{"title":"EmilyMichelson, Catholic Spectacle and Rome's Jews: Early Modern Conversion and Resistance. Princeton: Princeton University Press, 2022. 352 pp. $39.95/£35.00. ISBN 978‐0‐691‐21133‐6 (hb).","authors":"R. Clines","doi":"10.1111/rest.12866","DOIUrl":"https://doi.org/10.1111/rest.12866","url":null,"abstract":"","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"32 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91076189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Renaissance StudiesVolume 37, Issue 3 p. 462-467 Review of Exhibitions Tudor Mystery: The Master of the Countess of Warwick (Compton Verney), 4 February–7 May 2023. Catalogue by Amy Orrock with contributions by Edward Town, Tudor Mystery: The Master of the Countess of Warwick. Compton Verney Publishing, 2023. 60 pp 17ill. £15.00. ISBN 978-1-9999659-3-8. Sara Ayres, Corresponding Author Sara Ayres [email protected] University of CopenhagenSearch for more papers by this author Sara Ayres, Corresponding Author Sara Ayres [email protected] University of CopenhagenSearch for more papers by this author First published: 10 April 2023 https://doi.org/10.1111/rest.12869Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Volume37, Issue3June 2023Pages 462-467 RelatedInformation
{"title":"<i>Tudor Mystery: The Master of the Countess of Warwick</i> (Compton Verney), 4 February–7 May 2023. Catalogue by Amy Orrock with contributions by Edward Town, <i>Tudor Mystery: The Master of the Countess of Warwick</i>. Compton Verney Publishing, 2023. 60 pp 17ill. £15.00. <scp>ISBN</scp> 978‐1‐9999659‐3‐8.","authors":"Sara Ayres","doi":"10.1111/rest.12869","DOIUrl":"https://doi.org/10.1111/rest.12869","url":null,"abstract":"Renaissance StudiesVolume 37, Issue 3 p. 462-467 Review of Exhibitions Tudor Mystery: The Master of the Countess of Warwick (Compton Verney), 4 February–7 May 2023. Catalogue by Amy Orrock with contributions by Edward Town, Tudor Mystery: The Master of the Countess of Warwick. Compton Verney Publishing, 2023. 60 pp 17ill. £15.00. ISBN 978-1-9999659-3-8. Sara Ayres, Corresponding Author Sara Ayres [email protected] University of CopenhagenSearch for more papers by this author Sara Ayres, Corresponding Author Sara Ayres [email protected] University of CopenhagenSearch for more papers by this author First published: 10 April 2023 https://doi.org/10.1111/rest.12869Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Volume37, Issue3June 2023Pages 462-467 RelatedInformation","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135592906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"NeilYounger, Religion and Politics in Elizabethan England: The Life of Sir Christopher Hatton. Manchester: Manchester University Press, 2022. xiii + 270 pp. £85.00.\u0000 ISBN\u0000 978‐1‐5261‐5949‐6 (hb).","authors":"Rosalyn Cousins","doi":"10.1111/rest.12867","DOIUrl":"https://doi.org/10.1111/rest.12867","url":null,"abstract":"","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"95 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75559569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"StefanoVillani, Making Italy Anglican: Why the Book of Common Prayer was Translated into Italian. Oxford: Oxford University Press, 2022. xiv ± 292 pp. £64. ISBN 978‐0‐19‐758773‐7 (hb).","authors":"E. Davies","doi":"10.1111/rest.12868","DOIUrl":"https://doi.org/10.1111/rest.12868","url":null,"abstract":"","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"27 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87478329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TaraAlberts, SietskeFransen, and ElaineLeong (eds.), Translating Medicine across Premodern Worlds. Osiris Series. Chicago: The University of Chicago Press, 2022. 312 pp. $35.00. ISBN: 9780226821566 (pb).","authors":"J. G. Martins","doi":"10.1111/rest.12852","DOIUrl":"https://doi.org/10.1111/rest.12852","url":null,"abstract":"","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"28 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82595364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Matteo Ricci's depictions of Alexander the Great in Late Ming China\u0000 ☆","authors":"Yaliang Fu","doi":"10.1111/rest.12863","DOIUrl":"https://doi.org/10.1111/rest.12863","url":null,"abstract":"","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"15 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79721836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pietro Aretino was a particularly frequent commentator on the catastrophic 1527 Sack of Rome by the Spanish, German and Italian troops of Charles V. This article examines one of his most extended, and curious, responses to the Sack: the explicit parody of Virgil's Books I‐IV of The Aeneid that opens Day Two of his Dialogo. The episode features a satirical Cinquecento take on the story of Aeneas and Dido: a despicable baron who escaped Rome and a ruling lady in whom his tale of the city's fall stoked a desire that ultimately resulted in her abandonment and suicide. Commentary on these pages has centred especially on the Didonian scenes of the lady's laments and Aretino's explicit acknowledgement of his having ‘filched’ them from Virgil's Book IV. The baron's account of the Sack, in contrast, often has been summarized as a mere attempt – largely ineffective – to offer readers a conveniently contemporary equivalent to Aeneas's narration of the fall of Troy in Books II and III. This article argues instead that the baron's description is pointedly unVirgilian and draws on another body of unheroic texts: publications, including Aretino's own, on the Sack that circulated in its aftermath.
{"title":"Pietro Aretino's (un)Virgilian Sack of Rome ☆","authors":"Jessica Goethals","doi":"10.1111/rest.12857","DOIUrl":"https://doi.org/10.1111/rest.12857","url":null,"abstract":"Pietro Aretino was a particularly frequent commentator on the catastrophic 1527 Sack of Rome by the Spanish, German and Italian troops of Charles V. This article examines one of his most extended, and curious, responses to the Sack: the explicit parody of Virgil's Books I‐IV of The Aeneid that opens Day Two of his Dialogo. The episode features a satirical Cinquecento take on the story of Aeneas and Dido: a despicable baron who escaped Rome and a ruling lady in whom his tale of the city's fall stoked a desire that ultimately resulted in her abandonment and suicide. Commentary on these pages has centred especially on the Didonian scenes of the lady's laments and Aretino's explicit acknowledgement of his having ‘filched’ them from Virgil's Book IV. The baron's account of the Sack, in contrast, often has been summarized as a mere attempt – largely ineffective – to offer readers a conveniently contemporary equivalent to Aeneas's narration of the fall of Troy in Books II and III. This article argues instead that the baron's description is pointedly unVirgilian and draws on another body of unheroic texts: publications, including Aretino's own, on the Sack that circulated in its aftermath.","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"145 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73353535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Royal epistolary courtship in Latin? Arthur Tudor's “love letter” to Katherine of Aragon at the Archivo General de Simancas and Francesco Negri's\u0000 Ars Epistolandi\u0000 ☆","authors":"K. Janssen, Nadia T. van Pelt","doi":"10.1111/rest.12864","DOIUrl":"https://doi.org/10.1111/rest.12864","url":null,"abstract":"","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"96 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87679050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
According to his apocrypha, Aretino was forced to flee his hometown of Arezzo after penning some anti‐papal verses. Similarly, it is claimed that he fled Perugia ten years later after painting a lute into the hands of a depiction of the Maddalena, which stood in one of the town's piazze. Neither anecdote is true, but they point to Aretino's early reputation for both poetry and painting. In 1512, the Opera nova del fecondissimo giovene Pietro pictore Arretino was published in Venice. It was the first work by Aretino to appear in print, and the fruit of the formative time he spent in Perugia, where he was part of an urban circle of poets, artists and scholars. It was a circle and a metropolitan environment he sought to recreate in Rome and Venice. This article draws together Aretino's letters to his lifelong Perugian friends and the poems in the 1512 volume in order to examine the correspondence between their rhetorical and discursive modes. This examination shows that Perugia was the crucible of Aretino's self‐fashioning. It was in Perugia that Aretino became a poet. Where also, it would appear, he almost became a painter (pictore); a training that would equip him to become one of the most significant writers on art of the sixteenth century. The Opera nova shows Aretino mastering the vernacular poetic traditions available to him before, ultimately, rejecting them all in favour of himself. Perugia was the city where, with a little help from his friends, Aretino became Aretino.
{"title":"‘I was Born in One City, but Raised in Another’: Aretino's Perugian Apprenticeship","authors":"W. Rossiter","doi":"10.1111/rest.12861","DOIUrl":"https://doi.org/10.1111/rest.12861","url":null,"abstract":"According to his apocrypha, Aretino was forced to flee his hometown of Arezzo after penning some anti‐papal verses. Similarly, it is claimed that he fled Perugia ten years later after painting a lute into the hands of a depiction of the Maddalena, which stood in one of the town's piazze. Neither anecdote is true, but they point to Aretino's early reputation for both poetry and painting. In 1512, the Opera nova del fecondissimo giovene Pietro pictore Arretino was published in Venice. It was the first work by Aretino to appear in print, and the fruit of the formative time he spent in Perugia, where he was part of an urban circle of poets, artists and scholars. It was a circle and a metropolitan environment he sought to recreate in Rome and Venice. This article draws together Aretino's letters to his lifelong Perugian friends and the poems in the 1512 volume in order to examine the correspondence between their rhetorical and discursive modes. This examination shows that Perugia was the crucible of Aretino's self‐fashioning. It was in Perugia that Aretino became a poet. Where also, it would appear, he almost became a painter (pictore); a training that would equip him to become one of the most significant writers on art of the sixteenth century. The Opera nova shows Aretino mastering the vernacular poetic traditions available to him before, ultimately, rejecting them all in favour of himself. Perugia was the city where, with a little help from his friends, Aretino became Aretino.","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"34 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78944336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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