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КОМПЕТЕНТНІСНО ОРІЄНТОВАНА ПРОФЕСІЙНА ПІДГОТОВКА МАЙБУТНІХ УЧИТЕЛІВ ІНФОРМАТИКИ
Pub Date : 2020-09-21 DOI: 10.24919/2308-4863.4/30.212575
Наталія Мазур
У статті розглянуто ключові підходи до тлумачення поняття готовності та запропоновано узагальнене трактування цього поняття у контексті підготовки вчителів. Наведено структуру професійної компетентності вчителя інформатики. Крім того, було запропоновано структуру готовності вчителя інформатики до здійснення моніторингу навчальних досягнень учнів профільної школи.
文章探讨了解释 "准备就绪 "概念的主要方法,并结合教师培训对这一概念进行了概括性解释。文章介绍了计算机科学教师的专业能力结构。此外,还提出了计算机科学教师监测专科学校学生学习成绩的准备度结构。
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引用次数: 0
ОПІКА ТА ВИХОВАННЯ ДІТЕЙ-СИРІТ НА ПРАВОБЕРЕЖНІЙ УКРАЇНІ 1918–1939 РР.
Pub Date : 2020-09-21 DOI: 10.24919/2308-4863.4/30.212569
Галина Миколаївна Лялюк
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引用次数: 0
FORMAL AND SEMANTIC ADAPTATION OF LEXICAL BOOROWINGS IN THE LANGUAGE‑RECIPIENT (THE END OF THE 20TH – THE BEGINNING OF THE 21ST CENTURIES) 词汇借用在语言接受者中的形式和语义适应(20世纪末至21世纪初)
Pub Date : 2020-09-18 DOI: 10.24919/2308-4863.3/30.212349
O. Piskunov, V. Roman
The paper outlines the research into the problem of stages and degrees of adaptation of lexical borrowings in Linguistics in the end of the 20th – the beginning of the 21st c. from the point of linguistic historiography. The objectives of the article are to determine the differential features of the degrees of adaptation of lexical borrowings at various stages and levels of the language system while penetrating borrowed words into language-recipient and study the degrees of the assimilation process of borrowed words in the interpretation of the linguists at the end of the 19th – the beginning of the 21st cc. Most linguists distinguish three stages of adaptation of lexical borrowings: the first stage is phonetic where the causes of phonetic variants are investigated and the ways of appearing of phonetic variations of lexical borrowing are suggested; the second stage is characterized by lexicalsemantic assimilation of foreign words, where the semantic and functional development of borrowing process in languagerecipient is investigated; the third stage is the phase of full adaptation or rooting, when codification in dictionaries of languagerecipient is identified. The stages of adaptation of foreign words have been defined to be as formal and semantic assimilation. The conducted research shows that formal adaptation is characterized by assimilation of borrowed lexical units into phonetic, graphic and morphological levels of language-recipient. The results obtained illustrate that formal criteria are considered to be the adaptation of lexical borrowings to the lexical system of the recipient language with the maximum convergence of their graphic, phonetic and grammatical characteristics. According to the results of the research, semantic adaptation can be a formation of an independent lexical meaning of a foreign word in a new linguistic environment and formation of definite connections with other words within the thematic group in language-recipient. The prospects of the given research consist in further combining the best scientific achievements of the past with the development of new approaches to the investigated problem and involving Indo-European languages in particular studying the causes and ways of adaptation of lexical borrowings in language-recipient.
本文从语言学史学的角度概述了20世纪末至21世纪初语言学对词汇借用的适应阶段和程度问题的研究。本文的目的是确定外来词渗透到语言接受者的过程中,在语言系统的各个阶段和层次上,外来词的适应程度的差异特征,并研究19世纪末至21世纪初语言学家在口译中对外来词的同化程度。大多数语言学家将外来词的适应分为三个阶段:第一阶段为语音阶段,研究语音变体的成因,提出借词语音变体的出现方式;第二阶段以词汇语义同化为特征,考察语言接受者借用过程的语义和功能发展;第三阶段是完全适应或扎根阶段,即识别语言接受者的词典编纂。外来词的适应分为形式同化和语义同化两个阶段。研究表明,形式适应的特点是将外来词单位同化到语言接受者的语音、图形和形态层面。结果表明,形式标准被认为是词汇借词对接收语词汇系统的适应,其图形、语音和语法特征最大限度地趋同。根据研究结果,语义适应可以是外来词在新的语言环境中形成独立的词汇意义,并在语言接受者的主群中与其他词形成明确的联系。本研究的前景在于进一步将过去最好的科学成果与研究问题的新方法的发展结合起来,特别是涉及印欧语言,研究语言接受者词汇借用的原因和适应方式。
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引用次数: 0
LEADING ART SCHOOLS IN THE HISTORY OF DOMESTIC ART EDUCATION DEVELOPMENT (SECOND HALF OF THE XIX – EARLY XX CENTURY) 国内艺术教育发展史上的领先艺术院校(十九世纪下半叶-二十世纪初)
Pub Date : 2020-09-18 DOI: 10.24919/2308-4863.3/30.212511
M. Boichenko, A. Nykyforov
The article considers the ways of the leading art schools formation in Ukraine in the second half of the XIX – early XX century. The purpose of the study is to analyze the origins and organizational-pedagogical peculiarities of creation of drawing schools in the largest cities of Ukraine in the period under study: Kyiv, Kharkiv, Odesa, Lviv. The territorial and geographical location of the regional centers, in each of which an art education institution was opened, is shown, namely: Kyiv Private Drawing School of M. Murashko (1875), Lviv General School of Drawing and Modeling (1877), Kharkiv Private Drawing School of M. Raievska-Ivanova (1869)), from which centers of art education in the country had crystallized. The emergence of these provincial art schools was due to preservation of the independence of the national tradition and the desire to reveal the identity of Ukrainian fine and decorative arts (Lviv and Kharkiv schools) in the European context. It is concluded that the need for professional artistic staff led to a shift in the system of special art education in Ukraine in the second half of the XIX century.
本文考察了十九世纪下半叶至二十世纪初乌克兰主要艺术学校的形成方式。本研究的目的是分析在研究期间乌克兰最大城市(基辅、哈尔科夫、敖德萨、利沃夫)创建绘画学校的起源和组织教学特点。展示了区域中心的领土和地理位置,其中每个区域中心都开设了艺术教育机构,即:穆拉什科先生的基辅私人绘画学校(1875年),利沃夫绘画和建模综合学校(1877年),哈尔科夫先生的拉伊夫斯卡-伊万诺娃私人绘画学校(1869年)),从中形成了该国的艺术教育中心。这些省级艺术学校的出现是由于维护民族传统的独立性,以及在欧洲背景下揭示乌克兰美术和装饰艺术(利沃夫和哈尔科夫学校)的身份的愿望。结论是,对专业艺术人员的需求导致了十九世纪下半叶乌克兰特殊艺术教育体系的转变。
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引用次数: 0
ADVANCED LEARNING TECHNOLOGIES AS A MEANS OF BOOSTING SPOKEN CONFIDENCE AND FLUENCY OF PRE-SERVICE ENGLISH TEACHERS AT THE QUARANTINE TIME 采用先进的学习技术提高岗前英语教师在隔离期间的口语自信和流利程度
Pub Date : 2020-09-18 DOI: 10.24919/2308-4863.3/30.212524
O. Handabura
The article deals with the advanced learning technologies for developing spoken confidence and fluency of pre-service English teachers at the quarantine time. The world faces the challenge to study and work staying at home. How do teachers and students manage to cope with issues of distance language learning? The author gives the definition of advanced learning technologies, presents a short overview of the history of the development of CALL. Synchronous and asynchronous communication between learners and teachers in different contexts has been analyzed. Synchronous learning is online studies that are conducted with the aid of chat rooms, videoconferencing tools. Asynchronous learning can be carried out online and offline. It is coursework delivered by web, email, and message boards that are posted in online forums. For synchronous learning the author suggests using videoconferencing with the help of Zoom, MS Teams, and Skype. It is quite effective to use screen share and voting system and group chats. During the video session by means of screen share teachers can show various materials from their device: files, audio, video. Voting systems and group chats stimulate discussions and debates, help students to express their points of view on the problem. Talking about asynchronous learning, there are a lot of learning platforms that can be beneficial for improving students’ spoken confidence and fluency, getting classes more interactive. One of them is Kahoot, an educational technology, based on creating learning games in the form of tests. Their aim is to assess the students’ level of knowledge, to conduct different kinds of discussion on a particular issue, to get a feedback. For organizing and engaging students it is advantageous to exploit learning management systems. Google Classroom is in great request today. It empowers to create different assignments, share them with students and grade students’ work electronically.
本文论述了在隔离期培养职前英语教师口语自信和流利度的先进学习技术。全世界都面临着在家学习和工作的挑战。教师和学生如何处理远程语言学习的问题?作者给出了高级学习技术的定义,简要概述了CALL的发展历史。分析了不同语境下学习者和教师之间的同步和异步交流。同步学习是在聊天室、视频会议工具的帮助下进行的在线学习。异步学习可以在线上和离线进行。它是通过网络、电子邮件和留言板发布在在线论坛上的课程作业。对于同步学习,作者建议在Zoom、MS Teams和Skype的帮助下使用视频会议。使用屏幕共享和投票系统以及群聊是相当有效的。在视频会议期间,通过屏幕共享教师可以展示各种材料从他们的设备:文件,音频,视频。投票系统和群聊鼓励讨论和辩论,帮助学生表达他们对问题的观点。说到异步学习,有很多学习平台可以帮助提高学生的口语自信和流利度,让课堂更具互动性。其中之一是Kahoot,这是一种基于以测试形式创建学习游戏的教育技术。他们的目的是评估学生的知识水平,对特定问题进行不同类型的讨论,以获得反馈。为了组织和吸引学生,开发学习管理系统是有利的。今天教室很抢手。它允许创建不同的作业,与学生分享,并以电子方式给学生的作业打分。
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引用次数: 0
PECULIARITIES OF THE ENRICHMENT OF THE ENGLISH LANGUAGE 丰富英语语言的特点
Pub Date : 2020-09-18 DOI: 10.24919/2308-4863.3/30.212487
Zeynab Yusifova
The English language has been filled with some amazingly peculiar and bizarre examples of speech and grammar. Along with this vocabulary growth so to did the number of expressions and grammatical rules that seem to make no sense when actually examined. English can be a confusing method of communication even for native speakers. The history of the English lexicon is directly related to the history of great invasions, as each new nation settling in the island brought their own language and somehow left its certain elements as a legacy. Each language is exposed to the changes in accordance with the novelties occurring in the life of its speakers. Monitoring how new language units are created by methods such as borrowings, eponyms, acronyms, blendings and clipping is predominantly useful for linguistics. Similarly, in terms of defining cognitive sphere of language it would be useful to consider psychological processes that necessitate the acceptance of newly formed language units as new words. The presence of borrowings in any language should not be deciphered as a national tragedy, on the contrary they should be perceived as conditional names failing to reflect true nature of the units of reality. A striking example of the language’s evolutionary nature is the addition of new words to the word-stock of each language. The work “Peculiarities of the Enrichment of the English Language” is dedicated to the various peculiarities of the enrichment of the English language. The main goal of the article is to emphasize the dynamic nature of the lexical structure of the language, to consider the borrowings that enrich the English language, and to study some specific methods, such as eponyms, acronyms, blending and clipping, both from linguistic and psychological points, that is from linguo-psychological aspect. While analyzing this linguistic reality, we consider it necessary to examine certain psychological processes that guarantee its realization and make it inevitable. This analysis was conducted with the study of the sources related to the subject, the analysis of the results obtained, the analysis and synthesis of the arguments, and also the comparative analysis method.
英语语言中充满了一些令人惊讶的奇特和奇怪的口语和语法例子。随着词汇量的增长,一些短语和语法规则的数量也在增加,而这些短语和语法规则在实际研究时似乎毫无意义。即使对以英语为母语的人来说,英语也是一种令人困惑的交流方式。英语词汇的历史与大入侵的历史直接相关,因为每个在岛上定居的新国家都带来了他们自己的语言,并以某种方式留下了某些元素作为遗产。每一种语言都会随着使用者生活中的新奇事物而发生变化。对语言学来说,监测新语言单位是如何通过借用、同名、首字母缩略词、混合和剪切等方法产生的非常有用。同样,在定义语言的认知范围方面,考虑需要接受新形成的语言单位作为新词的心理过程将是有用的。任何语言中的借词都不应被解读为民族悲剧,相反,它们应被视为不能反映现实单位的真实性质的有条件的名称。语言进化本质的一个显著例子是向每种语言的词汇库中添加新词。《丰富英语语言的特点》这部作品致力于丰富英语语言的各种特点。本文的主要目的是强调语言词汇结构的动态性,考虑丰富英语语言的借词,并从语言学和心理学的角度,即从语言心理学的角度,研究一些具体的方法,如缩略词、缩略词、混合词和剪接词。在分析这一语言现实时,我们认为有必要考察保证其实现并使其不可避免的某些心理过程。本分析采用了对课题相关资料的研究,对所得结果的分析,对论证的分析和综合,以及比较分析法。
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引用次数: 0
CONTRASTIVE ANALYSIS OF SEMANTICS OF ENGLISH AND UKRAINIAN PHRASEOLOGICAL UNITS OF PHRASEOTHEMATIC GROUP “LOCATION” 短语主位组“位置”的英语和乌克兰语词组单位语义对比分析
Pub Date : 2020-09-18 DOI: 10.24919/2308-4863.3/30.212466
N. Todorova
The article deals with the contrastive analysis of the semantics of English and Ukrainian phraseological units of the phraseothematic group “Location”. The purpose of the paper is to specify their semantic peculiarities as well as the extra-linguistic factors that caused them. Due to the fact that phraseological units can verbalize different types of location of the object in space, we distinguished three phraseosemantic fields within the phraseothematic group “Location”: “Projective location”, “Topological location” and “Deictic location”. Phraseosemantic field “Projective location” is quantitatively dominant in both languages and it falls into two phraseosemantic groups: “Distance” and “Location utilizing frames of references”. Phraseosemantic field “Topological Location” also consists of two phraseosemantic groups: “Location at locus” and “Location at topos”. The contrastive analysis of the semantics of English and Ukrainian phraseological units within each of the phraseosemantic groups revealed some isomorphic features. It was found out that the concept of distance is the most verbalized in both languages. Besides, the semantics of the phraseological units describing the location of the object at a short distance is related to interpersonal relations. Specific for English phraseological system, as compared to Ukrainian one, is the verbalization of the location of the object utilizing the absolute frame of references, connection of the location of the object with professional activities and a social status. During the study it was determined that Ukrainian phraseological units tend to verbalize long distance in horizontal dimension 360 degrees around a reference point and they demonstrate association of remoteness with danger. Extra-linguistic factors that had impact on the formation of the found peculiarities are the geographic conditions of living of the ethnic groups, their historical destiny and etiquette rules. The obtained results provide resources to develop lexical exercises for the cadets of the military educational institutions for developing linguistic and cultural competence in the process of learning English as a foreign language.
本文对短语主题组“地点”的英语和乌克兰语短语单元的语义进行了对比分析。本文的目的是明确它们的语义特征以及造成它们的语言外因素。由于短语单元可以表达物体在空间中不同类型的位置,我们在短语主题群“位置”中区分了三个短语语义场:“投射位置”、“拓扑位置”和“指示位置”。在两种语言中,“投射位置”在数量上占主导地位,它分为“距离”和“利用参考框架的位置”两类短语语义。短语语义字段“拓扑位置”也包括两个短语语义组:“位置在轨迹”和“位置在拓扑”。通过对英语和乌克兰语各词组语义组内的词组单位语义的对比分析,揭示了英语和乌克兰语的同构特征。研究发现,距离的概念在两种语言中使用最多。此外,描述物体在近距离处的位置的词汇单位的语义与人际关系有关。与乌克兰语相比,英语短语系统的特点是利用绝对参考框架将物体的位置语言化,将物体的位置与专业活动和社会地位联系起来。在研究过程中,确定了乌克兰语用语单位倾向于在一个参考点周围360度的水平维度上表达长距离,它们表明了与危险的联系。影响所发现的特色形成的语言外因素有族群的生活地理条件、历史命运和礼仪规则。本研究结果为军校学员在英语作为外语学习过程中发展语言和文化能力的词汇练习提供了资源。
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引用次数: 0
THE FUTURE MEANINGS IN MODERN ENGLISH 现代英语中将来时的含义
Pub Date : 2020-09-17 DOI: 10.24919/2308-4863.2/30.212267
Nigar Baghirova
The modern paradigm of language study and its inner characteristics demands for comprehensive approach that takes into consideration not only structural planes of a language unit but its semantic and communicative aspects. In the view of the anthropocentric paradigm cognitive mechanisms of mentality explicated in mind through lingual functional models are of great interest. Therefore the importance lies in understanding cognitive and functional basis of the category of future in modern English. The aim of the given article is to study cognitive and functional, as well as semantic-cognitive and communicative qualities of the category of future in modern English basing on scientific literature, fiction, belles-lettres and press materials. Theoretical value of the research is in presentation of comprehensive analysis of language means to express future tense in the framework of cognitive and functional directions. Practical value of the research is the possibility to use its results and principles to comply a lecture course of Cognitive and Functional Linguistics, to prepare manuals and textbooks in the correspondent area. The following research methods are used within the work: method of contextological analysis, descriptive method, method of component analysis, method of field analysis, transformative method, and method of element counting. To get the factual material the method of total selection was chosen. The object of research is semantic-cognitive and functional specificities of future time in the language system. The area of research is structural and semantic qualities of FSF of Futurality and its constituents. The settled aim requires that the following objectives be fulfilled: a) description of basic cognitive grounds for categorical development of time notion; b) analysis of development of deictic means to express future time; c) finding out grammatical means used in Modern English to explicitly and implicitly express future time; d) working out the model of FSF of Futurality taking into account semantic and functional specificities of its constituents; e) analysis of future situations in press texts and of pragmatic-communicative peculiarities of language mean to express futurality.
现代语言研究范式及其内在特征要求我们既要考虑语言单位的结构层面,又要考虑语言单位的语义和交际层面。在人类中心主义范式的观点下,通过语言功能模型来阐明心智的认知机制是非常有趣的。因此,了解现代英语将来时范畴的认知基础和功能基础至关重要。本文旨在以科学文献、小说、情书和报刊资料为基础,研究现代英语将来时范畴的认知、功能、语义认知和交际特征。本研究的理论价值在于从认知方向和功能方向的角度对将来时的语言表达方式进行综合分析。本研究的实用价值在于其成果和原理可以应用于认知与功能语言学的课堂教学,编写相应领域的手册和教科书。本文采用的研究方法有:语境分析法、描述法、成分分析法、场域分析法、转化法、元素计数法。为了得到真实的资料,我们采用了全选的方法。研究对象是语言系统中未来时间的语义认知特征和功能特征。研究领域是future的FSF及其组成部分的结构和语义质量。这一既定目标要求实现以下目标:1)描述时间概念范畴发展的基本认知依据;B)表示未来时间的指示性手段的发展分析;c)找出现代英语中用来明示和暗示将来时间的语法手段;d)在考虑其组成部分的语义和功能特殊性的情况下,制定未来性的自由软件模型;E)分析新闻文本中的未来情境以及表达未来性的语言的语用交际特性。
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引用次数: 0
INTERPRETATION OF A. BERTRAN’S POETRY BY M. RAVEL IN PIANO SUITE “GASPARD DE LA NUIT” 拉威尔钢琴组曲《夜之夜》中伯特朗诗歌的解读
Pub Date : 2020-09-17 DOI: 10.24919/2308-4863.1/30.212259
Svitlana Shchitova, Kateryna Kapitonova
The article reveals aspects of reading by the French composer M. Ravel texts from the collection «Gaspar from darkness. Fantasies in the manner of Rembrandt and Callo» by the French poet A. Bertrand, the concept of phantasmagoricity, which led to the selection of materials from the cycle / suite of Ravel’s «Gaspard de la nuit» («Night Gaspar»). Turning to the epigraphs from the poems in the prose of A Bertrand, Ravel ignores the vicissitudes of the plot, preserving only its main features, an impressive beginning – this is the starting point for creating a cycle. The main attention is focused on the selection and interpretation of the text of the work of A. Bertrand, which suggests that the idea of death combines the poems chosen by M. Ravel. Starting from the definition of the word «phantasmagoria» as «the accumulation of bizarre images, visions, fantasies; chaos, confusion, grotesque», the article considers the author’s vision of phantasmagoria in literature and music. Mystical, fantastic and phantasmagoric plots were popular in all kinds of art. But in music, compared to other arts, phantasmagoria has been the subject of creative interests only since the 19th century. The great prose writer E. T. A. Hoffmann opened a new page in the history of German romantic literature and, at the same time, he gave impetus to the development of phantasmagoria in the opera genre. It was Hoffman who laid the foundation for phantasmagoricism in music by combining the fantastic and the real in the conflict of musical drama of the opera «Undine». Trying to understand these manifestations of the mystical, phantasmagoric at the level of only instrumental music was the purpose of our work. We paid attention to M. Ravel’s piano cycle «Night Gaspar», in which, surprisingly, all stages of development of the mystical and fantastic, which was characteristic of the era of Romanticism, reach a new level in the Impressionist composer. The composer first entered the realm of the mysterious and gloomy, in his music sounded a tragic note, which may have been associated with the illness and death of his father. But Ravel remained the master of his emotions and during his stay in the world of the tragic and terrible, retained full control over the material, achieving perfection in the implementation of the plan.
这篇文章揭示了法国作曲家拉威尔的《黑暗中的加斯帕》文本的阅读方面。法国诗人贝特朗(A. Bertrand)的伦勃朗(Rembrandt)和卡罗(Callo)风格的幻想,幻觉的概念,这导致了拉威尔(Ravel)的“Gaspard de la nuit”(“Night Gaspar”)的循环/组曲的选择。拉威尔转向贝特朗散文中诗歌的题词,忽略了情节的变迁,只保留了它的主要特征,一个令人印象深刻的开端——这是创造一个循环的起点。主要的注意力集中在A. Bertrand作品文本的选择和解释上,这表明死亡的概念结合了M. Ravel选择的诗歌。从“phantasmagoria”这个词的定义开始,它是“奇怪的图像、幻象、幻想的积累;混沌、迷惘、怪诞”,本文探讨了作者对文学和音乐中的幻境的看法。神秘、奇幻和虚幻的情节在各种艺术中都很流行。但在音乐中,与其他艺术相比,幻像只是从19世纪开始才成为创造性兴趣的主题。伟大的散文家e.t.a.霍夫曼在德国浪漫主义文学史上掀开了新的一页,同时也推动了歌剧体裁中幻像的发展。在歌剧《Undine》的音乐剧冲突中,霍夫曼将幻想与现实结合在一起,为音乐中的幻景主义奠定了基础。我们工作的目的是试图在器乐的层面上理解这些神秘的、变幻莫测的表现。我们关注了拉威尔的钢琴循环“夜加斯帕”,其中令人惊讶的是,神秘和梦幻的所有发展阶段,这是浪漫主义时代的特征,在印象派作曲家中达到了一个新的水平。这位作曲家首先进入了神秘和阴郁的领域,在他的音乐中响起了悲剧性的音符,这可能与他父亲的疾病和死亡有关。但拉威尔始终控制着自己的情绪,在他身处悲剧性和恐怖的世界期间,他对素材保持了完全的控制,在计划的执行上达到了完美。
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引用次数: 0
FEATURES OF MUSICAL LANGUAGE IN THE SYMPHONIC CREATIVITY OF COMPOSER NARIMAN MAMMADOV 作曲家纳里曼·马马多夫交响乐创作中的音乐语言特征
Pub Date : 2020-09-17 DOI: 10.24919/2308-4863.1/30.212199
Aydan Gasimova
work the features of the creative style, which is a of his high professionalism. The identification of N. Mammadov’s regularities in the language of folk music is connected with the study of national peculiarities of the composer’s creative style. In this regard, the study of the composer’s work allows us to understand the basic laws of musical language, resulting from its connection with folk music. At the same time, the new directions of modern music that are manifested in the composer’s work are organically connected with national roots. In this sense, the study of the works of the composer Nariman Mammadov is actual. The article examines the features of the cultural environment in which Nariman Mammadov was formed, and shows its role in his creativity. The stages of development of N. Mammadov’s creativity are studied, his works are analyzed from the point of view of themes and genre diversity. In this direction, the works of the composer are studied in all areas of creativity: musical-stage, chamber-instrumental, vocal, symphony orchestra and for orchestra of folk instruments, during which the features of the musical language of his works are analyzed. The author explores the activities of N. Mammadov in the field of ethnomusicology, recording and research of mughams, folk songs and dances. The author also summarizes the unique creative features and style of the composer at the scientific and theoretical level. In the article it was possible to generalize the features of his musical language on the example of fortepiano concertos in the form of analyzed works of the composer – the Second Symphony for chamber orchestra, fortepiano and timpani, the Fourth Symphony “The voice of my heart” dedicated to Huseyn Javid, the Seventh Symphony “To the Martyrs of Khojaly”.
作品创作风格的特点,这是他高度职业化的一个体现。对N. Mammadov在民族音乐语言中的规律性的识别与对作曲家创作风格的民族特点的研究有关。在这方面,研究作曲家的作品可以让我们了解音乐语言的基本规律,这是由于它与民间音乐的联系。同时,作曲家作品中所表现出的现代音乐的新方向也与民族根源有机地联系在一起。从这个意义上说,对作曲家纳里曼·马马多夫作品的研究是现实的。本文考察了纳里曼·马马多夫创作的文化环境的特点,并指出了这种文化环境对他创作的影响。研究了马马多夫创作的发展阶段,从题材和体裁多样性的角度分析了马马多夫的作品。在这个方向上,作曲家的作品在创造性的所有领域进行研究:音乐舞台,室内乐器,声乐,交响乐团和民间乐器乐团,在此期间,他的作品的音乐语言的特点进行了分析。作者探讨了N. Mammadov在民族音乐学、穆斯林、民歌和舞蹈的记录和研究方面的活动。在科学和理论层面上总结了作曲家独特的创作特点和风格。在文章中,可以概括他的音乐语言的特点,以钢琴协奏曲为例,以分析作曲家作品的形式-第二交响曲为室内管弦乐队,钢琴和定音鼓,第四交响曲“我的心的声音”献给侯赛因·贾维德,第七交响曲“献给霍贾利烈士”。
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Humanities science current issues
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