides a crucial context in which to understand the otherwise unprecede...
本文建议重读1292-1297年间爱德华一世光顾的伦敦威斯敏斯特宫彩绘厅中的《旧约》意象。这里的争论是,这些代表圣地之战的画作必须在英国宫廷十字军东征的背景下理解,特别是它们是为了反映爱德华自己在1291年阿克陷落后重返十字军东征的热情。为了在更广泛的文化背景下理解旧约的意象,我们在当代十字军宣传的背景下探索了它的主题和意义。像卡佩王朝一样,金雀花王朝也接受了作为犹大国王继承者的预表自负,并在自己的宣传中操纵这种联系。爱德华在他的十字军宣传中使用旧约形象——尤其是犹大·马加比的形象——提供了一个至关重要的背景,让我们理解否则是前所未有的……
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引用次数: 9
Brain and Mind in Anglo-Saxon Medicine 盎格鲁-撒克逊医学中的大脑和精神
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2006-01-01 DOI: 10.1484/J.VIATOR.2.3017480
J. Mcilwain
The Middle Ages inherited from classical writers a debate as to whether the heart or brain is the master organ of the body that governs movement and mental phenomena. Studies of literary, poetic, and homiletic writings of the Anglo-Saxon period have shown that these texts use language that tends to locate the mind in the heart or breast. The present work examines the Old English medical writings and their Latin sources, texts in which one might expect a literal, rather than a figurative or metaphoric, use of the names of the physical organs. These texts cite a variety of causes for mental disorders, but when an organ is identified as ultimately responsible for the manifestations, that organ is the brain and not the heart. Some texts known to the Anglo-Saxons assert explicitly that the brain or the head is the locus of thought, perception, memory, and even the soul.
中世纪从古典作家那里继承了关于心脏还是大脑是控制运动和精神现象的主要器官的争论。对盎格鲁-撒克逊时期的文学、诗歌和布道作品的研究表明,这些文本使用的语言倾向于将思想定位于心脏或乳房。目前的工作考察了古英语医学著作及其拉丁来源,在这些文本中,人们可能会期望使用物理器官名称的字面意思,而不是比喻或隐喻。这些文献列举了导致精神障碍的各种原因,但当一个器官被确定为最终导致精神障碍的表现时,这个器官是大脑,而不是心脏。盎格鲁-撒克逊人所知的一些文献明确断言,大脑或头部是思想、知觉、记忆甚至灵魂的所在地。
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引用次数: 6
Pitying the Desolation of Such a Place: Rebuilding Religious Houses and Constructing Memory in Aquitaine in the Wake of the Viking Incursions 可怜这样一个地方的荒凉:维京入侵后重建阿基坦的宗教建筑和构建记忆
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2006-01-01 DOI: 10.1484/J.VIATOR.2.3017479
A. Jones
This article examines the consequences of the ninth-century Viking incursions for religious houses in the southwest of France, and the portrayal of those raids in contemporary and later medieval sources. Focusing on three houses in particular—Saint-Hilaire and Saint-Maixent in the Poitou and Saint-Cybard in Angouleme—the author uses both narrative and diplomatic evidence to make two arguments. First, the charter record of these houses indicates that although the Viking raids did cause damage, which was often exacerbated by opportunistic predation by locals, recovery took place relatively quickly. Second, the accounts in tenth-century and later medieval texts, in contrast to the contemporary charter evidence, often evoke more persistent destruction at these houses. This disjunction occurred because the authors of those later accounts shaped their portrayals of the Vikings and the consequences of the raids to serve purposes such as glorifying a restorer or emphasizing a reform in observance.
本文考察了9世纪维京人入侵法国西南部宗教建筑的后果,以及当代和中世纪后期资料中对这些袭击的描述。作者特别关注了三所房子——普瓦图的圣伊莱尔和圣迈森特,以及安古莱姆的圣西巴德——作者利用叙事和外交证据提出了两个论点。首先,这些房屋的特许记录表明,尽管维京人的袭击确实造成了破坏,当地人的机会主义掠夺往往加剧了破坏,但恢复速度相对较快。第二,与当代宪章的证据相比,十世纪和中世纪后期的文献中的记载经常引起对这些房屋更持久的破坏。出现这种脱节的原因是,这些后期叙述的作者塑造了他们对维京人和劫掠后果的描述,以达到美化复辟者或强调仪式改革等目的。
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引用次数: 6
Law and the Maiden: Inquisitio, Fama, and the Testimony of Children in Medieval Catalonia 《法律与少女:中世纪加泰罗尼亚的宗教裁判所、法玛和儿童证词》
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2006-01-01 DOI: 10.1484/J.VIATOR.2.3017491
M. A. Kelleher
This article explores an unpublished set of records surrounding a rape inquest in fourteenth-century Catalonia, and examines its implications for the relationship between law and community in the High Middle Ages. The rise of inquisitorial procedure during the thirteenth and fourteenth centuries made fama (reputation) a part of preliminary inquests, thereby giving legal voice to a broad cross-section of medieval communities, including children who were procedurally barred from giving sworn testimony. This article uses the documents in this case to show how fama was created, and how it was translated into terms actionable at law. The role that fama and the testimony of children played indicates a close relationship between community opinion and formal legal proceedings, even during the heyday of the ius commune. Furthermore, such testimony strongly suggests that participation in legal discourse was much broader than previously suspected.
这篇文章探讨了一组未发表的记录,围绕14世纪加泰罗尼亚的强奸调查,并检查其对中世纪盛期法律和社区关系的影响。13世纪和14世纪期间,调查程序的兴起使fama(声誉)成为初步调查的一部分,从而使中世纪社会的各个阶层都有了合法的发言权,包括那些在程序上被禁止宣誓作证的儿童。本文使用这个案例中的文档来展示fama是如何产生的,以及fama是如何被翻译成法律上可操作的术语的。fama和儿童的证词所起的作用表明,社区意见和正式法律程序之间的密切关系,甚至在联邦公社的全盛时期也是如此。此外,这种证词有力地表明,参与法律讨论的人比以前所怀疑的要广泛得多。
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引用次数: 2
Langland and the problem of William of Palerne 朗兰和帕伦的威廉的问题
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2006-01-01 DOI: 10.1484/J.VIATOR.2.3017493
L. Warner
Did Langland compose the fanciful Middle English alliterative romance William of Palerne, concerning a werewolf and lovers in bear suits? Although no one has seriously pursued the possibility, compelling circumstances make room for it. Yet the issue remains firmly in the realm of speculation. This essay shows, first, that no amount of testing of metrics, etc., will help. All we have are a sequence of prerequisites to common authorship (the author’s dialects, etc.) and the circumstance that if he did, certain problems of the “Alliterative Revival” make more sense. The essay then suggests that the connection Piers Plowman forges between “disguise” and atonement, both in its opening lines and the account of the Christ-knight, make new sense if Langland indeed wrote the romance. We might never know the answer, but taking the question seriously will result in a fairer assessment of the place of speculation within Middle English studies.
朗兰是否创作了中古英语押头韵的浪漫小说《帕勒尼的威廉》,讲述了一个狼人和一对穿着熊装的恋人的故事?虽然没有人认真研究这种可能性,但令人信服的环境为它提供了空间。然而,这个问题仍然牢牢地停留在猜测的领域。这篇文章表明,首先,再多的参数测试也无济于事。我们所拥有的只是一系列共同作者身份的先决条件(作者的方言等),以及如果他这样做,“头韵复兴”的某些问题就更有意义的情况。这篇文章接着指出,皮尔斯·普洛曼在“伪装”和赎罪之间建立的联系,无论是在开头的几句话还是对基督骑士的描述中,都有新的意义,如果朗兰确实是这部浪漫小说的作者。我们可能永远不会知道答案,但认真对待这个问题,将会对中世纪英语研究中猜测的地位做出更公平的评估。
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引用次数: 3
Charlemagne's Jihad
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2006-01-01 DOI: 10.1484/J.VIATOR.2.3017477
Yitzhak Hen
The so-called Capitulatio de partibus Saxoniae is commonly associated with Charlemagne’s brutal campaign in Saxony during the years 782–785. This article reexamines the evidence concerning the Capitulatio de partibus Saxoniae, arguing that it should be associated with Charlemagne’s final campaign in Saxony (around 795), and that in order to understand the unusual policy it prescribes one should consider the Capitulatio against a broader political and cultural background. As suggested by the author, the Capitulatio’s policy did not emerge ex nihilo; it was deeply rooted in the political as well as the religious ideology that characterized Muslim Spain (al-Andalus) at the time.
所谓的《萨克森投降书》通常与782-785年间查理曼大帝在萨克森的残酷战役有关。本文重新审视了关于《撒克逊投降令》的证据,认为它应该与查理曼大帝在萨克森的最后一次战役(约795年)有关,为了理解它规定的不寻常政策,人们应该在更广泛的政治和文化背景下考虑《投降令》。正如作者所暗示的那样,投降政策并非凭空出现;它深深植根于当时穆斯林西班牙(安达卢斯)的政治和宗教意识形态。
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引用次数: 19
The Priest in the House of Conscience: Sins of Thought and the Twelfth-Century Schoolmen 良心之家的牧师:思想之罪与十二世纪经院派
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2006-01-01 DOI: 10.1484/J.VIATOR.2.3017482
Susan R. Kramer
To what degree was the inner life of the soul considered private by twelfth-century writers? Much current work in areas as diverse as medieval penance, theological anthropology, and ethics demonstrates the period’s richly complicated conception of the inner self. The evidence also reveals, however, contemporary ambivalence as to whether this inner realm should be removed from the communal gaze. For this discussion the author’s approach to medieval conceptions of interiority and the soul’s secret life is the examination of changing attitudes towards sins of thought. Beginning with a biblical allegory first developed by St. Augustine, the article traces how the privacy of Augustine’s metaphorical “house of conscience” was expanded by twelfth-century schoolmen to include not only God but also priest.
12世纪的作家在多大程度上认为灵魂的内在生活是私人的?在中世纪忏悔、神学人类学和伦理学等不同领域的许多当前工作都展示了这一时期关于内在自我的丰富复杂的概念。然而,证据也揭示了当代的矛盾心理,即这种内心领域是否应该从公共视线中移除。在这个讨论中,作者对中世纪的内在性和灵魂的秘密生活的概念的方法是对思想罪恶的变化态度的检查。文章从圣奥古斯丁首先提出的一个圣经寓言开始,追溯了奥古斯丁隐喻的“良心之家”的隐私是如何被十二世纪的经院学者扩展到不仅包括上帝,还包括牧师。
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引用次数: 1
Letaldus of Micy, Germigny-des-Prés, and Aachen: Histories, Contexts, and the Problem of Likeness in Medieval Architecture 城市、德国和亚琛的Letaldus:中世纪建筑的历史、背景和相似性问题
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2006-01-01 DOI: 10.1484/J.VIATOR.2.3017478
Jenny H. Shaffer
Architectural historians, focused on whether form or meaning had primacy in the medieval “copy,” have debated the significance and value of Letaldus of Micy’s statement that Theodulf’s oratory at Germigny-des-Pres was “manifestly in the likeness” of Aachen, as Germigny-des-Pres bore little formal resemblance to Charlemagne’s famous chapel. Letaldus’s quote, however, has been divorced from its textual and historical contexts. Considered as part of his tenth-century Miracula Sancti Maximini and the circumstances of its production, Letaldus’s association of the ninth-century buildings confirms Richard Krautheimer’s well-known assertion that meaning was primary in medieval notions of likeness, voicing an image of a Carolingian past remembered in light of fierce present struggles within the monastic world of the Orleanais. Indeed, rather than answering the question of whether Germigny-des-Pres was built as a “copy” of Aachen, Letaldus’s quote raises the issue of how buildings’ complex, layered, and transformin...
建筑历史学家关注的是形式还是意义在中世纪的“复制”中占据主导地位,他们对Letaldus of Micy的说法的意义和价值进行了争论,Letaldus of Micy说,狄奥多夫在德国教堂的演讲“明显与亚琛相似”,因为德国教堂与查理曼著名的教堂几乎没有形式上的相似之处。然而,莱塔尔杜斯的这句话已经脱离了它的文本和历史背景。Letaldus的作品《Miracula Sancti Maximini》被认为是他十世纪作品《Miracula Sancti Maximini》及其创作环境的一部分,他对九世纪建筑的联想证实了Richard Krautheimer的著名论断,即中世纪的相似性概念的意义是主要的,表达了一种加洛林王朝时期的过去,在奥尔利纳修道院世界激烈斗争的背景下被人们记住。事实上,Letaldus的这句话并没有回答“德国是否复制了亚琛”的问题,而是提出了一个问题,即建筑的复杂、分层和变化……
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引用次数: 2
Demosthenes in the renaissance : A case study on the origins and development of scholarship on Athenian oratory 文艺复兴时期的德摩斯梯尼:雅典演讲学学术起源与发展的个案研究
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2006-01-01 DOI: 10.1484/J.VIATOR.2.3017499
D. Tangri
Demosthenes has been renowned since antiquity as one of the major Athenian orators of the fourth century B.C. His speeches were effectively forgotten in the Latin-speaking west after the fall of the Roman Empire, though they continued to be studied in the Byzantine east. Those speeches were among the first Greek texts to be brought to Italy during the Renaissance, and significant humanists translated some of them into Latin. This essay considers the growth and development of these early humanist studies. Humanists were interested in Demosthenes because of his ancient fame, and because they considered that he could help them improve their own oratory, but overall his place in their range of interests was fairly restricted. Renaissance studies of Demosthenes are significant, however, because they inspired and in some ways influenced later work.
德摩斯梯尼作为公元前4世纪雅典最著名的演说家之一,自古以来就享有盛誉。罗马帝国灭亡后,他的演讲实际上被讲拉丁语的西方遗忘了,尽管拜占庭东部的人们继续研究他的演讲。这些演讲是文艺复兴时期被带到意大利的首批希腊文本之一,重要的人文主义者将其中一些翻译成拉丁语。本文考察了这些早期人文主义研究的成长和发展。人文主义者对德摩斯梯尼感兴趣,因为他在古代的名声,因为他们认为他可以帮助他们提高自己的演讲能力,但总的来说,他在他们的兴趣范围内的地位相当有限。然而,文艺复兴时期对德摩斯梯尼的研究是重要的,因为它们启发并在某种程度上影响了后来的作品。
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引用次数: 2
期刊
Viator - Medieval and Renaissance Studies
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