Pub Date : 2023-12-07DOI: 10.24224/2227-1295-2023-12-9-281-299
B. Menyaev
The article continues the study of the Oirat monument “The Tale of Nectar Teaching” (“Aršāni nomiyin tuuǰi”). Three unpublished manuscript lists are introduced into scientific circulation. For the first time, the international plot ATU 160 “Grateful Animals. Ungrateful Man. Salvation from the Pit” is considered based on four stories from “The Tale of Nectar Teaching”. The source of the study was the lists “Aršāni nomiyin tuuǰi”, stored in the manuscript department and archive of Orientalists at the Institute of Oriental Studies, Russian Academy of Sciences, and the Scientific Library of the Eastern Faculty of St. Petersburg State University. Catalogs, indexes with international plots, folklore materials, translations of written monuments in Tibetan, Chinese, ancient Indian and Mongolian languages were used as additional materials. It is shown that all analyzed works represent a holistic picture of the ATU 160 plot, complementing each other. Common characteristics are identified, among which the most stable is the same composition. It is noted that the texts end with an explanation and a moral lesson. It is asserted that the basis of the ATU 160 plot is foreign material, which is slightly transformed in the compositions. The author concludes that the plot “Grateful Animals; Ungrateful Man. Salvation from the Pit”, presented in different works, is evidence of the unity of the IndoTibetan-Mongolian-Oirat literary fund.
{"title":"Plot of ATU 160 in Oirat Monument “Tale of Nectar Teaching”","authors":"B. Menyaev","doi":"10.24224/2227-1295-2023-12-9-281-299","DOIUrl":"https://doi.org/10.24224/2227-1295-2023-12-9-281-299","url":null,"abstract":"The article continues the study of the Oirat monument “The Tale of Nectar Teaching” (“Aršāni nomiyin tuuǰi”). Three unpublished manuscript lists are introduced into scientific circulation. For the first time, the international plot ATU 160 “Grateful Animals. Ungrateful Man. Salvation from the Pit” is considered based on four stories from “The Tale of Nectar Teaching”. The source of the study was the lists “Aršāni nomiyin tuuǰi”, stored in the manuscript department and archive of Orientalists at the Institute of Oriental Studies, Russian Academy of Sciences, and the Scientific Library of the Eastern Faculty of St. Petersburg State University. Catalogs, indexes with international plots, folklore materials, translations of written monuments in Tibetan, Chinese, ancient Indian and Mongolian languages were used as additional materials. It is shown that all analyzed works represent a holistic picture of the ATU 160 plot, complementing each other. Common characteristics are identified, among which the most stable is the same composition. It is noted that the texts end with an explanation and a moral lesson. It is asserted that the basis of the ATU 160 plot is foreign material, which is slightly transformed in the compositions. The author concludes that the plot “Grateful Animals; Ungrateful Man. Salvation from the Pit”, presented in different works, is evidence of the unity of the IndoTibetan-Mongolian-Oirat literary fund.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138984039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-07DOI: 10.24224/2227-1295-2023-12-9-265-280
L. A. Melnikova
The image of the “fallen woman” in the novels of G. Fallada’s “Wolf Among Wolves” and F. M. Dostoevsky’s “Crime and Punishment” is examined. Traces of the literary influence of the Russian classic on the poetics of the German writer’s novel at the thematic and character levels are identified. It is established that the key motif in both works is the theme of moral resurrection of the fallen individual. It is shown that, in addressing the problem of the “humiliated and insulted”, both authors incorporate the image of the “fallen woman” into the system of characters in their novels. It is noted that the writers pay special attention to the reasons for her social downfall. Through the use of comparative-historical analysis, parallels in the images of “fallen” women presented in these works — Petra Ledig and Sonya Marmeladova — are identified. The author of the article concludes that the heroines share a number of common features: Christian semantics of their names, moral purity despite physical vice, a tendency towards selfsacrifice, great inner strength despite outward timidity, a desire to show mercy, the ability to motivate their loved ones towards spiritual rebirth and thereby “rebirth” themselves. The results of the study allow to demonstrate the significance of F. M. Dostoevsky’s humanistic ideas for the aesthetic principles and worldview position of G. Fallada in the novel “Wolf Among Wolves”.
{"title":"Image of “Fallen Woman” in Novels of G. Fallada’s “Wolf Among Wolves” and F. M. Dostoevsky’s “Crime and Punishment”: Comparative Analysis","authors":"L. A. Melnikova","doi":"10.24224/2227-1295-2023-12-9-265-280","DOIUrl":"https://doi.org/10.24224/2227-1295-2023-12-9-265-280","url":null,"abstract":"The image of the “fallen woman” in the novels of G. Fallada’s “Wolf Among Wolves” and F. M. Dostoevsky’s “Crime and Punishment” is examined. Traces of the literary influence of the Russian classic on the poetics of the German writer’s novel at the thematic and character levels are identified. It is established that the key motif in both works is the theme of moral resurrection of the fallen individual. It is shown that, in addressing the problem of the “humiliated and insulted”, both authors incorporate the image of the “fallen woman” into the system of characters in their novels. It is noted that the writers pay special attention to the reasons for her social downfall. Through the use of comparative-historical analysis, parallels in the images of “fallen” women presented in these works — Petra Ledig and Sonya Marmeladova — are identified. The author of the article concludes that the heroines share a number of common features: Christian semantics of their names, moral purity despite physical vice, a tendency towards selfsacrifice, great inner strength despite outward timidity, a desire to show mercy, the ability to motivate their loved ones towards spiritual rebirth and thereby “rebirth” themselves. The results of the study allow to demonstrate the significance of F. M. Dostoevsky’s humanistic ideas for the aesthetic principles and worldview position of G. Fallada in the novel “Wolf Among Wolves”.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138590383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-07DOI: 10.24224/2227-1295-2023-12-9-372-389
S. V. Vorobyov
The article discusses the activities of various levels of government structures (city council, gubernatorial, district and regional executive and party bodies) in managing EkaterinburgSverdlovsk during the NEP years. It is established that during this period, the central government was faced with a choice between centralism or decentralization in local governance and the delineation of powers between councils and different levels of regional government. It is noted that in practice, a multilevel system of city management was formed, which had both positive and negative aspects. It is shown that on the one hand, in conditions of weak city authority and a shortage of city budget, the intervention of regional authorities in urban issues and financial injections from their side allowed for the successful resolution of acute urban economic issues. On the other hand, such a system of power significantly limited the authority of the city council, pushing it to other government structures. As a result, the author concludes that the city council was not a full-fledged, independent administrative unit, and its competence in managing the city was significantly limited. This situation is explained by the fact that the main decisions regarding the directions of city development were made by regional authorities, which did not always positively affect the effectiveness of urban management.
{"title":"Ekaterinburg (Sverdlovsk) During NEP Years: Organization of City Government System","authors":"S. V. Vorobyov","doi":"10.24224/2227-1295-2023-12-9-372-389","DOIUrl":"https://doi.org/10.24224/2227-1295-2023-12-9-372-389","url":null,"abstract":"The article discusses the activities of various levels of government structures (city council, gubernatorial, district and regional executive and party bodies) in managing EkaterinburgSverdlovsk during the NEP years. It is established that during this period, the central government was faced with a choice between centralism or decentralization in local governance and the delineation of powers between councils and different levels of regional government. It is noted that in practice, a multilevel system of city management was formed, which had both positive and negative aspects. It is shown that on the one hand, in conditions of weak city authority and a shortage of city budget, the intervention of regional authorities in urban issues and financial injections from their side allowed for the successful resolution of acute urban economic issues. On the other hand, such a system of power significantly limited the authority of the city council, pushing it to other government structures. As a result, the author concludes that the city council was not a full-fledged, independent administrative unit, and its competence in managing the city was significantly limited. This situation is explained by the fact that the main decisions regarding the directions of city development were made by regional authorities, which did not always positively affect the effectiveness of urban management.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139011831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-07DOI: 10.24224/2227-1295-2023-12-9-321-338
A. Abazov
The features of regulatory and documentary support for the activities of bailiff administrations, border and clan courts, and clan administrations in the North Caucasus in the late 18th — early 19th centuries are considered. General information is provided about the development of the system of institutions of local judicial-administrative control in the region. The normative acts of the emperor and higher authorities defining the scope of authority of these institutions, documenting their transformations in the context of administrativeterritorial changes, containing information on personnel composition, appointment of new leaders, and other related matters are characterized. The forms of documentary support for communication between bailiff administrations and border courts with other government institutions and officials are studied, and the features of such interaction are identified depending on the place of these institutions in the administrative hierarchy. Information is provided about their document management documentation used to manage their own activities. It is concluded that the documents of these institutions have a significant heuristic potential for studying the main aspects of the history of the formation and development of the institutions of Russian statehood in this region, exogenous and endogenous factors of transformation of institutions of socionormative culture, local features of the formation and development of Russian document management culture.
{"title":"Institutions of Local Judicial-Administrative Control in North Caucasus in Late 18th — Early 19th Century: Regulatory and Documentary Support for Activities","authors":"A. Abazov","doi":"10.24224/2227-1295-2023-12-9-321-338","DOIUrl":"https://doi.org/10.24224/2227-1295-2023-12-9-321-338","url":null,"abstract":"The features of regulatory and documentary support for the activities of bailiff administrations, border and clan courts, and clan administrations in the North Caucasus in the late 18th — early 19th centuries are considered. General information is provided about the development of the system of institutions of local judicial-administrative control in the region. The normative acts of the emperor and higher authorities defining the scope of authority of these institutions, documenting their transformations in the context of administrativeterritorial changes, containing information on personnel composition, appointment of new leaders, and other related matters are characterized. The forms of documentary support for communication between bailiff administrations and border courts with other government institutions and officials are studied, and the features of such interaction are identified depending on the place of these institutions in the administrative hierarchy. Information is provided about their document management documentation used to manage their own activities. It is concluded that the documents of these institutions have a significant heuristic potential for studying the main aspects of the history of the formation and development of the institutions of Russian statehood in this region, exogenous and endogenous factors of transformation of institutions of socionormative culture, local features of the formation and development of Russian document management culture.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138984002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-07DOI: 10.24224/2227-1295-2023-12-9-339-371
E. Borodina, S. Tsemenkova
The article is dedicated to the study of the social structure of the population of early Ekaterinburg. The main objective was to investigate individual social groups of the population, as well as the specifics of their formation in a situation of a rapidly growing and developing industrial and administrative center. The research was based on documentary sources of official record-keeping, the most significant of which were the data from local (factory) censuses of residents of the fortress factory in the 1720s — 1740s. Using quantitative analysis methods and social history approaches, the main social groups of the population were identified and characterized. Their numbers were determined, and the history of their formation and employment specifics in the mining industry were analyzed. The conclusions were drawn about the existence of a special social policy by the mining plant administration. It was found that it was aimed not only at maintaining optimal working capacity but also at progressively expanding the group of factory personnel by including representatives of new social groups such as soldiers, recruits, schoolchildren, exiles, and convicts in labor processes. It was shown that by the mid-18th century, Ekaterinburg, founded in 1723, was not inferior to both old and new urban centers in terms of infrastructure development, administrative, industrial, and social institutions, and population composition.
{"title":"Population Structure and Size of Early Yekaterinburg (1723-1744)","authors":"E. Borodina, S. Tsemenkova","doi":"10.24224/2227-1295-2023-12-9-339-371","DOIUrl":"https://doi.org/10.24224/2227-1295-2023-12-9-339-371","url":null,"abstract":"The article is dedicated to the study of the social structure of the population of early Ekaterinburg. The main objective was to investigate individual social groups of the population, as well as the specifics of their formation in a situation of a rapidly growing and developing industrial and administrative center. The research was based on documentary sources of official record-keeping, the most significant of which were the data from local (factory) censuses of residents of the fortress factory in the 1720s — 1740s. Using quantitative analysis methods and social history approaches, the main social groups of the population were identified and characterized. Their numbers were determined, and the history of their formation and employment specifics in the mining industry were analyzed. The conclusions were drawn about the existence of a special social policy by the mining plant administration. It was found that it was aimed not only at maintaining optimal working capacity but also at progressively expanding the group of factory personnel by including representatives of new social groups such as soldiers, recruits, schoolchildren, exiles, and convicts in labor processes. It was shown that by the mid-18th century, Ekaterinburg, founded in 1723, was not inferior to both old and new urban centers in terms of infrastructure development, administrative, industrial, and social institutions, and population composition.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139011756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-07DOI: 10.24224/2227-1295-2023-12-9-300-319
S. S. Khromov, S. V. Gerasimova, I. A. Pishulina
The problem of double encoding of the characters’ images is considered: Mozart (“Mozart and Salieri” by A. S. Pushkin) and Prince Myshkin (“The Idiot” by F. M. Dostoevsky). The novelty of the research lies in the authors’ attempt to move from an empirical level of understanding the problem to a theoretical one. The methodological basis of the study becomes a semiotic approach to the analysis of literary texts. It is noted that it is the principles of semiotics that make it possible to put the accumulated baggage of empirical knowledge at the basis of a concept that points to the reasons for the double encoding of the characters’ images. The purpose of the article is to explain why Mozart and Prince Myshkin realize the image of the ideal person not in the sphere of functioning of the sacred code of culture, but in the sphere of profane culture, where each sacred image corresponds to a symbol related to sacred reality and transforming it. The comparison of the characters of Mozart and Prince Myshkin is based on the commonality of sacred motifs, supplemented by autobiographical, literary, and mythopoetic material. It is argued that these additions indicate the interaction in the consciousness of the writers in creating these images of the sacred, or biblical, code of culture with the profane. It is concluded that Mozart and Prince Myshkin are images created on the basis of double encoding and implying double interpretation.
{"title":"Mozart by A. S. Pushkin and Prince Myshkin by F. M. Dostoevsky: Problem of Double Encoding","authors":"S. S. Khromov, S. V. Gerasimova, I. A. Pishulina","doi":"10.24224/2227-1295-2023-12-9-300-319","DOIUrl":"https://doi.org/10.24224/2227-1295-2023-12-9-300-319","url":null,"abstract":"The problem of double encoding of the characters’ images is considered: Mozart (“Mozart and Salieri” by A. S. Pushkin) and Prince Myshkin (“The Idiot” by F. M. Dostoevsky). The novelty of the research lies in the authors’ attempt to move from an empirical level of understanding the problem to a theoretical one. The methodological basis of the study becomes a semiotic approach to the analysis of literary texts. It is noted that it is the principles of semiotics that make it possible to put the accumulated baggage of empirical knowledge at the basis of a concept that points to the reasons for the double encoding of the characters’ images. The purpose of the article is to explain why Mozart and Prince Myshkin realize the image of the ideal person not in the sphere of functioning of the sacred code of culture, but in the sphere of profane culture, where each sacred image corresponds to a symbol related to sacred reality and transforming it. The comparison of the characters of Mozart and Prince Myshkin is based on the commonality of sacred motifs, supplemented by autobiographical, literary, and mythopoetic material. It is argued that these additions indicate the interaction in the consciousness of the writers in creating these images of the sacred, or biblical, code of culture with the profane. It is concluded that Mozart and Prince Myshkin are images created on the basis of double encoding and implying double interpretation.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139011837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-07DOI: 10.24224/2227-1295-2023-12-9-208-227
V. E. Vasiliev, M. T. Satanar
The relevance of studying is determined by the ongoing renaissance of the ohuohai dance in the cultural practice of modern Yakut people. The novelty of the research is seen in the proposal of a scientific version: circular dances following the course of the sun (from east to west) signified movement downward, while dances against the course of the sun (from west to east) signified movement upward. It is noted that the west and east reflected different worlds, and movements in a circle symbolized a journey along the fragile boundary between the two worlds. The work implements a comprehensive approach to the subject of study using historical-comparative, structural-semiotic, functional types of analysis, synthesis and generalization of folklore, ethnographic, linguistic, leading to a unified picture of the semantics of circular movements. The authors conclude that the modern name ‘ohuohai’ dance is an innovation of the Soviet period, absent in sources from the pre-revolutionary and early Soviet periods, in which the term ‘үҥкүү’, equally meaning the circling-dance of the shaman, is consistently mentioned. It is emphasized that the ohuohai round dance included ecstatic elements of shamanism, clearly similar to the shaman’s beliefs about transitions to other worlds.
{"title":"Historical Origins of Circular Dance Ohuokhai: Structure, Semantics, Symbolism","authors":"V. E. Vasiliev, M. T. Satanar","doi":"10.24224/2227-1295-2023-12-9-208-227","DOIUrl":"https://doi.org/10.24224/2227-1295-2023-12-9-208-227","url":null,"abstract":"The relevance of studying is determined by the ongoing renaissance of the ohuohai dance in the cultural practice of modern Yakut people. The novelty of the research is seen in the proposal of a scientific version: circular dances following the course of the sun (from east to west) signified movement downward, while dances against the course of the sun (from west to east) signified movement upward. It is noted that the west and east reflected different worlds, and movements in a circle symbolized a journey along the fragile boundary between the two worlds. The work implements a comprehensive approach to the subject of study using historical-comparative, structural-semiotic, functional types of analysis, synthesis and generalization of folklore, ethnographic, linguistic, leading to a unified picture of the semantics of circular movements. The authors conclude that the modern name ‘ohuohai’ dance is an innovation of the Soviet period, absent in sources from the pre-revolutionary and early Soviet periods, in which the term ‘үҥкүү’, equally meaning the circling-dance of the shaman, is consistently mentioned. It is emphasized that the ohuohai round dance included ecstatic elements of shamanism, clearly similar to the shaman’s beliefs about transitions to other worlds.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139011879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-07DOI: 10.24224/2227-1295-2023-12-9-228-244
A. Koryakina
The situation of traditional storytelling is considered in terms of adherence to the canons of archaic olonkho. The material for the study consists of olonkho texts that were in circulation in the Olekminsky district of Yakutia. Texts were selected for analysis, among which early recordings of olonkho variants from the mid-19th century reveal transformations that distinguish them from traditional olonkho. These transformations are analyzed from the perspective of modern folklore studies — the preservation of the original archaic features of the epic. The author studied the plot-compositional structure, motif fund, and imagery system in early recordings of olonkho from the 19th and 20th centuries in Olekminsky. Deviations from established epic canons were identified. Structural-typological and comparative-comparative methods were applied. The scientific novelty of the study lies in the fact that this aspect of the epic heritage of the Olekminsky district is being studied for the first time. As a result of the study, motifs from world, including Russian, fairy tales were discovered in the content of early recordings of Olekminsky olonkho. This is explained by the unique socio-cultural conditions of the region, in particular, the coexistence of several nationalities. The author attributes such additions to violations of the epic traditions of Yakut storytelling. It is noted that such violations are not found in the epic works of storytellers of the 20th century.
{"title":"Olonkho of Olekminsk District in 19th and 20th Centuries: Traditions and Transformations","authors":"A. Koryakina","doi":"10.24224/2227-1295-2023-12-9-228-244","DOIUrl":"https://doi.org/10.24224/2227-1295-2023-12-9-228-244","url":null,"abstract":"The situation of traditional storytelling is considered in terms of adherence to the canons of archaic olonkho. The material for the study consists of olonkho texts that were in circulation in the Olekminsky district of Yakutia. Texts were selected for analysis, among which early recordings of olonkho variants from the mid-19th century reveal transformations that distinguish them from traditional olonkho. These transformations are analyzed from the perspective of modern folklore studies — the preservation of the original archaic features of the epic. The author studied the plot-compositional structure, motif fund, and imagery system in early recordings of olonkho from the 19th and 20th centuries in Olekminsky. Deviations from established epic canons were identified. Structural-typological and comparative-comparative methods were applied. The scientific novelty of the study lies in the fact that this aspect of the epic heritage of the Olekminsky district is being studied for the first time. As a result of the study, motifs from world, including Russian, fairy tales were discovered in the content of early recordings of Olekminsky olonkho. This is explained by the unique socio-cultural conditions of the region, in particular, the coexistence of several nationalities. The author attributes such additions to violations of the epic traditions of Yakut storytelling. It is noted that such violations are not found in the epic works of storytellers of the 20th century.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139011771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-07DOI: 10.24224/2227-1295-2023-12-9-184-206
E. V. Terentyeva, E. B. Pavlova
In this article, the authors examine Russian environmental internet memes, presented on social networks such as VKontakte, Odnoklassniki, and on websites like Memepedia, Pikabu, and A. Chistopashin’s site. They have developed a set of criteria relevant for the analysis of environmental internet memes as complex linguistic and semiotic formations. The aim of the study was to identify the specific features of the semiotic organization of environmental internet memes and establish the dominant semiotic code that determines the conceptual content of the meme. It is shown that the Russian-speaking segment of environmental communication through memes has its own thematic and genre specificity. Environmental internet memes usually rely on the use of media semiotic codes, where the meme includes both text and illustration. Less frequently, memes are created based on narrative semiotic codes, where the visual component illustrates the beginning, climax, or end of a story. The verbal component is dominant when borrowing viral visual templates. The main stylistic device in environmental internet memes, alongside irony and the effect of false expectation, is linguistic play. Semiotic analysis of internet memes has shown that the combination of verbal and visual signs is typical for the media segment of environmental internet communication.
在这篇文章中，作者研究了在 VKontakte、Odnoklassniki 等社交网络以及 Memepedia、Pikabu 和 A. Chistopashin 网站等网站上展示的俄罗斯环境网络备忘录。他们制定了一套标准，用于分析作为复杂语言和符号形式的环境网络流行语。研究的目的是确定环境网络流行语符号组织的具体特征，并确定决定流行语概念内容的主导符号代码。研究结果表明，通过记忆体进行环境交流的俄语部分有其自身的主题和体裁特点。环境网络备忘录通常依赖于媒体符号代码的使用，其中备忘录包括文本和插图。比较少见的是，基于叙事符号代码创建的备忘录，其中的视觉部分展示了故事的开头、高潮或结尾。在借用病毒式视觉模板时，语言部分占主导地位。除了反讽和虚假期望的效果之外，语言游戏也是环境网络流行语的主要文体手段。对网络流行语的符号学分析表明，语言和视觉符号的结合是环境网络传播媒介的典型特征。
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Pub Date : 2023-12-07DOI: 10.24224/2227-1295-2023-12-9-245-264
I. R. Kuryaev, A. O. Trushkina
The ways of representing violence and the role of this category in constructing socialist realist discourse are considered. The novel “The Librarian” by Mikhail Elizarov is chosen as the research material. It is established that the novel synthesizes the tradition of socialist realist novels and genre elements of popular literature, with the author placing emphasis on the representation of violence. The article highlights that violence in the novel is visual and cinematic. It is revealed that the protagonist of the novel plays a significant role in such representation, as the artistic world is demonstrated through their perspective. The article shows that the acts of violence presented in the novel become indexes of a particular “Gromovian” world and contribute to the visual and ideological transformation of characters, as well as an inversion of familiar oppositions. The authors of the article determine that the “Gromovian” world is formed around the Book, which actualizes ideas of the periphery and the “golden age”: it is here where violence becomes a legitimate means of communication with characters from both the “Gromovian” and ordinary worlds. It is noted that violence, both physical and psychological, forms fundamental oppositions in the “Gromovian” world, such as “own” versus “other”, “senseless world” versus “ideal world”, and so on. Finally, it is pointed out that through violence, the socialist realist plot about the “remaking” of the hero and their rejection of their own self for the collective “we” is realized.
{"title":"Actualization of Bodily Aspect as Means of Reconstructing Socialist Realist Discourse in Novel “Librarian” by M. Elizarov","authors":"I. R. Kuryaev, A. O. Trushkina","doi":"10.24224/2227-1295-2023-12-9-245-264","DOIUrl":"https://doi.org/10.24224/2227-1295-2023-12-9-245-264","url":null,"abstract":"The ways of representing violence and the role of this category in constructing socialist realist discourse are considered. The novel “The Librarian” by Mikhail Elizarov is chosen as the research material. It is established that the novel synthesizes the tradition of socialist realist novels and genre elements of popular literature, with the author placing emphasis on the representation of violence. The article highlights that violence in the novel is visual and cinematic. It is revealed that the protagonist of the novel plays a significant role in such representation, as the artistic world is demonstrated through their perspective. The article shows that the acts of violence presented in the novel become indexes of a particular “Gromovian” world and contribute to the visual and ideological transformation of characters, as well as an inversion of familiar oppositions. The authors of the article determine that the “Gromovian” world is formed around the Book, which actualizes ideas of the periphery and the “golden age”: it is here where violence becomes a legitimate means of communication with characters from both the “Gromovian” and ordinary worlds. It is noted that violence, both physical and psychological, forms fundamental oppositions in the “Gromovian” world, such as “own” versus “other”, “senseless world” versus “ideal world”, and so on. Finally, it is pointed out that through violence, the socialist realist plot about the “remaking” of the hero and their rejection of their own self for the collective “we” is realized.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138983656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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