Pub Date : 2022-10-10DOI: 10.1177/14687976221129643
A. Young
The purpose of this study is to delve into the range of ways that acceptable public discourse and reconciliatory language impact Rwandan memorial space and its various stakeholders. The goal is to interrogate the dissonance between the more commonly researched practices of Rwanda genocide tourism industry (the curated and controlled narratives formulated within the national memorial and its satellite sites) and that of the banal, every day, and even disavowed sites (such as unmarked burial and crematorium sites) of genocide that carry an immense amount of meaning within local communities. By looking at national genocide sites, as well as their “forgotten echoes” strewn across the Rwandan countryside, it is clear that multipurpose (and multi-meaning) use of public/private space in Rwanda problematizes simplistic unificatory narratives used by the government and international community.
{"title":"Dark tourism and Rwandan media industries: Promoting nation and the mythology of memory","authors":"A. Young","doi":"10.1177/14687976221129643","DOIUrl":"https://doi.org/10.1177/14687976221129643","url":null,"abstract":"The purpose of this study is to delve into the range of ways that acceptable public discourse and reconciliatory language impact Rwandan memorial space and its various stakeholders. The goal is to interrogate the dissonance between the more commonly researched practices of Rwanda genocide tourism industry (the curated and controlled narratives formulated within the national memorial and its satellite sites) and that of the banal, every day, and even disavowed sites (such as unmarked burial and crematorium sites) of genocide that carry an immense amount of meaning within local communities. By looking at national genocide sites, as well as their “forgotten echoes” strewn across the Rwandan countryside, it is clear that multipurpose (and multi-meaning) use of public/private space in Rwanda problematizes simplistic unificatory narratives used by the government and international community.","PeriodicalId":47199,"journal":{"name":"Tourist Studies","volume":null,"pages":null},"PeriodicalIF":2.4,"publicationDate":"2022-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44717337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-27DOI: 10.1177/14687976221115230
Zhiyuan Yu, Mengfan Na
Volunteer tourism is an increasingly popular activity in different parts of the world. The main purpose of this study is to investigate the experiential value of Chinese college students in volunteer tourism. Participant reports were used for qualitative research to explore the experiential value of 57 Chinese students participating in the AIESEC Global Volunteer Program. Research results based on the Interaction Ritual Chains Theory show that “role identification,” “authenticity”, and “interactivity” are the main experiences of interactive rituals. This research distinguishes five dimensions of volunteer tourism experiential value: emotional value, conversational value, cognitive value, esthetic value, and symbolic value.
{"title":"Experiential value of volunteer tourism: The perspective of interaction ritual chains","authors":"Zhiyuan Yu, Mengfan Na","doi":"10.1177/14687976221115230","DOIUrl":"https://doi.org/10.1177/14687976221115230","url":null,"abstract":"Volunteer tourism is an increasingly popular activity in different parts of the world. The main purpose of this study is to investigate the experiential value of Chinese college students in volunteer tourism. Participant reports were used for qualitative research to explore the experiential value of 57 Chinese students participating in the AIESEC Global Volunteer Program. Research results based on the Interaction Ritual Chains Theory show that “role identification,” “authenticity”, and “interactivity” are the main experiences of interactive rituals. This research distinguishes five dimensions of volunteer tourism experiential value: emotional value, conversational value, cognitive value, esthetic value, and symbolic value.","PeriodicalId":47199,"journal":{"name":"Tourist Studies","volume":null,"pages":null},"PeriodicalIF":2.4,"publicationDate":"2022-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43777794","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-13DOI: 10.1177/14687976221090728
Apoorva Nanjangud, S. Reijnders
Around the world, cities and regions are welcoming tourists after being in the spotlight of popular movies, games, novels, TV series or other forms of popular media culture. Popular Hindi cinema (Bollywood) too has long impacted destination imaginaries and the ensuing travels. What remains scarce in existing research is how its crucial component – Filmi-songs – impacts tourists’ imaginaries of a destination, and consequently how they perform their travels. This study investigates the role and significance of filmi-songs in tourism practices, by focussing on the case-study of ‘Gerua’ from the film ‘Dilwale’ (2015), after which Iceland experienced a rise in Indian tourism. Employing 18 in-depth interviews with tourists, but also various local stakeholders in the business of media-tourism, this study attempts to understand what impact Bollywood songs have on travel motivations of its audiences, how tourists experience the filmi-song location on-site, and finally how the phenomenon is perceived and evaluated by local stakeholders in Iceland. Results show that filmi-song tourists are actively engaged in reconstructing scenes from their beloved filmi-songs by indulging in shot re-creations and song re-enactments. By drawing links between Bollywoodized narratives and locations in Iceland, and by sharing these performances online, these tourist practices contribute to the imaginative heritage of Iceland in the global imagination.
{"title":"On the Tracks of Musical Screenscapes: Analysing the Emerging Phenomenon of Bollywood Filmi-song Tourism in Iceland","authors":"Apoorva Nanjangud, S. Reijnders","doi":"10.1177/14687976221090728","DOIUrl":"https://doi.org/10.1177/14687976221090728","url":null,"abstract":"Around the world, cities and regions are welcoming tourists after being in the spotlight of popular movies, games, novels, TV series or other forms of popular media culture. Popular Hindi cinema (Bollywood) too has long impacted destination imaginaries and the ensuing travels. What remains scarce in existing research is how its crucial component – Filmi-songs – impacts tourists’ imaginaries of a destination, and consequently how they perform their travels. This study investigates the role and significance of filmi-songs in tourism practices, by focussing on the case-study of ‘Gerua’ from the film ‘Dilwale’ (2015), after which Iceland experienced a rise in Indian tourism. Employing 18 in-depth interviews with tourists, but also various local stakeholders in the business of media-tourism, this study attempts to understand what impact Bollywood songs have on travel motivations of its audiences, how tourists experience the filmi-song location on-site, and finally how the phenomenon is perceived and evaluated by local stakeholders in Iceland. Results show that filmi-song tourists are actively engaged in reconstructing scenes from their beloved filmi-songs by indulging in shot re-creations and song re-enactments. By drawing links between Bollywoodized narratives and locations in Iceland, and by sharing these performances online, these tourist practices contribute to the imaginative heritage of Iceland in the global imagination.","PeriodicalId":47199,"journal":{"name":"Tourist Studies","volume":null,"pages":null},"PeriodicalIF":2.4,"publicationDate":"2022-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43796349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-05DOI: 10.1177/14687976221096912
Anna de Jong, G. Waitt
Human intentionality forms just one aspect in understanding the tourist’s engagement with food, and yet tends to dominate food tourism research; whilst food itself tends to remain somewhat ‘passive stuff’. A focus on the active presence of food we argue is rare in food tourism scholarship. This paper thus explores how tourist scholars offering insights into the practices and experiences of eating in tourism contexts have taken to spatial and relational approaches to explore what it means to eat during travel. We argue that tourist studies literature on food holds the potential to unlock the complexity of what tourists eat, and why. We do this by discussing two broad ‘spatial turns’ relating to tourism geographies of eating as relational. In doing this we attend to questions of how things become food through attunement to sociospatial-material relationships, experiences and situated practices. We show how these two relational approaches offer exciting research agendas that rethink food tourism not as a predetermined, structured human experience or touristic agenda – but as something that is ongoing, and made through individuals’ sensorial engagement with the social and material world.
{"title":"Contingent and affective disruptions: Towards relational tourism geographies of what makes things food","authors":"Anna de Jong, G. Waitt","doi":"10.1177/14687976221096912","DOIUrl":"https://doi.org/10.1177/14687976221096912","url":null,"abstract":"Human intentionality forms just one aspect in understanding the tourist’s engagement with food, and yet tends to dominate food tourism research; whilst food itself tends to remain somewhat ‘passive stuff’. A focus on the active presence of food we argue is rare in food tourism scholarship. This paper thus explores how tourist scholars offering insights into the practices and experiences of eating in tourism contexts have taken to spatial and relational approaches to explore what it means to eat during travel. We argue that tourist studies literature on food holds the potential to unlock the complexity of what tourists eat, and why. We do this by discussing two broad ‘spatial turns’ relating to tourism geographies of eating as relational. In doing this we attend to questions of how things become food through attunement to sociospatial-material relationships, experiences and situated practices. We show how these two relational approaches offer exciting research agendas that rethink food tourism not as a predetermined, structured human experience or touristic agenda – but as something that is ongoing, and made through individuals’ sensorial engagement with the social and material world.","PeriodicalId":47199,"journal":{"name":"Tourist Studies","volume":null,"pages":null},"PeriodicalIF":2.4,"publicationDate":"2022-05-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46741632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-03DOI: 10.1177/14687976221092169
Vassilios Ziakas, R. Tzanelli, Christine Lundberg
Contrary to the common compartmentalization of popular culture and events to specialized forms of fandom-induced tourism (e.g. film-, music-, sport-tourism), event-tourism spaces may also derive from blending different genres that enable symbiotic effects, for example, between sport and art. This paper provides a theoretical analysis of how event-tourism is interwoven and merged with sporting and cinematic popular culture, thereby creating a compound milieu for sport traveling aficionados that we name an “Interscopic Fan Travelscape” (IFT). To ground our analysis, we use the example of a participatory sport event that blends organically sporting and cinematic facets of popular culture. This is a free-diving event, hosted in the Greek island of Amorgos, and commemorating the 1988 “Big Blue” film, which was primarily shot in Amorgos. Our conceptual framework provides a comprehensive understanding of composite popular culture settings and devoted fan-travel by integrating perspectives of neo-tribalism, serious leisure, fan pilgrimage and event-tourism.
与流行文化和活动与粉丝引发的特殊旅游形式（如电影、音乐、体育旅游）的共同划分相反，活动旅游空间也可能源于不同类型的融合，从而实现共生效应，例如体育和艺术之间的共生效应。本文对赛事旅游如何与体育和电影流行文化交织融合进行了理论分析，从而为体育旅游爱好者创造了一个复合环境，我们称之为“Interscope Fan Travelscape”（IFT）。为了支持我们的分析，我们使用了一个参与式体育赛事的例子，该赛事将流行文化的体育和电影方面有机地融合在一起。这是一项自由潜水活动，在希腊阿莫尔戈斯岛举办，纪念1988年主要在阿莫尔戈斯拍摄的《蓝色巨人》电影。我们的概念框架通过整合新部落主义、严肃休闲、粉丝朝圣和活动旅游的视角，对复合流行文化背景和忠实粉丝旅行提供了全面的理解。
{"title":"Interscopic fan travelscape: Hybridizing tourism through sport and art","authors":"Vassilios Ziakas, R. Tzanelli, Christine Lundberg","doi":"10.1177/14687976221092169","DOIUrl":"https://doi.org/10.1177/14687976221092169","url":null,"abstract":"Contrary to the common compartmentalization of popular culture and events to specialized forms of fandom-induced tourism (e.g. film-, music-, sport-tourism), event-tourism spaces may also derive from blending different genres that enable symbiotic effects, for example, between sport and art. This paper provides a theoretical analysis of how event-tourism is interwoven and merged with sporting and cinematic popular culture, thereby creating a compound milieu for sport traveling aficionados that we name an “Interscopic Fan Travelscape” (IFT). To ground our analysis, we use the example of a participatory sport event that blends organically sporting and cinematic facets of popular culture. This is a free-diving event, hosted in the Greek island of Amorgos, and commemorating the 1988 “Big Blue” film, which was primarily shot in Amorgos. Our conceptual framework provides a comprehensive understanding of composite popular culture settings and devoted fan-travel by integrating perspectives of neo-tribalism, serious leisure, fan pilgrimage and event-tourism.","PeriodicalId":47199,"journal":{"name":"Tourist Studies","volume":null,"pages":null},"PeriodicalIF":2.4,"publicationDate":"2022-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48490851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-03DOI: 10.1177/14687976221096216
Yan Yuan
This article uses investigations into two villages to scrutinise the politics of space and visuality in the top-down development of nostalgia tourism across the Chinese countryside engineered by the government since 2014. It goes beyond the debate between the representational and non-representational approaches in tourist landscape studies and proposes the concept of ‘embodied scopic regimes’ as a more nuanced framework of analysis. It is argued that the landscape production in the current development of nostalgia tourism in China is featured by the coexistence and entanglement of three different embodied scopic regimes: ‘stop/gaze regime’, ‘flâneur/glance regime’ and ‘choraster/spectacle regime’. Each regime produces a unique fashion of visual pleasure and distinct mode of physical movements, manifested and afforded by different sets of cultural technologies. The operation of these multiple regimes also diversifies the meanings of nostalgia that these tourist sites claim to represent, which allows the overlapping between ‘reflective nostalgia’ and ‘restorative nostalgia’ in the same space. Based on this unique case, the article engages with the ‘landscape debate’ in critical tourist studies and extends the common ground between the two seemingly oppositional approaches.
{"title":"One village, many nostalgias: The entanglements of embodied scopic regimes in the landscape production of Chinese nostalgia tourism","authors":"Yan Yuan","doi":"10.1177/14687976221096216","DOIUrl":"https://doi.org/10.1177/14687976221096216","url":null,"abstract":"This article uses investigations into two villages to scrutinise the politics of space and visuality in the top-down development of nostalgia tourism across the Chinese countryside engineered by the government since 2014. It goes beyond the debate between the representational and non-representational approaches in tourist landscape studies and proposes the concept of ‘embodied scopic regimes’ as a more nuanced framework of analysis. It is argued that the landscape production in the current development of nostalgia tourism in China is featured by the coexistence and entanglement of three different embodied scopic regimes: ‘stop/gaze regime’, ‘flâneur/glance regime’ and ‘choraster/spectacle regime’. Each regime produces a unique fashion of visual pleasure and distinct mode of physical movements, manifested and afforded by different sets of cultural technologies. The operation of these multiple regimes also diversifies the meanings of nostalgia that these tourist sites claim to represent, which allows the overlapping between ‘reflective nostalgia’ and ‘restorative nostalgia’ in the same space. Based on this unique case, the article engages with the ‘landscape debate’ in critical tourist studies and extends the common ground between the two seemingly oppositional approaches.","PeriodicalId":47199,"journal":{"name":"Tourist Studies","volume":null,"pages":null},"PeriodicalIF":2.4,"publicationDate":"2022-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48725938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-01DOI: 10.1177/14687976221092220
D. Chylińska
Escape tourism seems to be difficult to define. It is related to many different kinds of tourism, including the so-called Robinson tourism. Given that escape tourists’ motives, ways of travelling and activities vary widely, the article deals with general conditions which may trigger the decision to undertake escape tourism. It also examines geographical spaces that are potential destinations for escapees thanks to their remote location or specific features. The article applies theoretical considerations to the consideration of Poland’s tourist space as a source of possible ‘escape destinations’, finding that geographical spaces traditionally considered suitable for escape tourism – borderlands, peripheries or geographical extremes – have decreased in importance as the phenomenon migrates towards less obvious places and forms of psychological refuge.
{"title":"Escape? But where? About ‘escape tourism’","authors":"D. Chylińska","doi":"10.1177/14687976221092220","DOIUrl":"https://doi.org/10.1177/14687976221092220","url":null,"abstract":"Escape tourism seems to be difficult to define. It is related to many different kinds of tourism, including the so-called Robinson tourism. Given that escape tourists’ motives, ways of travelling and activities vary widely, the article deals with general conditions which may trigger the decision to undertake escape tourism. It also examines geographical spaces that are potential destinations for escapees thanks to their remote location or specific features. The article applies theoretical considerations to the consideration of Poland’s tourist space as a source of possible ‘escape destinations’, finding that geographical spaces traditionally considered suitable for escape tourism – borderlands, peripheries or geographical extremes – have decreased in importance as the phenomenon migrates towards less obvious places and forms of psychological refuge.","PeriodicalId":47199,"journal":{"name":"Tourist Studies","volume":null,"pages":null},"PeriodicalIF":2.4,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66028361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-26DOI: 10.1177/14687976221090738
M. E. Altamirano
This paper examines the multiple and heterogeneous, current and potential, relations between hybrid actors of tourism in Favela Santa Marta, Rio de Janeiro. It seeks to elucidate the legitimizing potential of tourists acting as “connectors” that reach beyond formal politics’ hindrances. This work applies assemblage theory epistemological framework, and Actor-Network Theory ethnomethodological tools, to explore the issues and roles questioned, altered, made visible, or transformed through favela tourists’ practices and performances. Hence, avoiding the ethical dilemmas and representational concerns from slum tourism researchers in the past. Our fieldwork engages with two favela tours. We follow tourists as they stitch hybrid actor-networks that create multiple orderings in such assemblages, and their material and semiotic configurations. Our research reveals that such tours could be related to different shifts in the favela’s political, social, economic, cultural, and material dimensions.
本文考察了里约热内卢Favela Santa Marta旅游业混合参与者之间的多重和异质、当前和潜在关系。它试图阐明游客作为超越正式政治障碍的“连接器”的合法化潜力。这项工作应用集合论认识论框架和行动者网络理论民族方法论工具，探索贫民窟游客的实践和表演所质疑、改变、显现或转变的问题和角色。因此，避免了过去贫民窟旅游研究人员的伦理困境和代表性问题。我们的实地考察包括两次贫民窟之旅。我们跟随游客编织混合行动者网络，在这种组合中创造多种秩序，以及他们的材料和符号配置。我们的研究表明，这种旅行可能与贫民窟政治、社会、经济、文化和物质层面的不同转变有关。
{"title":"Overcoming urban frontiers: Ordering Favela tourism actor-networks","authors":"M. E. Altamirano","doi":"10.1177/14687976221090738","DOIUrl":"https://doi.org/10.1177/14687976221090738","url":null,"abstract":"This paper examines the multiple and heterogeneous, current and potential, relations between hybrid actors of tourism in Favela Santa Marta, Rio de Janeiro. It seeks to elucidate the legitimizing potential of tourists acting as “connectors” that reach beyond formal politics’ hindrances. This work applies assemblage theory epistemological framework, and Actor-Network Theory ethnomethodological tools, to explore the issues and roles questioned, altered, made visible, or transformed through favela tourists’ practices and performances. Hence, avoiding the ethical dilemmas and representational concerns from slum tourism researchers in the past. Our fieldwork engages with two favela tours. We follow tourists as they stitch hybrid actor-networks that create multiple orderings in such assemblages, and their material and semiotic configurations. Our research reveals that such tours could be related to different shifts in the favela’s political, social, economic, cultural, and material dimensions.","PeriodicalId":47199,"journal":{"name":"Tourist Studies","volume":null,"pages":null},"PeriodicalIF":2.4,"publicationDate":"2022-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45820314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-21DOI: 10.1177/14687976221091339
Guojie Zhang, J. Higham, J. Albrecht
With the continuing biodiversity crisis in New Zealand, an increasing number of eco-sanctuaries have been established to restore local ecology through the active management of invasive predator species, in combination with the translocation of endangered endemic wildlife. Seeking to achieve the (near) complete restoration of pre-human ecosystems, many of these projects are community-led social enterprises where tourism is developed for operation revenue and conservation advocacy. This paper explores perceptions of ecological restoration and tourism by individuals involved in the management and operation at New Zealand mainland eco-sanctuaries and considers implications for the co-creation of visitor experiences. Informed by theories of environmental philosophy, it presents an analysis of 14 in-depth interviews. The findings reveal that the philosophies of the participants can either challenge visitors to reflect upon their ecological perspectives or pay increased attention to visitor interests and accommodate diverse perspectives in the provision of the tourist experience. This paper contributes new knowledge by identifying participants’ eco-centric and shallow anthropocentric environmental ethics and dilemmas facing tourism development at community-led ecological restoration sites. In doing so, it considers the possibility that co-created visitor experiences at eco-sanctuaries can challenge the environmental philosophies of visitors.
{"title":"Co-creating ecological restoration experiences at Aotearoa (New Zealand) eco-sanctuaries: An environmental philosophical approach","authors":"Guojie Zhang, J. Higham, J. Albrecht","doi":"10.1177/14687976221091339","DOIUrl":"https://doi.org/10.1177/14687976221091339","url":null,"abstract":"With the continuing biodiversity crisis in New Zealand, an increasing number of eco-sanctuaries have been established to restore local ecology through the active management of invasive predator species, in combination with the translocation of endangered endemic wildlife. Seeking to achieve the (near) complete restoration of pre-human ecosystems, many of these projects are community-led social enterprises where tourism is developed for operation revenue and conservation advocacy. This paper explores perceptions of ecological restoration and tourism by individuals involved in the management and operation at New Zealand mainland eco-sanctuaries and considers implications for the co-creation of visitor experiences. Informed by theories of environmental philosophy, it presents an analysis of 14 in-depth interviews. The findings reveal that the philosophies of the participants can either challenge visitors to reflect upon their ecological perspectives or pay increased attention to visitor interests and accommodate diverse perspectives in the provision of the tourist experience. This paper contributes new knowledge by identifying participants’ eco-centric and shallow anthropocentric environmental ethics and dilemmas facing tourism development at community-led ecological restoration sites. In doing so, it considers the possibility that co-created visitor experiences at eco-sanctuaries can challenge the environmental philosophies of visitors.","PeriodicalId":47199,"journal":{"name":"Tourist Studies","volume":null,"pages":null},"PeriodicalIF":2.4,"publicationDate":"2022-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45669348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-25DOI: 10.1177/14687976221085729
Changsup Shim, Yae-Na Park, Choong‐Ki Lee, Young Sik Kim, C. Michael Hall
Protest tourism is visiting a destination with the major aim of viewing or participating in protests. This qualitative study examined the motivations of Hong Kong protest tourists as a starting point for future exploration of distinctions between this emerging type of tourism and other existing categories. Five primary motivations were revealed. Two push motivations were the desire to (1) have special, new experiences that few others have experienced; and (2) experience tourist offerings first-hand. Three pull motivations were created by sites providing tourists the opportunity to (i) see a one-time historical event; (ii) share the moment with local citizens, even if indirectly; and (iii) experience real-time events with a local guide. The findings point to unique temporal and geographic aspects of the interplay between protest tourist motivations and the unique merging of the subject and object of tourism, shedding light on how different tourism experiences can be framed.
{"title":"Exploring protest tourism motivations: The case of Hong Kong","authors":"Changsup Shim, Yae-Na Park, Choong‐Ki Lee, Young Sik Kim, C. Michael Hall","doi":"10.1177/14687976221085729","DOIUrl":"https://doi.org/10.1177/14687976221085729","url":null,"abstract":"Protest tourism is visiting a destination with the major aim of viewing or participating in protests. This qualitative study examined the motivations of Hong Kong protest tourists as a starting point for future exploration of distinctions between this emerging type of tourism and other existing categories. Five primary motivations were revealed. Two push motivations were the desire to (1) have special, new experiences that few others have experienced; and (2) experience tourist offerings first-hand. Three pull motivations were created by sites providing tourists the opportunity to (i) see a one-time historical event; (ii) share the moment with local citizens, even if indirectly; and (iii) experience real-time events with a local guide. The findings point to unique temporal and geographic aspects of the interplay between protest tourist motivations and the unique merging of the subject and object of tourism, shedding light on how different tourism experiences can be framed.","PeriodicalId":47199,"journal":{"name":"Tourist Studies","volume":null,"pages":null},"PeriodicalIF":2.4,"publicationDate":"2022-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43051307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"管理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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