Pub Date : 2021-08-15DOI: 10.3196/003581221833406176
C. Jacobi
En el cine contemporáneo y en la literatura narrativa de los países de lengua románica se encuentra una multitud de obras en las cuales los trastornos alimenticios no sólo representan una adecuación exagerada a los dictados contemporáneos de belleza, sino también una metáfora sociocultural que visualiza las disfunciones de la sociedad actual a través del cuerpo femenino. El análisis de la película Malos hábitos (2007) del director mejicano Simón Bross y de la novela La voyeuse interdite (1991) de la autora franco-argelina Nina Bou- raoui demuestra que la sumisión del cuerpo femenino a los ideales desinhibidos de belleza occidental (Bross) y a las normas púdicas de un Islam fundamentalista (Bouraoui) representan la dependencia de la mujer con respecto al poder de la mirada masculina (male gaze), transformando el cuerpo femenino en un espacio de proyección de las jerarquías sociales . Ante la idea ampliamente difundida del Islam como ’lo otro‘, criticado particularmente por su ’concepción atrasada‘ en cuanto al papel de la mujer, la comparación demuestra que la hipersexualización occidental y la tabuización integrista del cuerpo femenino son dos caras de la misma moneda, que reduce a la mujer – de manera desconcertantemente similar – al estado de objeto sexual.
{"title":"Narrative der Essstörung im Zeitgenössischen Film und Roman: Simón Bross' Malos hábitos (2007) und Nina Bouraouis La voyeuse interdite (1991)","authors":"C. Jacobi","doi":"10.3196/003581221833406176","DOIUrl":"https://doi.org/10.3196/003581221833406176","url":null,"abstract":"En el cine contemporáneo y en la literatura narrativa de los países de lengua románica se encuentra una multitud de obras en las cuales los trastornos alimenticios no sólo representan una adecuación exagerada a los dictados contemporáneos de\u0000 belleza, sino también una metáfora sociocultural que visualiza las disfunciones de la sociedad actual a través del cuerpo femenino. El análisis de la película Malos hábitos (2007) del director mejicano Simón Bross y de la novela La\u0000 voyeuse interdite (1991) de la autora franco-argelina Nina Bou- raoui demuestra que la sumisión del cuerpo femenino a los ideales desinhibidos de belleza occidental (Bross) y a las normas púdicas de un Islam fundamentalista (Bouraoui) representan la dependencia de la mujer\u0000 con respecto al poder de la mirada masculina (male gaze), transformando el cuerpo femenino en un espacio de proyección de las jerarquías sociales . Ante la idea ampliamente difundida del Islam como ’lo otro‘, criticado particularmente por su ’concepción\u0000 atrasada‘ en cuanto al papel de la mujer, la comparación demuestra que la hipersexualización occidental y la tabuización integrista del cuerpo femenino son dos caras de la misma moneda, que reduce a la mujer – de manera desconcertantemente similar – al\u0000 estado de objeto sexual.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46758787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-15DOI: 10.3196/003581221832836747
Frank Estelmann
A l'aide de l'explication par Kwame Anthony Appiah de la politique ethnique à partir de trois concepts (labels, normes, traitement), cette contribution souhaite proposer une lecture de quelques remédiatisations (Bolter et Grusin) dans la littérature contemporaine de la mention ethnique sur les cartes d'identité nationales qui, pendant le génocide des Tutsi au Rwanda, indiquaient l'identité de leur porteur Au lieu de construire une causalité entre l'identité ethnique et le génocide de 1994, ces remédiatisations mettent plutôt en question l'utilisation peu critique de l'antagonisme Hutu et Tutsi dans les espaces politiques, commémoratifs, artistiques et littéraires Comme on le verra, c'est par exemple le cas dans le long-métrage Sometimes in April (2005) de Raoul Peck et /ou dans le roman Murambi, le livre des ossements (2000) de Boubacar Boris Diop Gaël Faye projette le narrateur de son roman Petit Pays (2016) dans une autre variation du motif et du narratif de l'identité ethnique Il montre à la fois l'efficacité meurtrière du dispositif de la carte d'identité tout comme sa longévité qui va bien au-delà du génocide de 1994 Mais surtout, il soustrait l'attribution des victimes et des coupables de la violence à la simple logique ethnique
利用夸梅·安东尼·阿皮亚（Kwame Anthony Appiah）从三个概念（标签、规范、待遇）对种族政治的解释，本文旨在提供对当代文献中民族身份证上种族提及的一些补救措施（博尔特和格鲁辛）的解读，在卢旺达图西族种族灭绝期间，这些补救措施没有在种族身份和1994年种族灭绝之间建立因果关系，而是质疑胡图族和图西族对立在政治、纪念、艺术和文学空间中的不加批判的使用，如拉乌尔·佩克（Raoul Peck）的故事片《四月的某些时候》（2005年）和/或小说《穆拉比》（Murambi）中所述，Boubacar Boris Diop Gaël Faye的《骨头之书》（2000年）将其小说《Petit Pays》（2016年）的叙述者投射到了民族身份的主题和叙事的另一个变体中。它显示了身份证装置的杀人效果及其寿命，远超过1994年的种族灭绝，但最重要的是，它从简单的民族逻辑中减去了暴力受害者和肇事者的归属
{"title":"Carte D'identité. Remediatisierungen des ethnisierten Personalausweises in der neueren frankophonen Literatur über den Genozid an den rwandischen Tutsi","authors":"Frank Estelmann","doi":"10.3196/003581221832836747","DOIUrl":"https://doi.org/10.3196/003581221832836747","url":null,"abstract":"A l'aide de l'explication par Kwame Anthony Appiah de la politique ethnique à partir de trois concepts (labels, normes, traitement), cette contribution souhaite proposer une lecture de quelques remédiatisations (Bolter et Grusin) dans la littérature contemporaine\u0000 de la mention ethnique sur les cartes d'identité nationales qui, pendant le génocide des Tutsi au Rwanda, indiquaient l'identité de leur porteur Au lieu de construire une causalité entre l'identité ethnique et le génocide de 1994, ces remédiatisations\u0000 mettent plutôt en question l'utilisation peu critique de l'antagonisme Hutu et Tutsi dans les espaces politiques, commémoratifs, artistiques et littéraires Comme on le verra, c'est par exemple le cas dans le long-métrage Sometimes in April (2005) de Raoul\u0000 Peck et /ou dans le roman Murambi, le livre des ossements (2000) de Boubacar Boris Diop Gaël Faye projette le narrateur de son roman Petit Pays (2016) dans une autre variation du motif et du narratif de l'identité ethnique Il montre à la fois l'efficacité\u0000 meurtrière du dispositif de la carte d'identité tout comme sa longévité qui va bien au-delà du génocide de 1994 Mais surtout, il soustrait l'attribution des victimes et des coupables de la violence à la simple logique ethnique","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47535411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-15DOI: 10.3196/003581221832836738
M. Becker, V. Klostermann, C. Ruhe
{"title":"Dank an Franz Lebsanft","authors":"M. Becker, V. Klostermann, C. Ruhe","doi":"10.3196/003581221832836738","DOIUrl":"https://doi.org/10.3196/003581221832836738","url":null,"abstract":"","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45604518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-15DOI: 10.3196/003581221832836710
Philipp Freyburger, F. Jäger
Numerous studies have shown how autobiographical narratives can illustrate the functions and structures of traumatic memory through language However, comparative research between linguistics and literature, between oral and written accounts, has often been neglected, especially when it comes to the role of sensory perception in the process of memory emergence The present study focuses on the examination of ’emerging memory‘ in both oral history interviews and literary narratives as testified by traumatised war and holocaust survivors It focuses primarily on communicative strategies and linguistic structures, which can be found in both corpora By applying the linguistic concept of evidentiality, it will be shown how visual and auditive stimuli condition, regulate and facilitate the process of verbalization in both oral and written narratives
{"title":"Emergentes Erinnern. Sensorische, kognitive und mediale (Spiel-)Räume in Oral-History-Interviews und literarischen Erinnerungstexten","authors":"Philipp Freyburger, F. Jäger","doi":"10.3196/003581221832836710","DOIUrl":"https://doi.org/10.3196/003581221832836710","url":null,"abstract":"Numerous studies have shown how autobiographical narratives can illustrate the functions and structures of traumatic memory through language However, comparative research between linguistics and literature, between oral and written accounts, has often been neglected, especially when\u0000 it comes to the role of sensory perception in the process of memory emergence The present study focuses on the examination of ’emerging memory‘ in both oral history interviews and literary narratives as testified by traumatised war and holocaust survivors It focuses primarily on\u0000 communicative strategies and linguistic structures, which can be found in both corpora By applying the linguistic concept of evidentiality, it will be shown how visual and auditive stimuli condition, regulate and facilitate the process of verbalization in both oral and written narratives","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48895864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-15DOI: 10.3196/003581221832836666
Daniel Słapek
Among the most complex rules of Italian grammar are those relating to the use of the definite article with possessive adjectives followed by kinship names: in this case, the article is not employed, but its omission is subject to various structural, syntactical, and semantic restrictions concerning the noun / phrase in question. Grammar books usually highlight the use of the article with plural nouns or with the possessive form loro, but they are much less careful about other features of the kinship noun / phrase in which possessives are involved (compound nouns, nouns followed by prepositional complements, etc.). Furthermore, they disagree with regard to the syntax of affective names, in which case the use of the article is often considered optional. With this study, then, I intend to analyze the use of the definite article with possessive adjectives followed by the affective kinship names mamma and papà (therefore, nouns without suffixes) in the largest corpus of written Italian, Italian Web 2016 of the Sketch Engine system. The results of this research are interesting because, statistically, the use of the article depends on the possessive adjective used in the text (mio, tuo, suo, etc.) and, therefore, on the degree of the speaker's emotional involvement.
意大利语语法中最复杂的规则之一是那些与所有格形容词后面跟着亲属名称的定冠词的使用有关的规则:在这种情况下，不使用冠词，但它的省略受到与所讨论的名词/短语有关的各种结构、句法和语义限制。语法书通常强调冠词与复数名词或所有格形式loro的使用，但他们很少注意到亲属名词/短语中涉及所有格的其他特征(复合名词，名词后跟介词补语等)。此外，他们在情感名的语法上意见不一，在这种情况下，冠词的使用通常被认为是可选的。因此，通过这项研究，我打算分析最大的书面意大利语语料库，Sketch Engine系统的Italian Web 2016中，带有所有格形容词的定冠词后面跟着情感亲属名称mamma和pap(因此，没有后缀的名词)的使用情况。这项研究的结果很有趣，因为从统计上看，冠词的使用取决于语篇中所使用的所有格形容词(mio, two, suo等)，因此也取决于说话人的情感投入程度。
{"title":"L'uso dell'articolo determinativo davanti ai singenionimi affettivi preceduti da un possessivo: un quadro statistico","authors":"Daniel Słapek","doi":"10.3196/003581221832836666","DOIUrl":"https://doi.org/10.3196/003581221832836666","url":null,"abstract":"Among the most complex rules of Italian grammar are those relating to the use of the definite article with possessive adjectives followed by kinship names: in this case, the article is not employed, but its omission is subject to various structural, syntactical, and semantic restrictions\u0000 concerning the noun / phrase in question. Grammar books usually highlight the use of the article with plural nouns or with the possessive form loro, but they are much less careful about other features of the kinship noun / phrase in which possessives are involved (compound nouns, nouns\u0000 followed by prepositional complements, etc.). Furthermore, they disagree with regard to the syntax of affective names, in which case the use of the article is often considered optional. With this study, then, I intend to analyze the use of the definite article with possessive adjectives followed\u0000 by the affective kinship names mamma and papà (therefore, nouns without suffixes) in the largest corpus of written Italian, Italian Web 2016 of the Sketch Engine system. The results of this research are interesting because, statistically, the use of the article depends\u0000 on the possessive adjective used in the text (mio, tuo, suo, etc.) and, therefore, on the degree of the speaker's emotional involvement.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47230728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-15DOI: 10.3196/003581221831922355
R. Trachsler
Das Romanische Seminar der Universität Zürich bewahrt in der Forschungsbibliothek Briefe und Unterlagen von Heinrich Morf (1854–1921) auf, dem eigentlichen Begründer des Romanischen Seminars. Dank eines bereits 1960 erfolgten Legats seiner Tochter Gertrud Lehner-Morf konnten mehr als 660 Dokumente aller Art in die Bibliothek überführt werden, jedoch ist das Material erst in den letzten Jahren gesichtet und geordnet worden. Der vorliegende Beitrag versucht, den Fonds Morf vorzustellen und das Potenzial dieses Torsos einer Gelehrtenkorrespondenz für die Erkenntnisse der Forschung zu erläutern. Die interessantesten Dokumente stammen aus der Berliner Zeit und bieten Einblick in die Organisation der Erhebungen in den Gefangenenlagern, deren Leitung für den Bereich der Romanistik Morf oblag.
{"title":"A propos de la correspondance adressée a Heinrich Morf, conservée à la Bibliothek Jud de l'Université de Zurich","authors":"R. Trachsler","doi":"10.3196/003581221831922355","DOIUrl":"https://doi.org/10.3196/003581221831922355","url":null,"abstract":"Das Romanische Seminar der Universität Zürich bewahrt in der Forschungsbibliothek Briefe und Unterlagen von Heinrich Morf (1854–1921) auf, dem eigentlichen Begründer des Romanischen Seminars. Dank eines bereits 1960 erfolgten Legats seiner Tochter Gertrud Lehner-Morf\u0000 konnten mehr als 660 Dokumente aller Art in die Bibliothek überführt werden, jedoch ist das Material erst in den letzten Jahren gesichtet und geordnet worden. Der vorliegende Beitrag versucht, den Fonds Morf vorzustellen und das Potenzial dieses Torsos einer Gelehrtenkorrespondenz\u0000 für die Erkenntnisse der Forschung zu erläutern. Die interessantesten Dokumente stammen aus der Berliner Zeit und bieten Einblick in die Organisation der Erhebungen in den Gefangenenlagern, deren Leitung für den Bereich der Romanistik Morf oblag.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47762609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-15DOI: 10.3196/003581221831922409
F. Tacke
Once at the core of Romance philology, the teaching of Historical Romance Linguistics has all but vanished from university curricula Even though language change is constitutive for any natural language, most bachelor degree programs focus on synchronic studies these days Nevertheless, instead of arguing for the reintroduction of compulsory Old French or Old Spanish courses, this paper promotes another vision of Historical Linguistics in academic education In line with Christmann (1975) and Böckle / Lebsanft (1989), it will be shown that it is possible to include a solid introduction to Historical Linguistics in today's curricula and, at the same time, adapt it both to modern teaching conditions and the needs of bachelor degree students by taking the contemporary Romance languages as a starting point and applying a diachronic perspective on their features In this context, the recently published History of Spanish by Ranson / Lubbers Quesada (2018) will be presented as an example of a textbook that represents this approach in a nearly perfect manner.
历史浪漫语言学的教学曾经是浪漫语言学的核心，但现在几乎从大学课程中消失了。尽管语言变化是任何自然语言的组成部分，但如今大多数学士学位课程都侧重于共时性研究。然而，他们并没有主张重新引入必修的古法语或古西班牙语课程，与Christmann(1975)和Böckle / Lebsanft(1989)一致，本文提出了历史语言学在学术教育中的另一种观点，它将表明，在今天的课程中包含对历史语言学的坚实介绍是可能的，同时，以当代罗曼语为出发点，运用历时性视角研究其特征，使其适应现代教学条件和学士学位学生的需求。在这种背景下，Ranson / Lubbers Quesada(2018)最近出版的《西班牙语史》(History of Spanish)将作为教科书的一个例子，以近乎完美的方式代表这种方法。
{"title":"Die historische Betrachtung der romanischen Sprachen. Zur Zukunft der Sprachgeschichte in der universitären Lehre","authors":"F. Tacke","doi":"10.3196/003581221831922409","DOIUrl":"https://doi.org/10.3196/003581221831922409","url":null,"abstract":"Once at the core of Romance philology, the teaching of Historical Romance Linguistics has all but vanished from university curricula Even though language change is constitutive for any natural language, most bachelor degree programs focus on synchronic studies these days Nevertheless,\u0000 instead of arguing for the reintroduction of compulsory Old French or Old Spanish courses, this paper promotes another vision of Historical Linguistics in academic education In line with Christmann (1975) and Böckle / Lebsanft (1989), it will be shown that it is possible to include a\u0000 solid introduction to Historical Linguistics in today's curricula and, at the same time, adapt it both to modern teaching conditions and the needs of bachelor degree students by taking the contemporary Romance languages as a starting point and applying a diachronic perspective on their features\u0000 In this context, the recently published History of Spanish by Ranson / Lubbers Quesada (2018) will be presented as an example of a textbook that represents this approach in a nearly perfect manner.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43101808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-15DOI: 10.3196/003581221831922391
Sara Matrisciano, F. Rainer
All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.
{"title":"Origine et diffusion des expressions romanes du type jaune paille","authors":"Sara Matrisciano, F. Rainer","doi":"10.3196/003581221831922391","DOIUrl":"https://doi.org/10.3196/003581221831922391","url":null,"abstract":"All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade.\u0000 The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type\u0000 verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese\u0000 adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.","PeriodicalId":42267,"journal":{"name":"ROMANISCHE FORSCHUNGEN","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44867722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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