Pub Date : 2024-01-30DOI: 10.24224/2227-1295-2024-13-1-82-99
K. Seagal
This study offers an analysis of the methods of punctuation marking for stable comparisons in the punctuation practice of the 20th and 21st centuries. The research material comprises a micro-corpus, which includes more than 200 contexts of usage for stable comparisons, semantically similar free comparative constructions, as well as occasional transformations of stable comparisons. Punctuation actions involving stable comparisons are conceptualized as a distinct punctuation experiment, wherein diverse punctuation responses are formulated contingent upon the intrinsic nature of the stable comparisons themselves and the conditions governing their use. It is demonstrated that the punctuation practice of the 20th and 21st centuries reflects a trend towards punctuation differentiation not only between stable comparisons and free comparative constructions but also within stable comparisons themselves. The analysis of punctuation facts leads to the conclusion that the punctuation marking of stable comparisons is determined by derivational, pragmatic, and context-syntactic factors, which are taken into account by writers in their punctuation actions. It is shown that while derivational and context-syntactic factors prompt punctuation marking of stable comparisons, pragmatic factors merely render the use of delimiting commas more preferable. It is emphasized that adequate punctuation codification in the realm of stable comparisons cannot be achieved without reference to the evidence of punctuation practice.
{"title":"Stable Comparisons, Punctuation, and Usage","authors":"K. Seagal","doi":"10.24224/2227-1295-2024-13-1-82-99","DOIUrl":"https://doi.org/10.24224/2227-1295-2024-13-1-82-99","url":null,"abstract":"This study offers an analysis of the methods of punctuation marking for stable comparisons in the punctuation practice of the 20th and 21st centuries. The research material comprises a micro-corpus, which includes more than 200 contexts of usage for stable comparisons, semantically similar free comparative constructions, as well as occasional transformations of stable comparisons. Punctuation actions involving stable comparisons are conceptualized as a distinct punctuation experiment, wherein diverse punctuation responses are formulated contingent upon the intrinsic nature of the stable comparisons themselves and the conditions governing their use. It is demonstrated that the punctuation practice of the 20th and 21st centuries reflects a trend towards punctuation differentiation not only between stable comparisons and free comparative constructions but also within stable comparisons themselves. The analysis of punctuation facts leads to the conclusion that the punctuation marking of stable comparisons is determined by derivational, pragmatic, and context-syntactic factors, which are taken into account by writers in their punctuation actions. It is shown that while derivational and context-syntactic factors prompt punctuation marking of stable comparisons, pragmatic factors merely render the use of delimiting commas more preferable. It is emphasized that adequate punctuation codification in the realm of stable comparisons cannot be achieved without reference to the evidence of punctuation practice.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140485183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-30DOI: 10.24224/2227-1295-2024-13-1-205-224
O. Aleksandrova-Osokina
The article presents the results of an analysis of D. I. Stakheev’s essays from the book “Beyond Baikal and on the Amur” (1869). The author focuses on the study of the essays “Kyakhta”, “Maimachen”, “From Kyakhta to Blagoveshchensk”, and “From Blagoveshchensk to the Sungari River”. Attention is given to the peculiarities of artistic recreation of the “frontier” space. The article discusses the problematic and thematic content of the essays, including the portrayal of Russian and Chinese cultures, issues of population migration to the Amur region, and depictions of nature, among others. The author argues that the character of Stakheev’s reflection is shaped by a frontier vision and a sense of borderland. The novelty of the research lies in the exploration of Stakheev’s lesser-known essays and the application of the frontier paradigm as a research tool. The article proposes a structure for the frontier image in Stakheev’s works, which includes geographical spatial images, ethno-poetics of Russian and Chinese cultures, and the image of the “frontier man”. It is shown that the writer employs a system of folk-poetic evaluations, draws on elements of folklore, and utilizes imagery and motifs from folk creativity. The study reveals the characteristics of the Far Eastern frontier as depicted by Stakheev and demonstrates that the essays serve as a unique literary material about the folk culture of Transbaikalia and the Amur region in the mid-19th century.
文章介绍了对《贝加尔湖畔和阿穆尔河上》（1869 年）一书中Д. И. 斯塔赫耶夫文章的分析结果。作者重点研究了 "Kyakhta"、"Maimachen"、"From Kyakhta to Blagoveshchensk "和 "From Blagoveshchensk to the Sungari River "等文章。文章关注了 "边疆 "空间艺术再现的特殊性。文章讨论了文章的问题和主题内容，包括对俄罗斯和中国文化的描绘、向阿穆尔州的人口迁移问题以及对自然的描绘等等。作者认为，斯塔赫耶夫的思考特点是由边疆视野和边疆意识塑造的。这项研究的新颖之处在于探索了斯塔赫耶夫鲜为人知的文章，并将边疆范式作为一种研究工具加以应用。文章提出了斯塔赫耶夫作品中边疆形象的结构，其中包括地理空间形象、俄罗斯和中国文化的民族诗学以及 "边疆人 "形象。研究表明，作家采用了民间诗学评价体系，借鉴了民间传说元素，利用了民间创作中的意象和主题。研究揭示了斯塔赫耶夫所描绘的远东边疆的特点，并证明这些散文是介绍 19 世纪中期外贝加尔和阿穆尔地区民间文化的独特文学材料。
{"title":"Frontier Space of Kyakhta and Amur Region in D. I. Stakheev’s Essays ‘Beyond Baikal and on Amur’ (1869)","authors":"O. Aleksandrova-Osokina","doi":"10.24224/2227-1295-2024-13-1-205-224","DOIUrl":"https://doi.org/10.24224/2227-1295-2024-13-1-205-224","url":null,"abstract":"The article presents the results of an analysis of D. I. Stakheev’s essays from the book “Beyond Baikal and on the Amur” (1869). The author focuses on the study of the essays “Kyakhta”, “Maimachen”, “From Kyakhta to Blagoveshchensk”, and “From Blagoveshchensk to the Sungari River”. Attention is given to the peculiarities of artistic recreation of the “frontier” space. The article discusses the problematic and thematic content of the essays, including the portrayal of Russian and Chinese cultures, issues of population migration to the Amur region, and depictions of nature, among others. The author argues that the character of Stakheev’s reflection is shaped by a frontier vision and a sense of borderland. The novelty of the research lies in the exploration of Stakheev’s lesser-known essays and the application of the frontier paradigm as a research tool. The article proposes a structure for the frontier image in Stakheev’s works, which includes geographical spatial images, ethno-poetics of Russian and Chinese cultures, and the image of the “frontier man”. It is shown that the writer employs a system of folk-poetic evaluations, draws on elements of folklore, and utilizes imagery and motifs from folk creativity. The study reveals the characteristics of the Far Eastern frontier as depicted by Stakheev and demonstrates that the essays serve as a unique literary material about the folk culture of Transbaikalia and the Amur region in the mid-19th century.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140482720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-30DOI: 10.24224/2227-1295-2024-13-1-256-273
V. Serdechnaya, D. Zhatkin
The problem of this study lies in evaluating the methodological approach of Yuli Eichenwald (1872—1928) as a theatrical critic and theorist, specifically his writings on Shakespearean productions both in Russia and abroad. Known primarily as a literary critic, Eichenwald also wrote about theater, but his works in this area have been largely unexplored. The aim of this study is to shed light on Eichenwald's principles of theatrical criticism. The material used consists of little-known articles by Eichenwald on theater theory and Shakespearean productions from 1903 to 1927. The research employs hermeneutic and comparative methods. The findings reveal that Eichenwald demonstrates a literature-centric position in his articles on theater, according to which theater is merely an illustration of literary works. He increasingly uses productions as a pretext to discuss Shakespeare, often without mentioning the actors or directors. Eichenwald’s perception of theater as a mediator, as an auxiliary device between the play and the reader, leads to his rejection of the concept of directorial theater and the denial of the director as the author of the production. The authors conclude that Eichenwald’s theatrical criticism is a logical outcome of literature-centric judgments about theater, from Aristotle to Hegel, where theater is considered as part of literature.
{"title":"Problems of Russian Theatrical Reception of Shakespeare in Criticism of Yuli Eichenwald","authors":"V. Serdechnaya, D. Zhatkin","doi":"10.24224/2227-1295-2024-13-1-256-273","DOIUrl":"https://doi.org/10.24224/2227-1295-2024-13-1-256-273","url":null,"abstract":"The problem of this study lies in evaluating the methodological approach of Yuli Eichenwald (1872—1928) as a theatrical critic and theorist, specifically his writings on Shakespearean productions both in Russia and abroad. Known primarily as a literary critic, Eichenwald also wrote about theater, but his works in this area have been largely unexplored. The aim of this study is to shed light on Eichenwald's principles of theatrical criticism. The material used consists of little-known articles by Eichenwald on theater theory and Shakespearean productions from 1903 to 1927. The research employs hermeneutic and comparative methods. The findings reveal that Eichenwald demonstrates a literature-centric position in his articles on theater, according to which theater is merely an illustration of literary works. He increasingly uses productions as a pretext to discuss Shakespeare, often without mentioning the actors or directors. Eichenwald’s perception of theater as a mediator, as an auxiliary device between the play and the reader, leads to his rejection of the concept of directorial theater and the denial of the director as the author of the production. The authors conclude that Eichenwald’s theatrical criticism is a logical outcome of literature-centric judgments about theater, from Aristotle to Hegel, where theater is considered as part of literature.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140481146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-30DOI: 10.24224/2227-1295-2024-13-1-45-62
M. B. Pavlović-Šajtinac, I. S. Tyapkov
The article is devoted to the issue of cross-cultural communication and difficult cases of translation into Serbian and Croatian languages of lexical and phraseological units from Ivan Turgenev’s novel “On the Eve”. The relevance of this issue lies in the analysis of translation as an act of communication, during which the linguistic worldview of the people is represented. The material for the study was translations of the novel “On the Eve” into Serbian and Croatian languages from different years, which are close to Russian. As a tertium comparationis, we considered the translation of this work into English. The authors analyzed forms of address and non-equivalent vocabulary, as well as idioms, which translators represented differently in their translation options. As a result of the study, it was found that difficulties arise in translating words that denote concepts related to the cultural-historical Russian context. It is shown that Serbian translators often try to take historical facts into account and give comments when there are no equivalents in their native language. It is noted that there is currently a need for a Russian-Serbian linguistic and cultural dictionary that will help a specialist create an adequate translation variant close to the original.
{"title":"Linguocultural Elements in Text of Novel “On Eve” and Analysis of Their Translated Equivalents in Serbian","authors":"M. B. Pavlović-Šajtinac, I. S. Tyapkov","doi":"10.24224/2227-1295-2024-13-1-45-62","DOIUrl":"https://doi.org/10.24224/2227-1295-2024-13-1-45-62","url":null,"abstract":"The article is devoted to the issue of cross-cultural communication and difficult cases of translation into Serbian and Croatian languages of lexical and phraseological units from Ivan Turgenev’s novel “On the Eve”. The relevance of this issue lies in the analysis of translation as an act of communication, during which the linguistic worldview of the people is represented. The material for the study was translations of the novel “On the Eve” into Serbian and Croatian languages from different years, which are close to Russian. As a tertium comparationis, we considered the translation of this work into English. The authors analyzed forms of address and non-equivalent vocabulary, as well as idioms, which translators represented differently in their translation options. As a result of the study, it was found that difficulties arise in translating words that denote concepts related to the cultural-historical Russian context. It is shown that Serbian translators often try to take historical facts into account and give comments when there are no equivalents in their native language. It is noted that there is currently a need for a Russian-Serbian linguistic and cultural dictionary that will help a specialist create an adequate translation variant close to the original. ","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140485876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-30DOI: 10.24224/2227-1295-2024-13-1-431-447
M. Mostovenko
The article is dedicated to the unrealized project of the Omsk Hydroelectric Power Station, developed in the 1930s, then postponed and subsequently reintroduced for discussion in the 1980s. The sources used for this research include materials from the Historical Archive of the Omsk Region and the Russian State Archive of Economy. Both domestic and foreign historiography on the economic development of Western Siberia do not mention this project, hence this article aims to fill this historiographical gap. It is demonstrated that the project was considered by regional authorities solely as an agricultural facility, which would have allowed for the use of the reservoir for irrigation in the southern districts of the region and improvement of navigational conditions around the city of Omsk. Emphasis is placed on the fact that its implementation could have boosted the industrial development of the Omsk Region. The abandonment of the project in the 1930s largely determined the subsequent development of the region, particularly from an ecological perspective. To meet the energy needs of the city and the region, construction of thermal power plants began, fueled by Ekibastuz coal, which contains a large amount of ash. This, in turn, led to serious air pollution in the Omsk region, which continues to persist to this day.
{"title":"Omsk Hydroelectric Power Plant Project in Economic History of Region in 1930s—1980s.","authors":"M. Mostovenko","doi":"10.24224/2227-1295-2024-13-1-431-447","DOIUrl":"https://doi.org/10.24224/2227-1295-2024-13-1-431-447","url":null,"abstract":"The article is dedicated to the unrealized project of the Omsk Hydroelectric Power Station, developed in the 1930s, then postponed and subsequently reintroduced for discussion in the 1980s. The sources used for this research include materials from the Historical Archive of the Omsk Region and the Russian State Archive of Economy. Both domestic and foreign historiography on the economic development of Western Siberia do not mention this project, hence this article aims to fill this historiographical gap. It is demonstrated that the project was considered by regional authorities solely as an agricultural facility, which would have allowed for the use of the reservoir for irrigation in the southern districts of the region and improvement of navigational conditions around the city of Omsk. Emphasis is placed on the fact that its implementation could have boosted the industrial development of the Omsk Region. The abandonment of the project in the 1930s largely determined the subsequent development of the region, particularly from an ecological perspective. To meet the energy needs of the city and the region, construction of thermal power plants began, fueled by Ekibastuz coal, which contains a large amount of ash. This, in turn, led to serious air pollution in the Omsk region, which continues to persist to this day.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140482898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-30DOI: 10.24224/2227-1295-2024-13-1-297-315
A. Y. Davydov
The article provides a comprehensive overview of the main approaches developed in historiography to understand the process of collectivization in the USSR, which determined several specific features of the transition of the domestic society from an agrarian phase to an industrial one. Arguing for the viability of the New Economic Policy’s rural economy and the deadlock of Stalin’s version of its collectivization, the author relies on the inherent “sympractical” type of peasant culture. The historically developed worldview of rural community members formed the basis for high labor motivation. The destruction of this worldview during the process of collectivization became the cause of tragedy. The article presents the results of a comparative analysis of two stages of socialist transformation in the village. It examines the destructive impact of the expropriation of peasants on the economy in the first stage and explores the issues of crisis resolution in the second stage through the removal of certain restrictions on private farming. The article analyzes the factors of social degradation in the Soviet countryside in the 1930s and identifies their manifestation in interethnic relations. The novelty of the research lies in the author’s examination, based on the materials from the declassified “special file” of the Leningrad Regional Committee of the CPSU(B) in the 2000s, of peculiar manifestations of collectivization contradictions in the fate of the Finnish population in the Leningrad region.
{"title":"Collectivization in USSR: Practice and Ideology, Some Aspects of its Impact on Rural Society","authors":"A. Y. Davydov","doi":"10.24224/2227-1295-2024-13-1-297-315","DOIUrl":"https://doi.org/10.24224/2227-1295-2024-13-1-297-315","url":null,"abstract":"The article provides a comprehensive overview of the main approaches developed in historiography to understand the process of collectivization in the USSR, which determined several specific features of the transition of the domestic society from an agrarian phase to an industrial one. Arguing for the viability of the New Economic Policy’s rural economy and the deadlock of Stalin’s version of its collectivization, the author relies on the inherent “sympractical” type of peasant culture. The historically developed worldview of rural community members formed the basis for high labor motivation. The destruction of this worldview during the process of collectivization became the cause of tragedy. The article presents the results of a comparative analysis of two stages of socialist transformation in the village. It examines the destructive impact of the expropriation of peasants on the economy in the first stage and explores the issues of crisis resolution in the second stage through the removal of certain restrictions on private farming. The article analyzes the factors of social degradation in the Soviet countryside in the 1930s and identifies their manifestation in interethnic relations. The novelty of the research lies in the author’s examination, based on the materials from the declassified “special file” of the Leningrad Regional Committee of the CPSU(B) in the 2000s, of peculiar manifestations of collectivization contradictions in the fate of the Finnish population in the Leningrad region.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140482100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-30DOI: 10.24224/2227-1295-2024-13-1-397-414
E. A. Kalinina, V. Umnov
The aim of this study is to present and discuss the formation and development of one of the popular sports in the Soviet Union in the 1920s-1930s, namely, artistic gymnastics, which includes competitions on various gymnastic apparatuses as well as in free exercises and balance jumps. The authors trace the historical path of this sport within the context of the Soviet government’s policy on organizing the Soviet physical culture movement. The study examines the activities of public gymnastics organizations and the issues surrounding their closure. Special attention is given to the challenges faced by the development of artistic gymnastics during this period, including the state of the material and technical base, organization of systematic training sessions, and the availability of qualified coaching staff. The research materials demonstrate that the development of this sport took place under difficult conditions, from restrictions in the 1920s to a mass gymnastics movement in the 1930s. Based on documentary sources and central periodicals, the authors reconstruct the methods and forms of the formation and development of Soviet artistic gymnastics as a mass sport. It is argued that systematic competitions for the USSR championship stimulated the growth of gymnasts’ sporting and technical achievements
{"title":"Gymnastics and USSR Sports Policy in 1918—1941","authors":"E. A. Kalinina, V. Umnov","doi":"10.24224/2227-1295-2024-13-1-397-414","DOIUrl":"https://doi.org/10.24224/2227-1295-2024-13-1-397-414","url":null,"abstract":"The aim of this study is to present and discuss the formation and development of one of the popular sports in the Soviet Union in the 1920s-1930s, namely, artistic gymnastics, which includes competitions on various gymnastic apparatuses as well as in free exercises and balance jumps. The authors trace the historical path of this sport within the context of the Soviet government’s policy on organizing the Soviet physical culture movement. The study examines the activities of public gymnastics organizations and the issues surrounding their closure. Special attention is given to the challenges faced by the development of artistic gymnastics during this period, including the state of the material and technical base, organization of systematic training sessions, and the availability of qualified coaching staff. The research materials demonstrate that the development of this sport took place under difficult conditions, from restrictions in the 1920s to a mass gymnastics movement in the 1930s. Based on documentary sources and central periodicals, the authors reconstruct the methods and forms of the formation and development of Soviet artistic gymnastics as a mass sport. It is argued that systematic competitions for the USSR championship stimulated the growth of gymnasts’ sporting and technical achievements","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140480459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-30DOI: 10.24224/2227-1295-2024-13-1-238-255
Shubi Ren, Yong Wang
The creative path of B. L. Pasternak has been a popular subject of research in China for many years. All works on the topic can be roughly divided into three stages: 1) the first stage (1980s) — the formation of mass interest among literary scholars in the works of B. L. Pasternak; 2) the second stage (1990s) — the expansion and deepening of research; 3) the third stage (after the 2000s) – the systematization of research and the emergence of new directions in the study of B. L. Pasternak’s works. This article provides an overview of the main trends in Pasternak studies in China. It is noted that research on the legacy of B. L. Pasternak conducted in China covers key areas such as biography, poetry, prose (with special attention from Chinese scholars focused on the novel “Doctor Zhivago”). The research conducted by Chinese scholars also explores topics such as the fate of the intelligentsia, ideological aspirations, cultural, religious, and spiritual components, the art of language, literary techniques, and devices. It is reported that in November 2020, Zhejiang University held an international scientific conference “Celebrating the 130th Anniversary of B. L. Pasternak’s Birth.” The authors of the article conclude that research on the legacy of B. L. Pasternak in China is systematic and diverse, and Pasternak studies as a discipline have broad prospects for development.
多年来，B-L-帕斯捷尔纳克的创作道路一直是中国研究的热门话题。所有相关研究大致可分为三个阶段：1）第一阶段（20 世纪 80 年代）--文学家对 B.L.帕斯捷尔纳克作品形成了广泛的兴趣；2）第二阶段（20 世纪 90 年代）--研究的拓展和深化；3）第三阶段（21 世纪以后）--研究的系统化和 B.L.帕斯捷尔纳克作品研究新方向的出现。本文概述了中国帕斯捷尔纳克研究的主要趋势。文章指出，中国对 B. L. 帕斯捷尔纳克遗产的研究涉及传记、诗歌、散文（中国学者特别关注小说《日瓦戈医生》）等主要领域。中国学者的研究还探讨了知识分子的命运、思想抱负、文化、宗教和精神成分、语言艺术、文学技巧和手法等主题。据悉，2020年11月，浙江大学召开了 "纪念B-L-帕斯捷尔纳克诞辰130周年 "国际学术会议。文章作者认为，中国对B.L.帕斯捷尔纳克遗产的研究是系统的、多元的，帕斯捷尔纳克研究作为一门学科具有广阔的发展前景。
{"title":"40 Years of Boris Pasternak Research in China","authors":"Shubi Ren, Yong Wang","doi":"10.24224/2227-1295-2024-13-1-238-255","DOIUrl":"https://doi.org/10.24224/2227-1295-2024-13-1-238-255","url":null,"abstract":"The creative path of B. L. Pasternak has been a popular subject of research in China for many years. All works on the topic can be roughly divided into three stages: 1) the first stage (1980s) — the formation of mass interest among literary scholars in the works of B. L. Pasternak; 2) the second stage (1990s) — the expansion and deepening of research; 3) the third stage (after the 2000s) – the systematization of research and the emergence of new directions in the study of B. L. Pasternak’s works. This article provides an overview of the main trends in Pasternak studies in China. It is noted that research on the legacy of B. L. Pasternak conducted in China covers key areas such as biography, poetry, prose (with special attention from Chinese scholars focused on the novel “Doctor Zhivago”). The research conducted by Chinese scholars also explores topics such as the fate of the intelligentsia, ideological aspirations, cultural, religious, and spiritual components, the art of language, literary techniques, and devices. It is reported that in November 2020, Zhejiang University held an international scientific conference “Celebrating the 130th Anniversary of B. L. Pasternak’s Birth.” The authors of the article conclude that research on the legacy of B. L. Pasternak in China is systematic and diverse, and Pasternak studies as a discipline have broad prospects for development. ","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140481124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-30DOI: 10.24224/2227-1295-2024-13-1-9-25
L. Vikulova, O. I. Korolenko, Y. G. Tkachenko
This article analyzes the inaugural speech (discours de réception) delivered in 1981 by Marguerite Yourcenar, the first female writer elected as a member of the French Academy. Since the 17th century, such speeches have been mandatory for newly elected academicians, serving as a communicative product of academic speech practice. The study notes that commemorative speeches in honor of deceased members of the academy typically involve the use of praise as an evaluative strategy. Following the genre’s requirements, Marguerite Yourcenar addresses the conceptual space of “the value of literary heritage” of Roger Caillois, whose “academic chair” she was about to occupy as a new academician. In his work, she identifies authorial conceptual metaphors (such as “life is a game”: vie — jeu) that align with her own value system, confirming this alignment with examples from her own books or life experience. The article highlights authorial conceptual oppositions, including men — women (homes / femmes), friendship — hatred (amitié / haine), and life — death (vie / mort). As a newly elected academician, Marguerite Yourcenar perceives the French Academy as a scientific institution with both merits (Académie — science, littérature, connaissance) and shortcomings (Académie — préjugés, archaїsme), reflecting her personal position as well as her gender and social identity.
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Pub Date : 2024-01-30DOI: 10.24224/2227-1295-2024-13-1-159-176
E. Nikonova
This article explores argumentation in the genre of editorials. The objective was to determine the frequency of different types of argumentation used in this genre, which can shed light on the balance between objective and subjective elements. It was found that editorials exhibit a balance between strong and weak argumentation, with 41% and 55.6% respectively (3.4% accounted for insufficient argumentation). The dominance of weak argumentation can be attributed to the specific nature of editorials, which aim to present the editorial board’s opinion and influence readers. The genre under study is a powerful tool in media warfare and shaping societal beliefs and values. The minimal percentage of insufficient argumentation indicates a desire to refrain from overt manipulation. The relatively high percentage of strong argumentation in a genre categorized as ‘opinion’ is also explained by the functional aspect of editorials: since the genre transmits institutional opinions with the intention of influencing public views, it is necessary to maintain authority and a high level of credibility in the information provided. Strong arguments in this genre include references to facts, data from authoritative sources including statistics, experimental results, references to public opinion, and common sense. Weak arguments include personal opinions, speculations, predictions, intuition, references to sources that are not definitive authorities in the field, conclusions based on incomplete statistical data and facts with no obvious connection.
{"title":"Types of Argumentation in Editorials","authors":"E. Nikonova","doi":"10.24224/2227-1295-2024-13-1-159-176","DOIUrl":"https://doi.org/10.24224/2227-1295-2024-13-1-159-176","url":null,"abstract":"This article explores argumentation in the genre of editorials. The objective was to determine the frequency of different types of argumentation used in this genre, which can shed light on the balance between objective and subjective elements. It was found that editorials exhibit a balance between strong and weak argumentation, with 41% and 55.6% respectively (3.4% accounted for insufficient argumentation). The dominance of weak argumentation can be attributed to the specific nature of editorials, which aim to present the editorial board’s opinion and influence readers. The genre under study is a powerful tool in media warfare and shaping societal beliefs and values. The minimal percentage of insufficient argumentation indicates a desire to refrain from overt manipulation. The relatively high percentage of strong argumentation in a genre categorized as ‘opinion’ is also explained by the functional aspect of editorials: since the genre transmits institutional opinions with the intention of influencing public views, it is necessary to maintain authority and a high level of credibility in the information provided. Strong arguments in this genre include references to facts, data from authoritative sources including statistics, experimental results, references to public opinion, and common sense. Weak arguments include personal opinions, speculations, predictions, intuition, references to sources that are not definitive authorities in the field, conclusions based on incomplete statistical data and facts with no obvious connection.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140484605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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