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Them! Ingroup-outgroup dynamics in Flemish anti-woke discourses on X 他们!论X的佛兰德反觉醒话语中的群内群外动态
IF 2.3 2区 文学 Q1 COMMUNICATION Pub Date : 2025-04-15 DOI: 10.1016/j.dcm.2025.100886
Alexander Dhoest
Since the early 2020s, “woke” has emerged as a key term in culture war discourse in the U.S. and internationally. A key characteristic of this discourse is the sharp opposition between “us” and “them”, anti-woke actors presenting “the woke movement” as radically other. Drawing on international literature on social and media discourses about woke, this paper analyses the way #woke is used on X in Flanders, Dutch-language Belgium. While analyses of Belgian legacy media disclose balance in reporting on woke, this paper analyses X as a more anonymous setting with less content moderation and a tendency towards incivility. Using a combination of quantitative content analysis and qualitative thematic analysis, all Flemish tweets introducing #woke on X in 2023 are analysed (N = 449). The paper explores the overarching tone and dominant actors in these tweets, which actors tweet most negatively about woke, and how “us” and “them” are constructed in anti-woke discourse. The results show that most of the tweets (61.2 %) are negative, and that citizens are the most important actors (83.7 %). While politicians constitute a minority of the users tweeting #woke (11.4 %), right-wing politicians tweet most negatively about woke (97.2 %). The qualitative analysis of anti-woke tweets discloses a chain of equivalence creating a sharp opposition between “us” and “them”, whereby the former is mostly implicitly defined as the opposite of the latter. These tweets address an affective public, an imagined community defending “our freedom” (against cancel culture), “our nation” (against racial and religious others) and “ordinary people” (against elites).
自20世纪20年代初以来,“觉醒”已经成为美国和国际文化战争话语中的一个关键术语。这种话语的一个关键特征是“我们”和“他们”之间的尖锐对立,反觉醒的行动者将“觉醒运动”呈现为激进的他者。本文借鉴国际上关于社会和媒体话语的文献,分析了在荷兰语比利时的佛兰德斯,#woke在X上的使用方式。虽然对比利时传统媒体的分析揭示了在报道觉醒时的平衡,但本文将X分析为一个更加匿名的设置,内容节制较少,倾向于不文明。采用定量内容分析和定性主题分析相结合的方法,对2023年所有介绍#woke on X的佛兰德语推文进行了分析(N = 449)。本文探讨了这些推文的总体基调和主导角色,哪些角色对觉醒的推文最负面,以及“我们”和“他们”是如何在反觉醒话语中构建的。结果显示,大多数推文(61.2%)是负面的,而公民是最重要的行动者(83.7%)。虽然政客在推特用户中占少数(11.4%),但右翼政客在推特上对觉醒的负面评价最多(97.2%)。对反觉醒推文的定性分析揭示了一条对等链,在“我们”和“他们”之间形成了尖锐的对立,前者大多被含蓄地定义为后者的对立面。这些推文针对的是一个有情感的公众,一个想象中的社区,捍卫“我们的自由”(反对取消文化)、“我们的国家”(反对种族和宗教其他人)和“普通人”(反对精英)。
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引用次数: 0
How are far-right online communities using X/Twitter Spaces? Discourse, communication, sharing 极右翼网络社区如何使用X/Twitter空间?话语、交流、分享
IF 2.3 2区 文学 Q1 COMMUNICATION Pub Date : 2025-04-11 DOI: 10.1016/j.dcm.2025.100884
Kurt Sengul
This paper presents the first scholarly study of the use of X/Twitter Spaces by far-right online communities. SpacesX/Twitter’s live audio-based platform — has become an increasingly prominent tool in the far-right’s digital communication ecosystem in recent years. The popularity of Spaces with far-right users has increased in the wake of Elon Musk’s acquisition of Twitter in 2022 which signalled a marked rightward shift in the platform’s governance, particularly its techno-libertarian, ‘free speech absolutist’ approach to content moderation. Through a netnography and critical discourse analysis of (n = 41) Spaces sessions from January to July 2024, this paper critically examines how online far-right communities are using the voice-mediated affordance. In particular, this research explores the discursive practices and sharing strategies employed by individuals to propagate extreme and radical ideas, as well as to cultivate group membership, collective identity, and intersubjectivity. The findings demonstrate that Spaces are being used by a diverse range of far-right online communities and subcultures to promulgate conspiracy theories and radical and extreme ideological content. However, the findings also revealed a high degree of apolitical, non-ideological, and more everyday sharing practices. This paper broadens our empirical understanding of how Spaces are being instrumentalised by reactionary communities, and the role of voice-mediated affordances in the amplification, socialisation, recruitment, and radicalisation of far-right ideas globally.
本文首次对极右翼在线社区使用X/Twitter空间进行了学术研究。space——X/Twitter的实时音频平台——近年来已成为极右翼数字通信生态系统中日益突出的工具。在埃隆·马斯克(Elon Musk)于2022年收购Twitter之后,极右翼用户的空间越来越受欢迎,这标志着该平台的治理出现了明显的右倾转变,尤其是其技术自由主义、“言论自由绝对主义”的内容管理方式。通过对2024年1月至7月的(n = 41)次空间会议的网络学和批判性话语分析,本文批判性地考察了在线极右翼社区如何使用语音介导的信息。本研究特别探讨了个体在传播极端激进思想、培养群体成员、集体认同和主体间性方面所采用的话语实践和分享策略。研究结果表明,各种极右翼网络社区和亚文化正在利用这些空间来传播阴谋论和激进极端的意识形态内容。然而,调查结果也揭示了高度的非政治、非意识形态和更多的日常分享行为。本文拓宽了我们对空间如何被反动社区工具化的经验理解,以及语音介导的启示在全球极右翼思想的放大、社会化、招募和激进化中所起的作用。
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引用次数: 0
Synergetic developments in digital discourse methods: Introduction 数字话语方法的协同发展:导论
IF 2.3 2区 文学 Q1 COMMUNICATION Pub Date : 2025-04-10 DOI: 10.1016/j.dcm.2025.100882
Jannis Androutsopoulos
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引用次数: 0
What’s algorithms got to do with it? Exploring Black Women’s pursuit of Black love on dating apps 算法和它有什么关系?探索黑人女性在约会软件上对黑人爱情的追求
IF 2.3 2区 文学 Q1 COMMUNICATION Pub Date : 2025-03-21 DOI: 10.1016/j.dcm.2025.100881
Jasmine Banks , Mel Monier , Ariana Samuel
This study applies intersectionality and Critical Technocultural Discourse Analysis (CTDA) to examine Black women’s experiences with online dating apps and the socio-technical structures that shape their romantic possibilities. While dating apps claim to expand access to romantic connections, their algorithmic systems and user engagement metrics systematically structure desirability hierarchies, reinforcing racial bias and exclusion. Through in-depth interviews with 20 Black women between ages 18 and 30, we explore how Black women define, seek, and experience Black love in digital spaces, revealing the tensions between cultural aspirations for Black partnership and the technological infrastructures that undermine them. Findings show that Black love is not just a personal or cultural ideal but a site of ideological negotiation where algorithmic bias, platform affordances, and broader social hierarchies dictate who is seen, desired, and chosen. Participants describe the emotional labor of self-surveillance, strategic self-presentation, and adaptation, yet many also express doubts about whether Black love is truly possible in spaces designed to marginalize them. Still, they challenge and reimagine Black love, resisting the structures that seek to limit their romantic possibilities. This study contributes to broader conversations on race, technology, and intimacy, urging a critical reassessment of dating apps, especially for Black users.
本研究运用交叉性和批判性技术文化话语分析(CTDA)来研究黑人女性使用在线约会应用程序的经历,以及塑造她们浪漫可能性的社会技术结构。虽然约会应用声称可以扩大人们接触浪漫关系的机会,但它们的算法系统和用户参与度指标系统地构建了理想等级,强化了种族偏见和排斥。通过对20名年龄在18至30岁之间的黑人女性的深度访谈,我们探讨了黑人女性如何在数字空间中定义、寻求和体验黑人之爱,揭示了黑人伙伴关系的文化愿望与破坏它们的技术基础设施之间的紧张关系。研究结果表明,黑人之爱不只是一种个人或文化理想,而是一种意识形态谈判的场所,在这里,算法偏见、平台支持和更广泛的社会等级决定了谁被看到、渴望和选择。参与者描述了自我监督、战略性自我表现和适应的情感劳动,但许多人也表达了对黑人爱情是否真的可能在被设计为边缘化的空间中存在的怀疑。尽管如此,他们仍然挑战和重新想象黑人的爱情,抵制那些试图限制他们浪漫可能性的结构。这项研究促进了关于种族、技术和亲密关系的更广泛的讨论,敦促人们对约会应用程序进行批判性的重新评估,尤其是对黑人用户。
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引用次数: 0
Digital panda nationalism: Constructing nationalist discourse through metaphors in Chinese social media 数字熊猫民族主义:通过隐喻构建中国社交媒体中的民族主义话语
IF 2.3 2区 文学 Q1 COMMUNICATION Pub Date : 2025-03-12 DOI: 10.1016/j.dcm.2025.100869
Chunyan Huang , Haiyan Wang
By analyzing the metaphors used in Weibo discussions about the giant panda Ya Ya’s travails in the United States in 2023, this study illuminates how Chinese netizens construct nationalist discourse on social media platforms. Employing the method of Critical Metaphor Analysis (CMA), we explore how nationalism is articulated through both personification and de-personification discourse strategies in the shape of metaphor. We find that the giant panda, as China’s national symbol, is personified to evoke empathy and to unite Chinese netizens in opposition to the United States. This personification also serves to map China’s humiliating historical experiences with its powerful present, reinforcing national dignity. The binary personification of a positive in-group (China) versus a negative out-group (the United States) strengthens Chinese netizens' national identity. Meanwhile, the United States and its citizens are degraded as negatively connotated animals such as dogs and pigs, objects such as rubbish and mildew, and even evil, through dehumanizing metaphors. Mediated by Weibo mechanisms, dichotomous discourse amplifies the spread of nationalism and mobilizes netizens to engage in petitions. Overall, this study contributes to understanding digital nationalism and Sino-US relations from a micro-discursive perspective.
本研究通过分析2023年大熊猫“丫丫”在美国遭遇的微博讨论中使用的隐喻,说明中国网民如何在社交媒体平台上构建民族主义话语。本文运用批判隐喻分析的方法,探讨了民族主义是如何通过隐喻形式的拟人化和去拟人化话语策略来表达的。我们发现,大熊猫作为中国的国家象征,被人格化是为了唤起共鸣,团结中国网民反对美国。这种人格化也有助于将中国屈辱的历史经历与强大的现在联系起来,增强民族尊严。积极的内群体(中国)和消极的外群体(美国)的二元人格化强化了中国网民的国家认同。与此同时,通过非人性化的隐喻,美国及其公民被贬低为具有负面内涵的动物,如狗和猪,垃圾和霉菌等物体,甚至邪恶。在微博机制的中介下,二元话语放大了民族主义的传播,动员网民参与上访。总体而言,本研究有助于从微观话语的角度理解数字民族主义与中美关系。
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引用次数: 0
“View profiles without pronouns”: The politics and discourse of ‘anti-woke’ right-wing dating app, The Right Stuff “不使用代词查看个人资料”:“反觉醒”右翼约会应用The Right Stuff的政治和话语
IF 2.3 2区 文学 Q1 COMMUNICATION Pub Date : 2025-03-04 DOI: 10.1016/j.dcm.2025.100876
Kurt Sengul
This paper critically analyses the so-called “anti-woke” conservative dating app, The Right Stuff. Launched in September 2022, The Right Stuff was co-founded by former Trump aide and Project 2025 staffer, John McEntee, and financially supported by rightwing billionaire investor Peter Thiel. The app was created for conservatives to connect in “authentic and meaningful ways”, given that other dating apps have allegedly “gone woke”. The invitation only dating app is designed exclusively for heterosexual users, and boasts of only offering binary she/he pronouns. Indeed, The Right Stuff’s advertising campaign mocks the inclusive and diverse affordances of other dating apps, including Tinder and Bumble. However, the app has struggled to gain traction with conservative users with media reports noting a substantial drop-off in downloads since September 2022, despite being promoted by prominent right-wing influencers such as Kyle Rittenhouse. Moreover, the app has been criticised by users for a lack of women using the platform. Drawing on a Critical Discourse Analysis (CDA) of The Right Stuff’s website, TikTok promotional materials, and YouTube channel, this paper explores how exclusion is built into the app’s promotion and claims about its digital architecture, and the associated implications for online dating in the future. This paper argues that The Right Stuff is a manifestation of the broader political polarisation of politics in the United States, and the intersection of politics and intimacy. Moreover, despite The Right Stuff’s apparent failure, it is clear that politically based dating apps will proliferate in the future. This paper aims to contribute to our growing understanding of the role of politics in digitally mediated dating.
本文批判性地分析了所谓的“反觉醒”保守约会应用程序“正确的东西”。The Right Stuff成立于2022年9月,由特朗普的前助手、2025计划的工作人员约翰·麦肯蒂共同创立,并得到了右翼亿万富翁投资者彼得·蒂尔的资助。这款应用是为保守派人士打造的,目的是让他们以“真实而有意义的方式”联系,因为其他约会应用据称已经“醒了”。这款只接受邀请的约会应用专为异性恋用户设计,并声称只提供二元代词“她/他”。事实上,The Right Stuff的广告宣传活动对Tinder和Bumble等其他约会应用的包容性和多样性进行了嘲笑。然而,这款应用一直难以吸引保守派用户,媒体报道称,自2022年9月以来,该应用的下载量大幅下降,尽管它得到了凯尔·里滕豪斯(Kyle Rittenhouse)等著名右翼影响者的推广。此外,该应用还因缺少女性用户而受到用户的批评。通过对The Right Stuff网站、TikTok宣传材料和YouTube频道的批判性话语分析(CDA),本文探讨了如何将排斥融入到应用程序的推广和对其数字架构的主张中,以及对未来在线约会的相关影响。本文认为,《正确的东西》是美国政治更广泛的政治两极分化的表现,是政治与亲密关系的交集。此外,尽管The Right Stuff显然失败了,但很明显,基于政治的约会应用将在未来激增。本文旨在帮助我们加深对政治在数字媒介约会中的作用的理解。
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引用次数: 0
The use of multimodal interactional metadiscourse for CSR communication on Chinese companies’ corporate websites 多模态互动元话语在中国企业网站CSR传播中的应用
IF 2.3 2区 文学 Q1 COMMUNICATION Pub Date : 2025-02-22 DOI: 10.1016/j.dcm.2025.100868
Wenjuan Xu , Xingsong Shi
This study aims to examine how multimodal interactional metadiscourse are used for CSR communication on Chinese companies’ websites. The corpus consists of 153 CSR webpages presented by 30 leading Chinese energy, metal, equipment, and chemistry companies on their English websites. The results indicate that the CSR webpages are rich in interactional metadiscourse devices, with engagement markers and attitude markers being the most salient ones. A variety of non-textual markers, such as pictures, videos, company logos, icons, facial expressions, interaction-initiating resources, are deployed along with textual markers to achieve the promotional and persuasive purposes of the genre. The results reveal the characteristics of employing digital media for business communication, adding more interactivity, visibility, and creativity in the construction of CSR discourse. The study may enrich business discourse literature by introducing a multimodal framework to explore interpersonal resources used in digital business genres.
本研究旨在探讨多模态互动元话语如何在中国企业网站上用于企业社会责任传播。该语料库收录了中国30家领先的能源、金属、设备和化工企业在其英文网站上发布的153个CSR网页。结果表明,企业社会责任网页具有丰富的交互性元话语装置,其中参与度标记和态度标记最为突出。各种各样的非文本标记,如图片、视频、公司标志、图标、面部表情、互动启动资源,与文本标记一起被部署,以达到该类型的宣传和说服目的。研究结果揭示了利用数字媒体进行企业传播的特点,在企业社会责任话语构建中增加了更多的互动性、可视性和创造性。通过引入多模态框架来探索数字商务体裁中使用的人际资源,本研究可以丰富商务语篇文献。
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引用次数: 0
How the nature of social media platforms supports faulty knowledge production by influencers: The case of nutrition guidance for mothers on Chinese social media 社交媒体平台的性质如何支持网红的错误知识生产:以中国社交媒体上的妈妈营养指导为例
IF 2.3 2区 文学 Q1 COMMUNICATION Pub Date : 2025-02-21 DOI: 10.1016/j.dcm.2025.100866
David Machin , Per Ledin , Wenting Zhao
Using the case of nutrition influencers on Chinese Weibo, this paper considers how social media platforms shape knowledge production and the representation of expertise. It is known that members of the public now mainly obtain information about health, illness on social media, chiefly through social media influencers. This creates concern for health professionals, given that such information tends to be highly misleading. Here we use multimodal critical discourse analysis, to analyse a sample of Weibo hashtags, to learn more about, not so much how this knowledge is incorrect, but how social media platforms themselves foster forms of knowledge where accuracy and clarity of knowledge in relation to details of issues, objectives and causalities is not favoured. We find a form of faux-expertise, which is legitimized through vaguer small stories about everyday life where the solutions presented are absent of clear problem-identification and of causal connections. We ask what this means as social media platforms become colonized ways of sharing and engaging with all forms of knowledge in our societies.
本文以中国微博上的营养影响者为例,研究了社交媒体平台如何塑造知识生产和专业知识的表现。众所周知,公众现在主要通过社交媒体上的影响者获取有关健康、疾病的信息。这引起了卫生专业人员的关注,因为这类信息往往极具误导性。在这里,我们使用多模态批评话语分析来分析微博标签样本,更多地了解,不是这些知识是如何不正确的,而是社交媒体平台本身是如何培养知识形式的,在这些形式中,与问题、目标和因果关系的细节相关的知识的准确性和清晰度是不受欢迎的。我们发现了一种虚假的专业知识,它通过关于日常生活的模糊的小故事来合法化,其中提出的解决方案缺乏明确的问题识别和因果关系。我们想知道,随着社交媒体平台成为我们社会中分享和参与各种形式知识的殖民方式,这意味着什么。
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引用次数: 0
“Mocking people for stupid opinions is not fun. Also it’s bad for business.” From using humour for webcare to polarization “嘲笑别人愚蠢的观点一点都不好玩。而且这对生意也不好。”从利用幽默进行网络护理到两极分化
IF 2.3 2区 文学 Q1 COMMUNICATION Pub Date : 2025-02-20 DOI: 10.1016/j.dcm.2025.100862
Ursula Lutzky , Mhairi Rundell
Today companies are encouraged to communicate with a sense of humour when interacting with stakeholders online, and they increasingly take sides on contested issues by engaging in corporate social advocacy. While both approaches to digital business discourse may have benefits, they may equally polarize. This study explores the use of a digital discourse strategy that combines using humour with taking part in socio-political debates to find out to what extent their combination fuels polarization and entails negative outcomes. Using a corpus linguistic methodology, this study explores a 4.5-million-word corpus of tweets posted by and addressed to the budget airline Ryanair between October 2020 and March 2023, when the airline increasingly used aggressive humour and took a stance on socio-political issues in its posts. The findings show that the topics Ryanair engaged with, often in a humorous manner, entailed heated discussions on Twitter, with several words pertaining to the respective topics being key in the corpus. At the same time, they resulted in dividing its client base, with some stakeholders explicitly expressing their appreciation of its discursive approach and others deploring it. While humour may thus enhance the polarizing effect of corporate social advocacy, it may also lead to increased user engagement with stakeholders frequently commenting on and talking about brand posts. Ultimately, the success of a company’s digital discourse strategy will be influenced by the interplay between its brand identity, the context of communication and the specific type of user engagement behaviour it intends to spark.
如今,企业在与利益相关者在线互动时被鼓励以幽默感进行交流,它们越来越多地通过参与企业社会倡导,在有争议的问题上表明立场。虽然这两种数字化商业话语的方式都可能有好处,但它们可能同样两极分化。本研究探讨了将幽默与参与社会政治辩论相结合的数字话语策略的使用,以找出它们的结合在多大程度上加剧了两极分化并带来了负面结果。本研究使用语料库语言学方法,研究了廉价航空公司瑞安航空(Ryanair)在2020年10月至2023年3月期间发布和发送的450万字推文语料库,当时该航空公司越来越多地使用攻击性幽默,并在其帖子中表明了对社会政治问题的立场。调查结果显示,瑞安航空所涉及的话题通常以幽默的方式在推特上引发了热烈的讨论,语料库中有几个与各自主题相关的词是关键。同时,它们导致了其客户基础的分裂,一些利益相关者明确地表达了他们对其话语方法的赞赏,而另一些人则谴责它。虽然幽默可能因此增强企业社会宣传的两极分化效应,但它也可能导致用户参与增加,利益相关者经常评论和谈论品牌帖子。最终,公司数字话语战略的成功将受到其品牌标识、传播背景和它打算激发的特定类型的用户参与行为之间的相互作用的影响。
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引用次数: 0
Social media and the new canon of use for social protest: The case of cutting hair to show solidarity with the women of Iran 社交媒体和社会抗议的新标准:剪头发以示对伊朗妇女的声援
IF 2.3 2区 文学 Q1 COMMUNICATION Pub Date : 2025-02-09 DOI: 10.1016/j.dcm.2025.100867
Gwen Bouvier, Shangran Jin
Social media platforms now play a major role in how societies debate social and political issues. Yet scholars have shown concern in regard to how the affordances of social media give form to such debate, shaping not only how we interact and engage with ideas, but also the very nature of the ideas themselves, notably where nuance becomes difficult and where bolder statements and shows of emotion are favored. In this paper, using Multimodal Critical Discourse Analysis, we consider a trending feed from X in 2022, centred on the hashtag #MahsaAmini, which carried images of women cutting their hair in response to the death of a young woman in Iran at the hands of the security police. We reveal how the hashtag represents the highly complex situation in Iran through buzzwords and symbolism, and an ethnocentric discourse of gender empowerment. We explore how the affordances of social media as a material of communication have formed canons of use, or standardized social practices for social protest, where clear detail and purpose is lost behind collective moral display. Given that such hashtags can now have a leading role in agenda setting, this has consequences for the kinds of social and political discourses that come to occupy public space.
社交媒体平台现在在社会如何讨论社会和政治问题方面发挥着重要作用。然而,学者们对社交媒体的支持如何为这种辩论提供形式表示关注,这不仅影响了我们与思想的互动和参与方式,还影响了思想本身的本质,特别是在细微差别变得困难的地方,以及在更大胆的陈述和情感表达受到青睐的地方。在本文中,使用多模态批评话语分析,我们考虑了2022年来自X的趋势feed,以#MahsaAmini标签为中心,其中包含女性剪头发的图像,以回应伊朗一名年轻女子在安全警察手中的死亡。我们揭示了这个标签如何通过流行语和象征主义,以及性别赋权的种族中心主义话语,来代表伊朗高度复杂的局势。我们探讨了社交媒体作为一种传播材料的能力如何形成了社会抗议的使用规范或标准化的社会实践,在这种情况下,清晰的细节和目的在集体道德展示背后消失了。鉴于这些标签现在可以在议程设置中发挥主导作用,这对占据公共空间的各种社会和政治话语产生了影响。
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引用次数: 0
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Discourse Context & Media
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