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Wounding Our Customs: Law, Gender, and Pluralism in Chinese Batavia, 1740–1811 伤害我们的习俗:巴达维亚中国的法律、性别与多元主义,1740-1811
IF 0.4 2区 历史学 Q1 HISTORY Pub Date : 2021-06-26 DOI: 10.1353/late.2021.0002
L. Cenci
Abstract:Mass migration of male Chinese merchants and laborers to maritime Southeast Asia in the 17th and 18th centuries fundamentally reshaped world trade networks and colonial state-building. However, it also catalyzed social and cultural interactions between Chinese migrants and the Europeans and Southeast Asians they encountered overseas. Chinese migrantsconstructed and adjusted their own group identity in response to the multilateral cultural interactions that were an inescapable part of life in overseas port cities. This study examines a central tension in the social and political lives of Chinese migrants in late 18th century Batavia (modern Jakarta). On one hand, elite Chinese merchants carved out a political and legal constituency that was premised on the self-evident existence of well-defined “Chinese households” and “Chinese customary law.” On the other hand, the daily lives of their constituents regularly transgressed these ethnic categories through cultural hybridization, driven by marriage practices that ensured that most nominally “Chinese” women were in fact of Indonesian descent. In response, the Chinese elite and their subjects turned various aspects of the Batavian legal system into a forum for the negotiation of what constituted proper Chinese behavior. Elite men on the Chinese council attempted to use Dutch legal codification projects to impose a Confucianized vision of proper gendered behavior within those households. At the same time, the minutes of the law court administered by the Chinese council reveal how ordinary male and female litigants articulated their own notions of justice, and how the judges of the Chinese council used their privileged position as judges to intervene in the lives of their subjects. The courts thus functioned as sites for the negotiation of gender norms, the production of a tenuous ideological hegemony about the duties of husbands and wives, and, in extremis, the use of coercion and spectacular punishment to discipline an unruly populace.
摘要:17、18世纪中国男性商人和劳工向东南亚海上的大规模迁移,从根本上重塑了世界贸易网络和殖民国家建设。然而,它也促进了中国移民与他们在海外遇到的欧洲人和东南亚人之间的社会和文化互动。中国移民构建和调整了自己的群体身份,以应对多边文化互动,这是海外港口城市生活中不可避免的一部分。本研究考察了18世纪晚期巴达维亚(今雅加达)中国移民社会和政治生活中的中心张力。一方面,精英中国商人在政治和法律上建立了一个选区,这个选区的前提是存在着定义明确的“中国家庭”和“中国习惯法”。另一方面,他们的选民的日常生活经常通过文化杂交而超越这些种族类别,这是由婚姻习俗所驱动的,这种习俗确保了大多数名义上的“中国”妇女实际上是印度尼西亚血统。作为回应,中国精英和他们的臣民把巴达维亚法律体系的各个方面变成了一个论坛,讨论什么是中国的正当行为。中国委员会的精英们试图利用荷兰的法律编纂项目,在这些家庭中强加一种儒家化的正确性别行为观。与此同时,由中国委员会管理的法庭记录揭示了普通的男性和女性诉讼当事人如何阐明他们自己的正义观念,以及中国委员会的法官如何利用他们作为法官的特权地位干预他们臣民的生活。因此,法院充当了性别规范谈判的场所,产生了一种关于丈夫和妻子责任的脆弱的意识形态霸权,在极端情况下,使用胁迫和惊人的惩罚来约束不守规矩的民众。
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引用次数: 0
Reimagining Qing Space: Yongzheng’s Eurasian Atlas (1727–29) 重新构想清朝空间:雍正的欧亚地图集(1727-29)
IF 0.4 2区 历史学 Q1 HISTORY Pub Date : 2021-06-26 DOI: 10.1353/late.2021.0001
Mario Cams
Abstract:This study discusses the production context, supporting networks, and circulation of a large multi-sheet map produced at the Yongzheng court in 1727–8. The 98-sheet map added the entire Russian empire to its Kangxi-era predecessor, which has featured prominently in the literature. By zooming in on this hitherto unexplored Yongzheng edition, new light is shed on the entire series of eighteenth-century Qing-era court maps, which emerge as snapshots of a rapidly evolving, specifically Manchu spatial imaginary rooted entirely in the geo-administrative make-up of the Qing polity.
摘要:本研究讨论了1727-8年雍正宫廷制作的大型多页地图的制作背景、支持网络和流通情况。这张98页的地图在其康熙时代的前身基础上增加了整个俄罗斯帝国,这在文献中占有突出地位。通过放大这本迄今为止尚未探索的雍正版本,我们可以看到整个18世纪清朝时期的宫廷地图系列,这些地图是一个快速发展的、特别是满族空间想象的快照,完全植根于清朝政治的地理行政构成。
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引用次数: 1
The Inscription of Remnant Things: Zhang Dai’s “Twenty-Eight Friends” 遗留物铭文:张岱的《二十八个朋友》
IF 0.4 2区 历史学 Q1 HISTORY Pub Date : 2021-06-26 DOI: 10.1353/late.2021.0004
T. Kelly
Abstract:This essay investigates literary approaches to objects in the wake of dynastic transition by examining Zhang Dai’s (1597–?1684) inscriptions on his family’s possessions. Zhang exploits the formal conventions of inscription (ming)¬¬—“praise” and “admonition”—to reconcile the imperatives of remembrance with pointed moral judgments, working to redeem Ming practices of connoisseurship, while assessing their imbrication in the destruction of inter-dynastic war. In doing so, he reimagines the literary conceit of “friendship” with things. Late Ming collectors had personified objects as “friends” to model an empathetic understanding for, or eccentric obsession with their belongings. Zhang Dai reconsiders the implications of this posture amid the ruins of the fallen dynasty, casting the object as a witness to historical trauma, one that observes and critiques the failings of its human custodians.
摘要:本文通过对张岱(1597 - 1684)家产铭文的考察,探讨了王朝转型后文学对物的处理方式。张利用碑文的正式惯例——“表扬”和“告诫”——调和了纪念的必要性和尖锐的道德判断,努力挽回明朝的鉴赏实践,同时评估它们在王朝间战争的破坏中所起的作用。在这样做的过程中,他重新想象了与事物“友谊”的文学自负。晚明收藏家将物品拟人化为“朋友”,以表达对其物品的同情理解,或对其物品的古怪痴迷。张岱重新思考了在衰落王朝的废墟中这种姿态的含义,将这个物体作为历史创伤的见证,一个观察和批评其人类监护人的失败的人。
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引用次数: 0
Artisanal Luxury and Confucian Statecraft: The Afterlife of Ming Official Carved Lacquer at the Qianlong Court 工艺奢华与儒家治国之道——明乾隆御用雕漆的来龙去脉
IF 0.4 2区 历史学 Q1 HISTORY Pub Date : 2021-06-26 DOI: 10.1353/late.2021.0000
Zhenpeng Zhan
Abstract:This article situates the agency of the Qianlong emperor (r. 1736–1795) as an imperial collector as well as his rhetoric and artistic strategies in the politico-cultural appropriation of imperial art collections by focusing on a case study of carved lacquer, the most labor-intensive and time-consuming decorating genre in lacquer industry. More specifically, I investigate the role of Ming (1368–1644) official carved lacquer part of pre-Qing antiquities from the Forbidden City in shaping the material and visual culture in the Qianlong court, in light of Ming and Qing official works as well as the imperial workshop archives. Examined through the text-image interplay, imperial poems inscribed on Ming official lacquerwares with Qianlong’s seals and marks reveal their afterlife in eighteenth-century China. Furthermore, I argue that the Ming visuality and technological exchanges between the court and Suzhou laid the foundation for Qianlong’s patronage under his commissions that, combined with Jiangnan-based craftsmanship, ultimately transformed carved lacquer from one dynastic transitional heritage into an artistic achievement.
摘要:本文通过对漆器行业中劳动密集、耗时最长的装饰类型雕漆的个案研究,阐述了乾隆皇帝(1736-1795)作为一名皇家收藏家的代理,以及他在皇家艺术品收藏的政治文化挪用中的修辞和艺术策略。更具体地说,我结合明清官方作品和皇家作坊档案,调查了紫禁城先秦文物中明代(1368-1644)官刻漆器部分在乾隆宫廷物质和视觉文化塑造中的作用。通过文本-图像的相互作用,明代官方漆器上刻有乾隆印章和印记的帝王诗揭示了他们在18世纪中国的来生。此外,我认为明代的视觉和宫廷与苏州之间的技术交流为乾隆在其委托下的赞助奠定了基础,结合江南工艺,最终将雕漆从一种王朝过渡遗产转变为一种艺术成就。
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引用次数: 1
From Dynastic State to Imperial Nation: International Law, Diplomacy, and the Conceptual Decentralization of China, 1860s–1900s 从王朝国家到帝国国家:国际法、外交与中国的概念分权,19世纪60年代-1900年代
IF 0.4 2区 历史学 Q1 HISTORY Pub Date : 2021-06-26 DOI: 10.1353/late.2021.0003
Yue Du
Abstract:This article traces how the concept of the “Central State” (Zhongguo), the term used to refer to China in classical and modern Chinese, experienced thorough transformation and gained its modern meaning as a territorial, sovereign country during the second half of the nineteenth century. The Qing empire once defined its Other primarily diachronically as previous dynasties. As the Qing empire reconceptualized itself from a dynastic state to an imperial nation, its Other became redefined horizontally as foreign colonial powers. This article argues that the translation of international law and experiences of diplomats overseas, both facilitated by the Qing’s systematic engagement with the Euro-centric “family of nations” following the Arrow War (1856–60), played an important role in this conceptual revolution. By the last decade of Qing rule, the “Central State” was perceived by many of its own intellectuals and officials as but one “parallel” (pingxing) country competing for survival in a globe comparable to the Spring and Autumn period of ancient China; meanwhile, the Qing was viewed as but one regime in Chinese history whose fate warranted special concern only as a means to save the trans-dynastic entity that was the Chinese nation (Zhongguo). Boding ill for the fate of China’s last dynasty, this nineteenth-century reenvisioning shaped how the “Central State” has been imagined domestically and internationally ever since.
摘要:本文追溯了19世纪下半叶,“中央国家”(中国)的概念如何经历了彻底的转变,并获得了作为一个领土主权国家的现代意义。清帝国曾经将其“他者”定义为历代王朝。随着清帝国将自己从一个王朝国家重新定义为一个帝国国家,其他者在横向上被重新定义为外国殖民大国。本文认为,在这场观念革命中,国际法的翻译和海外外交官的经验发挥了重要作用,这两者都是由于清朝在箭战(1856–60)后系统地参与了以欧洲为中心的“国际大家庭”。到了清朝统治的最后十年,“中央国家”被其许多知识分子和官员视为一个“平行”(平星)国家,在与中国古代春秋时期相当的全球范围内竞争生存;同时,清朝被视为中国历史上唯一一个值得特别关注的政权,其命运只是作为拯救中华民族这个跨王朝实体的一种手段。由于对中国最后一个王朝的命运感到不安,这种19世纪的重新想象塑造了此后国内外对“中央国家”的想象。
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引用次数: 1
Social Relations and Affective States in Classical Chinese Medical Practice: Zhang Jiebin and the Problem of Renqing 古典中医实践中的社会关系与情感状态:张杰斌与人情问题
IF 0.4 2区 历史学 Q1 HISTORY Pub Date : 2020-12-22 DOI: 10.1353/late.2020.0010
L. Struve
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引用次数: 0
Threats to Gong: Environmental Change and Social Transformation in Northwest China 龚面临的威胁:西北地区的环境变化与社会转型
IF 0.4 2区 历史学 Q1 HISTORY Pub Date : 2020-12-22 DOI: 10.1353/late.2020.0005
Wesley Chaney
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引用次数: 0
Recent Korean Scholarship on Sino-Korean Relations During the Ming-Qing Period 近代韩国明清时期中韩关系研究
IF 0.4 2区 历史学 Q1 HISTORY Pub Date : 2020-12-22 DOI: 10.1353/late.2020.0008
Seunghyun Han
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引用次数: 0
Linguistic Compartmentalization and the Palace Memorial System in the Eighteenth Century 18世纪的语言划分与宫殿纪念制度
IF 0.4 2区 历史学 Q1 HISTORY Pub Date : 2020-12-22 DOI: 10.1353/late.2020.0007
Mårten Söderblom Saarela
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引用次数: 0
Promotion, Patronage, and Poetic Socialization: The Tongqiu Society and its Role in Wang Duanshu's Shaoxing Years 提升、赞助与诗歌社会化:王端舒绍兴年间的通丘社会及其作用
IF 0.4 2区 历史学 Q1 HISTORY Pub Date : 2020-12-22 DOI: 10.1353/late.2020.0006
E. Widmer
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引用次数: 0
期刊
LATE IMPERIAL CHINA
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