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Marie Piquemal, the "Colonial Madam": Brothel Prostitution, Migration, and the Making of Whiteness in Interwar Dakar Marie Piquemal,“殖民地夫人”:妓院卖淫、移民和达喀尔内战中的白人化
IF 0.3 3区 历史学 Q1 HISTORY Pub Date : 2021-12-07 DOI: 10.1353/jowh.2021.0047
C. Séquin
Abstract:This article reconstructs the life of Marie Piquemal, a French woman turned colonial madam, to explore the world of white prostitution in colonial Dakar, Senegal, in the first half of the twentieth century. White brothel prostitution required the migration of white French women from the metropole to supply these institutions. By providing white French men with sexual access to white sex workers, brothel keepers like Piquemal helped to curb the development of interracial intimacy at a time when sexual-conjugal unions across the color line were becoming increasingly controversial. This article thus argues that brothel keepers played a key role in reifying racial boundaries upon which colonial rule rested, especially within an empire that claimed to be race blind. Although French authorities were aware of the migration of French women for sexual labor between metropole and colony, they condoned this process in an effort to maintain the racial status quo.
摘要:本文重构了法国女性出身的殖民地夫人Marie Piquemal的生活,以探索20世纪上半叶殖民地塞内加尔达喀尔的白人卖淫世界。白人妓院卖淫需要法国白人妇女从大都市迁移到这些机构。皮克马尔这样的妓院老板通过向法国白人男性提供与白人性工作者的性接触,帮助遏制了跨种族亲密关系的发展,而此时跨肤色的性结合正变得越来越有争议。因此,这篇文章认为,妓院老板在具体化殖民统治所依据的种族界限方面发挥了关键作用,尤其是在一个声称种族歧视的帝国内。尽管法国当局意识到法国妇女在大都市和殖民地之间进行性劳动的移民,但为了维持种族现状,他们宽恕了这一过程。
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引用次数: 0
"White Slavery" and Cabarets: Mexican Artists in Panama in the 1940s “白人奴隶”和歌舞表演:1940年代巴拿马的墨西哥艺术家
IF 0.3 3区 历史学 Q1 HISTORY Pub Date : 2021-12-07 DOI: 10.1353/jowh.2021.0048
Pamela J. Fuentes
Abstract:This article examines a story that appeared in various Mexican newspapers and magazines from 1940 to 1943: Mexican dancers were being taken to the Panama Canal Zone not only to work in cabaret shows but also to offer sexual services to US military men. Using this case study, this article shows that discourses of "trafficking" were as much about the transnational entertainment industry as they were about the sex industry. Policy makers, who viewed with suspicion venues that employed women and offered alcohol, music, and variety performances, often attempted to regulate the social and sexual interactions that happened inside, particularly when they attracted people from different social classes, races, and ethnicities. These regulations would also define which women were victims and which ones were responsible for their own situation.
摘要:这篇文章探讨了1940年至1943年间出现在墨西哥各种报纸和杂志上的一个故事:墨西哥舞者被带到巴拿马运河区,不仅是为了参加卡巴莱表演,还为美国军人提供性服务。通过这一案例研究,本文表明,关于“贩运”的论述与关于性产业的论述一样,都是关于跨国娱乐业的。政策制定者对雇佣女性并提供酒精、音乐和综艺表演的场所持怀疑态度,他们经常试图规范内部发生的社交和性互动,尤其是当这些场所吸引了来自不同社会阶层、种族和民族的人时。这些条例还将规定哪些妇女是受害者,哪些妇女应对自己的处境负责。
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引用次数: 0
Mixed-Race Adoptees and Transnational Adoption 混血被收养者与跨国收养
IF 0.3 3区 历史学 Q1 HISTORY Pub Date : 2021-12-07 DOI: 10.1353/jowh.2021.0038
Kimberly D. Mckee
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引用次数: 0
Caging Violence: Feminisms, Harm, and the US Carceral State 监禁暴力:女权主义、伤害和美国的监禁状态
IF 0.3 3区 历史学 Q1 HISTORY Pub Date : 2021-09-17 DOI: 10.1353/jowh.2021.0025
P. Renfro
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引用次数: 0
Playing the Game: Sport, Gender, and the Haskell Indian Boarding School, 1890–1930 玩游戏:体育、性别和哈斯克尔印第安人寄宿学校,1890–1930
IF 0.3 3区 历史学 Q1 HISTORY Pub Date : 2021-09-17 DOI: 10.1353/jowh.2021.0028
Bethany A. H. Eby
Abstract:In this article, I argue that Native women who attended Haskell Institute, an off-reservation federal Indian boarding school, participated in athletic programs as a means to further their own cultural sporting traditions and resist colonial expectations about Native women’s bodies. I also argue that Native women’s participation in Western sports such as basketball provides a new and necessary approach to the study of women’s sport history as it showcases the fraught relationship between sport, empire, and the production of normative femininity. This article, then, is both a history of women’s basketball and gender production at the turn of the twentieth century. Importantly, my focus on sport illuminates how athletic participation and physical culture created and changed ideologies of femininity and race, rather than just serving as a representation of gender norms within this particular historical context.
摘要:在这篇文章中,我认为,就读于哈斯克尔研究所(一所非保留地的联邦印第安人寄宿学校)的土著妇女参加体育项目是为了促进她们自己的文化体育传统,抵制殖民地对土著妇女身体的期望。我还认为,土著妇女参与篮球等西方运动为研究妇女体育史提供了一种新的、必要的方法,因为它展示了体育、帝国和规范女性气质的产生之间令人担忧的关系。因此,这篇文章既是20世纪之交女子篮球和性别生产的历史。重要的是,我对体育的关注阐明了体育参与和体育文化是如何创造和改变女性和种族的意识形态的,而不仅仅是在这个特定的历史背景下作为性别规范的代表。
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引用次数: 0
What Happened to Women in Histories of Hollywood? 好莱坞历史上的女性发生了什么?
IF 0.3 3区 历史学 Q1 HISTORY Pub Date : 2021-09-17 DOI: 10.1353/jowh.2021.0035
Shelley Stamp
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引用次数: 2
From the Stage to the Ring: The Early Years of Japanese Women’s Professional Wrestling, 1948–1956 从舞台到拳击场:1948–1956年日本女子职业摔跤的早期
IF 0.3 3区 历史学 Q1 HISTORY Pub Date : 2021-09-17 DOI: 10.1353/jowh.2021.0036
Tomoko Seto
Abstract:Set against the background of uneven US-Japan postwar relations and a gendered media discourse, this article explores the early transformation of Japanese women’s professional wrestling, focusing particularly on the blurred boundary between women’s societal constraints and their own agency. Originating in 1948 on US military bases with a mixed-gender wrestling match between two older brothers and a younger sister seeking to support their family, the siblings, with a few others, soon shifted to presenting all-female bouts before American and Japanese audiences. The American female wrestlers’ tour in 1954 sparked the proliferation of women’s professional wrestling in Japan, inspiring more women to become wrestlers. In recent years, scholars of early postwar Japanese popular culture have applied a gendered lens to discourses of nation, sexuality, and intimacy. In keeping with this practice and to further complicate the field, this article argues that through the examination of the experience of women in the conspicuously gendered entertainment of wrestling, the tension between the “liberation” promoted by Americans and the patriarchal demands of postwar Japanese society is revealed.
摘要:本文以战后美日关系的不平衡和媒体话语的性别化为背景,探讨了日本女子职业摔跤运动的早期转型,尤其关注女性在社会约束和自身能力者之间模糊的界限。1948年,在美国军事基地,两个哥哥和一个妹妹为了养家糊口,开始了一场男女混合的摔跤比赛,兄弟姐妹和其他一些人很快就转变为在美国和日本观众面前呈现全女性比赛。1954年,美国女摔跤手的巡回赛引发了日本女子职业摔跤运动的激增,激励了更多的女性成为摔跤手。近年来,研究战后早期日本流行文化的学者将性别视角应用到国家、性和亲密关系的话语中。为了与这一实践保持一致,并使这一领域进一步复杂化,本文认为,通过对女性在明显的性别娱乐摔跤中的经历的考察,揭示了美国人所倡导的“解放”与战后日本社会父权要求之间的紧张关系。
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引用次数: 0
Colonialism, Caste, and Gender: The Emergence of Critical Caste Feminism in Modern South India 殖民主义、种姓和性别:批判种姓女权主义在现代南印度的兴起
IF 0.3 3区 历史学 Q1 HISTORY Pub Date : 2021-09-17 DOI: 10.1353/jowh.2021.0030
Gajendran Ayyathurai
Abstract:Subaltern studies, and postcolonial scholarship more broadly, has perceptively analyzed women’s conditions in colonial India. Recent scholarship, however, has demonstrated the limitations of these approaches for understanding women’s struggles against the interconnected problems of patriarchy and upper-caste power. This article builds on and extends this critical task. It demonstrates that Tamil Buddhist women and men in early twentieth-century Tamil Nadu repudiated privileged-caste patriarchy precisely because they understood caste and gender to be mutually constitutive. Through an analysis of the archive of The Tamilian (1907–1914), a weekly newspaper of the Tamil Buddhist movement, this study suggests that Tamil Buddhists argued that caste-based patriarchal power ascended during the colonial era by marginalizing Indian women in general, and by othering lower-caste and untouchable women and men, in particular. This necessitated the mobilization of Tamil Buddhists around critical caste feminism in colonial India.
摘要:亚替代研究和更广泛的后殖民学术,敏锐地分析了殖民地印度的妇女状况。然而,最近的学术研究表明,这些方法在理解女性与父权制和上层种姓权力等相互关联的问题的斗争方面存在局限性。本文构建并扩展了这一关键任务。这表明,20世纪初泰米尔纳德邦的泰米尔佛教女性和男性拒绝特权种姓父权制,正是因为他们理解种姓和性别是相互构成的。通过对泰米尔佛教运动周报《泰米尔人报》(1907–1914)档案的分析,这项研究表明,泰米尔佛教徒认为,在殖民时代,基于种姓的父权制权力是通过边缘化印度妇女,尤其是通过其他低种姓和贱民妇女和男子而上升的。这就需要泰米尔佛教徒围绕殖民地印度的批判种姓女权主义进行动员。
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引用次数: 1
Creating During Crisis: The Development of the Black HERstory 101 Podcast 危机中的创造:黑人历史101播客的发展
IF 0.3 3区 历史学 Q1 HISTORY Pub Date : 2021-09-17 DOI: 10.1353/jowh.2021.0031
C. Moten
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引用次数: 1
A Common Struggle for Refinement: Mormon Women, Railroad Reconstruction, and the Politics of Respectability in Salt Lake City, 1869–1877 为改良而共同奋斗:1869-1877年盐湖城的摩门教妇女、铁路重建和体面政治
IF 0.3 3区 历史学 Q1 HISTORY Pub Date : 2021-09-17 DOI: 10.1353/jowh.2021.0034
Sasha Coles
Abstract:The completion of the American transcontinental railroad in 1869 coincided with great political controversies over the practices of The Church of Jesus Christ of Latter-day Saints (the Mormon Church) and its influence in the American West. Previous histories of this period pay little attention to how Mormon women and images of them influenced Utah Territory’s political and economic landscape. Male church leaders, church “apostates,” politicians, and other commentators debated the impact that the railroad and its expensive cargoes would have on Mormon women’s bodies, households, and polygamous marriages. Meanwhile, a cohort of elite, white Mormon women formed the Senior and Junior Retrenchment Association. From 1869 to 1877, members of the retrenchment movement attempted to reject imported fashions and embrace a homemade, “tasteful” aesthetic, instead. In this context, dress emerged as a tool to negotiate complex loyalties to middle-class respectability as well as the Mormon Church’s spiritual and temporal kingdom-building project in the Great Basin region. These clashes over Mormonism and the transcontinental railroad mobilized and entrenched emerging ideals of American consumer citizenship.
摘要:美国横贯大陆的铁路于1869年建成,与此同时,围绕耶稣基督后期圣徒教会(摩门教)的实践及其在美国西部的影响,发生了巨大的政治争议。这一时期以前的历史很少关注摩门教妇女和她们的形象如何影响犹他地区的政治和经济格局。男性教会领袖、教会“叛教者”、政治家和其他评论家就铁路及其昂贵的货物对摩门教妇女的身体、家庭和一夫多妻制婚姻的影响进行了辩论。与此同时,一群精英,白人摩门教妇女组成了高级和初级紧缩协会。从1869年到1877年,紧缩运动的成员试图拒绝进口的时尚,而拥抱一种自制的、“有品位的”美学。在这种背景下,服装成为了一种工具,用以协商对中产阶级尊严的复杂忠诚,以及摩门教会在大盆地地区的精神和世俗王国建设项目。这些关于摩门教和横贯大陆铁路的冲突,动员并巩固了美国消费者公民意识的萌芽。
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Journal of Womens History
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