Pub Date : 2019-12-30DOI: 10.3989/revliteratura.2019.02.016
Juan Ramón Muñoz Sánchez
The following study’s objective is to attempt a historical approach towards a literary motif: the contemplation of a sleeping beauty provoking the desire of love. Wherefore the climax of the Ruperta and Croriano episode will provide the starting point, inserted into the Los trabajos de Persiles y Sigismunda (III, 16-17), by Miguel de Cervantes, who will be our guide.
以下研究的目的是尝试一种文学主题的历史方法：对一个唤起爱的欲望的睡美人的沉思。因此，鲁佩塔和克罗里亚诺这一集的高潮将提供一个起点，由米格尔·德·塞万提斯（Miguel de Cervantes）插入《佩西莱斯·西吉斯蒙达之旅》（Los trabajos de Persiles y Sigismunda，III，16-17），他将是我们的向导。
{"title":"«Mira, si quieres, que no mires»: el deseo de amor entre la curiosidad y la contemplación (Aproximación a un motivo literario)","authors":"Juan Ramón Muñoz Sánchez","doi":"10.3989/revliteratura.2019.02.016","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.016","url":null,"abstract":"The following study’s objective is to attempt a historical approach towards a literary motif: the contemplation of a sleeping beauty provoking the desire of love. Wherefore the climax of the Ruperta and Croriano episode will provide the starting point, inserted into the Los trabajos de Persiles y Sigismunda (III, 16-17), by Miguel de Cervantes, who will be our guide.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":"81 1","pages":"395-422"},"PeriodicalIF":0.3,"publicationDate":"2019-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42437617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-30DOI: 10.3989/revliteratura.2019.02.022
Carolina León Vegas
The novels written about Spain’s financial crisis of recent years have in common the representation of an urban space that serves as much more than simply a background. In this article, we want to examine two novels, La habitacion oscura by Isaac Rosa and Animales domesticos by Marta Sanz, which portray the crisis and pre-crisis respectively from the perspective of the urban space. Social and economic disintegration mirrors itself in the space of the city or, if we reverse this thought: the space of the city serves as a mirror for the decomposition that is found within the novels. We will thus highlight and delve into three phenomena: the representation of the city as a betrayed arcadia, the collapse of certain spaces and the exclusion that this conveys, and, finally, the city’s underground sphere and its relation to death.
{"title":"En busca del espacio perdido. La crisis y el espacio urbano en La habitación oscura de Isaac Rosa y Animales domésticos de Marta Sanz","authors":"Carolina León Vegas","doi":"10.3989/revliteratura.2019.02.022","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.022","url":null,"abstract":"The novels written about Spain’s financial crisis of recent years have in common the representation of an urban space that serves as much more than simply a background. In this article, we want to examine two novels, La habitacion oscura by Isaac Rosa and Animales domesticos by Marta Sanz, which portray the crisis and pre-crisis respectively from the perspective of the urban space. Social and economic disintegration mirrors itself in the space of the city or, if we reverse this thought: the space of the city serves as a mirror for the decomposition that is found within the novels. We will thus highlight and delve into three phenomena: the representation of the city as a betrayed arcadia, the collapse of certain spaces and the exclusion that this conveys, and, finally, the city’s underground sphere and its relation to death.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":"1423 ","pages":"549-572"},"PeriodicalIF":0.3,"publicationDate":"2019-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41279400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-30DOI: 10.3989/revliteratura.2019.02.021
José Antonio Llera
This paper addresses a historical reading of La lluvia amarilla by Julio Llamazares. In particular, it notes how the novel becomes an anti-hegemonic discourse that redeems the individual and collective identity of the Republican side from the triumphant tales about the Spanish Civil War and economic development during the 1960s. It also analyzes the style and structure of the story, emphasizing dialogue established with Llamazares’ poetry.
{"title":"Memoria, duelo y melancolía en La lluvia amarilla, de Julio Llamazares","authors":"José Antonio Llera","doi":"10.3989/revliteratura.2019.02.021","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.021","url":null,"abstract":"This paper addresses a historical reading of La lluvia amarilla by Julio Llamazares. In particular, it notes how the novel becomes an anti-hegemonic discourse that redeems the individual and collective identity of the Republican side from the triumphant tales about the Spanish Civil War and economic development during the 1960s. It also analyzes the style and structure of the story, emphasizing dialogue established with Llamazares’ poetry.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":"81 1","pages":"533-548"},"PeriodicalIF":0.3,"publicationDate":"2019-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46461797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-04DOI: 10.3989/revliteratura.2019.02.020
Jesús María Barrajón Muñoz
This paper describes how the journal Insula received the transformation of Spanish poetry during the 60’ decade of the last century. More specifically, the work focuses on the authors who soon would be known as novisimos and on those who later distanced themselves from the culturalism and the experimentalism of the former ones. The work of the novisimos was actually welcome in the pages of the journal. Nevertheless, it lacked the enthusiasm given in those same years -and, above all, from the mid-seventies on- to the poetics of the non- novisimos , a group characterized by the continuity in relation to the poetry of the 50’ decade. If we consider the attitude of its most regular critics, Insula dedicated more space and a better opinion to these latter poets and to those who began publishing their books from the mid-70s, the poetry of experience, neosurrealism, the poetics of silence.
{"title":"La revista Ínsula y su recepción del cambio poético entre los años 1966 y 1983","authors":"Jesús María Barrajón Muñoz","doi":"10.3989/revliteratura.2019.02.020","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.020","url":null,"abstract":"This paper describes how the journal Insula received the transformation of Spanish poetry during the 60’ decade of the last century. More specifically, the work focuses on the authors who soon would be known as novisimos and on those who later distanced themselves from the culturalism and the experimentalism of the former ones. The work of the novisimos was actually welcome in the pages of the journal. Nevertheless, it lacked the enthusiasm given in those same years -and, above all, from the mid-seventies on- to the poetics of the non- novisimos , a group characterized by the continuity in relation to the poetry of the 50’ decade. If we consider the attitude of its most regular critics, Insula dedicated more space and a better opinion to these latter poets and to those who began publishing their books from the mid-70s, the poetry of experience, neosurrealism, the poetics of silence.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":"81 1","pages":"505-532"},"PeriodicalIF":0.3,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47231321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-04DOI: 10.3989/revliteratura.2019.02.018
Felipe Rodríguez Morín
During 1803 and 1804 Antonio Marques y Espejo published in five books Historia de los naufragios , a translation into Spanish of the French book Histoire des naufrages , which its Gallic author, Deperthes, had written several years before. With this collection about sea-related disasters, apart from choosing a very popular topic at that time, Marques tried to include an educational part that, covered with such an interesting layer of thriller and entertainment, should be included in every literary work, in his view. However, according to what can be concluded from the study of some of his annotations, we think that his main wish was to achieve commercial success by selling books, with the consequent economic profit.
{"title":"La traducción de Antonio Marqués y Espejo de la Historia de los naufragios (1803-1804): una empresa literariamente instructiva y económicamente provechosa","authors":"Felipe Rodríguez Morín","doi":"10.3989/revliteratura.2019.02.018","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.018","url":null,"abstract":"During 1803 and 1804 Antonio Marques y Espejo published in five books Historia de los naufragios , a translation into Spanish of the French book Histoire des naufrages , which its Gallic author, Deperthes, had written several years before. With this collection about sea-related disasters, apart from choosing a very popular topic at that time, Marques tried to include an educational part that, covered with such an interesting layer of thriller and entertainment, should be included in every literary work, in his view. However, according to what can be concluded from the study of some of his annotations, we think that his main wish was to achieve commercial success by selling books, with the consequent economic profit.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":"81 1","pages":"451-475"},"PeriodicalIF":0.3,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45532079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-04DOI: 10.3989/revliteratura.2019.02.014
Natalia Cantero Atenza
Folktales are innumerable and there is a myriad of them in all cultures throughout the world. Several attempts have been made at classifying them by scholars like Antti Aarne, Stith Thompson and Hans-Jorg Uther, considering some of the existing versions, theme criteria and their recurring elements. For years these classifications have served the purpose of reference for finding and carrying out different studies in the field of folktales. However, some have questioned their validity. Vladimir Propp set out another form of classification, one arising from the morphology of the folktale and based on the function of the characters. To compare each different approach here it is presented a case study: the structural and morphological analysis of two folktales classified by Aarne, Thompson and Uther within the category of «tales of magic» and referenced as 311B* and 327C.
{"title":"Las clasificaciones de los cuentos: el catálogo ATU vs. la morfología de Propp. Un caso práctico","authors":"Natalia Cantero Atenza","doi":"10.3989/revliteratura.2019.02.014","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.014","url":null,"abstract":"Folktales are innumerable and there is a myriad of them in all cultures throughout the world. Several attempts have been made at classifying them by scholars like Antti Aarne, Stith Thompson and Hans-Jorg Uther, considering some of the existing versions, theme criteria and their recurring elements. For years these classifications have served the purpose of reference for finding and carrying out different studies in the field of folktales. However, some have questioned their validity. Vladimir Propp set out another form of classification, one arising from the morphology of the folktale and based on the function of the characters. To compare each different approach here it is presented a case study: the structural and morphological analysis of two folktales classified by Aarne, Thompson and Uther within the category of «tales of magic» and referenced as 311B* and 327C.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":"81 1","pages":"339-364"},"PeriodicalIF":0.3,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47551107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-04DOI: 10.3989/revliteratura.2019.02.024
Angélica García-Mansó
El presente artículo propone un análisis de la Fábula 18 de Juan Eugenio Hartzenbusch, la cual, más allá de la moraleja didáctica sobre las formas de corregir a los jóvenes, muestra un debate de carácter literario relativo a diferentes géneros y formas que se evocan: la disputatio, el género del manual-espejo y la propia fábula. El espejo y el agua se convierten, pues, en metáforas del género del manual y del de la fábula, respectivamente. De ahí procede su doble trascendencia didáctica, en lo relativo a la moraleja y, sobre todo, a la reflexión literaria sobre el sentido del género fabulístico.
{"title":"«El espejo y el agua», de J. E. Hartzenbusch: una lectura didáctica sobre el género de la fábula","authors":"Angélica García-Mansó","doi":"10.3989/revliteratura.2019.02.024","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.024","url":null,"abstract":"El presente artículo propone un análisis de la Fábula 18 de Juan Eugenio Hartzenbusch, la cual, más allá de la moraleja didáctica sobre las formas de corregir a los jóvenes, muestra un debate de carácter literario relativo a diferentes géneros y formas que se evocan: la disputatio, el género del manual-espejo y la propia fábula. El espejo y el agua se convierten, pues, en metáforas del género del manual y del de la fábula, respectivamente. De ahí procede su doble trascendencia didáctica, en lo relativo a la moraleja y, sobre todo, a la reflexión literaria sobre el sentido del género fabulístico.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":"65 12","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41315960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-04DOI: 10.3989/revliteratura.2019.02.015
Rafael Beltrán Llavador
Arderique is the title of an anonymous Castilian chivalry book, published in 1517 (Valencia, Juan Vinao). The article focuses on the role played by St. Paulicio, a character whose help is relevant in certain moments of the plot, starting at the birth of the heroine. I study the connections between this fictional Paulicio and some historical characters and vitae of hermit saints, such as St. Paul of Thebes. I also analyze three folkloric motifs that coincide with the signs that reveal Paulicio’s holiness: the lions tracking his corpse, the spontaneous tolling of bells, and the letter grasped by a closed hand. The last two motifs, which appear in the legend of Sancha de Aragon as well, belong to the legend of another hermit saint, Alexis. While the books of chivalry or knightly stories of the sixteenth century hardly accept saints or miracles, in Arderique the miracle determines the action of the protagonists.
{"title":"Magia y milagros de san Paulicio en Arderique (1517): el cadáver del santo, la pareja infecunda y el nacimiento heroico","authors":"Rafael Beltrán Llavador","doi":"10.3989/revliteratura.2019.02.015","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.015","url":null,"abstract":"Arderique is the title of an anonymous Castilian chivalry book, published in 1517 (Valencia, Juan Vinao). The article focuses on the role played by St. Paulicio, a character whose help is relevant in certain moments of the plot, starting at the birth of the heroine. I study the connections between this fictional Paulicio and some historical characters and vitae of hermit saints, such as St. Paul of Thebes. I also analyze three folkloric motifs that coincide with the signs that reveal Paulicio’s holiness: the lions tracking his corpse, the spontaneous tolling of bells, and the letter grasped by a closed hand. The last two motifs, which appear in the legend of Sancha de Aragon as well, belong to the legend of another hermit saint, Alexis. While the books of chivalry or knightly stories of the sixteenth century hardly accept saints or miracles, in Arderique the miracle determines the action of the protagonists.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":"81 1","pages":"365-393"},"PeriodicalIF":0.3,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42753609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-04DOI: 10.3989/revliteratura.2019.02.017
Esperanza Rivera Salmerón
The disapproval of the court and praise for the village is a leit motiv in elderly Lope de Vega’s several comedies. There we can see how both spaces have a peculiar meaning, and how they always reflect symbolically the same ideas, established by the tradition: while the court represents envy, deception and power, the village is a symbol of peace, transparency, free love, a locus amoenus . Good examples of it are the palatine comedies Del monte sale quien al monte quema, La boba para los otros y discreta para si, Porfiando vence amor, La mayor virtud de un rey o iSi no vieran las mujeres! We will study their characters, their plots, their verses. We will stop essentially in their dramatic structures to try to figure out why these literary spaces turn into an obsession for the last Lope.
对法院的反对和对村庄的赞扬是老洛佩·德·维加几部喜剧的主要动机。在那里，我们可以看到这两个空间如何具有独特的意义，以及它们如何总是象征性地反映相同的思想，这是由传统建立的:当宫廷代表嫉妒，欺骗和权力时，村庄是和平，透明，自由爱情的象征。这方面的好例子是宫廷喜剧Del monte sale queen al monte quema, La boba para los otros y discreta para si, Porfiando vence amor, La mayor virtud de unrey或i no vieran las mujeres!我们将研究他们的人物，他们的情节，他们的诗句。我们将在他们的戏剧结构上停下来，试图弄清楚为什么这些文学空间会让最后的洛佩着迷。
{"title":"Vaivenes de un tópico: la contraposición corte y aldea en el último Lope de Vega","authors":"Esperanza Rivera Salmerón","doi":"10.3989/revliteratura.2019.02.017","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.017","url":null,"abstract":"The disapproval of the court and praise for the village is a leit motiv in elderly Lope de Vega’s several comedies. There we can see how both spaces have a peculiar meaning, and how they always reflect symbolically the same ideas, established by the tradition: while the court represents envy, deception and power, the village is a symbol of peace, transparency, free love, a locus amoenus . Good examples of it are the palatine comedies Del monte sale quien al monte quema, La boba para los otros y discreta para si, Porfiando vence amor, La mayor virtud de un rey o iSi no vieran las mujeres! We will study their characters, their plots, their verses. We will stop essentially in their dramatic structures to try to figure out why these literary spaces turn into an obsession for the last Lope.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":"81 1","pages":"423-449"},"PeriodicalIF":0.3,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44575912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-04DOI: 10.3989/revliteratura.2019.02.019
Miguel A García
It has not highlighted yet the place of the avant-garde notions and the commitment in the autobiographical writings and literary-critical works of Francisco Ayala, where often the sociologist who was in it warns. The first stage of this author escapes the formula that usually sums up the path of the «young literature»: from the avant-garde to commitment. However, as this paper tries to show, his support to avant-gardist spirit means at the same time that he assumed a commitment with the elites that promoted the modernization and europeanization of Spain. This commitment carried with it an aesthetic program based on the autonomy of art, a budget-length Ayala urging him to separate politics and literature, and to express their differences, paradoxically, with the sartrean notion of engagement .
{"title":"El mundo a la espalda. La vanguardia y el compromiso en el pensamiento sociológico-literario de Francisco Ayala","authors":"Miguel A García","doi":"10.3989/revliteratura.2019.02.019","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.019","url":null,"abstract":"It has not highlighted yet the place of the avant-garde notions and the commitment in the autobiographical writings and literary-critical works of Francisco Ayala, where often the sociologist who was in it warns. The first stage of this author escapes the formula that usually sums up the path of the «young literature»: from the avant-garde to commitment. However, as this paper tries to show, his support to avant-gardist spirit means at the same time that he assumed a commitment with the elites that promoted the modernization and europeanization of Spain. This commitment carried with it an aesthetic program based on the autonomy of art, a budget-length Ayala urging him to separate politics and literature, and to express their differences, paradoxically, with the sartrean notion of engagement .","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":"81 1","pages":"477-504"},"PeriodicalIF":0.3,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43823727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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