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The Figura Serpentinata in Paradise Lost 《失乐园》中的蛇形雕像
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-03-01 DOI: 10.1353/sip.2023.0011
A. Atkinson
Abstract:This essay links the Mannerist figura serpentinata to the figure of the serpent in John Milton's Paradise Lost. The figura serpentinata depicts human forms in twisting, upwardly spiraling poses in order to convey man's moral and spiritual growth through dynamic physical realism. I argue that Milton draws on the figura serpentinata in order to develop a poetics of becoming that links wandering, twisting figures to the dialectic between creation and learning through which humans and the created world ascend up the great chain of being as they gradually increase in perfection. This shape—figured through the language of wandering, error, turning, and other serpentine phrases—constitutes nothing less than the defining shape of prelapsarian ontology and knowledge.
摘要:本文将矫饰主义的蛇形人物与弥尔顿《失乐园》中的蛇形人物联系起来。《蛇形图》以扭曲的、向上螺旋的姿态描绘人的形体,通过动态的物理现实主义来传达人的道德和精神成长。我认为弥尔顿利用蛇形的比喻,是为了发展一种诗学,将徘徊扭曲的人物与创造和学习之间的辩证法联系起来,通过这种辩证法,人类和被创造的世界上升到存在的链条上,逐渐变得完美。这种形状——通过徘徊、错误、转弯和其他蛇形短语的语言表现出来——构成了前堕落时代本体论和知识的定义形状。
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引用次数: 0
Social History and Literary Genres in Mid-Eighteenth-Century Britain: Or, the Strange and Fascinating Case of Joshua Dudley 18世纪中期英国的社会史与文学流派——或者说,乔舒亚·达德利离奇而迷人的案例
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-03-01 DOI: 10.1353/sip.2023.0012
R. Walker
Abstract:The Memoirs of the Life of Joshua Dudley (1772) has received virtually no critical attention since its publication, and this is undeserved. Memoirs participates in several important eighteenth-century literary genres: it is an autobiography and a convict narrative that includes picaresque and sea adventures and subordinates within it poetry and joke-book, trickster anecdotes. Although two social historians have discussed its role within their treatment of the contemporary terrorist attack on the Royal Dockyards (1770), it has more to tell us about the role of Quakers, especially within the merchant class, and the conflict between religious belief and commercial success. Consideration of pertinent material in the periodical literature of the day, particularly the Whisperer (1771) and the Craftsman and the Virginia Gazette (1774), allow us to round out the life story given in the Memoirs, as well as suggesting that the appetite of the reading public transcended generic limitations. Finally, Memoirs is a fascinating narrative of Dudley's virtuoso dedication to the art of duplicity that leaves us wishing we had more of his writings.
摘要:《乔舒亚·达德利回忆录》(1772)自出版以来,几乎没有受到任何批评,这是不应有的。回忆录涉及18世纪几个重要的文学流派:它是一本自传和一个罪犯叙事,其中包括流浪汉和海上冒险,以及其中的下属诗歌和笑话书,骗子轶事。尽管两位社会历史学家在处理当代皇家船坞恐怖袭击(1770年)时讨论了它的作用,但它更多地告诉我们贵格会教徒的作用,尤其是在商人阶层中,以及宗教信仰与商业成功之间的冲突。考虑到当时的期刊文献中的相关材料,特别是《低语者》(1771年)和《工匠与弗吉尼亚公报》(1774年),我们可以完善回忆录中的人生故事,并表明读者的兴趣超越了一般的局限性。最后,《回忆录》讲述了达德利对口是心非艺术的精湛奉献,这让我们希望能有更多他的作品。
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引用次数: 0
Skepticism and the Form of Thomas Hoccleve's Series 怀疑论与托马斯·霍克列夫系列小说的形式
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-03-01 DOI: 10.1353/sip.2023.0006
E. Harper
Abstract:In his Series, the fifteenth-century English poet Thomas Hoccleve repeatedly expresses skepticism about his ability to know himself and about the ability of others to know him. While he repeatedly seeks outside validation from a mirror, from the judgments of others, and from a trusted Friend, each source of knowledge proves to be unreliable. By questioning not only his own perception but that of others—his neighbors, his readers, his characters—Hoccleve sets up the question of skepticism as the central problem of the Series. The disordered, fragmented frame narrative of the Series embeds this problem into the formal characteristics of the poem. In narrating his own writing process, with its interruptions, changes of purpose, and revisions, Hoccleve undercuts the reliability of the frame narrative structure and questions whether his poetry can provide stable knowledge.
摘要:15世纪的英国诗人托马斯·霍克里夫在他的系列作品中多次对自己了解自己的能力和他人了解他的能力表示怀疑。当他反复从镜子、他人的判断和值得信赖的朋友那里寻求外部验证时,每一种知识来源都被证明是不可靠的。霍克里夫不仅质疑自己的看法,还质疑其他人的看法——他的邻居、他的读者、他的角色——从而将怀疑论问题确立为该系列的核心问题。该系列无序、支离破碎的框架叙事将这一问题嵌入了诗歌的形式特征中。霍克里夫在叙述自己的写作过程时,通过中断、目的的改变和修改,削弱了框架叙事结构的可靠性,并质疑他的诗歌是否能提供稳定的知识。
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引用次数: 0
The Impact of Thomas Stanley's History of Philosophy on Margaret Cavendish 托马斯·斯坦利哲学史对玛格丽特·卡文迪什的影响
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-03-01 DOI: 10.1353/sip.2023.0010
A. Sherman
Abstract:This essay argues that Thomas Stanley's magisterial History of Philosophy influenced the evolution of Margaret Cavendish's thought in ways that have not been previously recognized. While scholars have discussed Cavendish's evolving views of atomism and materialism, a comparison of her attitudes toward Pythagoras and toward skepticism before and after 1660 suggests that Cavendish adopted a more nuanced approach to skepticism—and to philosophical debate and dissent more generally—after encountering Stanley's work. Her reading of Sextus Empiricus's Outlines of Pyrrhonism in Stanley's 1660 volume may also have informed her vigorous epistolary exchanges with Joseph Glanvill on the subject of witchcraft.
摘要:本文认为,托马斯·斯坦利权威的《哲学史》以前所未有的方式影响了玛格丽特·卡文迪许思想的演变。虽然学者们讨论了卡文迪许对原子论和唯物主义的不断发展的观点,但比较她在1660年前后对毕达哥拉斯和怀疑论的态度表明,卡文迪什在遇到斯坦利的作品后,对怀疑论采取了更微妙的方法,对更普遍的哲学辩论和异议采取了更细致的方法。她在斯坦利1660年的卷中阅读了Sextus Empiricus的《Pyrronism大纲》,这可能也为她与Joseph Glanvill就巫术问题进行了激烈的书信交流提供了信息。
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引用次数: 0
Neglected Witnesses to George Herbert's Musæ Responsoriæ, and a Previously Unpublished Poem, "Wren cum Chirothecis" 乔治·赫伯特的《回应博物馆》和一首未发表的诗《鹪鹩与Chirothecis》被忽视的证人
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-03-01 DOI: 10.1353/sip.2023.0008
R. Whalen, Luke Roman
Abstract:This article considers three manuscript witnesses to the Musæ Responsoriæ, George Herbert's answer to Andrew Melville's polemical poem Anti-Tami-Cami-Categoria. None of these, two of them complete copies, was known to Herbert's first modern editor, F. E. Hutchinson, nor are they mentioned in any of the several subsequent editions of Herbert's Latin verse, all of which follow Hutchinson's sole source, the 1662 Ecclesiastes Solomonis of James Duport. In addition to providing descriptions of their contents and provenance, we survey the substantive variants and accidentals pertaining to the two complete copies and argue why one in particular will supplant Duport as copy-text for the new edition of Herbert's works currently in progress for Oxford University Press. Our essay also presents a hitherto unknown Latin epigram that appears in the other complete copy and considers evidence for attributing the poem to the author of The Temple.
摘要:本文考虑了乔治·赫伯特(George Herbert)对安德鲁·梅尔维尔(Andrew Melville)的论战诗《反塔米·卡米·卡特戈里亚》(Anti-Tami Cami Categoria)的回答《回应博物馆》(MusæResponsoriæ)的三位手稿见证人。赫伯特的第一位现代编辑F.E.Hutchinson不知道这些,其中两本是完整的,赫伯特的拉丁诗的后续几个版本中也没有提到它们,所有这些版本都遵循了Hutchinsson的唯一来源,1662年詹姆斯·杜波特的《所罗门传道书》。除了提供其内容和出处的描述外,我们还调查了与这两份完整副本有关的实质性变体和意外,并解释了为什么其中一份将取代Duport成为目前正在为牛津大学出版社出版的赫伯特作品新版的复制文本。我们的文章还提出了一个迄今为止不为人知的拉丁语警句,出现在另一个完整的副本中,并考虑了将这首诗归因于《圣殿》作者的证据。
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引用次数: 0
Flawed Beauty, Flawed Cause: The Political Aesthetics of Parnassus Biceps (1656) 有缺陷的美,有缺陷的原因:帕纳斯的政治美学(1656)
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-03-01 DOI: 10.1353/sip.2023.0009
Gina Filo
Abstract:In 1656, clergyman Abraham Wright edited and printed Parnassus Biceps, an unabashedly royalist poetic miscellany. Though under the radar in both Wright's day and our own, Biceps performs crucial political work through a program of aesthetic education. This is accomplished in part by Biceps's repeated insistence on its university pedigree and by the inclusion of a number of "flawed beauty" poems, poems that locate, hyperfixate on, and praise a perceived flaw in an otherwise beautiful woman. Through these poems , Biceps attempts to reconfirm the normative gender hierarchy and emphasizes the masculine prerogative to create, circulate, and assign meaning to women. Further, centering and praising a perceived flaw render the flawed beauty poems of Wright's anthology analogous to the royalist cause itself. The coalition of ideological positions grouped under the rubric of royalism not only acknowledged but indeed embraced a flawed king and flawed church at its center. Poems celebrating flawed beauty can thus be assimilated to the defense of an imperfect (dead) king and an imperfect (disestablished) religion. As such, this seemingly trivial volume performs urgent political and aesthetic work by embarking upon the project of urging a scattered, defeated royalist cohort to continue to support their heroically flawed cause.
摘要:1656年,牧师亚伯拉罕·赖特编辑并印刷了《Parnassus Biceps》,这是一本毫不掩饰的保皇派诗歌杂集。尽管在赖特时代和我们自己的时代都不受关注,但Biceps通过美育项目完成了至关重要的政治工作。这在一定程度上是因为Biceps一再坚持自己的大学血统,并收录了许多“有缺陷的美”诗歌,这些诗歌定位、高度关注和赞扬了一个美丽女性的缺陷。通过这些诗歌,Biceps试图重新确认规范的性别等级制度,并强调男性创造、传播和赋予女性意义的特权。此外,以一个感知到的缺陷为中心并赞扬它,使赖特选集中有缺陷的美诗与保皇党事业本身相似。以保皇主义为主题的意识形态立场联盟不仅承认,而且确实以一个有缺陷的国王和有缺陷的教会为中心。因此,赞美有缺陷的美的诗歌可以被理解为对一个不完美(死去)的国王和一个不完善(被废除)的宗教的辩护。因此,这本看似微不足道的书通过启动一个项目,敦促分散的、失败的保皇党群体继续支持他们有英雄缺陷的事业,完成了紧迫的政治和美学工作。
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引用次数: 0
The "Puritan" Preacher and The Puritan Widow “清教徒”传教士与清教徒寡妇
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-01-01 DOI: 10.1353/sip.2023.0003
P. Timmis
Abstract:In a controversial attempt to impose order after the Gunpowder Plot, James I sought to require the entire nation to take an Oath of Allegiance confirming his political and religious authority. This essay traces two popular attacks on London's immorality and disunity performed in St. Paul's Cathedral churchyard that respond to the Oath during this period (1606–1609): Thomas Middleton's "city comedy" The Puritan Widow, performed by the choirboy-actors of St. Paul's, and William Crashawe's Paul's Cross sermon Against the Papists and Brownists. Despite Crashawe's famous denunciation of Middleton from the pulpit, I argue that Middleton's iconoclastic play carefully reforms its own satire and concludes with a proposal for a united front between the Puritans and their less zealous coreligionists against Catholics and foreigners that would have been acceptable to a preacher like Crashawe in matter if not in medium.
摘要:在一次有争议的试图在火药阴谋后实施秩序的尝试中,詹姆斯一世试图要求整个国家宣誓效忠,以确认他的政治和宗教权威。这篇文章追溯了这一时期(1606-1609)在圣保罗大教堂教堂墓地对伦敦不道德和不团结的两次流行攻击:托马斯·米德尔顿的“城市喜剧”《清教徒寡妇》,由圣保罗的唱诗班演员表演,以及威廉·克拉肖的《保罗反对教皇和布朗主义者的十字架布道》。尽管克拉肖在讲坛上对米德尔顿进行了著名的谴责,但我认为米德尔顿的反传统戏剧谨慎地改革了自己的讽刺,并以清教徒和他们反对天主教徒和外国人的不那么热心的宗教信仰者之间建立统一战线的提议结束,如果不是在媒体上,像克拉肖这样的传教士在物质上是可以接受的。
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引用次数: 0
Jonathan Wild: Spinoza, the Foil, and the Jacobites 乔纳森·怀尔德:斯宾诺莎、锡箔派和詹姆斯派
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-01-01 DOI: 10.1353/sip.2023.0005
Mark Loveridge
Abstract:This essay argues from the nature of Henry Fielding's Jonathan Wild as a miscellaneous linguistic salmagundi to a proposition that it is held together by a leitmotif of equally miscellaneous and perplexing opposites, which Fielding refers to as foils: the good-natured Heartfree being a foil to the villainous and hypocritical Wild. Fielding's usual ethical positives are foiled not only by Wild, but also by the strangely metaleptic "Good-natured Hole" in Laetitia's "Handkerchief," which exposes her bosom. Mrs. Heartfree's appeal to divine "PROVIDENCE" is foiled by the insertion of a phrase and an episode derived from the subversive philosophy of Baruch Spinoza, which gives notice of a contrary attitude to cause and effect. Anti-Walpole satirical innuendoes are accompanied by another set of winks and nudges which develop a previously unnoticed anti-Jacobite subtext with which Walpole would have been in full agreement.
摘要:本文从亨利·菲尔丁(Henry Fielding)的《乔纳森·怀尔德》(Jonathan Wild。菲尔丁通常的道德积极性不仅被怀尔德所挫败,还被莱蒂蒂亚的《手帕》中露出胸部的奇怪的金属感“善良的洞”所挫败。Heartfree夫人对神圣的“普罗维登斯”的呼吁被插入了一个短语和一个源自巴鲁克·斯宾诺莎颠覆性哲学的插曲所挫败,该短语和插曲表明了对因果的相反态度。反沃尔波尔的讽刺影射伴随着另一组眨眼和轻推,形成了一个以前未被注意到的反雅各宾派的潜台词,沃尔波尔本会完全同意这一潜台词。
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引用次数: 0
The Pleasing Analysis of The Faerie Queene 《精灵Queene》的快感分析
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-01-01 DOI: 10.1353/sip.2023.0001
J. Curran
Abstract:In his "Letter to Raleigh," Edmund Spenser describes his project using the strange and provocative term analysis. This essay explores three ways in which the Ramist ideas closely associated with this term can inform our understanding of The Faerie Queene. First, since analysis recalls Ramism's ideal of analytical method, organization of matter in a descent from the most general principles to the more special and obscure, the poem might be approached as an analysis of virtue ethics, with concepts sequenced and divided methodically. Second, the "Letter" excuses out-of-order poetry by the second or imperfect method, crypsis. Spenser's disclaimer about his "method" as poet historical does not necessarily abnegate logic: we may consider that by puzzling, cryptical features we are alerted to a hidden order, so that an analysis of virtue becomes a pleasing analysis. Third, analysis might refer not just to the poet's project but to readerly exercise. In analyzing the virtue-knights' efforts at invention and judgment, we exercise our own. Ramist commentary on these senses of analysis is represented by William Temple, Abraham Fraunce, Gabriel Harvey, and Ramus himself. Readerly analytical exercise is illustrated by the parallel failures of logic of the Redcrosse Knight and Artegall.
摘要:Edmund Spenser在他的《致罗利的信》中使用了一个奇怪而富有煽动性的术语分析来描述他的项目。本文探讨了与这个术语密切相关的拉米斯主义思想可以通过三种方式帮助我们理解《精灵奎恩》。首先,由于分析让人想起了拉米斯主义的分析方法理想,即从最普遍的原则到更特殊和更模糊的原则来组织事物,因此这首诗可以被视为对美德伦理的分析,概念被有条不紊地排序和划分。第二,《信笺》以第二种或不完善的方法为无序诗歌开脱,即虚构。斯宾塞关于他作为诗人的“方法”的免责声明并不一定放弃逻辑:我们可以认为,通过令人困惑的、神秘的特征,我们被提醒注意一种隐藏的秩序,因此对美德的分析变成了一种令人愉快的分析。第三,分析可能不仅指诗人的计划,还指阅读练习。在分析美德骑士在发明和判断方面的努力时,我们运用了自己的力量。拉米斯对这些分析意义的评论由威廉·坦普尔、亚伯拉罕·弗朗斯、加布里埃尔·哈维和拉米斯本人代表。雷德克罗斯-奈特和阿尔特格尔逻辑的平行失败说明了Readerly分析练习。
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引用次数: 0
Writing "Home": Translating Belonging in Beves of Hampton 书写“家”:汉普顿贝弗斯的归属感翻译
IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-01-01 DOI: 10.1353/sip.2023.0000
E. Dolmans
Abstract:The word home does not have a direct analogue in medieval French, but it often emerges in Middle English romances translated from francophone sources. This essay examines what these translations can tell us about the valences of the word home in Middle English, demonstrating that it had connotations of belonging, emotional attachment, and power, as well as shelter or housing. I argue that understanding the uses of home can offer insight into the ideologies and geographic dynamics of a romance. In the case of Beves of Hampton, tracing the changes in the location of the protagonist's home indicates that one could have multiple homes and also sheds light on the text's Crusading agenda.
摘要:home这个词在中世纪法语中没有直接的相似之处,但它经常出现在从法语翻译过来的中古英语浪漫小说中。本文考察了这些翻译可以告诉我们中古英语中home一词的价态,表明它具有归属感、情感依恋、权力以及庇护所或住房的含义。我认为,了解家的用途可以深入了解浪漫的意识形态和地理动态。以汉普顿的贝维斯为例,追踪主人公家的位置变化表明,一个人可能有多个家,这也揭示了文本的残酷议程。
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引用次数: 0
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STUDIES IN PHILOLOGY
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