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The Royal Dalāʾil al-Khayrāt Manuscript from Terengganu, Malaysia 皇家达尔哈伊尔al-Khayrāt马来西亚登嘉楼手稿
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-11 DOI: 10.1163/1878464x-01203011
H. Barakat, Nurul Iman Rusli
The collection of the Islamic Arts Museum Malaysia (IAMM), in Kuala Lumpur, includes over forty manuscript copies of Dalāʾil al-Khayrāt, the compilation of prayers and blessings for the Prophet Muhammad (PBUH) by Imam al-Jazūlī. The copies derive from the original source of the manuscript, Morocco, to as far as Southeast Asia and China. Five were produced in different parts of the Malay world, namely Patani, Terengganu, Aceh, and Java. This article examines the royal Terengganu manuscript of Dalāʾil al-Khayrāt, revealing its distinctive bookmaking technique and arrangement of its contents, as well as its special decorative style. It aims to understand the cultural setting within which such manuscripts were produced. It also looks at the personification of scholarly figures from nineteenth-century Terengganu—in particular Sayyid Muḥammad ibn Zain al-ʿĀbidīn al-ʿAydarūs (Tok Ku Tuan Besar), who is possibly the scribe of this royal manuscript—and their relationship with scholars in Hijaz.
位于吉隆坡的马来西亚伊斯兰艺术博物馆(IAMM)的藏品包括伊玛目贾兹对先知穆罕默德(PBUH)的祈祷和祝福汇编《达尔》(Dalāʾil al-Khayrāt)的40多份手稿。复制品来源于手稿的原始来源摩洛哥,远至东南亚和中国。五种产自马来世界的不同地区,即帕塔尼、登加奴、亚齐和爪哇。本文考察了登噶奴王室的Dalāʾil al-Khayrāt手稿,揭示了其独特的制书技巧和内容安排,以及其独特的装饰风格。它旨在了解这种手稿产生的文化背景。它还着眼于19世纪登嘉奴学者人物的人格化,尤其是穆ḥammad ibn Zain al-ʿĀbidīn al-ˁAydarīs(Tok Ku Tuan Besar),他可能是这本皇家手稿的抄写员,以及他们与希贾兹学者的关系。
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引用次数: 2
Abstracts, Résumés, ‮خلاصات‬‎ Journal of Islamic Manuscripts Volume 12, No. 3–4, Autumn–Winter 2021 摘要,Résumés,第823838号,《伊斯兰手稿杂志》第12卷,第3-4号,2021秋冬
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-11 DOI: 10.1163/1878464x-01203003
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引用次数: 0
Illustrated and Illuminated Manuscripts of the Dalāʾil al-khayrāt from Southeast Asia 来自东南亚的《达拉伊尔手稿》插图和彩绘手稿al-khayrāt
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-11 DOI: 10.1163/1878464x-01203012
Farouk Yahya
Illustrated and illuminated manuscripts of the Dalāʾil al-khayrāt from Southeast Asia are an invaluable resource for our understanding of the painting tradition of this region. The many copies now kept in various institutions attest to its popularity, while the lavish treatment often given to manuscripts indicates the high regard local communities had for this text. The types of images featured are similar to those from other parts of the Islamic world, yet these images, as well as the decorative illumination, also reflect local artistic styles. This paper examines a selection of Southeast Asian manuscripts of the Dalāʾil al-khayrāt dating from the eighteenth and nineteenth centuries, situating them both within the broader context of manuscript production and usage, and the pietistic landscape of the region.
来自东南亚的Dalāʾil al-khayrāt的插图和插图手稿是我们了解该地区绘画传统的宝贵资源。现在保存在各个机构的许多副本证明了它的受欢迎程度,而对手稿的慷慨对待表明了当地社区对这本书的高度重视。图像的类型与伊斯兰世界其他地区的图像相似,但这些图像以及装饰性照明也反映了当地的艺术风格。本文研究了18世纪和19世纪的东南亚Dalāʾil al-khayrāt手稿,将其置于手稿生产和使用的更广泛背景下,以及该地区的虔诚主义景观中。
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引用次数: 1
The Regional Recitations of al-Jazūlī’s Dalāʾil al-Ḫayrāt as Reflected in Its Manuscript Tradition 从手稿传统看al-Jazūlī《达拉伊尔-Ḫayrāt》的地域背诵
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-11 DOI: 10.1163/1878464x-01203001
Marijn van Putten
Muḥammad al-Jazūlī’s Dalāʾil al-Ḫayrāt is one of the most popular and widespread Islamic prayer books in the Sunni Islamic world; consequently, most library collections around the world have many copies of this manuscript. Despite its prolific written form, it is its recitation that should probably be considered the most prominent expression of the text. This paper undertakes a careful analysis of the vocalization and orthoepic signs added to three vocalized copies of 18th-century Dalāʾil al-Ḫayrāt manuscripts from Mali, the Maghreb, and Turkey. It reveals that they each have distinct recitation styles with their own phonological and morphological features, distinct from the rules applied in Classical Arabic prose text. Moreover, it is shown that these recitation styles clearly draw upon the rules of local Quranic reading traditions, while not entirely assimilating to them, thus giving a distinct local orthoepic flavour to the manner in which this text was recited.
Muḥammad al-Jazúlī的Dalāʾil al-Ḫayrāt是逊尼派伊斯兰世界中最受欢迎和最广泛的伊斯兰祈祷书之一;因此,世界各地的大多数图书馆收藏都有许多这份手稿的副本。尽管它的书面形式丰富,但它的背诵可能应该被认为是文本中最突出的表达。本文对18世纪Dalā-Ḫ来自马里、马格里布和土耳其的ayrāt手稿。这表明,他们各自有着不同的背诵风格,有着自己的语音和形态特征,不同于古典阿拉伯语散文文本中的规则。此外,研究表明,这些背诵风格显然借鉴了当地古兰经阅读传统的规则,但并没有完全吸收这些规则,从而为背诵文本的方式赋予了独特的当地正传风格。
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引用次数: 0
Muḥammad ibn Sulaymān al-Jazūlī and the Place of Dalāʾil al-Khayrāt in Jazūlite Sufism Muḥammad伊本Sulaymān al-Jazūlī和达拉伊尔al-Khayrāt在Jazūlite苏菲主义中的地位
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-11 DOI: 10.1163/1878464x-01203002
Vincent J. Cornell
This article discusses the career of Muḥammad ibn Sulaymān al-Jazūlī (d. 869/1465), his compilation of Dalāʾil al-Khayrāt, and the place of this work in Jazūlite Sufism. The teachings of the Jazūliyya Sufi order emphasized intense spiritual devotion to the Prophet Muḥammad as a means of access to the Divine. As a manual of prayers and invocations on behalf of the Prophet, Dalāʾil al-Khayrāt became one of the most popular works of Islamic devotional literature. This widespread popularity was partly due to the Jazūliyya’s doctrinal connections with the Qādiriyya and Shādhiliyya Sufi orders. In Jazūliyya Sufi practice, the recitation of Dalāʾil al-Khayrāt and the prayers and litanies of the order were used to instill a “Muḥammadan” consciousness in the mind of the disciple. This higher consciousness was meant to serve as a compass of spiritual guidance for the “true seeker of God” (al-murīd al-ṣādiq), who aspired to the highest levels of Sufi knowledge.
本文论述穆的职业生涯ḥammad ibn Sulaymān al-Jazālī(公元869/1465年),他编纂的Dalāʾil al-Khayrāt,以及这部作品在贾兹派苏菲主义中的地位。Jazúliyya苏菲教团的教义强调了对先知穆的强烈精神奉献ḥammad作为进入神圣的途径。作为一本代表先知祈祷和祈祷的手册,Dalāʾil al-Khayrāt成为伊斯兰宗教文学中最受欢迎的作品之一。这种广泛的流行在一定程度上是由于贾兹利亚与Qādiriyya和Shādhiliyya苏菲教团的教义联系。在Jazúliyya苏菲的实践中,Dalāʾil al-Khayrāt的背诵以及该教团的祈祷和长篇大论被用来灌输“Muḥ弟子心中的意识。这种更高的意识旨在为“真正的上帝寻求者”提供精神指导的指南针(al-murīd al-ṣādiq),他渴望获得最高水平的苏菲知识。
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引用次数: 0
Paths of Prayers in Ottoman North Africa 奥斯曼北非的祈祷之路
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-11 DOI: 10.1163/1878464x-01203006
Deniz Beyazit
This article discusses The Met’s unpublished Dalāʾil al-khayrāt—2017.301—(MS New York, TMMA 2017.301), together with a group of comparable manuscripts. The earliest known dated manuscript within the corpus, it introduces several iconographic elements that are new to the Dalāʾil, and which compare with the traditions developing in the Mashriq and the Ottoman world in particular. The article discusses Dalāʾil production in seventeenth-century North Africa and its development in the Ottoman provinces, Tunisia, and/or Algeria. The manuscripts illustrate how an Ottoman visual apparatus—among which the theme of the holy sanctuaries at Mecca and Medina, appearing for the first time in MS New York, TMMA 2017.301—is established for Muhammadan devotion in Maghribī Dalāʾils. The manuscripts belong to the broader historic, social, and artistic contexts of Ottoman North Africa. Our analysis captures the complex dynamics of Ottomanization of the North African provinces of the Ottoman Empire, remaining strongly rooted in their local traditions, while engaging with Ottoman visual idioms.
本文讨论了大都会博物馆未出版的Dalāʾil al-khayrāt-2017.301-(纽约MS,TMMA 2017.301),以及一组可比较的手稿。作为语料库中已知最早的年代手稿,它引入了Dalāʾil新的几种图像元素,并与Mashriq和奥斯曼世界发展起来的传统进行了比较。本文讨论了17世纪北非的Dalāʾil生产及其在奥斯曼各省、突尼斯和/或阿尔及利亚的发展。这些手稿展示了奥斯曼帝国的视觉装置——其中麦加和麦地那圣地的主题首次出现在纽约MS,TMMA 2017.301-i是如何在MaghribīDalāʾils为穆罕默德的虔诚而建立的。这些手稿属于奥斯曼北非更广泛的历史、社会和艺术背景。我们的分析捕捉到了奥斯曼帝国北非省份奥斯曼化的复杂动态,这些省份仍然深深植根于当地传统,同时融入了奥斯曼的视觉习语。
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引用次数: 1
Medina and Mecca Revisited 麦地那和麦加重访
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-11 DOI: 10.1163/1878464x-01203008
J. J. Witkam
The illustrations of Medina and Mecca in al-Ǧazūlī’s prayer book Dalāʾil al-Khayrāt have drawn the attention of many scholars, who have come up with different interpretations. In the present article, a subgroup within the Maghribī manuscripts of that text is defined for the first time: luxury manuscripts that date from the 11–12th/17–18th centuries and that were mostly produced for important owners, certainly in Morocco, possibly in other parts of the Magrib. The manuscripts in this subgroup have an illustrated and illuminated addition that physically precedes the text of Dalāʾil al-Khayrāt, but that does not belong to the text of the prayer book. In the present article that addition is for the first time identified as such and described. A small corpus has been assembled and, by way of example, the article contains a detailed description of two manuscripts belonging to that newly defined subgroup: MS Paris, Bibliothèque nationale de France, Arabe 6983, and MS Berlin, Staatsbibliothek, Or. oct. 240.
al-Ǧazúlī的祈祷书Dalāʾil al-Khayrāt中关于麦地那和麦加的插图引起了许多学者的注意,他们提出了不同的解释。在本文中,首次定义了该文本的Maghribī手稿中的一个子组:可追溯到11-12/17-18世纪的豪华手稿,这些手稿大多是为重要所有者制作的,当然是在摩洛哥,可能在马格里布的其他地区。这一分组中的手稿有一个插图和插图,在Dalāʾil al-Khayrāt的文本之前,但不属于祈祷书的文本。在本文中,首次将该添加标识为该添加并对其进行了描述。已经汇编了一个小语料库,例如,文章包含了属于新定义的子组的两份手稿的详细描述:巴黎图书馆,法国国家图书馆,Arabe 6983,柏林图书馆,Staatsbibliothek,Or。10月240日。
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引用次数: 0
Madd as Orthoepy Rather Than Orthography Madd为Orthoepy而非Orthography
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-04-30 DOI: 10.1163/1878464X-01202004
Marijn van Putten
This article explores the function and distribution of the maddah sign throughout the history of the Islamic manuscript tradition. It demonstrates that, to date, descriptions have not adequately described its use, and it shows that rather than being a part of Classical Arabic orthography, medieval sources clearly indicate that the maddah sign was specifically used to express an orthoepic feature of Classical Arabic prose, namely madd, the pronunciation of vowels as overlong.
本文探讨了在整个伊斯兰手抄本传统的历史中,玛达标志的功能和分布。它表明,到目前为止,描述还没有充分描述它的用法,它表明,中世纪的资料清楚地表明,maddah符号不是古典阿拉伯语正字法的一部分,而是专门用来表达古典阿拉伯语散文的正字法特征,即元音的发音过长。
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引用次数: 1
Egyptian Arabic Proverbs in the Cairo Genizah 埃及阿拉伯谚语在开罗的基尼撒
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-04-30 DOI: 10.1163/1878464x-01202007
Mohamed A.H. Ahmed

The Cairo Genizah is a fundamental source for the study of Jewish History and culture in Medieval and pre-modern times. Moreover, the importance of the Cairo Genizah to Arabic studies should not be underestimated. This article investigates a previously unpublished fragment that features a selection of Egyptian Arabic proverbs written in Hebrew script, i.e. Judaeo-Arabic, which have been kept for centuries in the Cairo Genizah and that, to date, have not been found in other sources of Egyptian proverbs.

开罗Genizah是研究中世纪和前现代犹太历史和文化的基本资料。此外,不应低估开罗文献对阿拉伯研究的重要性。这篇文章调查了一个以前未发表的片段,特点是选择埃及阿拉伯谚语写在希伯来文,即犹太阿拉伯语,这已经保存了几个世纪在开罗Genizah和,到目前为止,还没有发现在其他来源的埃及谚语。
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引用次数: 0
Introduction 介绍
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-01-21 DOI: 10.1163/1878464x-01201001
Paul M. Love, S. Mestaoui
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引用次数: 0
期刊
Journal of Islamic Manuscripts
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