Pub Date : 2023-12-01DOI: 10.3196/003581223837771517
Paolo Greco
This paper aims at providing a discussion on ’Ausbau‘ phenomena and on the influence of Latin syntactic models in the development of ancient Italian in the 14th century. This subject is addressed through the analysis of the characteristics of non-finite subordinate clauses in five ancient Italian texts: three translations from Latin classical texts and two ’original‘ chronicles. The comparison between these two types of texts will highlight the interactions between translations and ’original‘ texts and the relevance of the notion of discourse tradition in the analysis of ’Ausbau‘ phenomena in Medieval Italian texts. Finally, a general typology of the processes of syntactic elaboration and of the relationships between Medieval Italian syntactic structures and Latin models is also provided.
{"title":"Fenomeni di Elabor Azione Sintattica in Italiano Antico: Il caso della subordinazione a verbo non finito","authors":"Paolo Greco","doi":"10.3196/003581223837771517","DOIUrl":"https://doi.org/10.3196/003581223837771517","url":null,"abstract":"This paper aims at providing a discussion on ’Ausbau‘ phenomena and on the influence of Latin syntactic models in the development of ancient Italian in the 14th century. This subject is addressed through the analysis of the characteristics of non-finite subordinate clauses\u0000 in five ancient Italian texts: three translations from Latin classical texts and two ’original‘ chronicles. The comparison between these two types of texts will highlight the interactions between translations and ’original‘ texts and the relevance of the notion of discourse\u0000 tradition in the analysis of ’Ausbau‘ phenomena in Medieval Italian texts. Finally, a general typology of the processes of syntactic elaboration and of the relationships between Medieval Italian syntactic structures and Latin models is also provided.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138611973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-01DOI: 10.3196/003581223837771481
Stephanie Neu-Wendel, M. Zannini
Im vorliegenden Beitrag wird anhand ausgewählter Erinnerungsfelder – Shoah, Kolonialismus, Faschismus sowie Resistenza als wesentliches Gründungsnarrativ der Repubblica ita- liana – in Bezug auf den italienischen Kontext beleuchtet, wie groß (gerade vor dem Hintergrund aktueller revisionistischer Tendenzen) der Bedarf an ’Erinnerungsarbeit‘ nach wie vor ist und welche erinnerungskulturellen Paradigmen dabei in den Vordergrund rücken. Der Beitrag setzt sich aus einem einleitenden Überblick sowie zwei Interviews zusammen, die mit Daniele Comberiati (Université Paul-Valéry, Montpellier) und Tommaso Pepe (Brown University, USA / Guangzhou Maritime University, China) geführt wurden, die sich in ihrer Forschung u. a. mit postkolonialen Theorien, transkultureller italophoner Literatur, Memory Studies und der Darstellung der Shoah in der italienischen Literatur befassen.
在本文将根据所选Erinnerungsfelder -浩劫的殖民主义、法西斯主义、Resistenza作为威尼斯共和国的基本Gründungsnarrativ ita liana,对意大利的问题,有多大——在最新的修正主义趋势的背景下,需要Erinnerungsarbeit”仍然是哪些erinnerungskulturellen范式正在日渐突出.本文由一篇摘要,以及采访一起二Daniele Comberiati (UniversitéPaul-Valéry、地方)和托马斯佩佩(美国布朗大学/广州海事大学中国)中发生的研究包括用postkolonialen理论,transkultureller italophoner著作记忆学习研究和描述的意大利文学的研究.
{"title":"Verdrängung, Neuverhandlung, Institutionalisierung Funktion und Wandel der Erinnerungsforschung und der Erinnerungskulturen in Italien Im Gespräch mit Daniele Comberiati und Tommaso Pepe","authors":"Stephanie Neu-Wendel, M. Zannini","doi":"10.3196/003581223837771481","DOIUrl":"https://doi.org/10.3196/003581223837771481","url":null,"abstract":"Im vorliegenden Beitrag wird anhand ausgewählter Erinnerungsfelder – Shoah, Kolonialismus, Faschismus sowie Resistenza als wesentliches Gründungsnarrativ der Repubblica ita- liana – in Bezug auf den italienischen Kontext beleuchtet, wie groß\u0000 (gerade vor dem Hintergrund aktueller revisionistischer Tendenzen) der Bedarf an ’Erinnerungsarbeit‘ nach wie vor ist und welche erinnerungskulturellen Paradigmen dabei in den Vordergrund rücken. Der Beitrag setzt sich aus einem einleitenden Überblick sowie zwei Interviews\u0000 zusammen, die mit Daniele Comberiati (Université Paul-Valéry, Montpellier) und Tommaso Pepe (Brown University, USA / Guangzhou Maritime University, China) geführt wurden, die sich in ihrer Forschung u. a. mit postkolonialen Theorien, transkultureller italophoner Literatur,\u0000 Memory Studies und der Darstellung der Shoah in der italienischen Literatur befassen.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138616745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-01DOI: 10.3196/003581223837771490
Alessandra Petrocchi, Martin Maiden
The aim of this paper is to provide the first comparative, corpus-based description of the linguistic history of the Italian numeral-word zero. We show that the formal and semantic development of zero is far more complex than has been assumed and that it is intertwined with the history of cifra, originally a medieval Latin name for the symbol ’0‘. Cifra has received little attention from linguists despite the fact that its semantic development as a polysemous word is still reflected in modern Italian and in some of the other languages here explored. We examine the occurrence of these words in the context in which numerals for the symbol ’0‘ originated, namely the mathematical register, and then consider their uses in non-mathematical sources. We employ diachronic and synchronic analysis, both intragenre (within mathematical writings) and intergenre, and provide a comparative perspective by placing side-by-side works written in a variety of languages which have so far only been studied separately. Our theoretical observations and arguments cover both semantics and morphology. We argue that cifra underwent productive word-formation processes which created new lexemes via derivation and that its semantic development is a kind of expansive synecdoche. We also set out the challenges encountered in trying to explain the form zero.
{"title":"Italian Zero: A Comparative History","authors":"Alessandra Petrocchi, Martin Maiden","doi":"10.3196/003581223837771490","DOIUrl":"https://doi.org/10.3196/003581223837771490","url":null,"abstract":"The aim of this paper is to provide the first comparative, corpus-based description of the linguistic history of the Italian numeral-word zero. We show that the formal and semantic development of zero is far more complex than has been assumed and that it is intertwined\u0000 with the history of cifra, originally a medieval Latin name for the symbol ’0‘. Cifra has received little attention from linguists despite the fact that its semantic development as a polysemous word is still reflected in modern Italian and in some of the other languages\u0000 here explored. We examine the occurrence of these words in the context in which numerals for the symbol ’0‘ originated, namely the mathematical register, and then consider their uses in non-mathematical sources. We employ diachronic and synchronic analysis, both intragenre (within\u0000 mathematical writings) and intergenre, and provide a comparative perspective by placing side-by-side works written in a variety of languages which have so far only been studied separately. Our theoretical observations and arguments cover both semantics and morphology. We argue that cifra\u0000 underwent productive word-formation processes which created new lexemes via derivation and that its semantic development is a kind of expansive synecdoche. We also set out the challenges encountered in trying to explain the form zero.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138620879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-01DOI: 10.3196/003581223837771553
Gabriel Sanz Casasnovas
The participle form of the Spanish verb chapurrear ’to speak a language badly‘ is registered in some regions of Spain – Asturias, León, Extremadura, Aragon – as a glossonym through which speakers of minority languages name their mother tongue. This article provides the first academic approach to the conceptual history of chapurreau. By focusing on the example of Ribagorça (Aragon, Northeastern Spain), it is shown that i) the glossonym derives from a verb champurrar ’to debase a liquor‘, attested since the 17th century; and ii) between 1750–1800, the verb acquired a figurative meaning which was spread not only by Spanish central administration – as it was thought–, but also by Catalan writers from the 1840s onward.
{"title":"Chapurreau: Breve historia conceptual de una etiqueta lingüística","authors":"Gabriel Sanz Casasnovas","doi":"10.3196/003581223837771553","DOIUrl":"https://doi.org/10.3196/003581223837771553","url":null,"abstract":"The participle form of the Spanish verb chapurrear ’to speak a language badly‘ is registered in some regions of Spain – Asturias, León, Extremadura, Aragon – as a glossonym through which speakers of minority languages name their mother tongue. This\u0000 article provides the first academic approach to the conceptual history of chapurreau. By focusing on the example of Ribagorça (Aragon, Northeastern Spain), it is shown that i) the glossonym derives from a verb champurrar ’to debase a liquor‘, attested since\u0000 the 17th century; and ii) between 1750–1800, the verb acquired a figurative meaning which was spread not only by Spanish central administration – as it was thought–, but also by Catalan writers from the 1840s onward.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138627621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-01DOI: 10.3196/003581223837771562
Sara Izzo
The following article examines the forms and functions of literariness in journalism. Following Italo Calvino, literariness is understood as a specific aesthetic of detour, which is put into the service of an ethics of journalistic communication. For this purpose, report- ages from the interwar period (by Pierre Mac Orlan and Joseph Kessel) and, in an outlook, also from the immediate present (by Philippe Pujol and Roberto Saviano) will be discussed. Furthermore, in a transnational comparison, the country-specific handling of literariness in journalism is explored.
{"title":"Zwischen Einer Ästhetik und Ethik des Umwegs: Funktionen von Literarizität im ’literarischen Journalismus‘ des 20. und 21. Jahrhunderts","authors":"Sara Izzo","doi":"10.3196/003581223837771562","DOIUrl":"https://doi.org/10.3196/003581223837771562","url":null,"abstract":"The following article examines the forms and functions of literariness in journalism. Following Italo Calvino, literariness is understood as a specific aesthetic of detour, which is put into the service of an ethics of journalistic communication. For this purpose, report- ages from\u0000 the interwar period (by Pierre Mac Orlan and Joseph Kessel) and, in an outlook, also from the immediate present (by Philippe Pujol and Roberto Saviano) will be discussed. Furthermore, in a transnational comparison, the country-specific handling of literariness in journalism is explored.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138626612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-01DOI: 10.3196/003581223837771526
Romana Radlwimmer
O facto de os imaginários do passado co-construírem o presente é evidenciado pela litera- tura e pela arte sobre Covid-19. No caso do Brasil, foi salientado que a crise do coronavírus reforçou as estruturas da colonialidade, ou seja, os efeitos persistentes do colonialismo. Tanto as crónicas do início da Idade Moderna como os textos e fotografias contemporâneos refletem e questionam os padrões coloniais, criando interfaces biopolíticas a nível estético. Será que os produtos de períodos históricos tão diferentes produzem semelhanças relativamente à doença? Com base na teoria biopolítica, este artigo examina as obras de Ailton Krenak, Gui Christ e Alessandro Falco sobre a Covid-19, bem como as representações da doença de Leonardo do Vales e José de Anchietas na Bahia na década de 1560.
关于Covid-19的文学和艺术证明了过去的想象共同构建现在的事实。以巴西为例，有人指出，冠状病毒危机加强了殖民主义的结构，即殖民主义的持续影响。早期现代编年史和当代文本和照片都反映和质疑殖民模式，在美学层面上创造了生物政治界面。来自如此不同历史时期的产品是否与疾病有相似之处?本文以生物政治理论为基础，考察了Ailton Krenak、Gui Christ和Alessandro Falco关于Covid-19的著作，以及Leonardo do Vales和jose de Anchietas在1560年代在巴伊亚的疾病表现。
{"title":"Biopolitische Schnittstellen? Krankheitsdarstellungen im frühneuzeitlichen Bahia und in zeitgenössischen lusophonen Texten und Bildern","authors":"Romana Radlwimmer","doi":"10.3196/003581223837771526","DOIUrl":"https://doi.org/10.3196/003581223837771526","url":null,"abstract":"O facto de os imaginários do passado co-construírem o presente é evidenciado pela litera- tura e pela arte sobre Covid-19. No caso do Brasil, foi salientado que a crise do coronavírus reforçou as estruturas da colonialidade, ou seja, os efeitos persistentes\u0000 do colonialismo. Tanto as crónicas do início da Idade Moderna como os textos e fotografias contemporâneos refletem e questionam os padrões coloniais, criando interfaces biopolíticas a nível estético. Será que os produtos de períodos\u0000 históricos tão diferentes produzem semelhanças relativamente à doença? Com base na teoria biopolítica, este artigo examina as obras de Ailton Krenak, Gui Christ e Alessandro Falco sobre a Covid-19, bem como as representações da doença\u0000 de Leonardo do Vales e José de Anchietas na Bahia na década de 1560.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138612519","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-15DOI: 10.3196/003581223837059239
J. Harst
Il saggio esamina il rapporto tra metafora e ottica nel Cannocchiale Aristotelico (1670) di Tesauro Il titolo dell'opera indica già che il trattato di Tesauro sull'»agutezza« si riferisce agli sviluppi contemporanei dell'ottica Tra l'altro, paragona la »messa davanti agli occhi« della metafora al guardare attraverso un telescopio Tuttavia, questa tendenza, che corrisponde alla generale fascinazione del Barocco per il visibile, non è precisamente finalizzata su un'argomentazione empiricamente e razionalmente verificabile (come si potrebbe pensare a causa del riferimento alle scienze naturali) Piuttosto, Tesauro mobilita il visivo in vista del suo potenziale di inganno dei sensi e della mente, che include anche una critica della conoscenza delle scienze naturali Ciò è evidente a) nell'uso di metafore che fanno riferimento a strumenti ottici e b) nell'analisi dei diagrammi tipografici che Tesauro aggiunge alle sue spiegazioni La gestione delle illusioni ottiche viene inoltre messa in discussione per le sue conseguenze su una retorica gesuitica in contrasto con l'eloquenza antica
{"title":"Metaphorische Teleskopie: Rhetorik, Logik und Optik bei Emanuele Tesauro","authors":"J. Harst","doi":"10.3196/003581223837059239","DOIUrl":"https://doi.org/10.3196/003581223837059239","url":null,"abstract":"Il saggio esamina il rapporto tra metafora e ottica nel Cannocchiale Aristotelico (1670) di Tesauro Il titolo dell'opera indica già che il trattato di Tesauro sull'»agutezza« si riferisce agli sviluppi contemporanei dell'ottica Tra l'altro, paragona\u0000 la »messa davanti agli occhi« della metafora al guardare attraverso un telescopio Tuttavia, questa tendenza, che corrisponde alla generale fascinazione del Barocco per il visibile, non è precisamente finalizzata su un'argomentazione empiricamente e razionalmente verificabile\u0000 (come si potrebbe pensare a causa del riferimento alle scienze naturali) Piuttosto, Tesauro mobilita il visivo in vista del suo potenziale di inganno dei sensi e della mente, che include anche una critica della conoscenza delle scienze naturali Ciò è evidente a) nell'uso di metafore\u0000 che fanno riferimento a strumenti ottici e b) nell'analisi dei diagrammi tipografici che Tesauro aggiunge alle sue spiegazioni La gestione delle illusioni ottiche viene inoltre messa in discussione per le sue conseguenze su una retorica gesuitica in contrasto con l'eloquenza antica","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43964299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-15DOI: 10.3196/003581223837059275
Santiago López Martínez-Morás
El cantar de gesta francés Hugues Capet, escrito a mediados del siglo XIV , responde a la enorme crisis política en la Francia de esa época con la creación de un héroe capaz de ac- ceder al trono por sus propios méritos personales y no por derecho de nacimiento Aunque el autor adapta claramente el modelo de Guillaume d'Orange para construir el personaje central, le adjudica igualmente a este un linaje de bastardos que en cierta medida recoge elementos de otros miembros de la familia de Narbona Así, mientras el personaje de Richier asume rasgos de Rainouard, otro de los hermanos bastardos, Henri, encarna los valores de la moderación y del liderazgo que consiguen mantener unido al grupo de hermanos, vinculados finalmente con otros ayméridas citados por el texto
{"title":"Henri ou la discretion d'un batard epique dans hugues capet","authors":"Santiago López Martínez-Morás","doi":"10.3196/003581223837059275","DOIUrl":"https://doi.org/10.3196/003581223837059275","url":null,"abstract":"El cantar de gesta francés Hugues Capet, escrito a mediados del siglo XIV , responde a la enorme crisis política en la Francia de esa época con la creación de un héroe capaz de ac- ceder al trono por sus propios méritos personales y no\u0000 por derecho de nacimiento Aunque el autor adapta claramente el modelo de Guillaume d'Orange para construir el personaje central, le adjudica igualmente a este un linaje de bastardos que en cierta medida recoge elementos de otros miembros de la familia de Narbona Así, mientras el personaje\u0000 de Richier asume rasgos de Rainouard, otro de los hermanos bastardos, Henri, encarna los valores de la moderación y del liderazgo que consiguen mantener unido al grupo de hermanos, vinculados finalmente con otros ayméridas citados por el texto","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46642375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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