Pub Date : 2020-06-30DOI: 10.3989/revliteratura.2020.01.004
Helena Establier Pérez
In 1789, Margarita Hickey published the first volume of Poesias varias, sagradas, morales y profanas o amorosas, including her translation of Racine’s Andromaque (1667). With Racine’s version, Hickey became the first Spanish female writer interested in translating Neoclassical tragedy, as well as the only female who dared to translate the dramatic work of this reputed French playwright into our language. In addition, Hickey’s work opens with an interesting preface in which the author reflects on different aspects related to the Neoclassical concept of tragedy and the purpose of drama. This paper analyses Margarita Hickey’s contribution to turn-of-the-century theoretical discourse on tragedy, when the Neoclassical reformism has to coexist, not without some tension, with a conception of theater closer to the popular taste and more open to new dramatic models.
1789年，玛格丽塔·希基(Margarita Hickey)出版了《变异性诗歌》第一卷《sagradas, morales y profanas o amorosas》，其中包括她翻译的拉辛的《Andromaque》(1667)。凭借拉辛的版本，希基成为第一位对翻译新古典主义悲剧感兴趣的西班牙女作家，也是唯一一位敢于将这位著名的法国剧作家的戏剧作品翻译成我们的语言的女性。此外，希基的作品以一个有趣的序言开头，作者在序言中反思了与新古典主义悲剧概念和戏剧目的相关的不同方面。本文分析了玛格丽塔·希基对世纪之交悲剧理论话语的贡献，当时新古典主义改良主义必须与更接近大众口味的戏剧概念共存，并对新的戏剧模式更加开放。
{"title":"Una voz femenina en la poética de la tragedia neoclásica: Margarita Hickey y su «Prólogo» a la traducción de Andrómaca (1789)","authors":"Helena Establier Pérez","doi":"10.3989/revliteratura.2020.01.004","DOIUrl":"https://doi.org/10.3989/revliteratura.2020.01.004","url":null,"abstract":"In 1789, Margarita Hickey published the first volume of Poesias varias, sagradas, morales y profanas o amorosas, including her translation of Racine’s Andromaque (1667). With Racine’s version, Hickey became the first Spanish female writer interested in translating Neoclassical tragedy, as well as the only female who dared to translate the dramatic work of this reputed French playwright into our language. In addition, Hickey’s work opens with an interesting preface in which the author reflects on different aspects related to the Neoclassical concept of tragedy and the purpose of drama. This paper analyses Margarita Hickey’s contribution to turn-of-the-century theoretical discourse on tragedy, when the Neoclassical reformism has to coexist, not without some tension, with a conception of theater closer to the popular taste and more open to new dramatic models.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47547364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-30DOI: 10.3989/revliteratura.2020.01.002
Gustavo Fernández Riva
This paper studies the representation and understanding of love in El Victorial by Gutierre Diaz de Games. Following the tradition of chivalric biographies and manuals, in that chivalric biography love is regarded as an ennobling force, closely related to virtue, honor and military prowess. This concept of chivalric love, which also lies at the heart of medieval warrior aristocratic ideology, coexists in El Victorial with other representations, more common among literary, medical or religious genres. The goal of this paper is to analise how these different ideas of love intertwine in a crucial text to understand the function of love within the late-medieval aristocratic context.
{"title":"El amor en El Victorial de Gutierre Díaz de Games","authors":"Gustavo Fernández Riva","doi":"10.3989/revliteratura.2020.01.002","DOIUrl":"https://doi.org/10.3989/revliteratura.2020.01.002","url":null,"abstract":"This paper studies the representation and understanding of love in El Victorial by Gutierre Diaz de Games. Following the tradition of chivalric biographies and manuals, in that chivalric biography love is regarded as an ennobling force, closely related to virtue, honor and military prowess. This concept of chivalric love, which also lies at the heart of medieval warrior aristocratic ideology, coexists in El Victorial with other representations, more common among literary, medical or religious genres. The goal of this paper is to analise how these different ideas of love intertwine in a crucial text to understand the function of love within the late-medieval aristocratic context.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44036367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-30DOI: 10.3989/revliteratura.2020.01.009
Ricardo Muñoz Solla
This article aims to present a biographical sketch of Olga Bauer de Gunzburg, a Jewish Russian woman and wife of the founder and first president of the Jewish Community of Madrid in 1917, Ignacio Bauer. The early integration of Olga Bauer within the cultural environment of Madrid in the 1920s allowed her to create important networks with other women sharing her intellectual interests. This article addresses, in particular, the origin and development of the friendship between Olga and Zenobia Camprubi through a glance at her private correspondence and other unpublished material. Some other novelties about her literary circles are also disclosed.
本文旨在介绍奥尔加·鲍尔·德·冈兹堡(Olga Bauer de Gunzburg)的生平简介，她是1917年马德里犹太社区创始人兼首任主席伊格纳西奥·鲍尔(Ignacio Bauer)的妻子。奥尔加·鲍尔早在20世纪20年代就融入了马德里的文化环境，这使她能够与其他女性建立重要的网络，分享她的知识兴趣。这篇文章通过对她的私人信件和其他未发表的材料的一瞥，特别阐述了奥尔加和Zenobia Camprubi之间友谊的起源和发展。书中还披露了她文坛的其他一些新奇之处。
{"title":"Olga Bauer y Zenobia Camprubí. Historia de una amistad","authors":"Ricardo Muñoz Solla","doi":"10.3989/revliteratura.2020.01.009","DOIUrl":"https://doi.org/10.3989/revliteratura.2020.01.009","url":null,"abstract":"This article aims to present a biographical sketch of Olga Bauer de Gunzburg, a Jewish Russian woman and wife of the founder and first president of the Jewish Community of Madrid in 1917, Ignacio Bauer. The early integration of Olga Bauer within the cultural environment of Madrid in the 1920s allowed her to create important networks with other women sharing her intellectual interests. This article addresses, in particular, the origin and development of the friendship between Olga and Zenobia Camprubi through a glance at her private correspondence and other unpublished material. Some other novelties about her literary circles are also disclosed.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43900760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-30DOI: 10.3989/revliteratura.2019.02.022
Carolina León Vegas
The novels written about Spain’s financial crisis of recent years have in common the representation of an urban space that serves as much more than simply a background. In this article, we want to examine two novels, La habitacion oscura by Isaac Rosa and Animales domesticos by Marta Sanz, which portray the crisis and pre-crisis respectively from the perspective of the urban space. Social and economic disintegration mirrors itself in the space of the city or, if we reverse this thought: the space of the city serves as a mirror for the decomposition that is found within the novels. We will thus highlight and delve into three phenomena: the representation of the city as a betrayed arcadia, the collapse of certain spaces and the exclusion that this conveys, and, finally, the city’s underground sphere and its relation to death.
{"title":"En busca del espacio perdido. La crisis y el espacio urbano en La habitación oscura de Isaac Rosa y Animales domésticos de Marta Sanz","authors":"Carolina León Vegas","doi":"10.3989/revliteratura.2019.02.022","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.022","url":null,"abstract":"The novels written about Spain’s financial crisis of recent years have in common the representation of an urban space that serves as much more than simply a background. In this article, we want to examine two novels, La habitacion oscura by Isaac Rosa and Animales domesticos by Marta Sanz, which portray the crisis and pre-crisis respectively from the perspective of the urban space. Social and economic disintegration mirrors itself in the space of the city or, if we reverse this thought: the space of the city serves as a mirror for the decomposition that is found within the novels. We will thus highlight and delve into three phenomena: the representation of the city as a betrayed arcadia, the collapse of certain spaces and the exclusion that this conveys, and, finally, the city’s underground sphere and its relation to death.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41279400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-30DOI: 10.3989/revliteratura.2019.02.016
Juan Ramón Muñoz Sánchez
The following study’s objective is to attempt a historical approach towards a literary motif: the contemplation of a sleeping beauty provoking the desire of love. Wherefore the climax of the Ruperta and Croriano episode will provide the starting point, inserted into the Los trabajos de Persiles y Sigismunda (III, 16-17), by Miguel de Cervantes, who will be our guide.
以下研究的目的是尝试一种文学主题的历史方法：对一个唤起爱的欲望的睡美人的沉思。因此，鲁佩塔和克罗里亚诺这一集的高潮将提供一个起点，由米格尔·德·塞万提斯（Miguel de Cervantes）插入《佩西莱斯·西吉斯蒙达之旅》（Los trabajos de Persiles y Sigismunda，III，16-17），他将是我们的向导。
{"title":"«Mira, si quieres, que no mires»: el deseo de amor entre la curiosidad y la contemplación (Aproximación a un motivo literario)","authors":"Juan Ramón Muñoz Sánchez","doi":"10.3989/revliteratura.2019.02.016","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.016","url":null,"abstract":"The following study’s objective is to attempt a historical approach towards a literary motif: the contemplation of a sleeping beauty provoking the desire of love. Wherefore the climax of the Ruperta and Croriano episode will provide the starting point, inserted into the Los trabajos de Persiles y Sigismunda (III, 16-17), by Miguel de Cervantes, who will be our guide.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42437617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-30DOI: 10.3989/revliteratura.2019.02.021
José Antonio Llera
This paper addresses a historical reading of La lluvia amarilla by Julio Llamazares. In particular, it notes how the novel becomes an anti-hegemonic discourse that redeems the individual and collective identity of the Republican side from the triumphant tales about the Spanish Civil War and economic development during the 1960s. It also analyzes the style and structure of the story, emphasizing dialogue established with Llamazares’ poetry.
{"title":"Memoria, duelo y melancolía en La lluvia amarilla, de Julio Llamazares","authors":"José Antonio Llera","doi":"10.3989/revliteratura.2019.02.021","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.021","url":null,"abstract":"This paper addresses a historical reading of La lluvia amarilla by Julio Llamazares. In particular, it notes how the novel becomes an anti-hegemonic discourse that redeems the individual and collective identity of the Republican side from the triumphant tales about the Spanish Civil War and economic development during the 1960s. It also analyzes the style and structure of the story, emphasizing dialogue established with Llamazares’ poetry.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46461797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-04DOI: 10.3989/revliteratura.2019.02.018
Felipe Rodríguez Morín
During 1803 and 1804 Antonio Marques y Espejo published in five books Historia de los naufragios , a translation into Spanish of the French book Histoire des naufrages , which its Gallic author, Deperthes, had written several years before. With this collection about sea-related disasters, apart from choosing a very popular topic at that time, Marques tried to include an educational part that, covered with such an interesting layer of thriller and entertainment, should be included in every literary work, in his view. However, according to what can be concluded from the study of some of his annotations, we think that his main wish was to achieve commercial success by selling books, with the consequent economic profit.
{"title":"La traducción de Antonio Marqués y Espejo de la Historia de los naufragios (1803-1804): una empresa literariamente instructiva y económicamente provechosa","authors":"Felipe Rodríguez Morín","doi":"10.3989/revliteratura.2019.02.018","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.018","url":null,"abstract":"During 1803 and 1804 Antonio Marques y Espejo published in five books Historia de los naufragios , a translation into Spanish of the French book Histoire des naufrages , which its Gallic author, Deperthes, had written several years before. With this collection about sea-related disasters, apart from choosing a very popular topic at that time, Marques tried to include an educational part that, covered with such an interesting layer of thriller and entertainment, should be included in every literary work, in his view. However, according to what can be concluded from the study of some of his annotations, we think that his main wish was to achieve commercial success by selling books, with the consequent economic profit.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45532079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-04DOI: 10.3989/revliteratura.2019.02.014
Natalia Cantero Atenza
Folktales are innumerable and there is a myriad of them in all cultures throughout the world. Several attempts have been made at classifying them by scholars like Antti Aarne, Stith Thompson and Hans-Jorg Uther, considering some of the existing versions, theme criteria and their recurring elements. For years these classifications have served the purpose of reference for finding and carrying out different studies in the field of folktales. However, some have questioned their validity. Vladimir Propp set out another form of classification, one arising from the morphology of the folktale and based on the function of the characters. To compare each different approach here it is presented a case study: the structural and morphological analysis of two folktales classified by Aarne, Thompson and Uther within the category of «tales of magic» and referenced as 311B* and 327C.
{"title":"Las clasificaciones de los cuentos: el catálogo ATU vs. la morfología de Propp. Un caso práctico","authors":"Natalia Cantero Atenza","doi":"10.3989/revliteratura.2019.02.014","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.014","url":null,"abstract":"Folktales are innumerable and there is a myriad of them in all cultures throughout the world. Several attempts have been made at classifying them by scholars like Antti Aarne, Stith Thompson and Hans-Jorg Uther, considering some of the existing versions, theme criteria and their recurring elements. For years these classifications have served the purpose of reference for finding and carrying out different studies in the field of folktales. However, some have questioned their validity. Vladimir Propp set out another form of classification, one arising from the morphology of the folktale and based on the function of the characters. To compare each different approach here it is presented a case study: the structural and morphological analysis of two folktales classified by Aarne, Thompson and Uther within the category of «tales of magic» and referenced as 311B* and 327C.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47551107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-04DOI: 10.3989/revliteratura.2019.02.020
Jesús María Barrajón Muñoz
This paper describes how the journal Insula received the transformation of Spanish poetry during the 60’ decade of the last century. More specifically, the work focuses on the authors who soon would be known as novisimos and on those who later distanced themselves from the culturalism and the experimentalism of the former ones. The work of the novisimos was actually welcome in the pages of the journal. Nevertheless, it lacked the enthusiasm given in those same years -and, above all, from the mid-seventies on- to the poetics of the non- novisimos , a group characterized by the continuity in relation to the poetry of the 50’ decade. If we consider the attitude of its most regular critics, Insula dedicated more space and a better opinion to these latter poets and to those who began publishing their books from the mid-70s, the poetry of experience, neosurrealism, the poetics of silence.
{"title":"La revista Ínsula y su recepción del cambio poético entre los años 1966 y 1983","authors":"Jesús María Barrajón Muñoz","doi":"10.3989/revliteratura.2019.02.020","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.020","url":null,"abstract":"This paper describes how the journal Insula received the transformation of Spanish poetry during the 60’ decade of the last century. More specifically, the work focuses on the authors who soon would be known as novisimos and on those who later distanced themselves from the culturalism and the experimentalism of the former ones. The work of the novisimos was actually welcome in the pages of the journal. Nevertheless, it lacked the enthusiasm given in those same years -and, above all, from the mid-seventies on- to the poetics of the non- novisimos , a group characterized by the continuity in relation to the poetry of the 50’ decade. If we consider the attitude of its most regular critics, Insula dedicated more space and a better opinion to these latter poets and to those who began publishing their books from the mid-70s, the poetry of experience, neosurrealism, the poetics of silence.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47231321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-04DOI: 10.3989/revliteratura.2019.02.024
Angélica García-Mansó
El presente artículo propone un análisis de la Fábula 18 de Juan Eugenio Hartzenbusch, la cual, más allá de la moraleja didáctica sobre las formas de corregir a los jóvenes, muestra un debate de carácter literario relativo a diferentes géneros y formas que se evocan: la disputatio, el género del manual-espejo y la propia fábula. El espejo y el agua se convierten, pues, en metáforas del género del manual y del de la fábula, respectivamente. De ahí procede su doble trascendencia didáctica, en lo relativo a la moraleja y, sobre todo, a la reflexión literaria sobre el sentido del género fabulístico.
{"title":"«El espejo y el agua», de J. E. Hartzenbusch: una lectura didáctica sobre el género de la fábula","authors":"Angélica García-Mansó","doi":"10.3989/revliteratura.2019.02.024","DOIUrl":"https://doi.org/10.3989/revliteratura.2019.02.024","url":null,"abstract":"El presente artículo propone un análisis de la Fábula 18 de Juan Eugenio Hartzenbusch, la cual, más allá de la moraleja didáctica sobre las formas de corregir a los jóvenes, muestra un debate de carácter literario relativo a diferentes géneros y formas que se evocan: la disputatio, el género del manual-espejo y la propia fábula. El espejo y el agua se convierten, pues, en metáforas del género del manual y del de la fábula, respectivamente. De ahí procede su doble trascendencia didáctica, en lo relativo a la moraleja y, sobre todo, a la reflexión literaria sobre el sentido del género fabulístico.","PeriodicalId":44004,"journal":{"name":"REVISTA DE LITERATURA","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41315960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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