Pub Date : 2023-08-22DOI: 10.18500/1817-7115-2023-23-3-247-253
Mikhail V. Zolotarev, Arina V. Popp
The article identifies the main ways in which the Present Perfect meanings are expressed in the oral speech of the US citizens speaking American English. The necessity to study in detail how the Present Perfect functions in modern American English is attributed to the emerging reports emphasizing the existing functional instability of these forms in the speech of Americans. This tendency shows that the Present Perfect loses its ability to express traditional perfect meanings. Therefore, the aim of the study is twofold: to apply the methods of corpus linguistics in order to confirm that the semantics of the perfect and preterite forms tend to merge in modern American English, as well as to collect and describe the contexts in which the preterite substitutes the Present Perfect forms in their traditional meanings. We created a corpus of oral texts and collected the data reflecting the frequency of the perfect and preterite forms found in the speech of the respondents. Based on the comparative analysis, we carried out the research determining the percentage ratio of the perfect meanings expressed by the preterite forms. It was found that today in the oral speech of the US women aged 18–25 the preterite verb forms substitute the perfect verb forms in their traditional meanings in almost a third of the contexts. At the same time, the preterite replaces the perfect only in its ‘stative’ and ‘existential’ meanings. The findings confirm the hypothesis that the Present Perfect evolves in American English in accordance with the scenario of “arrested” grammaticalization where the semantics of the perfect and the preterite merge.
{"title":"The semantics and contextualized use of the Present Perfect in modern American English: A corpus-driven study","authors":"Mikhail V. Zolotarev, Arina V. Popp","doi":"10.18500/1817-7115-2023-23-3-247-253","DOIUrl":"https://doi.org/10.18500/1817-7115-2023-23-3-247-253","url":null,"abstract":"The article identifies the main ways in which the Present Perfect meanings are expressed in the oral speech of the US citizens speaking American English. The necessity to study in detail how the Present Perfect functions in modern American English is attributed to the emerging reports emphasizing the existing functional instability of these forms in the speech of Americans. This tendency shows that the Present Perfect loses its ability to express traditional perfect meanings. Therefore, the aim of the study is twofold: to apply the methods of corpus linguistics in order to confirm that the semantics of the perfect and preterite forms tend to merge in modern American English, as well as to collect and describe the contexts in which the preterite substitutes the Present Perfect forms in their traditional meanings. We created a corpus of oral texts and collected the data reflecting the frequency of the perfect and preterite forms found in the speech of the respondents. Based on the comparative analysis, we carried out the research determining the percentage ratio of the perfect meanings expressed by the preterite forms. It was found that today in the oral speech of the US women aged 18–25 the preterite verb forms substitute the perfect verb forms in their traditional meanings in almost a third of the contexts. At the same time, the preterite replaces the perfect only in its ‘stative’ and ‘existential’ meanings. The findings confirm the hypothesis that the Present Perfect evolves in American English in accordance with the scenario of “arrested” grammaticalization where the semantics of the perfect and the preterite merge.","PeriodicalId":476403,"journal":{"name":"Izvestiâ Saratovskogo universiteta. Novaâ seriâ","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135716590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.18500/1994-2540-2023-23-3-341-348
Vitalii B. Sychev
Introduction. The issue of the subject of review of cases of compliance of the initiative to hold a referendum on the proposed issue (proposed issues) of the referendum with the Constitution of the Russian Federation by the Constitutional Court of the Russian Federation is not regulated in the federal legislation. In addition, the federal legislation regulates the procedure for considering cases of this category only in general terms. Theoretical analysis. The systematization of the opinions presented in the scientific literature regarding the subject of verification in this category of cases allows us to distinguish two positions: the subject of consideration by the Constitutional Court should include both the issues proposed for a referendum and the entire procedure for the initiative of holding a referendum; only the issues proposed for a referendum should be the subject of consideration by the Constitutional Court. Empirical analysis. The analysis of the criteria (limits) of verification for the category of cases under consideration showed that, in any case, they should include compliance of the issues proposed for a referendum, the division of jurisdiction and powers between the state authorities of the Russian Federation and the state authorities of the constituent entities of the Russian Federation with the Constitution of the Russian Federation. The criteria for the admissibility of the motion, the procedural form and procedural periods of consideration of cases of the category under study need to be improved. Conclusions. The subject of verification in cases of the category under consideration should be not only the issues proposed for a referendum but also the entire procedure for the initiative of holding a referendum. The author proposes to amend the legislation providing for the exemption of the President of the Russian Federation from paying state duty when bringing the matter before the Constitutional Court of the Russian Federation in cases of the category in question, the possibility of participation of representatives of the electoral association or public authority proposing the initiative to hold a referendum, the Central Election Commission of the Russian Federation and the President of the Russian Federation in consideration of cases of this category. The author also proposes to provide a special chapter in the relevant law regulating the consideration of cases of compliance of the initiative to hold a referendum on the proposed issue (proposed issues) of the referendum with the Constitution of the Russian Federation.
{"title":"The subject and procedure for consideration of cases of compliance of the initiative to hold a referendum on the proposed issue (proposed issues) of the referendum with the Constitution of the Russian Federation by the Constitutional Court of the Russian Federation","authors":"Vitalii B. Sychev","doi":"10.18500/1994-2540-2023-23-3-341-348","DOIUrl":"https://doi.org/10.18500/1994-2540-2023-23-3-341-348","url":null,"abstract":"Introduction. The issue of the subject of review of cases of compliance of the initiative to hold a referendum on the proposed issue (proposed issues) of the referendum with the Constitution of the Russian Federation by the Constitutional Court of the Russian Federation is not regulated in the federal legislation. In addition, the federal legislation regulates the procedure for considering cases of this category only in general terms. Theoretical analysis. The systematization of the opinions presented in the scientific literature regarding the subject of verification in this category of cases allows us to distinguish two positions: the subject of consideration by the Constitutional Court should include both the issues proposed for a referendum and the entire procedure for the initiative of holding a referendum; only the issues proposed for a referendum should be the subject of consideration by the Constitutional Court. Empirical analysis. The analysis of the criteria (limits) of verification for the category of cases under consideration showed that, in any case, they should include compliance of the issues proposed for a referendum, the division of jurisdiction and powers between the state authorities of the Russian Federation and the state authorities of the constituent entities of the Russian Federation with the Constitution of the Russian Federation. The criteria for the admissibility of the motion, the procedural form and procedural periods of consideration of cases of the category under study need to be improved. Conclusions. The subject of verification in cases of the category under consideration should be not only the issues proposed for a referendum but also the entire procedure for the initiative of holding a referendum. The author proposes to amend the legislation providing for the exemption of the President of the Russian Federation from paying state duty when bringing the matter before the Constitutional Court of the Russian Federation in cases of the category in question, the possibility of participation of representatives of the electoral association or public authority proposing the initiative to hold a referendum, the Central Election Commission of the Russian Federation and the President of the Russian Federation in consideration of cases of this category. The author also proposes to provide a special chapter in the relevant law regulating the consideration of cases of compliance of the initiative to hold a referendum on the proposed issue (proposed issues) of the referendum with the Constitution of the Russian Federation.","PeriodicalId":476403,"journal":{"name":"Izvestiâ Saratovskogo universiteta. Novaâ seriâ","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135716010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.18500/1817-7115-2023-23-3-290-298
Marina G. Alexeeva, Vera A. Frolova
This article analyzes the headlines of vitamin de magazine as an image forming tool, which contributes to the formation of the idea of Germany as one of the best educational centres in Europe, for foreign students as well. A headline, as the substantive and intentional core of the whole magazine article, is able to convey the image of the country and its values relevant to the 12+ readership. The study showed that the features of the magazine such as Another View, Country Studies, Life, Vitamin de in Regions, Dialogue, Profession, German Inventors, Tradition, Psychological Test, Recipe, (Professional) Training generate the image characteristics of the country of the target language. The headlines of the articles in these features create an image of Germany as a country with an advantageous geographical position, a country with rich cultural traditions and values accepted by the Russian audience. Headlines about joint German-Russian educational, creative and environmental activities, accessible to all age groups of Russian youth, contribute significantly to the image of Germany as a country with a high research potential, where theory and practice are inextricably linked. The image properties of Germany, practically ideological paradigms “outwardly” directed, are critically reinterpreted in the headlines of those articles in which students with the experience of living in the country share their impressions. Thus, a more realistic view of the destination country with educational objectives is created. Another View feature, as the results of the study show, is designed to balance the ideal and the realistic picture of the country of the target language.
{"title":"Germany’s image formed by magazine headlines (on the materials of the youth magazine vitamin de)","authors":"Marina G. Alexeeva, Vera A. Frolova","doi":"10.18500/1817-7115-2023-23-3-290-298","DOIUrl":"https://doi.org/10.18500/1817-7115-2023-23-3-290-298","url":null,"abstract":"This article analyzes the headlines of vitamin de magazine as an image forming tool, which contributes to the formation of the idea of Germany as one of the best educational centres in Europe, for foreign students as well. A headline, as the substantive and intentional core of the whole magazine article, is able to convey the image of the country and its values relevant to the 12+ readership. The study showed that the features of the magazine such as Another View, Country Studies, Life, Vitamin de in Regions, Dialogue, Profession, German Inventors, Tradition, Psychological Test, Recipe, (Professional) Training generate the image characteristics of the country of the target language. The headlines of the articles in these features create an image of Germany as a country with an advantageous geographical position, a country with rich cultural traditions and values accepted by the Russian audience. Headlines about joint German-Russian educational, creative and environmental activities, accessible to all age groups of Russian youth, contribute significantly to the image of Germany as a country with a high research potential, where theory and practice are inextricably linked. The image properties of Germany, practically ideological paradigms “outwardly” directed, are critically reinterpreted in the headlines of those articles in which students with the experience of living in the country share their impressions. Thus, a more realistic view of the destination country with educational objectives is created. Another View feature, as the results of the study show, is designed to balance the ideal and the realistic picture of the country of the target language.","PeriodicalId":476403,"journal":{"name":"Izvestiâ Saratovskogo universiteta. Novaâ seriâ","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135716770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.18500/1817-7115-2023-23-3-278-284
Natalia V. Mokina
The subject of research in the article is the image of the Dry Valley in Bunin’s short novel and its possible sources. The author believes that the main precedent texts for Bunin’s short novel and the concept of national life and national character embodied in it, are the novels by Fyodor Dostoevsky The Brothers Karamazov (as the researchers have already noted) and The Silver Dove by Andrey Bely. Bunin both argues with the writers and develops their ideas about the essence of the Russian character and the Russian life. The signs pointing at the ‘presence’ of Dostoevsky’s novel, as well as the facts of the writer’s biography, are the main plot collisions, special features of the psychology of the Dry Valley dwellers (their strangeness, warm-heartedness, posing etc.) and place-names. The novel by A. Bely is referred to by key antinomies in understanding the fate of the Russian person (West – East, civilization – primitive world, sacred – demonic, heaven – hell), loci (manor and village), material details and the names of the heroes. At the same time, in the Dry Valley life one can also see the manifestation of universal laws, the idea of which Bunin develops under the influence of the artistic discoveries of Edgar Alan Poe, the author of the short story The Fall of the House of Usher. This is evidenced by the idea, fundamental for the poetics of the two works, about the connection of the external world, including the inorganic one, with the soul and the fate of a person, and the form of its representation (common reference motifs and color dominants in the description of the estate, the nature, the appearance of the characters and their inner worlds, etc.), as well as the system of images.
{"title":"“A strange mystical village” in Bunin’s short novel Dry Valley: To the problem of sources","authors":"Natalia V. Mokina","doi":"10.18500/1817-7115-2023-23-3-278-284","DOIUrl":"https://doi.org/10.18500/1817-7115-2023-23-3-278-284","url":null,"abstract":"The subject of research in the article is the image of the Dry Valley in Bunin’s short novel and its possible sources. The author believes that the main precedent texts for Bunin’s short novel and the concept of national life and national character embodied in it, are the novels by Fyodor Dostoevsky The Brothers Karamazov (as the researchers have already noted) and The Silver Dove by Andrey Bely. Bunin both argues with the writers and develops their ideas about the essence of the Russian character and the Russian life. The signs pointing at the ‘presence’ of Dostoevsky’s novel, as well as the facts of the writer’s biography, are the main plot collisions, special features of the psychology of the Dry Valley dwellers (their strangeness, warm-heartedness, posing etc.) and place-names. The novel by A. Bely is referred to by key antinomies in understanding the fate of the Russian person (West – East, civilization – primitive world, sacred – demonic, heaven – hell), loci (manor and village), material details and the names of the heroes. At the same time, in the Dry Valley life one can also see the manifestation of universal laws, the idea of which Bunin develops under the influence of the artistic discoveries of Edgar Alan Poe, the author of the short story The Fall of the House of Usher. This is evidenced by the idea, fundamental for the poetics of the two works, about the connection of the external world, including the inorganic one, with the soul and the fate of a person, and the form of its representation (common reference motifs and color dominants in the description of the estate, the nature, the appearance of the characters and their inner worlds, etc.), as well as the system of images.","PeriodicalId":476403,"journal":{"name":"Izvestiâ Saratovskogo universiteta. Novaâ seriâ","volume":"284 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135716769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.18500/1817-7115-2023-23-3-225-232
Alexander B. Alexeyev
The article dwells on the English language mixed martial arts (MMA) discourse which is interpreted as a variety of sports martial and interactive discourses. The main concepts that represent the entertaining aspect of MMA discourse are singled out. Among them are the following notions: “game”, “fun”, “entertainment”, “show”, “performance”, “pleasure”, etc. All of them have direct lexical representation and correspond with the relevant lexical units. At the same time, they can be indicated through synonymous words and phrases. All in all, MMA discourse has not been studied in detail and as such, it presents the linguist with an opportunity to consider it from different perspectives. In particular, from the standpoint of stylistics, one can determine some features of how different rhetorical devices are used in order to actualize the linguistic and pragmatic intentions of the speaker. In this regard, the article analyzes such a trope as the metaphor. Defining the metaphor as a trope shaping the world, the article differentiates several metaphorical models which are actualized in MMA discourse. It is found out that within the framework of martial sports communication, the military metaphorical model is most often used. This can be explained by conceptual and cognitive proximity of MMA and military discourses. It is not a coincidence that the notions like “battle”, “war”, “fight” are equally important for both communicative spheres. In the process of the analysis, zoomorphic, hunting, criminal, etc. metaphors have also been considered. The use of these metaphors corresponds to the fact that aggression is the key notion of MMA discourse but aggression, as it is known, is also inherent in nature and social relationships. This provides basis for metaphorical transfers and analogies.
{"title":"Mixed martial arts discourse as a variety of sports martial and interactive discourses","authors":"Alexander B. Alexeyev","doi":"10.18500/1817-7115-2023-23-3-225-232","DOIUrl":"https://doi.org/10.18500/1817-7115-2023-23-3-225-232","url":null,"abstract":"The article dwells on the English language mixed martial arts (MMA) discourse which is interpreted as a variety of sports martial and interactive discourses. The main concepts that represent the entertaining aspect of MMA discourse are singled out. Among them are the following notions: “game”, “fun”, “entertainment”, “show”, “performance”, “pleasure”, etc. All of them have direct lexical representation and correspond with the relevant lexical units. At the same time, they can be indicated through synonymous words and phrases. All in all, MMA discourse has not been studied in detail and as such, it presents the linguist with an opportunity to consider it from different perspectives. In particular, from the standpoint of stylistics, one can determine some features of how different rhetorical devices are used in order to actualize the linguistic and pragmatic intentions of the speaker. In this regard, the article analyzes such a trope as the metaphor. Defining the metaphor as a trope shaping the world, the article differentiates several metaphorical models which are actualized in MMA discourse. It is found out that within the framework of martial sports communication, the military metaphorical model is most often used. This can be explained by conceptual and cognitive proximity of MMA and military discourses. It is not a coincidence that the notions like “battle”, “war”, “fight” are equally important for both communicative spheres. In the process of the analysis, zoomorphic, hunting, criminal, etc. metaphors have also been considered. The use of these metaphors corresponds to the fact that aggression is the key notion of MMA discourse but aggression, as it is known, is also inherent in nature and social relationships. This provides basis for metaphorical transfers and analogies.","PeriodicalId":476403,"journal":{"name":"Izvestiâ Saratovskogo universiteta. Novaâ seriâ","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135716369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.18500/1817-7115-2023-23-3-219-224
Sergei A. Ryzhov
The article presents a general characteristic of the “star (celebrity)” frame in the Russian linguoculture based on the material of three chronological periods. The author substantiates the relevance and practicability of studying the star (celebrity) image from the standpoint of the frame approach. It is established that the structure of the “star (celebrity)” frame is determined by the actual nature of the stardom phenomenon, as well as the factual research material. Based on the material of the Russian-language newspapers and magazines of the Soviet pre-war and post-war periods, as well as the media texts of the modern period, the structure of the “star (celebrity)” frame is modelled, which contains a number of slots and terminals. The author remarks that this frame structure is not constant in all three periods and it is represented by some variations. Using the example of the leading slot “wide popularity”, which includes such terminals as “a high degree of popularity”, “a medium degree of popularity” and “the number of fans”, the article discovers the similarities and differences in the objectification of the separate structural components of the “star (celebrity)” frame in the mass media texts of the above-noted periods. It has been established that the terminal “a medium degree of popularity” is eliminated from the texts of the pre-war and post-war periods. In the factual material of all three periods the clichéd expressions, as well as the linguistic units with the root мир- (world) were identified as the leading representatives; the frequent language units in the texts of the Soviet pre-war and post-war periods are a group of impassioned vocabulary, as well as nominations of creative work artifacts. Within the framework of the above-mentioned slot, the linguistic and cultural characteristics of the stardom phenomenon are defined as follows: “glory”, “popularity” and “attention”. Modelling of the invariant structure of the “star (celebrity)” frame in the Russian linguoculture is indicated as one of the prospects for further research.
{"title":"Peculiar features of the representation of separate components of the star (celebrity) image frame structure in the Russian language (based on the mass media texts of the pre-war, post-war and modern periods)","authors":"Sergei A. Ryzhov","doi":"10.18500/1817-7115-2023-23-3-219-224","DOIUrl":"https://doi.org/10.18500/1817-7115-2023-23-3-219-224","url":null,"abstract":"The article presents a general characteristic of the “star (celebrity)” frame in the Russian linguoculture based on the material of three chronological periods. The author substantiates the relevance and practicability of studying the star (celebrity) image from the standpoint of the frame approach. It is established that the structure of the “star (celebrity)” frame is determined by the actual nature of the stardom phenomenon, as well as the factual research material. Based on the material of the Russian-language newspapers and magazines of the Soviet pre-war and post-war periods, as well as the media texts of the modern period, the structure of the “star (celebrity)” frame is modelled, which contains a number of slots and terminals. The author remarks that this frame structure is not constant in all three periods and it is represented by some variations. Using the example of the leading slot “wide popularity”, which includes such terminals as “a high degree of popularity”, “a medium degree of popularity” and “the number of fans”, the article discovers the similarities and differences in the objectification of the separate structural components of the “star (celebrity)” frame in the mass media texts of the above-noted periods. It has been established that the terminal “a medium degree of popularity” is eliminated from the texts of the pre-war and post-war periods. In the factual material of all three periods the clichéd expressions, as well as the linguistic units with the root мир- (world) were identified as the leading representatives; the frequent language units in the texts of the Soviet pre-war and post-war periods are a group of impassioned vocabulary, as well as nominations of creative work artifacts. Within the framework of the above-mentioned slot, the linguistic and cultural characteristics of the stardom phenomenon are defined as follows: “glory”, “popularity” and “attention”. Modelling of the invariant structure of the “star (celebrity)” frame in the Russian linguoculture is indicated as one of the prospects for further research.","PeriodicalId":476403,"journal":{"name":"Izvestiâ Saratovskogo universiteta. Novaâ seriâ","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135716587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.18500/1817-7115-2023-23-3-285-289
Vladislav Sh. Krivonos
The article discusses the relationship of V. A. Bochkarev, a graduate of Saratov University in 1930, the first postgraduate student of A. P. Skaftymov in 1930–1933, subsequently Doctor of Philology, professor, the head of the department of the Russian and Foreign literature of Kuybyshev (Samara) Pedagogical Institute (University) for many years, the author of the fundamental works on the Russian historical drama, and A. P. Skaftymov, the founder and the creator of Saratov School of Philology, a scientist of world renown. A. P. Skaftymov left philological legacy exclusively valuable in its scientific magnitude and he educated many students, the nestlings of Skavtymov’s “nest”, as they were called afterwards, some of them, including V. A. Bochkarev, have taken the rightful place in the literature science. The article covers the important role that A. P. Skaftymov played in the personal and scientific life of V. A. Bochkarev in his formation as a scientist and a teacher, who retained a grateful memory of his tutor. Some important memoir evidence by V. A. Bochkarev is presented, in which he dwells on the content and structure of the lecture courses given by A. P. Skaftymov, that V. A. Bochkarev chanced to attend as a student and a postgraduate, on the topics of the special seminars that A. P. Saftymov used to teach, on the reports that were prepared under his supervision, on the requirements of the scientific supervisor to the students’ and postgraduates’ papers, on the methods of scientific counselling, on A. P. Skaftymov’s inherent feeling of democracy, that was revealed in his behavior as the head of the department and the faculty. The article considers how V. A. Bochkarev perceived and evaluated the scientific, moral and educational lessons of A. P. Skaftymov, which he appropriated for his life and reflected in his memories and letters to his colleagues in Saratov.
博奇卡列夫，1930年毕业于萨拉托夫大学，1930 - 1933年是a·p·斯卡夫蒂莫夫的第一个研究生，后来获得语言学博士学位，教授，多年来担任古比雪夫(萨马拉)师范学院(大学)俄罗斯与外国文学系主任，俄罗斯历史剧基础著作的作者，萨拉托夫语言学学派的创始人和创造者，一位举世闻名的科学家。a·p·斯卡夫季莫夫留下的文献学遗产只在科学意义上有价值，他教育了许多学生，斯卡夫季莫夫的“巢”的雏鸟，他们后来被称为“巢”，其中一些人，包括v·a·博奇卡列夫，在文学科学中占据了应有的地位。这篇文章涵盖了a·p·斯卡夫蒂莫夫在波奇卡列夫的个人和科学生活中扮演的重要角色，波奇卡列夫在他成为科学家和教师的过程中，对他的导师留下了感激的记忆。一些重要的回忆录由诉证据a Bochkarev,他住在讲座的内容和结构的课程由a . p . Skaftymov,诉答:Bochkarev偶然参加作为一个学生和一个研究生,在特殊的主题研讨会,a . p . Saftymov用来教的报告准备在他的监督下,需求的科学主管学生和研究生的论文,在科学辅导的方法,a·p·斯卡夫蒂莫夫固有的民主意识，这在他作为系主任和教职员的行为中表现出来。这篇文章探讨了v·a·博奇卡列夫是如何看待和评价a·p·斯卡夫蒂莫夫的科学、道德和教育经验的，他将这些经验运用到自己的生活中，并反映在他的记忆和给萨拉托夫同事的信中。
{"title":"“Left Skaftymov’s ‘nest’ too early”: V. A. Bochkarev about A. P. Skaftymov","authors":"Vladislav Sh. Krivonos","doi":"10.18500/1817-7115-2023-23-3-285-289","DOIUrl":"https://doi.org/10.18500/1817-7115-2023-23-3-285-289","url":null,"abstract":"The article discusses the relationship of V. A. Bochkarev, a graduate of Saratov University in 1930, the first postgraduate student of A. P. Skaftymov in 1930–1933, subsequently Doctor of Philology, professor, the head of the department of the Russian and Foreign literature of Kuybyshev (Samara) Pedagogical Institute (University) for many years, the author of the fundamental works on the Russian historical drama, and A. P. Skaftymov, the founder and the creator of Saratov School of Philology, a scientist of world renown. A. P. Skaftymov left philological legacy exclusively valuable in its scientific magnitude and he educated many students, the nestlings of Skavtymov’s “nest”, as they were called afterwards, some of them, including V. A. Bochkarev, have taken the rightful place in the literature science. The article covers the important role that A. P. Skaftymov played in the personal and scientific life of V. A. Bochkarev in his formation as a scientist and a teacher, who retained a grateful memory of his tutor. Some important memoir evidence by V. A. Bochkarev is presented, in which he dwells on the content and structure of the lecture courses given by A. P. Skaftymov, that V. A. Bochkarev chanced to attend as a student and a postgraduate, on the topics of the special seminars that A. P. Saftymov used to teach, on the reports that were prepared under his supervision, on the requirements of the scientific supervisor to the students’ and postgraduates’ papers, on the methods of scientific counselling, on A. P. Skaftymov’s inherent feeling of democracy, that was revealed in his behavior as the head of the department and the faculty. The article considers how V. A. Bochkarev perceived and evaluated the scientific, moral and educational lessons of A. P. Skaftymov, which he appropriated for his life and reflected in his memories and letters to his colleagues in Saratov.","PeriodicalId":476403,"journal":{"name":"Izvestiâ Saratovskogo universiteta. Novaâ seriâ","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135716588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.18500/1817-7115-2023-23-3-212-218
Elena N. Malashenkova
Such a speech genre as wishing, which functions both in real communication and in the Internet environment, has considerable flexibility in terms of content, despite the rather stereotypical forms of expression. The content of wishes is traditionally influenced by the personality factor of the addressee, their gender, age, social and professional affiliation, hobbies. In addition, the wish genre actively responds to changes taking place in the social sphere. Themes, vocabulary and intertextuality of wishes reflect various processes that occur in the modern culture. The purpose of this study was to identify markers, or signs of time, that label the text as belonging to a specific historical period. The material of the study was mainly the friendly wishes of young people, recorded in speech and Internet communication, as well as the wishes of older people. The article analyzes the linguistic and content signs of time. Various types of precedent phenomena that are often found in wishes are considered, such as: song lyrics and advertising texts, names of musicians, media personalities, movie characters, names of social networks, popular public places. Precedents, firstly, give wishes an individual creative character, and secondly, serve as features of the 21stcentury. They can be said to be establishing the dates of the texts of wishes. Particular attention is paid to how global extralinguistic events that concern all age groups of people (such as the coronavirus pandemic, a special operation in Ukraine) affect the content plan of wishes, generate new thematic components in their texts, or update and fill traditional desiderata (meaningful wish components) with new connotations. The conclusion is made about the dependence of human values, actualized in the texts of wishes, on the social processes of the given period.
{"title":"Signs of time and representation of actual events in texts of modern wishes","authors":"Elena N. Malashenkova","doi":"10.18500/1817-7115-2023-23-3-212-218","DOIUrl":"https://doi.org/10.18500/1817-7115-2023-23-3-212-218","url":null,"abstract":"Such a speech genre as wishing, which functions both in real communication and in the Internet environment, has considerable flexibility in terms of content, despite the rather stereotypical forms of expression. The content of wishes is traditionally influenced by the personality factor of the addressee, their gender, age, social and professional affiliation, hobbies. In addition, the wish genre actively responds to changes taking place in the social sphere. Themes, vocabulary and intertextuality of wishes reflect various processes that occur in the modern culture. The purpose of this study was to identify markers, or signs of time, that label the text as belonging to a specific historical period. The material of the study was mainly the friendly wishes of young people, recorded in speech and Internet communication, as well as the wishes of older people. The article analyzes the linguistic and content signs of time. Various types of precedent phenomena that are often found in wishes are considered, such as: song lyrics and advertising texts, names of musicians, media personalities, movie characters, names of social networks, popular public places. Precedents, firstly, give wishes an individual creative character, and secondly, serve as features of the 21stcentury. They can be said to be establishing the dates of the texts of wishes. Particular attention is paid to how global extralinguistic events that concern all age groups of people (such as the coronavirus pandemic, a special operation in Ukraine) affect the content plan of wishes, generate new thematic components in their texts, or update and fill traditional desiderata (meaningful wish components) with new connotations. The conclusion is made about the dependence of human values, actualized in the texts of wishes, on the social processes of the given period.","PeriodicalId":476403,"journal":{"name":"Izvestiâ Saratovskogo universiteta. Novaâ seriâ","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135716589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.18500/1817-7115-2023-23-3-240-246
Alevtina A. Plisenko, Galina A. Ageyeva
The article analyzes the functions of the dash in literary German-language texts. The purpose of the study is to clarify and describe the various functions of the dash, to determine its role in the transmission of the communicative intention of the author of the written text. It is established that the dash is a multifunctional punctuation mark which complicates and specifies its functions depending on the contextual conditions of its use and the communicative situation. Two main groups of functions were identified and described: structural-semantic and expressive. Within the framework of structural and semantic functions, the dash is an indicator of logical relations in an utterance – causal and contrast ones. Being a means of a written text division, the dash performs compositional functions: it signals the transition from one type of speech transmission to another, to a new microtheme, a change of the addressee-addresse r of speech. The dash is a graphic means of creating expressiveness, marking expressive syntactic constructions (inserts, separations, introductory structures, attachments, parentheses), pauses in a character’s speech, contributing to the compression of the utterance, the effect of emotional tension, the incompleteness of the utterance. The dash is one of those punctuation marks that have a vivid stylistic potential and are widely used by the authors in order to create a special artistic effect. This applies both to cases where the current punctuation rules allow one to choose between a dash and another character, and when the rules do not require any character at all. The choice of the dash depends on the author’s communicative intention and can be explained based on the context, or by the predominant use of the dash, which is one of the elements of the author’s style.
{"title":"On the polyfunctionality of punctuation marks in modern German (on the example of the dash)","authors":"Alevtina A. Plisenko, Galina A. Ageyeva","doi":"10.18500/1817-7115-2023-23-3-240-246","DOIUrl":"https://doi.org/10.18500/1817-7115-2023-23-3-240-246","url":null,"abstract":"The article analyzes the functions of the dash in literary German-language texts. The purpose of the study is to clarify and describe the various functions of the dash, to determine its role in the transmission of the communicative intention of the author of the written text. It is established that the dash is a multifunctional punctuation mark which complicates and specifies its functions depending on the contextual conditions of its use and the communicative situation. Two main groups of functions were identified and described: structural-semantic and expressive. Within the framework of structural and semantic functions, the dash is an indicator of logical relations in an utterance – causal and contrast ones. Being a means of a written text division, the dash performs compositional functions: it signals the transition from one type of speech transmission to another, to a new microtheme, a change of the addressee-addresse r of speech. The dash is a graphic means of creating expressiveness, marking expressive syntactic constructions (inserts, separations, introductory structures, attachments, parentheses), pauses in a character’s speech, contributing to the compression of the utterance, the effect of emotional tension, the incompleteness of the utterance. The dash is one of those punctuation marks that have a vivid stylistic potential and are widely used by the authors in order to create a special artistic effect. This applies both to cases where the current punctuation rules allow one to choose between a dash and another character, and when the rules do not require any character at all. The choice of the dash depends on the author’s communicative intention and can be explained based on the context, or by the predominant use of the dash, which is one of the elements of the author’s style.","PeriodicalId":476403,"journal":{"name":"Izvestiâ Saratovskogo universiteta. Novaâ seriâ","volume":"103 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135716594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.18500/1817-7115-2023-23-3-269-277
Maria V. Mikhailova, Anastasia V. Nazarova
The article analyzes literary texts and critical speeches of women and men-writers of the turn of the 19th – early 20th centuries, where the gender role models of the “new woman” and “superwoman” received the most vivid and original embodiment. Both models of femininity reflected the breaking of the usual gender order and the formation of a new system of values, in literature itself as well. The complex of feminist ideas associated with these types of models interested not only representatives of “high” literature. The creators of products for the mass reader, which absorbed both realistic traditions and the discoveries of modernism, also responded to the problem of women’s emancipation. N. M. Minsky in the play Alma and V. Bryusov in The Last Pages from the Diary of a Woman tried to present the model of the “superwoman” based on the Nietzschean vision. The field of activity for the “new woman” was outlined by E. A. Nagrodskaya and A. A. Verbitskaya in the novels The Wrath of Dionysus and The Keys of Happiness. Nevertheless, in all these works, the heroines failed, because they either became criminals, or faced an insuperable problem: actualizing the reproductive function or creative self-realization. Alma lost strength in the struggle for personal freedom, Bryusov’s Natalie became a murderer, Nagrodskaya’s Tatiana returned to the family shelter, Verbitskaya’s Manya, having achieved success in the art of ballet, committed suicide. And only M. Gorky in the novel Mother offered a solution: he put his Nilovna past the childbearing age and made her a freedom fighter for others. Thus, he managed to outline ways to rescue women from the snares of gender inequality. Nilovna can really be considered a “new woman”. And this utopian project turned out to be possible to implement in Soviet times by ignoring the real issues of gender controversies.
本文分析了19世纪之交至20世纪初男女作家的文学文本和批评言论，“新女性”和“女超人”的性别角色典范在这一时期得到了最生动和最原始的体现。这两种女性模式都反映了文学本身对传统性别秩序的打破和一种新的价值体系的形成。与这些类型的模特相关的女权主义思想的复杂性不仅引起了“高级”文学的代表的兴趣。大众读者产品的创造者吸收了现实主义传统和现代主义的发现，也回应了妇女解放的问题。明斯基在《一个女人日记的最后几页》中的《阿尔玛和V.布留索夫》试图以尼采的视角来呈现“女超人”的模式。E. A. Nagrodskaya和A. A. Verbitskaya在小说《酒神的愤怒》和《幸福的钥匙》中概述了“新女性”的活动领域。然而，在所有这些作品中，女主人公都失败了，因为她们要么成为了罪犯，要么面临着一个无法克服的问题:实现生殖功能还是创造性的自我实现。阿尔玛在争取个人自由的斗争中失去了力量，布留索夫饰演的娜塔莉成为了杀人犯，纳格罗德斯卡娅饰演的塔蒂亚娜回到了家庭庇护所，韦尔比斯卡娅饰演的马尼亚在芭蕾舞艺术上取得了成功，却自杀了。只有高尔基在小说《母亲》中提供了一个解决方案:他让他的尼洛夫娜过了生育年龄，让她成为别人的自由战士。因此，他设法概述了将女性从性别不平等的陷阱中拯救出来的方法。Nilovna真的可以被认为是一个“新女性”。这个乌托邦式的计划在苏联时代是可以实现的，因为它忽略了性别争议的现实问题。
{"title":"A “new woman” or a “superwoman”? A Silver Age project","authors":"Maria V. Mikhailova, Anastasia V. Nazarova","doi":"10.18500/1817-7115-2023-23-3-269-277","DOIUrl":"https://doi.org/10.18500/1817-7115-2023-23-3-269-277","url":null,"abstract":"The article analyzes literary texts and critical speeches of women and men-writers of the turn of the 19th – early 20th centuries, where the gender role models of the “new woman” and “superwoman” received the most vivid and original embodiment. Both models of femininity reflected the breaking of the usual gender order and the formation of a new system of values, in literature itself as well. The complex of feminist ideas associated with these types of models interested not only representatives of “high” literature. The creators of products for the mass reader, which absorbed both realistic traditions and the discoveries of modernism, also responded to the problem of women’s emancipation. N. M. Minsky in the play Alma and V. Bryusov in The Last Pages from the Diary of a Woman tried to present the model of the “superwoman” based on the Nietzschean vision. The field of activity for the “new woman” was outlined by E. A. Nagrodskaya and A. A. Verbitskaya in the novels The Wrath of Dionysus and The Keys of Happiness. Nevertheless, in all these works, the heroines failed, because they either became criminals, or faced an insuperable problem: actualizing the reproductive function or creative self-realization. Alma lost strength in the struggle for personal freedom, Bryusov’s Natalie became a murderer, Nagrodskaya’s Tatiana returned to the family shelter, Verbitskaya’s Manya, having achieved success in the art of ballet, committed suicide. And only M. Gorky in the novel Mother offered a solution: he put his Nilovna past the childbearing age and made her a freedom fighter for others. Thus, he managed to outline ways to rescue women from the snares of gender inequality. Nilovna can really be considered a “new woman”. And this utopian project turned out to be possible to implement in Soviet times by ignoring the real issues of gender controversies.","PeriodicalId":476403,"journal":{"name":"Izvestiâ Saratovskogo universiteta. Novaâ seriâ","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135716766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：