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The First Years of Ukrainian Investigations in Olbia Pontica Olbia Pontica乌克兰调查的最初几年
IF 1 4区 历史学 Pub Date : 2020-03-12 DOI: 10.15407/archaeologyua2020.01.124
O. Kariaka
The article is devoted to the description of first years of Ukrainian studies in the ancient city of Olbia Pontica. Special attention was paid to the range of problematic issues that formed the main features of modern Ukrainian classical archaeology.
这篇文章致力于描述在古城奥尔比亚庞蒂察进行乌克兰研究的最初几年。会议特别关注了构成现代乌克兰古典考古学主要特征的一系列问题。
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引用次数: 0
Complexes of Late Bronze Age Molds from Tokivske 托基夫斯克青铜时代晚期模具复合体
IF 1 4区 历史学 Pub Date : 2020-03-12 DOI: 10.15407/archaeologyua2020.01.023
O. Starik, D. Kushtan
This paper deals with the Late Bronze Age complexes (deposits) of molds made of stone which were found near Tokivske village, Apostolivskyi region, Dnipropetrovsk oblast, at the eastern bank of the Kamianka River, Dnipro basin. Complexes included, respectively, three and seven matrixes mainly made of shale. Molds were used for production of bronze sickles, daggers, flat adzes, sleeve chisels, celts, round disc (mirror), pins, round plaques-buttons. Most of types are typical for the Middle Dnipro region. However, some of those have analogies in wide territories of Eurasia, from the Carpathians to Central Asia. The complexes of finds are contemporaneous to each other. It is confirmed by their dating and the presence of similar matrixes for the production of daggers in both complexes. Metal finds produced in Tokivske forms have analogies in complexes of Loboikivka (Middle Dnipro region, Donets region) and mainly the Ingul — Krasnyi Maiak (Lower Dnipro region, North-Western Pontic region) centers of metal production. Tokivske itself was located in the contact area of two large cultural complexes dated by the Middle Bronze Age, i.e. Zrubna (Berezhnivsko-Maivska Zrubna culture — BMZC) and Sabatynivka–Noua, to which those centers of metal production related. Similarities to the metal tools can be also found among the materials typical for the Central European deposits of Opalyi-Uriu-Domǎnesti. To a certain extent, analogies to the described finds are known in Kardashynka center of metal production belonging to Bilozerka culture. Therefore, the time of functioning of the workshop at the Tokivske site can be dated to the transition from Late Sabatynivka (BMZC-II after V. V. Otroshchenko) to Early Bilozerka time, BzD — HaA1 period according to P. Reineke or 13th—12th century BC. This was a time of the beginning of the so-called “The Bronze Age collapse”. In South-Eastern Europe the latter is marked by the decline of Noua–Sabatynivka and Zrubna (also known as Timber-Grave) cultural complexes and the formation of new cultures of the Final Bronze Age, from which Bilozerka and Bilohrudivka cultures were developed in the eastern bank of the Dnipro.
本文研究了在第聂伯罗盆地卡米安卡河东岸的第聂伯罗彼得罗夫斯克州Apostolivskyi地区Tokivske村附近发现的青铜时代晚期石头模具复合体(沉积物)。配合物分别包括三种和七种主要由页岩制成的基质。模具用于生产青铜镰刀、匕首、平纹、套筒凿、青瓷、圆盘(镜)、别针、圆形饰板纽扣。大多数类型是典型的中第聂伯罗地区。然而,从喀尔巴阡山脉到中亚,其中一些在欧亚大陆的广阔领土上有相似之处。这些发现的复合体是同时代的。通过它们的年代测定和在两个复合体中产生匕首的相似基质的存在,这一点得到了证实。Tokivske形式的金属发现物与Loboikivka(中第聂伯罗地区、顿涅茨地区)和主要的Ingul-Krasnyi-Maiak(下第聂伯罗地区、西北庞蒂克地区)金属生产中心的复合体相似。托基夫斯克本身位于青铜时代中期两个大型文化综合体的接触区,即Zrubna(Berezhnisko Maivska Zrubna文化-BMZC)和Sabatynivka–Noua,这些金属生产中心与之相关。在欧帕利-乌里乌·多姆内斯蒂中欧矿床的典型材料中也可以发现与金属工具的相似之处。在某种程度上,在属于比洛泽尔卡文化的Kardashinka金属生产中心,人们知道与所描述的发现有相似之处。因此,托基夫斯克工厂的运作时间可以追溯到从萨巴蒂尼夫卡晚期(V.V.Otroshchenko之后的BMZC-II)到比洛泽尔卡早期,根据P.Reineke或公元前13-12世纪的说法,BzD-HaA1时期。这是所谓“青铜时代崩溃”的开始。在东南欧,后者的特点是努阿-萨巴蒂尼夫卡和兹鲁布纳(也称为木材坟墓)文化综合体的衰落,以及最终青铜时代新文化的形成,从中,比洛泽尔卡和比洛赫鲁迪夫卡文化在第聂伯罗河东岸发展起来。
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引用次数: 0
Handmade Pottery from Tanais on the Material from the Excavation Trench XXV (Closed Vessels ) Tanais的手工陶器在挖掘沟渠的材料上XXV(封闭容器)
IF 1 4区 历史学 Pub Date : 2020-03-12 DOI: 10.15407/archaeologyua2020.01.080
N. Gavrylyuk, M. Matera
The paper is about a Hellenistic ceramic complex of the western area of the ancient city of Tanais. The new material from the excavation trench XXV is shown in comparison with the handmade ware of other districts of the city that was examined by T. M. Arsenieva. Comparison of these materials with the ceramic complex of synchronous layers of the ancient centers of the Northern Black Sea region (collections from cities of the European Bosporus (Kitei, Artesian, etc.), settlements and hill-forts of the Western Crimea (“Chaika”, Kulchuk, etc.) and Lower Bug River region will help to distinguish specific features of the handmade ceramic complex from Tanais and the peculiarities of the ethnic structure of the population of the city.
本文是关于塔奈斯古城西部地区的一个希腊化陶瓷综合体。来自挖掘沟渠XXV的新材料与T.M.Arsenieva检查的该市其他地区的手工制品进行了比较。这些材料与黑海北部地区古代中心的同步层陶瓷复合体(来自欧洲博斯普鲁斯海峡城市(基泰、阿尔忒弥斯等)的藏品)的比较,克里米亚西部(“Chaika”、Kulchuk等)和下布格河地区的定居点和山丘堡垒将有助于区分手工陶瓷综合体与Tanais的具体特征以及该市人口的种族结构特点。
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引用次数: 0
Religious Appropriation of Ancient Rus Chamber Graves 古代罗斯墓室墓穴的宗教占有
IF 1 4区 历史学 Pub Date : 2020-03-12 DOI: 10.15407/archaeologyua2020.01.069
D. Bibikov
The article is devoted to the discussion of the religious identity of Viking age chamber burials in the territory of Ancient Rus. Particular attention is paid to the finds in such complexes of cruciform pendants and linings; their sacred meaning is concluded. The wide context of such finds was taken into account: their place among the burial equipment, the combination of crosses with other groups of amulets, the composition of the rest of the equipment, the position of the bodies, age and sex composition of the dead, and other ritual features. Christian symbols are often found in combination with artifacts of Byzantine origin. If the cross was a part of the necklace, it was given a central place. Some items were made specifically for the funeral ceremony. Wax candles and Byzantine coin pendants could also play the role of Christian symbols in chamber burials. Amulets, commonly considered pagan, are quite rarely found in chambers. In turn, cruciform pendants and linings are almost never found in cremation graves. Cultural impulses associated with the penetration into Ancient Rus of certain elements of the Christian funeral rite, came from both Byzantium and the countries of Central and Northern Europe. One of such elements was the appearance in chamber burials of an additional structural part — a wooden coffin. Differences in the religious beliefs of the dead can be explained by the presence of biritual pair burials. Initially, the chamber rite was pagan in its essence. However, it was gradually used by neophytes among the ancient Rus elite, because the rite met the main requirement of Christian missionaries — denial of burning the dead. Some of the ceremonial features of “chambers with crosses”, such as sitting postures of the deceased or the presence of accompanying burial places for slaves and horses, can be regarded as manifestations of ethnosocial rather than religious awareness. Some of these burials were made after the christening of 988, which testifies to the strong rooting of traditional burial customs. Further study of chamber burials will provide new valuable information on the early stages of the Christianization of Ancient Rus.
本文致力于讨论古罗斯领土上维京时代墓室墓葬的宗教身份。特别注意的是在十字形吊坠和衬里的这种复合体中的发现;它们神圣的意义就此结束。这些发现的广泛背景被考虑在内:它们在埋葬设备中的位置,十字架与其他护身符的组合,其余设备的组成,尸体的位置,死者的年龄和性别组成,以及其他仪式特征。基督教的符号经常与拜占庭起源的人工制品结合在一起。如果十字架是项链的一部分,它会被放在一个中心位置。有些物品是专门为葬礼制作的。蜡蜡烛和拜占庭硬币吊坠也可以在室内埋葬中扮演基督教象征的角色。护身符,通常被认为是异教徒,很少在房间里找到。而十字形的吊坠和衬里几乎从来没有在火葬坟墓中发现过。与基督教葬礼仪式的某些元素渗透到古罗斯有关的文化冲动来自拜占庭和中欧和北欧国家。其中一个因素是在墓葬中出现了一个额外的结构部分——木棺材。死者的宗教信仰的差异可以解释为存在的夫妻葬礼。最初,室内仪式在本质上是异教的。然而,它逐渐被古代罗斯精英中的新手使用,因为这种仪式符合基督教传教士的主要要求-否认焚烧死者。“带十字架的房间”的一些仪式特征,如死者的坐姿或伴随的奴隶和马匹的墓地,可以被视为种族社会意识的表现,而不是宗教意识的表现。其中一些是在公元988年洗礼之后进行的,这证明了传统丧葬习俗的根深蒂固。对墓室埋葬的进一步研究将为古罗斯基督教化的早期阶段提供新的有价值的信息。
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引用次数: 0
Balkan-Danube Version of the Neolithization of Ukraine 巴尔干多瑙河版本的乌克兰新锂化
IF 1 4区 历史学 Pub Date : 2020-03-12 DOI: 10.15407/archaeologyua2020.01.005
L. Zaliznyak
The article deals with the problem of changing the concept of neolithization of the territory of Ukraine from the south-east, namely from the Caucasus to the south-west from the Danube region.
本文论述了乌克兰领土从东南部,即从高加索地区向多瑙河地区西南部转变新石器时代概念的问题。
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引用次数: 0
Technical and Morphological Signs of Limestone Processingat the Lower Palaeolithic Site Medzhybizh A Medzhybizh A旧石器时代晚期石灰岩加工的技术形态特征
IF 1 4区 历史学 Pub Date : 2020-03-12 DOI: 10.15407/archaeologyua2020.01.112
O. Naumenko, V. Stepanchuk
The task of identifying and analyzing the signs of intentional processing non-siliceous raw materials became relevant in European Palaeolithic studies only in recent years with the discovery of numerous sites, where such materials were widely used. This led to the need for experimental work focused on the study of the physical principles of knapping of non-siliceous raw materials and on the identification of its flaking capabilities. This article deals with the above range of issues in connection with numerous findings of artefacts prepared on non-siliceous raw materials in the lower layers of Medzhybizh A. The number of limestone findings on the area of 1,0 m2 in these layers constitutes, on average, 150—200 pieces. An abnormally large number of lime stone items were recorded in the 3D square at the level of the 2nd horizon of the V layer. Here, on an area of about 0.25 m2, 477 pieces were found, among which 56 complete and segmented pebbles (different in shape and size of individual fragments of limestone with eroded surface), 106 flakes and segments of such pebbles, as well as 304 amorphous fragments. Part of the objects in each of these groups can be attributed to the artefacts with varying degrees of confidence: 23, 81 and 5, respectively. The large number of artefacts and probable artefacts on local lime stones identified in layers V and VI of Medzhybizh A makes the task of searching for the objective definition of artefact-diagnostic criteria and, in general, studying the general regularities of knapping of the given kind of rock very urgent. The presence of refits allows studying technical and morphological features of archaeological items made of limestone. In this article the refitting with the greatest number of elements (nine) is analyzed in detail. At the same time a series of experiments was conducted on the processing of local limestones using various techniques, namely: anvil technique, bipolar on anvil technique, freehand. The raw materials base for experiments is consisted of objects without any signs of transformation found in the deposits containing artefacts of the V and VI layers, as well as pieces from the nearest exposed pebble conglomerate in the valley of the Vovk River at a distance of no more than 15 km from the site. Experiments on knapping local limestone have confirmed the splitting properties of the material. The ability of the local limestone to produce flakes with sharp edges will increase as the hardness and density of the material increases. Typically, flakes have sharp edges that are suitable for wood and bone processing. Experiments have shown that signs of intentional processing of lithic raw materials in freehand, bipolar on anvil and anvil techniques that are easily recognizable on siliceous rocks can also be used to identify anthropogenic modifications of limestone. However, since limestone has a relatively low level of isotropy, an anisotropic fracture, an uneven surface of negatives, insofar as these
识别和分析有意加工非硅质原材料的迹象的任务直到近年来才在欧洲旧石器时代的研究中变得相关,因为发现了许多此类材料被广泛使用的地点。这导致需要进行实验工作,重点是研究非硅质原料的物理原理和鉴定其剥落能力。本文讨论了上述一系列问题,这些问题与在Medzhybizh A下层的非硅质原材料上制备的大量人工制品有关。在这些层中1.0平方米面积上发现的石灰石数量平均为150-200件。在V层第二层水平的3D正方形中记录到异常大量的石灰石项目。在这里,在大约0.25m2的面积上,发现了477块卵石,其中56块完整且分段的卵石(具有侵蚀表面的石灰石碎片的形状和大小不同),106块此类卵石的薄片和分段,以及304块无定形碎片。这些组中的每一组中的部分物体都可以归因于具有不同置信度的人工制品:分别为23、81和5。在Medzhybizh A的第五层和第六层中发现的大量当地石灰石上的人工制品和可能的人工制品,使得寻找人工制品诊断标准的客观定义以及研究特定岩石破碎的一般规律的任务变得非常紧迫。复刻物的存在可以研究由石灰石制成的考古物品的技术和形态特征。在这篇文章中,详细分析了使用最多元素(九个)的改装。同时,采用砧座法、双极砧座法和徒手法对局部石灰石进行了一系列的加工实验。实验的原材料基础是在含有V层和VI层人工制品的矿床中发现的没有任何转变迹象的物体,以及距离现场不超过15公里的Vovk河流域最近的裸露卵石砾岩碎片。对当地石灰石的粉碎实验证实了这种材料的劈裂特性。随着材料硬度和密度的增加,当地石灰石产生具有锋利边缘的薄片的能力将增加。通常,薄片具有适合木材和骨骼加工的锋利边缘。实验表明,在硅质岩石上容易识别的徒手、双极砧座和砧座技术中有意加工石器原材料的迹象也可以用于识别石灰岩的人为变化。然而,由于石灰石的各向同性水平相对较低,各向异性断裂,底片表面不均匀,因此这些迹象很少表现出来。实验期间的观察以及对实验系列薄片的分析揭示了这种岩石类型的一些常见强制性标志。对实验产品和考古文物的技术和形态分析的比较表明,从Medzhybizh A的V层改装而来的石灰石卵石具有人工制品的性质。很可能是使用徒手技术来处理卵石,但一些元素可以通过砧座技术获得。在砧座上应用双极技术的可能性很小。总的来说,实验方法、技术类型学方法和技术动力学方法相结合的应用方法在旧石器时代晚期材料的研究中显示了重要的信息可能性。
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引用次数: 0
Bust Thymiateria and Cult of Dionysus in Olbia 俄比亚胸像和酒神崇拜
IF 1 4区 历史学 Pub Date : 2020-03-12 DOI: 10.15407/archaeologyua2020.01.039
T. Shevchenko
Among terracotta busts thymiateria in Olbia Pontica, there is a group of female images with attributes of Dionysiac cult. Ten of them have mitra and ivy wreath shown already in a mould, while two items have handmade wreath added to the ready images. Similarly made bust thymiateria are known in North Pontic Tauric Chersonesos, Nymphaeum, and Hermonassa, another one is known in South-Eastern Pontic region. Ivy wreaths made of handmade details on terracottas from various regions are discussed in the paper. The interpretation of a handmade cup on the head as a thymiaterion, but not a basket as it was known in the literature before, allowed expanding the map of spreading the bust thymiateria which were traditional for the Hellenistic Greek world. Such busts found in Olbia, apart from a Dionysiac personage, presented Aphrodite and rarely the Mother of the Gods. There is no definite answer which of Dionysiac companions is presented in such a way. Apart from Ariadne, Dionysus appeared in art with other paredras: Aphrodite, later with one of maenads or nymphs, and even with Semele who died earlier than he was born, according to the myth. The 2nd century BC inscription evidences that there was a statue of this god with his mother in Olbia. Therefore, there is a probability that close in time bust thymiateria depicted Semele. Most of terracottas analyzed in this paper were found in houses and referred to a family worship of Dionysus in Olbia, while one item comes from the botros at the Central Temenos. They accomplish the evidences of Dionysus’ cult in the Hellenistic period. The most vivid and spread of them were lead bucrania and labrises, terracotta bulls and votive altars with Dionysus, maenad and Silenus on one of their sides, etc. These terracottas were in fact the devices for performing the cult. Symbolic offerings or thymiam were put on them when Dionysus was worshipped. Less active spreading of incense did not require its burning and that is perhaps a reason why there are no traces of soot on most of them. This fact finds its parallels in other regions of Hellas.
在奥比亚·庞蒂卡的陶俑胸像中,有一组具有酒神崇拜属性的女性形象。其中10件已经在模具中展示了密特拉和常春藤花环,还有两件是在现成的图片上添加了手工花环。在北庞蒂克的陶瑞克·切尔索内索斯、尼法厄姆和赫尔蒙纳萨也发现了类似的胸胸像,在东南庞蒂克地区也发现了类似的胸胸像。本文讨论了在不同地区的陶土上手工制作常春藤花环的细节。将头上手工制作的杯子解释为胸腺胸廓,而不是之前文献中所说的篮子,这使得胸廓胸廓的传播版图得以扩大,胸廓胸廓是希腊化希腊世界的传统。在奥尔比亚发现的这些半身像,除了一个酒神的人物外,是阿芙罗狄蒂,很少是众神之母。酒神的同伴中哪一个以这种方式出现,没有明确的答案。除了阿里阿德涅之外,狄俄尼索斯还与其他父母一起出现在艺术中:阿芙罗狄蒂后来与一位女祭司或仙女在一起,甚至与塞墨勒在一起,根据神话,塞墨勒在他出生之前就去世了。公元前2世纪的铭文表明,在奥尔比亚有一尊这位神和他母亲的雕像。因此,有可能及时关闭胸腺胸腺以描绘塞梅尔。本文分析的大部分兵马俑都是在房屋中发现的,涉及到奥尔比亚的一个家庭对狄俄尼索斯的崇拜,而一件来自中央特米诺斯的botros。他们完成了希腊化时期酒神崇拜的证据。其中最生动、最广泛的是铅制的牛和牛,陶土制的公牛,以及两侧刻有狄俄尼索斯、梅纳德和西勒诺斯的祭坛等。这些陶俑实际上是祭礼的工具。当狄奥尼索斯被崇拜时,象征性的祭品或麝香酒被放在上面。不太活跃的熏香传播不需要燃烧,这也许是大多数熏香上没有烟灰痕迹的原因。这一事实在希腊的其他地区也有相似之处。
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引用次数: 2
Preface 前言
IF 1 4区 历史学 Pub Date : 2019-12-31 DOI: 10.1525/9780520954007-001
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引用次数: 0
6. Futures for Things: Memory Practices and Digital Translation 6. 事物的未来:记忆练习和数字翻译
IF 1 4区 历史学 Pub Date : 2019-12-31 DOI: 10.1525/9780520954007-007
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引用次数: 0
Frontmatter Frontmatter
IF 1 4区 历史学 Pub Date : 2019-12-31 DOI: 10.1525/9780520954007-fm
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引用次数: 0
期刊
ARCHAEOLOGY
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