{"title":"Ulrike Draesner: This Porous Fabric: Selected Poems, translated by Iain Galbraith","authors":"T. Ludden","doi":"10.3366/tal.2024.0581","DOIUrl":"https://doi.org/10.3366/tal.2024.0581","url":null,"abstract":"","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140400178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Michel Tremblay: Plays in Scots, translated by Martin Bowman and Bill Findlay, edited by Martin Bowman","authors":"Stewart Sanderson","doi":"10.3366/tal.2024.0580","DOIUrl":"https://doi.org/10.3366/tal.2024.0580","url":null,"abstract":"","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140405443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Asian Classics on the Victorian Bookshelf: Flights of Translation, by Alexander Bubb","authors":"Kathy Rees","doi":"10.3366/tal.2023.0565","DOIUrl":"https://doi.org/10.3366/tal.2023.0565","url":null,"abstract":"","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139294579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Drawing on the abundant archival materials and insights afforded by Timothy Billings’ 2019 edition of Pound's Cathay, this article examines Pound's methods of reworking the intermediary notebooks of Fenollosa and reconstructs the multiple processes of mediation in the making of the collection. It proposes a more capacious and versatile framework than is usual for exploring the complexities of transcultural rewriting, and advances a more nuanced treatment of commonly employed categories in Translation Studies such as ‘domesticating’ and ‘foreignizing’. Two analytical concepts are developed: transcultural imitation, which describes the sources and techniques with which Pound signals a certain form of ‘Chineseness’ and mediates the experience of the foreign; and second the palimpsest of translation, which delineates the multilayered richness and prismatic pluralities of Cathay by unpacking the diverse sets of intertexts out of which it is woven. Pound, it is argued, reconstitutes ideas of China's foreignness, endowing Chinese poetry with new transcultural significance.
{"title":"Making It Old, Making It New, Making It Chinese: Transcultural Imitation and the Palimpsest of Translation in Pound's Cathay","authors":"Lynn Qingyang Lin","doi":"10.3366/tal.2023.0560","DOIUrl":"https://doi.org/10.3366/tal.2023.0560","url":null,"abstract":"Drawing on the abundant archival materials and insights afforded by Timothy Billings’ 2019 edition of Pound's Cathay, this article examines Pound's methods of reworking the intermediary notebooks of Fenollosa and reconstructs the multiple processes of mediation in the making of the collection. It proposes a more capacious and versatile framework than is usual for exploring the complexities of transcultural rewriting, and advances a more nuanced treatment of commonly employed categories in Translation Studies such as ‘domesticating’ and ‘foreignizing’. Two analytical concepts are developed: transcultural imitation, which describes the sources and techniques with which Pound signals a certain form of ‘Chineseness’ and mediates the experience of the foreign; and second the palimpsest of translation, which delineates the multilayered richness and prismatic pluralities of Cathay by unpacking the diverse sets of intertexts out of which it is woven. Pound, it is argued, reconstitutes ideas of China's foreignness, endowing Chinese poetry with new transcultural significance.","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139291999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The appreciation of Zen Buddhism in the mid-twentieth century led to a new exploration and tradition of Zen poetry translation. Many translators influenced by the American ‘Zen Boom’ were drawn to Chinese Zen poems during this time. However, translating Zen poetry is a complex art, and often shaped by the translator's personal experiences and qualities. Diverse perspectives exist on what constitutes Zen poetry, and selections for Zen anthologies hinge on the editor's perception. This paper centres on Sam Hamill's work in The Poetry of Zen, 2004, examining his selection and interpretation of classical Chinese Zen poems. It highlights the intricate relationship between translated texts, their cultural and historical contexts, and the translator, while elucidating how the Zen interpretation of classical Chinese poetry contributed to the establishment of the tradition of Zen poetry translation.
二十世纪中叶对禅宗的推崇带动了禅诗翻译的新探索和新传统。受美国 "禅宗热 "的影响，许多译者在这一时期被中国禅诗所吸引。然而，翻译禅诗是一门复杂的艺术，往往受译者个人经历和素质的影响。对于什么是禅诗，存在着不同的观点，而禅诗选集的选题则取决于编辑的看法。本文以山姆-哈米尔（Sam Hamill）在 2004 年出版的《禅诗》（The Poetry of Zen）中的作品为中心，探讨了他对中国古典禅诗的选择和诠释。它强调了翻译文本、其文化和历史背景以及译者之间错综复杂的关系，同时阐明了禅宗对中国古典诗歌的诠释如何促进了禅诗翻译传统的建立。
{"title":"The ‘Making’ of Chinese Zen Poetry: Sam Hamill's The Poetry of Zen","authors":"Si Qin","doi":"10.3366/tal.2023.0562","DOIUrl":"https://doi.org/10.3366/tal.2023.0562","url":null,"abstract":"The appreciation of Zen Buddhism in the mid-twentieth century led to a new exploration and tradition of Zen poetry translation. Many translators influenced by the American ‘Zen Boom’ were drawn to Chinese Zen poems during this time. However, translating Zen poetry is a complex art, and often shaped by the translator's personal experiences and qualities. Diverse perspectives exist on what constitutes Zen poetry, and selections for Zen anthologies hinge on the editor's perception. This paper centres on Sam Hamill's work in The Poetry of Zen, 2004, examining his selection and interpretation of classical Chinese Zen poems. It highlights the intricate relationship between translated texts, their cultural and historical contexts, and the translator, while elucidating how the Zen interpretation of classical Chinese poetry contributed to the establishment of the tradition of Zen poetry translation.","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139304051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This discussion addresses selected English versions of the late Latin poem the Pervigilium Veneris from the seventeenth century to the twentieth. Most translations, these versions show, construct the poem in accordance with their own era's tastes and assumptions, but this predictable outcome is not the only one possible. Creative translations are different: they seem to show not (or not only) how the work was once seen, but what it still is, or can be. Thus translations are able, in special cases, to do much more than provide evidence about how a cultural artifact of the past has been constructed over time – the usual starting point in reception study. In this instance the early translations by Thomas Stanley (1647) and Thomas Parnell (1722), rather than any of those which have proliferated since the nineteenth century, belong in this special category.
{"title":"Creative Translation and Classical Reception: The English Pervigilium Veneris","authors":"Stuart Gillespie","doi":"10.3366/tal.2023.0559","DOIUrl":"https://doi.org/10.3366/tal.2023.0559","url":null,"abstract":"This discussion addresses selected English versions of the late Latin poem the Pervigilium Veneris from the seventeenth century to the twentieth. Most translations, these versions show, construct the poem in accordance with their own era's tastes and assumptions, but this predictable outcome is not the only one possible. Creative translations are different: they seem to show not (or not only) how the work was once seen, but what it still is, or can be. Thus translations are able, in special cases, to do much more than provide evidence about how a cultural artifact of the past has been constructed over time – the usual starting point in reception study. In this instance the early translations by Thomas Stanley (1647) and Thomas Parnell (1722), rather than any of those which have proliferated since the nineteenth century, belong in this special category.","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139293893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Visages singuliers du Plutarque humaniste: autour d’Amyot et de la réception des ‘Moralia’ et des ‘Vies’ à la Renaissance, by Olivier Guerrier; Plutarch's Prism: Classical Reception and Public Humanism in France and England, 1500–1800, by Rebecca Kingston","authors":"Fred Schurink","doi":"10.3366/tal.2023.0563","DOIUrl":"https://doi.org/10.3366/tal.2023.0563","url":null,"abstract":"","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139295996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sigizmund Krzhizhanovsky: Stravaging ‘Strange’, translated by Joanne Turnbull with Nikolai Formozov","authors":"Jacob Emery","doi":"10.3366/tal.2023.0567","DOIUrl":"https://doi.org/10.3366/tal.2023.0567","url":null,"abstract":"","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139300158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Louis-Sébastien Mercier: Two Shakespeare Adaptations: ‘Le Vieillard et ses trois filles’ and ‘Timon d’Athènes’., edited by Joseph Harris","authors":"Ina Schabert","doi":"10.3366/tal.2023.0564","DOIUrl":"https://doi.org/10.3366/tal.2023.0564","url":null,"abstract":"","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139304993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Konstantin Paustovsky: The Story of a Life, Books 1–3, translated by Douglas Smith; Boris Poplavsky: Homeward from Heaven, translated by Bryan Karetnyk","authors":"Peter France","doi":"10.3366/tal.2023.0566","DOIUrl":"https://doi.org/10.3366/tal.2023.0566","url":null,"abstract":"","PeriodicalId":42399,"journal":{"name":"Translation and Literature","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139305979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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