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Intermediale Strategien in Jakob Brossmanns Lampedusa im Winter (2015) und Gianfranco Rosis Fuocoammare (2016) 2015年冬季雅各·布罗西曼蓝佩杜萨岛的中间战略
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2020-06-15 DOI: 10.3196/003581220829411419
D. Winkler
With Lampedusa in Winter ( A / CH / I 2015) and Fire at Sea (I/F 2016), the Italian and Austrian filmmakers Jakob Brossmann and Gianfranco Rosi more or less simultaneously pursue similar projects: for their cinematic long term observations, both films center on the small Sicilian island of Lampedusa, a focus of mass media interest due to current migration processes and the humanitarian crisis in the Mediterranean Both rely on visual traditions of (neo-)realistic cinema in order to avoid documentary cinema's frequently didactic approach Instead of techniques such as voice-over narration and interviews (expository mode), Brossmann and Rossi most notably employ indirect address and contrastive mon tage, thus enabling the audience to experience ’authentic‘ impressions of everyday life on the island (observational mode). At the same time, however, the films themselves are inevitably part of the hype surrounding Lampedusa as the very symbol of the humanitarian crisis in the Mediterranean The article analyses how, by means of different intermedial references, the two films situate Lampedusa between everyday life and emergency, between cinematic traditions of the Italian post-war era and their anthropological and metamedial transgression
在《兰佩杜萨岛的冬天》(2015年A / CH / I)和《海上之火》(2016年I/F)中,意大利和奥地利的电影制作人雅各布·布罗斯曼和詹弗兰科·罗西几乎同时在追求类似的项目:对于他们的电影长期观察,两部电影都以西西里岛的兰佩杜萨岛为中心,由于当前的移民过程和地中海的人道主义危机,这是大众媒体关注的焦点。两部电影都依赖于(新)现实主义电影的视觉传统,以避免纪录片电影经常使用的说教方法,而不是画外音叙述和采访(说白了的模式)等技术。布罗斯曼和罗西最引人注目的是采用了间接的称呼和对比蒙太奇,从而使观众能够体验到岛上日常生活的“真实”印象(观察模式)。然而,与此同时,电影本身也不可避免地成为围绕兰佩杜萨岛的炒作的一部分,作为地中海人道主义危机的象征。本文分析了两部电影如何通过不同的中间参考,将兰佩杜萨岛置于日常生活与紧急情况之间,意大利战后时代的电影传统与他们的人类学和超媒介越界之间
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引用次数: 0
Narrar (sobre) abismos. De puentes y poéticas en Rayuela de Julio Cortázar y El túnel de Ernesto Sábato 讲述(关于)深渊。Julio Cortázar的Rayuela和Ernesto Sabato的隧道中的桥梁和诗歌
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2020-06-15 DOI: 10.3196/003581220829411464
Lena Abraham
In their narrative and their essayistic œuvre, Ernesto Sabato and Julio Cortazar display their concern for the solitude assailing modern subjectivities and, at the same time, grapple with the possibilities offered by art – in particular by literary art – to overcome said isolation In El tunel and Rayuela, both authors use the architectonic image of the bridge to illustrate the novel's expressive potential and how it can bridge the chasm between the alienated existences of the 20th century As a literary genre delving into human experience, the novel does not only narrate through the existential abyss, but also becomes a communicating bridge itself
埃内斯托·萨巴托(Ernesto Sabato)和胡里奥·科尔塔扎尔(Julio Cortazar,两位作者都用桥的建筑形象来说明小说的表达潜力,以及它如何弥合20世纪异化存在之间的鸿沟。作为一种深入人类体验的文学流派,小说不仅通过存在的深渊进行叙事,而且本身也成为了一座沟通的桥梁
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引用次数: 0
Dossier »Altfranzösisch-hebräischer Sprachkontakt« 古法语希伯来语联系档案
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2020-06-15 DOI: 10.3196/003581220829411455
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引用次数: 0
Erzähltechnische Merkmale von Manzonis Promessi sposi im Spiegel der Übersetzungen 翻译镜下普罗米西的叙事特征
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2020-06-15 DOI: 10.3196/003581220829411428
Iris Plack
This article focuses on narrative features of Alessandro Manzoni's masterpiece I Promessi Sposi and indicates their relevance for translation The central concern is whether the translation of narrative issues, as parts of the recit, can alter the narrative content of the novel, the histoire, as Genette suggests With reference to examples from Manzoni's work, there follows a discussion of such issues as paratextual features, syntactic aspects, tempus changes, free indirect speech, and forms of address and the way translators have dealt with them in various target languages The rendering of these aspects in translation, which is affected by typological aspects of the respective target language, turns out to have an important impact on the kind of ’story‘ told by the novel and is thus a decisive criterion for translation quality
本文着重分析了亚历山德罗·曼佐尼的代表作《Promessi Sposi》的叙事特点,并指出了这些特点与翻译的相关性。本文主要关注的是叙事问题的翻译,作为朗诵的一部分,是否会像Genette所说的那样,改变小说的叙事内容,即历史,并参考曼佐尼作品中的例子,讨论了诸如意译特征,句法方面,时间变化,自由间接引语,这些方面在翻译中的表现受到译入语类型方面的影响,对小说所讲的“故事”的类型有重要影响,因此是衡量翻译质量的决定性标准
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引用次数: 0
Mallarmé und die metaphorischen Kreise des Nichts Mallarmé和虚无的metaphorischen圆圈
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2020-03-15 DOI: 10.3196/003581220828804874
Felix Schmelzer
Le present travail propose une analyse de l'œuvre de Stephane Mallarme du point de vue metaphorique . Il part de la consideration suivante: la notion du »rien« constitue le point de gravitation autour duquel s'assemblent les metaphores centrales qui creent elles-memes d'autres groupes metaphoriques . En ce sens, l'œuvre de Mallarme peut etre decrite comme une carte metaphorique caracterisee par des concretisations graduelles du »rien«, qui se devoilent selon trois champs semantiques principaux: poetologique, erotique et sacre . Nous avons choisi de centrer l'analyse sur le champ poetologique, dont le »rien« se concretise pro- gressivement dans le »blanc«, la »blancheur du papier«, le »poeme aux blancs«, la »plume«, et diverses »creatures plumees« inspiratrices comme »l'ange« ou le »cygne« .
本文从形而上学的角度分析了Stephane Mallarme的作品。它从以下考虑开始:“无”的概念构成了中心隐喻聚集的引力点,这些中心隐喻本身创造了其他隐喻群。从这个意义上说,Mallarme的作品可以被描述为一张隐喻地图,其特征是“无”的逐渐具体化,根据三个主要语义领域展开:诗学、情色和神圣。我们选择将分析集中在诗学领域,其中“无”逐渐具体化为“白色”、“纸的白色”、“白色诗歌”、“羽毛”和各种鼓舞人心的“羽毛生物”,如“天使”或“天鹅”。
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引用次数: 0
Le barbare criminel: Roman sociologique et discours social à la belle époque 《犯罪野蛮人:美好时代的社会学小说与社会话语》
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2020-03-15 DOI: 10.3196/003581220828804838
Jean-Michel Wittmann
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引用次数: 0
Von der Kubanischen zur digitalen Revolution: Zeitstrukturen des Revolutionsgedächtnisses in der kubanischen Blogosphäre 从古巴革命到数字革命:古巴博客圈革命记忆的时间结构
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2020-03-15 DOI: 10.3196/003581220828804883
Miriam Lay Brander
Basandose en una serie de entradas de blog que se publicaron en las semanas despues del LX. aniversario del triunfo de la Revolucion Cubana, este articulo analiza como se conmemora este acontecimiento en la blogosfera cubana y como los bloggers se posicionan frente al discurso mnemonico mantenido por el regimen cubano. Versa sobre la cuestion de saber en que medida las entradas reproducen, modifican o niegan la logica temporal de la version historiografica dominante. Se mostrara que, en la blogosfera cubana, las narrativas genealogico-teleologicas del discurso revolucionario coexisten con figuras temporales alternativas. A diferencia de los medios de comunicacion estatales, la blogosfera cubana abre un espacio virtual en que las versiones diferentes y hasta conflictivas de la memoria de la Revolucion pueden enfrentarse. Este espacio no solo va mas alla de los limites geograficos o territoriales, sino tambien de lo politicamente decible.
基于LX之后几周内发表的一系列博客文章。在古巴革命胜利纪念日,这篇文章分析了古巴部落格圈是如何纪念这一事件的,以及部落客如何面对古巴政权的记忆话语。它涉及的问题是,这些条目在多大程度上复制、修改或否定了占主导地位的史学版本的时间逻辑。它表明,在古巴博客圈,革命话语的谱系-目的论叙事与其他时间人物共存。与国家媒体不同,古巴博客圈打开了一个虚拟空间,在这个空间里,对革命的不同甚至相互冲突的记忆可以相互对抗。这个空间不仅超越了地理或领土的界限,也超越了政治上的界限。
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引用次数: 0
Tra focalizzazione e diffusione: Itinerari nella storia linguistica dell'italiano 聚焦与扩散之间:意大利语语言史上的行程
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2020-03-15 DOI: 10.3196/003581220828804856
R. Regis
This paper deals with the concepts of focusing and diffusion and how they interact in the history of a language; whereas the former implies regularity and stability in the use of the code, the latter refers to a situation of great variability . Some defining moments in the history of the Italian language (the Late Middle Ages, the Renaissance and the Unifica- tion of Italy) are here analyzed and discussed in terms of the focusing / diffusion distinction . Moreover, the sociolinguistic situation of contemporary Italian is depicted by fitting these concepts into a Coserian framework, involving such notions as habla (speech), norma (norm) and sistema (system).
本文讨论了聚焦和扩散的概念,以及它们在语言历史中的相互作用;前者意味着代码使用的规律性和稳定性,而后者指的是变化很大的情况。意大利语历史上的一些决定性时刻(中世纪晚期,文艺复兴和意大利统一)在这里分析和讨论聚焦/扩散的区别。此外,当代意大利语的社会语言学情况是通过将这些概念纳入Coserian框架来描述的,包括habla(言语)、norma(规范)和sistema(系统)等概念。
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引用次数: 0
Kurzrezensionen Kurzrezensionen
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2020-03-15 DOI: 10.3196/003581220828804892
K. Schulz
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引用次数: 0
Die Autoren dieses Heftes 本期作者
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2020-03-15 DOI: 10.3196/003581220828804865
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引用次数: 1
期刊
ROMANISCHE FORSCHUNGEN
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