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Translation and Literature最新文献

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Paul Claudel: Break of Noon, edited by Anthony Rudolf, translated by Jonathan Griffin, David Furlong, John Naughton, and Susannah York 《保罗·克劳德尔:正午时分》,安东尼·鲁道夫编辑,乔纳森·格里芬、大卫·弗隆、约翰·诺顿和苏珊娜·约克翻译
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.3366/tal.2022.0526
A. Mortimer
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引用次数: 0
Preposterous Virgil: Reading through Stoppard, Auden, Wordsworth, Heaney, by Juan Christian Pellicer 荒谬的维吉尔:读斯托帕德,奥登,华兹华斯,希尼,由胡安·克里斯蒂安·佩利塞
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.3366/tal.2022.0523
R. Falconer
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引用次数: 0
Publishing and Editing Translated Poetry 出版和编辑翻译诗歌
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.3366/tal.2022.0521
J. Boase-Beier
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引用次数: 0
After Callimachus: Poems, by Stephanie Burt 《卡利马库斯之后:诗歌》,斯蒂芬妮·伯特著
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.3366/tal.2022.0522
J. Colley
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引用次数: 0
From Scots to Mandarin: The Translation and Reception of Hugh MacDiarmid’s Poetry in China 从苏格兰语到汉语:休·麦克迪尔米德诗歌在中国的翻译与接受
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.3366/tal.2022.0519
Li Li, L. Aihua
Drawing partly on paratexts and an interview, this article discusses the translation into Chinese of one of Scotland’s most prominent cultural figures of the past century, Hugh MacDiarmid, the pseudonym of Christopher Murray Grieve (1892-1978). The article assesses the translation of a selection of his poems by three Chinese scholars: Wang Zuoliang, Zhang Jian, and Huang Canran. The article highlights the linguistic challenges that MacDiarmid’s poetry in dense literary Scots poses for translators in general, and Chinese translators in particular. Translators also need to address the many specific allusions to Scottish material culture and the poet’s occasional resort to racist caricature. The translation of MacDiarmid’s poetry is inseparable from a growing scholarly recognition in China that the ‘Scottish’ literary tradition is distinct from the ‘British’ one that still dominates Chinese university curricula. The article, therefore, also surveys the reception of MacDiarmid’s poetry in China.
这篇文章部分借鉴了副文本和一次采访,讨论了苏格兰上个世纪最著名的文化人物之一休·麦克迪亚米德的中文翻译,他是克里斯托弗·默里·格里夫(1892-1978)的笔名。本文对王佐良、张謇、黄灿然三位中国学者对其诗歌选集的翻译进行了评价。这篇文章强调了麦克迪亚米德在密集的苏格兰文学中的诗歌对一般译者,尤其是中国译者提出的语言挑战。译者还需要解决苏格兰物质文化的许多具体典故,以及诗人偶尔诉诸种族主义漫画的问题。MacDiarmid诗歌的翻译与中国学术界日益认识到“苏格兰”文学传统与“英国”文学传统不同是分不开的,后者仍然主导着中国的大学课程。因此,本文还考察了麦克迪亚米德诗歌在中国的接受情况。
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引用次数: 0
Booker T. Washington, Frederick Douglass, and US Slave Narratives in Translation in East Asia 布克·华盛顿、弗雷德里克·道格拉斯与美国奴隶叙事在东亚的翻译
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.3366/tal.2022.0518
J. Lockard, Shih Penglu, Myungsung Kim
The paper presents a conceptual map of Chinese, Korean, and Japanese translations of Booker T. Washington, Frederick Douglass, and Solomon Northup from 1920 to the present. It considers the problems and advantages of a regional East Asian translation history, including issues of internationalism, sharing mass traumas and resistances, ideological misappropriation, reader reception, and de-centering analytic binarisms. The paper then turns to paratexts to discuss the numerous translations of Washington’s Up from Slavery, particularly the social development messages these translations sought to promote throughout East Asia. Given declining reader interest in Booker T. Washington in the twenty-first century, it then examines the more recent popularity of Frederick Douglass in translation editions as a symbolic leader of resistance against slavery. A conclusion addresses the East Asian translation history of Solomon Northup’s Twelve Years a Slave and the contemporary status of translated slave narratives as a global commodity.
本文介绍了1920年至今布克·T·华盛顿、弗雷德里克·道格拉斯和所罗门·诺瑟普的中文、韩语和日语翻译的概念图。它考虑了东亚地区翻译史的问题和优势,包括国际主义、共同的大众创伤和阻力、意识形态挪用、读者接受和去中心化的分析二元主义等问题。然后,本文转向副文本,讨论华盛顿的《从奴隶制中崛起》的众多译本,特别是这些译本试图在整个东亚推广的社会发展信息。鉴于21世纪读者对布克·T·华盛顿的兴趣不断下降,本书考察了弗雷德里克·道格拉斯作为反抗奴隶制的象征性领袖在翻译版中最近的受欢迎程度。结论论述了所罗门·诺瑟普《为奴十二年》的东亚翻译史,以及翻译后的奴隶叙事作为全球商品的当代地位。
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引用次数: 0
From Medieval French Mystery Plays to English Narrative Poem: Abraham’s Temptation, 1834 从中世纪法国推理剧到英语叙事诗:亚伯拉罕的诱惑,1834年
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.3366/tal.2022.0517
Kathy Rees
This article examines the uncanonical nature of the little-known poem Abraham’s Temptation (1834) written by an Anglican governess, Emily Bowes, later Emily Gosse. It shows how Bowes resists the customary interpretation of Genesis 22, characterizing Abraham as a fearful and indecisive old man, and Isaac as a bold warrior. It suggests, by a comparison of certain verbal and situational features, that Bowes used Théodore de Bèze’s play, Abraham sacrifiant (1550), as her model. It contends that since Bèze borrowed ideas and imagery from the Abraham story in the Mistère du Viel Testament ( c.1450), Bowes unwittingly imbibes and reproduces the medieval idiom in her poem. As a result, certain utterances and tropes appear in Bowes’ poem that recall the English mystery plays on the same theme. The article proposes a transmission of ideas and imagery across temporal, linguistic, cultural, and generic boundaries.
这篇文章考察了英国国教家庭教师艾米丽·鲍斯(后来的艾米丽·高斯)所写的一首鲜为人知的诗《亚伯拉罕的诱惑》(1834年)的非正统性质。它显示了鲍斯如何抵制对《创世纪》22章的习惯解释,将亚伯拉罕描绘成一个胆怯而优柔寡断的老人,而以撒则是一个勇敢的战士。这表明,通过对某些言语和情境特征的比较,鲍斯使用了th odore de b兹的戏剧《亚伯拉罕献祭者》(1550)作为她的模型。它认为,由于b兹从《mistires du Viel Testament》(约1450年)中的亚伯拉罕故事中借用了思想和意象,鲍斯无意中在她的诗中吸收和复制了中世纪的成语。因此,鲍斯的诗中出现的某些话语和比喻让人想起了同一主题的英国神秘剧。这篇文章提出了一种跨越时间、语言、文化和一般界限的思想和意象的传递。
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引用次数: 0
Won in Translation: Textual Mobility in Early Modern Europe, by Roger Chartier, translated by John H. Pollack 罗杰·沙蒂尔著,约翰·H·波拉克译,《赢得翻译:现代欧洲早期的文本流动》
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.3366/tal.2022.0525
F. C. Jensen
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引用次数: 0
Virgil's English Translators: Civil Wars to Restoration, by Ian Calvert; Seamus Heaney, Virgil and the Good of Poetry, by Rachel Falconer 维吉尔的英语翻译:从内战到复辟,伊恩·卡尔弗特著;谢默斯·希尼,《维吉尔与诗歌之善》,雷切尔·法尔科纳著
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.3366/tal.2022.0511
J. Pellicer
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引用次数: 0
Early Modern German Shakespeare: Titus Andronicus and The Taming of the Shrew, edited by Lukas Erne, Florence Hazrat, and Maria Shmygol 早期现代德国莎士比亚:《提图斯·安德罗尼科斯与驯悍记》,由卢卡斯·埃恩、弗洛伦斯·哈兹拉特和玛丽亚·什梅戈尔编辑
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.3366/tal.2022.0514
Ina Schabert
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引用次数: 0
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Translation and Literature
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