Pub Date : 2022-02-01DOI: 10.1177/09213740221079696
H. Yosimbom
This essay discusses colonialities of power, knowledge, being, gender, language, nature, Anglophones, and victimhood as constitutive elements of a national/global Cameroonian coloniality in Nyamnjoh’s Married but Available. I contend that the sustainability of Cameroon’s future depends on struggles against colonialities as constitutive elements of a national/global coloniality that hangs over Cameroon’s political development like the Sword of Damocles. Borrowing critical perspectives from Quijano, Grosfoguel, Maldonado-Torres, and Blaut, I assert that the emergence of colonialities of Anglophones by Francophones and Anglophones of Northwest origin by those from the Southwest have balkanized Cameroon and weakened its attempts at countering global coloniality. I conclude that for Cameroonians to nurture a sustainable political future, they need to adopt/adapt unremittingly anti-Eurocentric and anti-Francophone-centric decolonial struggles/strategies. Thus, the cosmic vision of either Francophones or Anglophones should not be taken as national Cameroonian rationality because that would amount to imposing provincialism as universalism.
{"title":"Uncoupling specters of coloniality in postcolonial Cameroon: literary explorations","authors":"H. Yosimbom","doi":"10.1177/09213740221079696","DOIUrl":"https://doi.org/10.1177/09213740221079696","url":null,"abstract":"This essay discusses colonialities of power, knowledge, being, gender, language, nature, Anglophones, and victimhood as constitutive elements of a national/global Cameroonian coloniality in Nyamnjoh’s Married but Available. I contend that the sustainability of Cameroon’s future depends on struggles against colonialities as constitutive elements of a national/global coloniality that hangs over Cameroon’s political development like the Sword of Damocles. Borrowing critical perspectives from Quijano, Grosfoguel, Maldonado-Torres, and Blaut, I assert that the emergence of colonialities of Anglophones by Francophones and Anglophones of Northwest origin by those from the Southwest have balkanized Cameroon and weakened its attempts at countering global coloniality. I conclude that for Cameroonians to nurture a sustainable political future, they need to adopt/adapt unremittingly anti-Eurocentric and anti-Francophone-centric decolonial struggles/strategies. Thus, the cosmic vision of either Francophones or Anglophones should not be taken as national Cameroonian rationality because that would amount to imposing provincialism as universalism.","PeriodicalId":43944,"journal":{"name":"CULTURAL DYNAMICS","volume":"34 1","pages":"63 - 81"},"PeriodicalIF":0.6,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43382080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-01DOI: 10.1177/09213740221075656
J. Chambers-Letson
A meditation on Dorinne Kondo’s Worldmaking, this essay attends to the work of reparative creativity in Kondo’s text. Revisiting Melanie Klein’s theory of reparation alongside Kondo’s rich discourse on racialization, repair, and creativity, the essay follows Kondo to insist upon a framing of reparation that attends to both its creative and destructive psychic, political, and social effects.
{"title":"Integration and reparation are never complete—nor is the work of creativity","authors":"J. Chambers-Letson","doi":"10.1177/09213740221075656","DOIUrl":"https://doi.org/10.1177/09213740221075656","url":null,"abstract":"A meditation on Dorinne Kondo’s Worldmaking, this essay attends to the work of reparative creativity in Kondo’s text. Revisiting Melanie Klein’s theory of reparation alongside Kondo’s rich discourse on racialization, repair, and creativity, the essay follows Kondo to insist upon a framing of reparation that attends to both its creative and destructive psychic, political, and social effects.","PeriodicalId":43944,"journal":{"name":"CULTURAL DYNAMICS","volume":"34 1","pages":"106 - 111"},"PeriodicalIF":0.6,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46375098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-25DOI: 10.1177/09213740221075657
Dorinne Kondo
Worldmaking is a genre-bending ethnographic/theoretical analysis of labor and race-making in the US theater industry, grounded in Kondo’s full participation in theater as anthropologist, performance studies scholar, dramaturg and playwright. The narrative trajectory toward what Kondo calls “reparative creativity,” inspired by Kleinian theory and its appropriations in queer of color critique, grounds her analysis of the work of artists of color Anna Deavere Smith, David Henry Hwang, and her own full-length play. She disrupts the theory/ practice binary by spotlighting creative labor and race-making, and destabilizes the personal/structural divide through her concepts of “racial affect” and “affective violence.” Theater and the arts are more than second-order representation; they are zones of public existence. Kondo locates shared themes of destruction/creation, genre-bending, and embodiment/ affect/ movement as she “dances in the rain” with her interlocutors Joshua Chambers-Letson and Aimee Cox.
《世界制造》是对美国戏剧行业中劳动和种族制造的一种类型的民族志/理论分析,基于近藤作为人类学家、表演研究学者、戏剧导演和剧作家对戏剧的全面参与。近藤所谓的“修复性创造力”的叙事轨迹,受到Kleinian理论及其在酷儿色彩批评中的运用的启发,为她分析有色艺术家安娜·迪维尔·史密斯(Anna Deavere Smith)、大卫·亨利·黄(David Henry Hwang)的作品以及她自己的长篇戏剧奠定了基础。她通过强调创造性劳动和种族制造打破了理论/实践的二元对立,并通过她的“种族影响”和“情感暴力”概念打破了个人/结构的鸿沟。戏剧和艺术不仅仅是二阶表现;它们是公共存在的区域。近藤在与对话者约书亚·钱伯斯-莱森和艾米·考克斯“在雨中跳舞”时,找到了破坏/创造、流派扭曲、体现/影响/运动的共同主题。
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Pub Date : 2021-11-03DOI: 10.1177/09213740211053392
Djemila Zeneidi
This article aims to demonstrate the documentary value of Zora Neale, Hurston’s descriptions, in her novel Seraph on the Suwanee, of the condition of the poor white US Southerners known as “crackers.” By, depicting a “cracker” woman’s upward social trajectory through, marriage, Hurston reveals the social and existential reality of this, segment of the white population. Her novel presents an objective, analysis of the crackers as a socio-historical group distinct from other, whites. However, Hurston also explores the subjective side of belonging to this discredited group by offering an account of her heroine’s experience of stigmatization.
{"title":"“We ain’t nothing but white trash”: The ethnography of poor whites and the politics of stigma in Zora Neale Hurston’s Seraph on the Suwanee.","authors":"Djemila Zeneidi","doi":"10.1177/09213740211053392","DOIUrl":"https://doi.org/10.1177/09213740211053392","url":null,"abstract":"This article aims to demonstrate the documentary value of Zora Neale, Hurston’s descriptions, in her novel Seraph on the Suwanee, of the condition of the poor white US Southerners known as “crackers.” By, depicting a “cracker” woman’s upward social trajectory through, marriage, Hurston reveals the social and existential reality of this, segment of the white population. Her novel presents an objective, analysis of the crackers as a socio-historical group distinct from other, whites. However, Hurston also explores the subjective side of belonging to this discredited group by offering an account of her heroine’s experience of stigmatization.","PeriodicalId":43944,"journal":{"name":"CULTURAL DYNAMICS","volume":"34 1","pages":"45 - 62"},"PeriodicalIF":0.6,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43850778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-14DOI: 10.1177/09213740211034060
T. Bierschenk
This afterword argues for a narrow and analytically strong concept of brokerage, which is oriented towards the classical definition by Boissevain. His ideal type emphasises the agency of brokers who actively pursue their own interests and act at an equal distance to the groups between which they mediate. Furthermore, the text argues for thinking of brokerage as a bundle of social practices instead of as brokers in the sense of a social type. While few social actors are fully-fledged brokers, many of them engage in brokerage.
{"title":"Afterword: Brokerage as social practice","authors":"T. Bierschenk","doi":"10.1177/09213740211034060","DOIUrl":"https://doi.org/10.1177/09213740211034060","url":null,"abstract":"This afterword argues for a narrow and analytically strong concept of brokerage, which is oriented towards the classical definition by Boissevain. His ideal type emphasises the agency of brokers who actively pursue their own interests and act at an equal distance to the groups between which they mediate. Furthermore, the text argues for thinking of brokerage as a bundle of social practices instead of as brokers in the sense of a social type. While few social actors are fully-fledged brokers, many of them engage in brokerage.","PeriodicalId":43944,"journal":{"name":"CULTURAL DYNAMICS","volume":"33 1","pages":"418 - 425"},"PeriodicalIF":0.6,"publicationDate":"2021-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42409842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-04DOI: 10.1177/09213740211021867
Nadeeka Arambewela-Colley
This article engages in an anthropological analysis of brokerage to investigate the role of community support officers (CSOs) and mental health clinicians working on implementing post conflict reconstruction and reconciliation projects in Jaffna, in the North of Sri Lanka. I propose that CSOs and mental health clinicians become cultural brokers in health care by operating beyond the universal clinical assumptions associated with mental illness and distress, navigating the space and interrelationship between community-based local voices, national health priorities and the translocal agendas of the global mental health framework. The CSOs and mental health clinicians’ scope of authority, the complexity of their social and cultural activities along with their agentive capacity in representing marginalised voices enables them to facilitate, be responsible for and actively influence the process of intermediation and translation; in other words, they engage in brokerage. This article provides insights into the socio-cultural matrix of mental distress and suffering in post-conflict affected communities in the North of Sri Lanka and builds on brokerage theory to recognise evolving social and political landscapes in translocal mental health diagnosis and treatment.
{"title":"Cultural brokers in mental health care in Sri Lanka’s North","authors":"Nadeeka Arambewela-Colley","doi":"10.1177/09213740211021867","DOIUrl":"https://doi.org/10.1177/09213740211021867","url":null,"abstract":"This article engages in an anthropological analysis of brokerage to investigate the role of community support officers (CSOs) and mental health clinicians working on implementing post conflict reconstruction and reconciliation projects in Jaffna, in the North of Sri Lanka. I propose that CSOs and mental health clinicians become cultural brokers in health care by operating beyond the universal clinical assumptions associated with mental illness and distress, navigating the space and interrelationship between community-based local voices, national health priorities and the translocal agendas of the global mental health framework. The CSOs and mental health clinicians’ scope of authority, the complexity of their social and cultural activities along with their agentive capacity in representing marginalised voices enables them to facilitate, be responsible for and actively influence the process of intermediation and translation; in other words, they engage in brokerage. This article provides insights into the socio-cultural matrix of mental distress and suffering in post-conflict affected communities in the North of Sri Lanka and builds on brokerage theory to recognise evolving social and political landscapes in translocal mental health diagnosis and treatment.","PeriodicalId":43944,"journal":{"name":"CULTURAL DYNAMICS","volume":"33 1","pages":"331 - 347"},"PeriodicalIF":0.6,"publicationDate":"2021-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/09213740211021867","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47241765","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-01DOI: 10.1177/09213740211014332
C. Milian
This exploration is a journeying toward ethical encounters with others in unfamiliar locales. It attends to friendship, close association with non-relatives, and a nexus of themes that arise amidst the COVID-19 global health crisis: quarantine life, networks of belonging and human connections, and new forms of research and productivity. The piece’s ruminative thinking draws on what the author discovers at a personal level in Madrid, Spain, pursuing a knowledge of what is to be gained—produced—by not moving, but from dwelling indoors. Not a travelogue underpinned by tourist optimism, this postcard essay is a travel story of a philosophy of life through friendship and a caring commitment to strangers. This approach allows for coping through and understanding the most important problem of our time, the COVID-19 pandemic.
{"title":"Friendly moods","authors":"C. Milian","doi":"10.1177/09213740211014332","DOIUrl":"https://doi.org/10.1177/09213740211014332","url":null,"abstract":"This exploration is a journeying toward ethical encounters with others in unfamiliar locales. It attends to friendship, close association with non-relatives, and a nexus of themes that arise amidst the COVID-19 global health crisis: quarantine life, networks of belonging and human connections, and new forms of research and productivity. The piece’s ruminative thinking draws on what the author discovers at a personal level in Madrid, Spain, pursuing a knowledge of what is to be gained—produced—by not moving, but from dwelling indoors. Not a travelogue underpinned by tourist optimism, this postcard essay is a travel story of a philosophy of life through friendship and a caring commitment to strangers. This approach allows for coping through and understanding the most important problem of our time, the COVID-19 pandemic.","PeriodicalId":43944,"journal":{"name":"CULTURAL DYNAMICS","volume":"33 1","pages":"234 - 237"},"PeriodicalIF":0.6,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/09213740211014332","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42890734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-01DOI: 10.1177/09213740211020924
Jennifer M. Chacón
{"title":"Birth of a nation: Race, regulation, and the rise of the modern state","authors":"Jennifer M. Chacón","doi":"10.1177/09213740211020924","DOIUrl":"https://doi.org/10.1177/09213740211020924","url":null,"abstract":"","PeriodicalId":43944,"journal":{"name":"CULTURAL DYNAMICS","volume":"33 1","pages":"257 - 262"},"PeriodicalIF":0.6,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/09213740211020924","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44423016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-01DOI: 10.1177/09213740211028704
{"title":"Call for papers: Special issue on global blackness","authors":"","doi":"10.1177/09213740211028704","DOIUrl":"https://doi.org/10.1177/09213740211028704","url":null,"abstract":"","PeriodicalId":43944,"journal":{"name":"CULTURAL DYNAMICS","volume":"33 1","pages":"276 - 277"},"PeriodicalIF":0.6,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/09213740211028704","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49419840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}