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Border Zones, In-Between Spaces, and Turns: On Lugones, the Coloniality of Gender, and the Diasporic Peregrina 边界地带、中间空间和转折:论lugoones、性别的殖民性和流散的游民
IF 1.1 Q1 Arts and Humanities Pub Date : 2020-02-05 DOI: 10.5325/critphilrace.8.1-2.0102
Ofelia M. Schutte
Abstract:This article considers María Lugones's work in Pilgrimages/Peregrinajes (2003), especially her association of the fragmented self with modernity, in order to understand the existential grounds of what she calls an impure, perceptually aware, mestizaje. It suggests that the impure Latina self validated thereby may be seen retrospectively as the forerunner of the decolonial feminist self who unveils the coloniality of gender analysis. Noting some discrepancies between them, the article questions whether Lugones's use of Quijano's world systems theory leads to an overdetermining historical approach that disables the spirit of inquiry for diversely situated Latinas, even as the theory itself invokes the heterogeneity of their experiences. The dilemma is illustrated by two types of peregrinas: a community-bound peregrina who easily undertakes the decolonial turn, and a diasporic peregrina who may or may not pass its guarded gate. The question remains: what difference does the divergence between these two peregrinas's paths make?
摘要:本文考察了玛丽亚·卢戈内斯在《朝圣者/游民》(2003)中的作品,特别是她将支离破碎的自我与现代性联系在一起,以理解她所说的不纯的、感知的、mestizaje的存在基础。这表明,由此验证的不纯洁的拉丁裔自我可以被回顾性地视为非殖民化女权主义自我的先驱,她揭示了性别分析的殖民性。注意到他们之间的一些差异,文章质疑卢戈内斯对奎亚诺世界体系理论的使用是否导致了一种过度确定的历史方法,这种方法削弱了处境不同的拉丁裔人的探究精神,尽管该理论本身唤起了他们经历的异质性。两种类型的游隼说明了这种困境:一种是社区游隼,很容易进行非殖民化转向,另一种是散居游隼,可能会也可能不会通过其守卫的大门。问题仍然存在:这两种游隼的路径有什么不同?
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引用次数: 3
Lugones's World-Making 卢戈内斯的世界制造
IF 1.1 Q1 Arts and Humanities Pub Date : 2020-02-05 DOI: 10.5325/critphilrace.8.1-2.0199
L. Alcoff
Abstract:This article reflects on the worlds that María Lugones has made and has transformed, particularly for the doing of feminist theory. Thus this article will be more exploratory than argumentative: to explore the lessons that Lugones's work holds, especially her work on pluralist feminism, world-traveling, the uses of anger, boomerang perception, and the multiplicitousness of both our selves and our communities, for our twenty-first-century challenges. This article argues that Lugones's work addresses how to negotiate conflicts that arise within social movements of liberation, within coalitions or spaces of shared commitments.
摘要:本文反思María lugoones所创造和改变的世界,特别是对女性主义理论的影响。因此,本文将更多地是探索性的,而不是争论性的:探讨卢戈内斯的作品所蕴含的教训,特别是她在多元女权主义、世界旅行、愤怒的使用、回旋感知以及我们自我和社区的多样性方面的作品,以应对21世纪的挑战。本文认为,卢戈内斯的工作解决了如何在社会解放运动、联盟或共同承诺的空间中谈判产生的冲突。
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引用次数: 3
Compelled to Cross, Tempted to Master: Affective Challenges in Lugones's Decolonial Feminist Methodology 强迫跨越,诱惑掌握:卢戈内斯的非殖民女性主义方法论中的情感挑战
IF 1.1 Q1 Arts and Humanities Pub Date : 2020-02-05 DOI: 10.5325/critphilrace.8.1-2.0119
Shireen Roshanravan
Abstract:This article explores the affective challenges of María Lugones's coalitional imperative of decolonial feminism as it requires sustaining painful confrontations for acting in complicity with the very oppressions the aspiring decolonial feminist may have believed herself to be entirely against. Because the coalitional crossings necessary to Lugones's decolonial feminist methodology involves moving toward discomfort out of a sense of responsibility, the decolonial feminist may be tempted toward mastery of radical performance rather than self-transformation. As a possible way out of this temptation toward mastery, this article turns to Lugones's own affective animation of her methodological commitment to live the coalitional imperative with a love rooted in, and routed through, an intimate sense of interdependence with other resisters at the colonial difference.
摘要:这篇文章探讨了玛丽亚·卢戈内斯(María Lugones)的非殖民化女权主义联盟使命所带来的情感挑战,因为它需要持续痛苦的对抗,以配合这位有抱负的非殖民化女权主义者可能认为自己完全反对的压迫。由于卢戈内斯的非殖民化女权主义方法所必需的联盟交叉涉及到出于责任感而走向不适,因此非殖民化女权主义者可能会倾向于掌握激进的表现,而不是自我改造。作为摆脱这种精通诱惑的一种可能途径,本文转向了卢戈内斯自己的情感动画,她在方法论上致力于用一种植根于并贯穿于与其他抵抗者在殖民差异中的亲密相互依存感的爱来实现联盟的必要性。
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引用次数: 3
Interlocking, Intersecting, and Intermeshing: Critical Engagements with Black and Latina Feminist Paradigms of Identity and Oppression 环环相扣,相互交织:黑人和拉丁裔女性主义的身份和压迫范式的批判性参与
IF 1.1 Q1 Arts and Humanities Pub Date : 2020-02-05 DOI: 10.5325/critphilrace.8.1-2.0165
Kathryn Sophia Belle
Abstract:Inspired by Mariana Ortega's invitation to reflect on diverse iterations of intersectionality, this article focuses on María Lugones's engagements with two Black feminist concepts, namely, inter-locking oppressions (as articulated by Barbara Smith, Beverley Smith, and Demita Frazier) and intersectionality (as articulated by Kimberlé Crenshaw). It explores these concepts alongside Lugones's use of her own terms such as intermeshed, curdling, multiplicity, and fusion, in several paradigm shifting essays, specifically, "Purity, Impurity, and Separation" (1994 and 2003), "Tactical Strategies of the Street Walker" (2003), "On Complex Communication" (2006), "Heterosexism and the Colonial/Modern Gender System" (2007), "Toward a Decolonial Feminism" (2010), "Methodological Notes Toward a Decolonial Feminism" (2011), and "Radical Multiculturalism and Women of Color Feminisms" (2014). It also underscores Ortega's important contributions bringing these Black and Latina feminist concepts together in philosophically productive ways—in a spirit of collaboration and coalition rather than zero-sum competition.
摘要:受Mariana Ortega的邀请,本文关注María lugoones与两个黑人女权主义概念的接触,即互锁压迫(由Barbara Smith、Beverley Smith和Demita Frazier阐述)和交叉性(由kimberl Crenshaw阐述)。在几篇范式转换的文章中,它探讨了这些概念,以及lugoones使用她自己的术语,如交织,凝聚,多样性和融合,具体来说,“纯洁,不洁和分离”(1994年和2003年),“街头步行者的战术策略”(2003年),“复杂交流”(2006年),“异性恋和殖民/现代性别系统”(2007年),“走向非殖民化女权主义”(2010年),“走向非殖民化女权主义的方法论笔记”(2011年),《激进多元文化主义与有色人种女性主义》(2014)。它还强调了奥尔特加的重要贡献,她以一种合作和联盟的精神,而不是零和竞争的方式,以哲学上富有成效的方式将黑人和拉丁裔女权主义概念结合在一起。
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引用次数: 4
The Pornotrope of Decolonial Feminism 非殖民化女权主义的色情
IF 1.1 Q1 Arts and Humanities Pub Date : 2020-02-05 DOI: 10.5325/critphilrace.8.1-2.0134
Selamawit D. Terrefe
Abstract:This article argues that María Lugones's articulation of decolonial feminism, as a theory and potential political praxis, both disappears Blackness and subjugates African American women—their scholarship, their language, and the materiality of their Black "flesh"—within the same subordinate position the coloniality of gender decries. Expanding Hortense Spillers's concept of "pornotroping," this article puts into relief the ideological and rhetorical investments in deploying the figure of the Black woman to institute an argument about gender, but only to erase this figure from the political and affective registers of its theorization. This essay argues that Lugones's theorization of decolonial feminism effectively reifies the libidinal dynamics it denounces: turning Africans into captives, into commodities for use and abuse. It questions the camouflaging and decontextualization of Black feminist interventions that consider the singularity of antiblack violence as a model for thinking about violence as a phenomenological and ontological global order, critiquing the category of gender incipit to the process of enslavement and colonialism that ushers in the very modernity that decoloniality frames itself against.
摘要:本文认为,玛丽亚·卢戈内斯对非殖民化女权主义的阐述,作为一种理论和潜在的政治实践,既消除了黑人身份,又征服了非裔美国女性——她们的学术、语言和黑人“肉体”的物质性——处于性别谴责的殖民主义的从属地位。这篇文章扩展了Hortense Spillers的“色情”概念,缓解了意识形态和修辞上的投资,即利用黑人女性的形象来展开关于性别的争论,但只是为了将这个形象从其理论化的政治和情感记录中抹去。这篇文章认为,卢戈内斯的非殖民化女权主义理论有效地具体化了它所谴责的性欲动态:将非洲人变成俘虏,变成被使用和虐待的商品。它质疑黑人女权主义干预的伪装和去文本化,这些干预将反黑人暴力的独特性视为将暴力视为一种现象学和本体论全球秩序的思考模式,批评奴役和殖民主义过程中的性别范畴,这正是非殖民化所反对的现代性。
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引用次数: 14
The Aisthetic-Cosmological Dimension of María Lugone's Decolonial Feminism 玛丽亚·卢戈内非殖民化女权主义的审美宇宙维度
IF 1.1 Q1 Arts and Humanities Pub Date : 2020-02-05 DOI: 10.5325/critphilrace.8.1-2.0061
Alejandro A. Vallega
Abstract:In her work on decolonial feminism María Lugones expands and strengthens the task of decolonial thinking. On the one hand this occurs as gender becomes explicitly part of the very ways of being under modernity, and this means that gender, race, and labor are always entangled in the coloniality of power. As a result decolonial thought may only occur by the critique of one's concrete situation in the living intersectionality in which identities and power relations are founded. This turn to concrete intersectionality occurs as Lugones thinks in light of cosmological indigenous lineages in América, and with this turn engages not only the logical, epistemic, and conceptual levels of coloniality but, in a turn that makes possible the affirmation of subjugated knowledges, she turns to the aisthetic dimensions of the coloniality of power and knowledge: Most significantly, in this way, she is able to begin to think with the liberatory rhythms, movements, practices that are our lives as sites of resistance and contestation never subsumed (abarcadas) by the coloniality of power, modernity, and capitalism.
摘要:卢戈内斯在其关于非殖民女性主义的研究María中拓展并强化了非殖民思维的任务。一方面,当性别明确成为现代性下存在方式的一部分时,这就发生了,这意味着性别、种族和劳动总是与权力的殖民性纠缠在一起。因此,非殖民化思想可能只有通过对一个人在身份和权力关系建立的活生生的交叉性中的具体情况的批判才会出现。这种转向具体的交叉性发生在lugoones思考阿玛西卡的宇宙学土著血统时,随着这种转向,不仅涉及殖民的逻辑,认知和概念层面,而且在一个使被征服的知识得到肯定的转变中,她转向了权力和知识的殖民的美学维度:最重要的是,通过这种方式,她能够开始用解放的节奏、运动和实践来思考,这些是我们作为抵抗和争论场所的生活,从未被权力、现代性和资本主义的殖民性所囊括。
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引用次数: 3
Gender and Universality in Colonial Methodology 殖民方法论中的性别与普遍性
IF 1.1 Q1 Arts and Humanities Pub Date : 2020-02-05 DOI: 10.5325/critphilrace.8.1-2.0025
María Lugones
Abstract:This article offers a decolonial methodology that questions the universality tied to the concept of gender. While not questioning that the modern/colonial capitalist gender system is an oppressive, variable, systemic organization of power, it argues that it is not universal; that is, that not all peoples organize their relations in terms of and on the grounds of gender. Its aim is to offer a decolonial methodology to both study colonized people who live at the colonial difference, but also to engage in decolonial coalition. To see the colonial difference is to see coloniality/modernity as the place the colonized inhabit and the situation of oppression from which the colonized create meanings that are not assimilated.
摘要:本文提供了一种非殖民化的方法论,质疑与性别概念相关的普遍性。虽然没有质疑现代/殖民资本主义性别制度是一种压迫性的、可变的、系统性的权力组织,但它认为它不是普遍的;也就是说,并不是所有的民族都根据或基于性别来组织他们的关系。它的目的是提供一种非殖民化的方法,既研究生活在殖民地差异中的殖民地人民,又参与非殖民化联盟。看到殖民差异就是看到殖民/现代性作为被殖民者居住的地方和压迫的情况,被殖民者从中创造了未被同化的意义。
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引用次数: 25
Toward a Decolonial Feminist Imaginary: Decolonizing Futurity 走向非殖民化的女权主义想象:非殖民化的未来
IF 1.1 Q1 Arts and Humanities Pub Date : 2020-02-05 DOI: 10.5325/critphilrace.8.1-2.0237
E. Mendieta
Abstract:This article takes up the work of Bottici, Cornell, and Perez in order to expand on Lugones's inchoate notion of a decolonial feminist imaginary. The claim is that decolonial feminism is also the elaboration of a decolonial feminist imaginary that challenges the colonial/modern imaginary of global capitalism. The article also takes up Lugones's critique of Mignolo's notion of "colonial difference," which is found to be incoherent and even dangerous.
摘要:本文采用了Bottici、Cornell和Perez的作品,以扩展Lugones关于非殖民化女权主义想象的早期概念。这种说法是,非殖民化女权主义也是对非殖民化女权想象的阐述,它挑战了全球资本主义的殖民/现代想象。这篇文章还谈到了卢戈内斯对Mignolo的“殖民差异”概念的批评,这一概念被认为是不连贯的,甚至是危险的。
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引用次数: 4
Stillness, Aesthesis, Resistance 静止、唯美、抗拒
IF 1.1 Q1 Arts and Humanities Pub Date : 2020-02-05 DOI: 10.5325/critphilrace.8.1-2.0084
Omar Rivera
Abstract:Emphasizing the embodied, physical aspect of María Lugones's decolonial feminism, this article elucidates ways in which the oppressed appears to colonizing gazes and beyond them in order to explore possibilities of resistance. It proposes "stillness" as a sentient physicality that can transgress the hold of racist/colonizing gazes and sense a multiplicity of worlds from a limen. In order to do this, it focuses on the temporality of "stillness" and on modes of appearing of resistant praxis.
摘要:本文强调了玛丽亚·卢戈内斯非殖民化女权主义的具体化、物理化方面,阐述了被压迫者如何出现在殖民凝视之外,以探索抵抗的可能性。它提出“静止”是一种有感知力的身体,可以超越种族主义/殖民主义的凝视,从一个柠檬门感受到世界的多样性。为了做到这一点,它关注“静止”的时间性和抗拒实践的出现方式。
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引用次数: 1
"What Are You?": Addressing Racial Ambiguity “你是什么?”:解决种族歧义
IF 1.1 Q1 Arts and Humanities Pub Date : 2020-02-05 DOI: 10.5325/critphilrace.8.1-2.0292
C. Leboeuf
Abstract:"What are you?" This question, whether explicitly raised by another or implied in his gaze, is one with which many persons perceived to be racially ambiguous struggle. This article centers on encounters with this question. Its aim is twofold: first, to describe the phenomenology of a particular type of racializing encounter, one in which one of the parties is perceived to be racially ambiguous; second, to investigate how these often alienating encounters can be better negotiated. In the course of this investigation, this article examines the addressee's point of view and consider possible responses to the other's question. In addition, it discusses the addresser's perspective, both to probe the curiosity underlying the "What are you?" question and to explore alternatives to it. By describing the phenomenology of these encounters, this article hopes to show that racial ambiguity, as distinct from mixed-race, is a category of lived experience that calls for deeper philosophical scrutiny.
摘要:“你是什么?”这个问题,无论是由另一个人明确提出的,还是在他的凝视中暗示的,都是许多被视为种族模糊的人与之斗争的问题。这篇文章以遇到这个问题为中心。其目的有两个:首先,描述一种特定类型的种族化遭遇的现象学,其中一方被认为在种族上模棱两可;其次,研究如何更好地协商这些经常疏远的遭遇。在调查过程中,本文考察了收件人的观点,并考虑了对对方问题的可能回应。此外,本文还讨论了发件人的视角,既探究了“你是什么?”问题背后的好奇心,也探索了它的替代方案。通过描述这些遭遇的现象学,本文希望表明,种族模糊性与混血不同,是一种生活体验,需要更深入的哲学审视。
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引用次数: 1
期刊
Critical Philosophy of Race
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