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Ghostly Reception and Translation ad spiritum: The Case of Nicholas Grimald’s Archipropheta (1548) 鬼的接受与翻译广告精神——以尼古拉斯·格里马尔德的《大预言》(1548)为例
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.3366/tal.2023.0546
Lucy Jackson
When considering the landscape of drama and theatre performance in the sixteenth century in terms of classical reception, original plays written in Latin have not been accorded full attention. The many hundreds of Latin plays written and performed in England alone in this century were potentially vital locations for experimentation and for the reception not only of obvious Roman models but also of ancient Greek plays. In this article, one example, the biblical Latin drama Archipropheta by the scholar, poet, and playwright Nicholas Grimald (1519–1562), is examined to show how it is haunted by ancient Greek tragedy. This haunting speaks to the anti-chronological way in which reception of this kind might have worked, with audiences’ first encounters with Greek tragedy as such being shaped by the receptions of Greek tragedy they had already witnessed in original Latin plays such as this.
当从古典接受的角度考虑16世纪戏剧和戏剧表演的景观时,用拉丁语写成的原创戏剧并没有得到充分的重视。本世纪仅在英国就创作和表演了数百部拉丁戏剧,这些戏剧可能是实验的重要场所,不仅是接受明显的罗马模式,也是接受古希腊戏剧的重要场所。在这篇文章中,一个例子,学者、诗人和剧作家尼古拉斯·格里马尔德(1519–1562)的圣经拉丁戏剧《Archipuretta》,被研究了它是如何被古希腊悲剧所困扰的。这种令人难忘的现象说明了这种接受可能是反时间顺序的,观众对希腊悲剧的第一次接触是由他们在这类拉丁原创戏剧中已经目睹的希腊悲剧的接受所形成的。
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引用次数: 0
Erasmus in English, 1523–1584, edited by Alex Davis, Gordon Kendal, and Neil Rhodes 英语伊拉斯谟,1523–1584,由Alex Davis、Gordon Kendal和Neil Rhodes编辑
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.3366/tal.2023.0552
David Currell
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引用次数: 0
Front matter 前页
3区 文学 Q3 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.3366/tal.2023.0545
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引用次数: 0
Horace across the Media: Textual, Visual and Musical Receptions of Horace from the 15th to the 18th Century, edited by Karl A. E. Enenkel and Marc Laureys 《跨越媒体的贺拉斯:15至18世纪贺拉斯的文本、视觉和音乐接受》,卡尔·A·E·埃南克尔和马克·劳雷斯主编
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.3366/tal.2023.0539
S. Harrison
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引用次数: 0
Front matter 前页
3区 文学 Q3 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.3366/tal.2023.0531
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引用次数: 0
Louis de Paor: Crooked Love/Grá fiar, translated by Kevin Anderson and Biddy Jenkinson with Louis de Paor Louis de Paor:《扭曲的爱》/Gráfiar,Kevin Anderson和Biddy Jenkinson与Louis de Paor共同翻译
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.3366/tal.2023.0542
Caitríona Ní Chléirchín
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引用次数: 0
Nonnus of Panopolis: Tales of Dionysus: A Group Translation, edited by William Levitan and Stanley Lombardo 诺努斯的帕诺波利斯:酒神的故事:一个小组翻译,由威廉列维坦和斯坦利隆巴多编辑
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.3366/tal.2023.0537
P. Wilson
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引用次数: 0
Rinkeldekinkel: An Anthology of Dutch Poetry, translated by several hands, edited by Rob Schouten; Nachoem M. Wijnberg, translated by David Colmer Rinkeldekinkel:《荷兰诗歌选集》,多人翻译,Rob Schouten主编;Nachoem M.Wijnberg,David Colmer翻译
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.3366/tal.2023.0543
M. D. Vooght
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引用次数: 0
Selected Poems of Conrad Ferdinand Meyer 斐迪南德·迈耶诗歌选集
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.3366/tal.2023.0535
A. Mortimer
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引用次数: 0
Sir Roger L’Estrange’s Double Visions (1667): Translating Quevedo’s Sueños for Restoration England 罗杰·埃斯特兰热爵士的双重愿景(1667):为英国的复兴翻译奎维多的《苏》
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.3366/tal.2023.0532
R. Norton
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引用次数: 0
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Translation and Literature
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